WEBVTT

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That is the new sound of The Underground, a band called The Arctic Monkeys that I think you're going to be hearing a lot more from in the weeks to come.

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They're the biggest band of the 80s.

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This is Adam and Joe here with the latest sounds and the latest music news sounds on 6 Music, home of news, music and sound.

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Happy Saturday, everybody.

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Thanks for tuning in.

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It's the first exciting hour of our three-hour Saturday morning extravaganza.

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And have we got news for you was on last week.

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Yeah, it was a confusing sentence.

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It got derailed in the middle because we got features.

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Yeah, what?

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You!

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This is good, man.

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This is a good start.

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Thanks.

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This is slick.

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We're gonna be, uh, revealing the winner of Song Wars, last week's Song Wars.

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Was it last week?

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Two weeks back.

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Christmas has confused everything.

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Two weeks back.

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This is, uh, our Christmas Song Wars from two weeks back that we played you.

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Last week, of course, was our Christmas show where Joe and myself gave each other presents.

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Uh, what a time that was.

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I don't think any of us will ever forget that.

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But, uh, now we're in that strange hinterland between Christmas and New Year.

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More or less, right slap back in, uh, bang, back, back.

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My brain is no longer working.

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It's more or less shut down for the Christmas holiday.

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Zzz.

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Well, there's plenty of good stuff coming, listeners.

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Believe us.

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But for now, let's have some, uh, a bowl of lovely warm pumpkin soup.

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Mmm, delicious.

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Mmm, with Kate Nash floating around in it like a sort of crouton.

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Kate Nash with pumpkin soup.

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This is Adam and Joe here on BBC Six Music.

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We should tell you listeners that this show is not actually live, so please do not email us or text us as we're not currently here.

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This show is pre-recorded because at the moment, we're in Lapland.

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Are we?

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Yeah.

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What are we doing in Lapland?

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We are talking to Santa.

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We're counselling him.

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He's been very depressed.

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Well, he's had a tough time the past week or so.

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Yeah.

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And we're his kind of emotional support team.

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What's the matter with him?

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He's just very sad because... Why?

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Well, he can't get to absolutely everybody that he wants to get to with the toys.

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There's a lot of sadness in the world, a lot of areas that are war-torn, and he can't do anything about that.

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He feels that, you know, just handing out toys, that's just like putting a band-aid on the problem.

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It's not really a long-term solution.

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So we're trying to chat to him about those issues and get some perspective.

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He's upset that the world's gone PC crazy.

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He thinks it's gone PC crazy.

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You know, it's just PC gone mad as far as he's concerned a lot of the time, you know.

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He should read the papers less that centre.

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Yeah, yeah, yeah, yeah.

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Because he made some comments about some minorities as well, which have got him into hot water, so we're trying

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Dig him out.

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What are you talking about?

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They made some comments about some of the elves, and now he's been branded a racist.

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It sounded as if I was working my way up to a joke there, some kind of punchline, but nothing could have been further from the truth.

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So listen, listeners, all over Christmas you've been voting in the big song, or Christmas song, Fight Off, Adam and I composed a Christmas song each.

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They were two of the most powerful songs ever recorded in under three hours.

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They were certainly two of the best Christmas songs ever recorded.

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Really?

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Yeah.

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I mean, yes.

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They were.

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Have you worked that out?

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I've worked that out because they're pretty much at the bottom of the list with all other Christmas songs above.

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Oh, so the Christmas, like the Christmas song top 10 is just a flat line.

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It's a straight line.

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Well, the list of the best Christmas songs ever written includes all the Christmas songs ever written.

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Right.

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And so we're technically in that.

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Okay.

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But very near the bottom.

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Okay, I'm confused, but all will be made clear in terms of who won that fight in a second, and I open the results.

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Just to remind you, listeners, they were very different in style.

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I went for a kind of a Christmas.

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In fact, my song was called Christmas Country Party Time.

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We're not gonna play you clips because it'll just bring back painful memories.

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And, Joes, what was yours like?

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Uh, mine was, it's hard to describe the musical genre, but it was a kind of, uh, George Formby, uh, like, hard house combo, uh, about shopping at an all-night garage on Christmas Eve, getting your presents on Christmas Eve.

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All-night garage, all-night garage, Christmas Eve.

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See, you remember it.

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I do remember.

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Do I remember yours?

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Go on then.

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Ring, ring, ring.

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Christmas, Christmas, Christmas, Christmas, Christmas, Christmas.

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That was it.

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Germany, Christmas, Germany, Christmas.

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That's the one?

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Catchy.

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It's catchy.

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Yeah.

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Are we gonna do the results now?

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Or should we spin it out?

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If Simon Cowell was producing this show, he'd spin it out.

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He'd spin it out for another two hours.

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He'd play another record.

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If Adam Depp were announcing it, there'd be a one hour gap between us saying, and the winner is...

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and then the actual winner.

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So in that spirit, I think we should play some more music.

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What have we got coming up?

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James Brown.

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Listening wise.

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I chose this one for you listeners.

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I thought this was a nice little seasonal nugget, you know, because it's still sort of seasonal, even though it's after Christmas now and it's tainted with the stink of the new year.

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But this is a lovely mellow song from the early days of James Brown.

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I think maybe even with his famous flames, but it's called Maybe the Last Time.

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Enjoy.

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BBC.

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music this New Year's Eve from seven it's Adam and Joe everybody knows that New Year's Eve is rubbish it's the last thing you want to do have yet another party after two weeks of stuffing yourself so why don't you instead make a date to spend three hours with me Adam and me Joe it'll still be rubbish but you know fun rubbish over the year imagine that no I don't think anyone no one's ever known that no we are quick

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Queen's of Noise is the Queen's of Noise.

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We're bringing you into 2008 for the ultimate New Year's Eve.

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We're going to have rides of extra special guests.

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We love everyone.

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You'll be a loom to miss it.

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That's very spiritual stuff there that's the soul savers with revival and before the trail you heard my selection for you Which was James Brown with maybe the last time this is Adam and Joe here on BBC six music and now It's time for some wars the war

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So check it out.

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Yes, it's time to reveal the winner of the pre-Christmas Song Wars.

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Adam and I wrote Christmas songs and battled them against each other, kind of like battling Beatles.

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Yeah?

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No, more like Transformers.

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More like Transformers, bashing each other up down a New York street with Shiba-lad-bleh holding some kind of a cube skidding around the place.

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I still haven't seen that film, you know.

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Yeah, don't worry about it.

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What'll happen if I just never see it?

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Nothing.

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Oh.

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A tiny bit of your brain will be active.

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Good one.

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That no one else in the world will have access to.

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Here we go.

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So here's the winner.

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I'm opening the envelope with the stats in.

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Represented in percentage to save the blushes, you know.

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Yeah, because only four or five people would have voted.

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I'm afraid it's a landslide for Cornish.

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have a 29% Joe 71 what does that make the overall score I wonder we'll get someone in the I think I believe you've won I believe you've won six times and I've worked twice yeah but you know what I think you're two winning ones

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are two of the best songs ever.

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Well, let's hear the winning song.

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This is called All Night Garage, and this is about a kind of moment in time that is passed now, and you don't have to worry about it until next year, but it's about when you panic on Christmas Eve about buying presents, which is completely evident from the world.

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29%!

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I can't believe it.

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Stay strong.

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What?

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Oh no!

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It's nine o'clock on Christmas Eve and I ain't got no presents yet.

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What am I gonna do?

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I'll have to go down to the all night garage.

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All night garage, all night garage, Christmas shopping at the all night garage.

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All night garage, all night garage, Christmas shopping at the all night garage.

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All night garage, all night garage, Christmas shopping at the all night garage.

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All night garage, all night garage, Christmas shopping at the all night garage.

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Hello there, mate.

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How are you doing?

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I've got to buy some stuff and my Christmas will be ruined.

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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Is that a DVD of this of yours?

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I've got that kinder egg and them cigarette lights There's a Toblerone and those windscreen ladders I know it might seem like I'm a loser But on Christmas Eve, bakers can't be choosers I've got 50 quid and not much time All night garage, all night garage Christmas shopping at the all night garage All night garage, all night garage Christmas shopping at the all night garage Listen mate, I've got to go

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Sometimes like this I can't help but feel I wish Santa Claus was really real I asked myself, what would Jesus do?

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Perhaps he'd give his dad an old bottle of booze from the cupboard Forget the windscreen ones mate!

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Merry Christmas!

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Happy New Year!

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All night garage, all night garage Christmas shopping at the all night garage All night garage, all night garage Christmas shopping at the all night garage

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Joe, what's this you got me?

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Delta Force Two and a cigarette lighter.

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Oh, thank you.

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You shouldn't have.

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Oh my lord, is the play over yet?

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You're so jealous.

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Has it finally finished?

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Yeah, it finished a long time ago.

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Is anyone still awake?

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It just seemed to last a long time, because one inhabits it so.

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So you know the competition is called Song Wars.

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Yeah.

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Yeah.

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Yeah.

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You're supposed to write a song.

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Yeah.

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With like, verses, choruses, and you know, just... Yeah.

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That had a verse and a chorus?

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Not really.

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the course went all night garage all night garage that's a course it's a chance it's not a course compared to christmas christmas christmas time christmas i think actually they're identical i've just uh answered my own case there

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There you go.

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That's it for Song Wars this week.

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We'll be doing more Song Wars next week.

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But for the moment, for everybody's sanity, we're going to take a bit of a break from the thing.

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But when we do our next show, we're going to try and kind of branch out a bit subject-wise.

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We're gonna go, one of our ideas listeners, I don't know what you think of this, is to do ringtones.

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We're gonna compose a ringtone each, and that way, we're just trying to think of ways we can make genuine money.

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You know, there's the idea of releasing some sort of a song wars album, but I think the only way that'll happen is if it's for comic relief.

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Right, or the whole world suddenly goes deaf.

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Yeah, yeah.

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So ringtones is a good option, don't you think?

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To raise some money, I write a ringtone.

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We try and make them as insanely catchy as possible, like the Crazy Frog or T2 featuring Jodie.

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It's easier said than done, though, man, you know?

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I mean, everyone's at that game.

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Do you think?

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Yeah, surely.

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We've talked about it a lot.

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We've never actually nailed our colours to the master.

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We tried to do it.

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Maybe we should try it.

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So that's what we're going to do.

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If you've got any suggestions for themes or content of Song Wars, do email us at adamandjoe.sixmusicatbbc.co.uk.

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Now, here is one of Jo's favourite bands.

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Yeah, who?

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Because you love Nina Person from the Cardigans.

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Yes.

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You love that band.

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Nina Person?

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That's what she's called.

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I know.

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And do you remember the band and all the songs they dance?

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Oh yeah.

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Here's one of them.

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I'm just remembering now.

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Carnival by the Cardigans.

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What?

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There you go, that was the Cardigans with Carnival.

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This is Adam and Joe here on BBC Six Music.

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Just a reminder, folks, that this show has been pre-recorded for your listening pleasure.

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So apologies if that makes you feel as if it's kind of less fun.

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Does it bum you out if someone's pre-recorded?

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Well, sometimes the live experience is more unifying.

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It's something called the common consciousness.

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Every living creature is existing at the same time under the same sun.

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And if we share things communally, there can be an unspoken bomb between us.

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You know what I mean?

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A bomb?

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A bomb.

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An unspoken bomb.

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Well, that's disastrous.

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Yeah, exactly.

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So it's a good thing we're pre-recorded.

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It's much safer.

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So I was just mentioning that so that you don't text or email us if you require an immediate response listeners, because I wouldn't want you to feel cheated.

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Because if that happened, we could all be put in jail for a very long time.

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Yes, indeed.

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Now, one of the most exciting things that I've read on the internet this week that probably every other radio show in the world has done, but never mind, we'll do it too, is the Onions link of... Onions kind of... sum-up-ness.

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What's that word?

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Overview rundown of the worst band names of the year.

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Yeah, you ready for some of them go on then hit me They've gone through the whole of the internet I think and every music magazine and kind of picked out the most stupid names.

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Yeah One of them is gay, baby gay, baby.

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Is that worse than gay dad?

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I think so.

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Yeah, I guess it's seeing as gay dad already existed.

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It's more distasteful, isn't it?

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It's not fair on the baby

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uh and hit one more before we have to go to the news maybe we can hear some of these after the news okay but hit me with one more right now as a like a tease straight into the news harmonica lewinsky i love that his news that was a kinks with tired of waiting for you before that you heard the chemical brothers uh with the flaming lips with a track called the golden path this is adam and joe on bbc6 music hello

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Hey, are you talking to me?

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Yeah, not really.

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The listeners, everybody.

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Hey, how are you doing listeners?

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Are you enjoying yourselves?

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This can sometimes be a stressful time, because it's right in the middle, just between Christmas and New Year.

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Whatever happens, you know, maybe you're gonna take it easy on New Year.

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me and joe are definitely we're gonna sit back relax and just be nice and mellow about it but some people feel they have to push the boat out domestic abuse triples over christmas did you know that that's a really fun fact well it's booze in it that's the desert it's deadly booze it's the booze yeah of course cut down on the booze the booze is a disaster area it's a disaster area look at you look at me you know shadow of my former self

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So just before that double whammy of great tracks, we were borrowing material shamelessly from the Onion AV website who've compiled a list of the worst band names of the year.

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I managed to squeeze one out, but now here are the rest of them.

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That's nice.

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That's really pathetic kind of breakfast show innuendo kind of thing.

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Here we go.

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So how about some more?

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You ready for some more, Adam?

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Yes, please.

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Would you buy an album by a band called Yo Mama's Big Fat Booty Band?

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Yes, I definitely would.

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I'd be delighted with that.

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would you buy an album by a band called shout out out out out no how many outs for that's awful shout out out out out no I definitely wouldn't they used to be a band called on on on as well did you buy an album by them no I think I knew someone who was in the band and I remember them telling me the name and being very excited about it and I was thinking oh dear okay would you buy an album by a band called baboon torture division

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Well, you know, to me, that doesn't sound much worse than the Arctic monkeys.

15:44.679 --> 15:46.581
They're probably animal activists, aren't they?

15:46.601 --> 15:47.081
Don't you think?

15:47.762 --> 15:48.722
No, they hate baboons.

15:49.223 --> 15:50.444
Baboon torture division.

15:50.624 --> 15:50.884
Yeah.

15:51.425 --> 15:51.845
Do you think?

15:51.865 --> 15:53.267
They're in charge of the torture division.

15:53.287 --> 15:55.649
Well, how does that follow up with the logic of joy division?

15:56.383 --> 15:59.725
I mean, Joy Division didn't approve of the, uh, activities of the Joy Division.

16:00.126 --> 16:03.208
They were cruelly and darkly satirizing, uh, them.

16:03.628 --> 16:06.310
So I say the same logic applies to Baboon Torture Division.

16:06.570 --> 16:09.712
I'm not aware of an actual existing Baboon Torture Division, though.

16:09.972 --> 16:10.273
Really?

16:10.373 --> 16:13.154
In a way that there was a- I'll do some internet research.

16:13.195 --> 16:13.375
Right.

16:13.455 --> 16:15.436
I'll get you some, uh, get you some info.

16:15.636 --> 16:16.577
What about sex rat?

16:18.558 --> 16:19.739
Penguins with shotguns.

16:20.059 --> 16:20.960
That's terrible.

16:21.380 --> 16:23.541
Sex... sex rat I can live with.

16:23.601 --> 16:25.021
Penguins with shotguns, for some reason.

16:25.041 --> 16:26.121
What about Dance Me Pregnant?

16:28.362 --> 16:29.202
These are real bands.

16:29.402 --> 16:29.822
Yes.

16:30.443 --> 16:31.303
I quite like Dance Me Pregnant.

16:31.323 --> 16:33.884
You see, it's hard to tell whether they're purposely bad, you know?

16:34.164 --> 16:34.424
Yeah.

16:34.484 --> 16:36.304
So many layers of... of irony.

16:36.704 --> 16:38.625
What about The House That Gloria Vanderbilt?

16:39.025 --> 16:39.545
No, that's useless.

16:39.565 --> 16:40.906
What about Neil Diamond Phillips?

16:42.126 --> 16:44.767
Um... Yeah, you quite like that one.

16:44.787 --> 16:45.847
You're having to think about that a bit.

16:45.887 --> 16:46.687
It's confused you.

16:46.907 --> 16:48.068
Neil Diamond Phillips.

16:48.448 --> 16:48.608
Yeah?

16:48.648 --> 16:49.328
No, I don't get that.

16:49.768 --> 16:51.570
Uh, Lou Diamond Phillips and Neil Diamond.

16:51.650 --> 16:53.111
Oh, that's useless.

16:53.471 --> 16:54.352
That's rubbish.

16:55.193 --> 16:55.793
What about?

16:55.813 --> 17:00.577
I liked the one that we can't actually say the whole name on the air, but it's the effing unicorns.

17:00.637 --> 17:00.997
Yeah.

17:01.558 --> 17:04.080
It only really works if you're allowed to say the bad word.

17:04.568 --> 17:21.939
There's a lot of bands coming out with the F-word actually in the name of the band or stuff like that and you sort of think, what's, I mean obviously it's a gesture, it's a kind of anti-establishment gesture, they don't care if they're, you know, not mentioned or played on the radio or whatever, that's part of their stance, right?

17:22.460 --> 17:23.000
You would think.

17:23.240 --> 17:23.460
Yeah.

17:23.820 --> 17:31.345
But it's, I mean it's counterproductive because I can't think of any really successful bands with the F-bomb in their name.

17:31.365 --> 17:31.505
No.

17:32.526 --> 17:33.587
No, it's counterproductive, exactly.

17:33.607 --> 17:34.527
It stops you selling records.

17:34.547 --> 17:35.328
It's a rude word.

17:35.708 --> 17:36.789
Yeah.

17:36.809 --> 17:39.650
Surely the aim of the game is to get your stuff out there and get it heard.

17:41.071 --> 17:46.274
You know, what's the point of forming a band and rehearsing and doing gigs and stuff if no one's ever going to listen to you?

17:46.294 --> 17:46.814
All right, bands?

17:47.075 --> 17:47.895
Seems a bit insane.

17:48.195 --> 17:48.936
So think about it.

17:48.996 --> 17:50.176
That's what I'm saying, kids, all right?

17:50.216 --> 17:57.040
It might seem clever and funny to drop the F-bomb in the name of the band there, but it ultimately, you'll regret it.

17:58.181 --> 17:59.942
Here's the specials with Monkey Man.

18:01.163 --> 18:03.004
Hooray, that was the specials with Monkey Man.

18:03.044 --> 18:08.888
This is Adam and Jo on BBC Six Music On, this special inter-Christmas and New Year Saturday.

18:09.088 --> 18:12.851
It sounded as if you rechristened the station BBC Six Music On.

18:13.365 --> 18:15.466
Yeah, that's what it'll be called in the future.

18:15.626 --> 18:15.927
Yeah.

18:16.187 --> 18:17.928
When everything has the word con on the end.

18:17.948 --> 18:18.468
Uh-huh.

18:18.908 --> 18:18.989
Mmm.

18:19.089 --> 18:23.511
Six music on with Joe Con and Adam Con.

18:23.571 --> 18:25.272
It's not quite so good.

18:26.593 --> 18:37.120
If you were listening a couple of weeks ago, friends, then you might recall I was just on my way to go and see Tintin, the theatre production of Tintin in Tibet with my young sons.

18:37.960 --> 18:41.644
And, uh, I have to report to you that I enjoyed myself greatly.

18:41.924 --> 18:42.385
It was fun.

18:42.505 --> 18:44.106
If you get the opportunity, you should catch it.

18:44.267 --> 18:45.448
You still haven't seen it, have you, Joe?

18:45.908 --> 18:47.390
What, the stage production of Tintin?

18:47.410 --> 18:47.730
Yeah.

18:47.790 --> 18:48.090
No!

18:48.671 --> 18:48.751
Ah!

18:48.871 --> 18:50.192
When was the last time you went to the theatre?

18:50.232 --> 18:56.759
Do you think people should be going around sort of in, in, in anguish that they haven't caught Tintin?

18:56.919 --> 18:58.620
Well, yeah, because it's- Yeah, was it that good?

18:58.680 --> 18:59.321
It's really good.

18:59.341 --> 18:59.421
Yeah.

18:59.441 --> 18:59.922
It's really good.

19:00.002 --> 19:00.943
Unusually good, I would say.

19:00.963 --> 19:01.063
Yeah.

19:01.643 --> 19:03.064
I'm not a massive theatre fan.

19:03.405 --> 19:03.625
No.

19:03.765 --> 19:05.806
Because I don't, I get very uncomfortable.

19:06.126 --> 19:07.407
You're too clever for the theatre.

19:07.487 --> 19:07.908
Am I?

19:08.008 --> 19:08.308
Yeah.

19:08.888 --> 19:15.033
I just think you have a quick-wittedness and a love of drama that just supersedes theatre.

19:15.874 --> 19:19.876
Why, there was no need for you to go in there and start being sarcastic from nowhere.

19:20.537 --> 19:23.559
Er, I don't know, I think there was a certain medical need.

19:23.579 --> 19:24.200
Right.

19:24.880 --> 19:25.020
Anyway.

19:25.040 --> 19:25.961
I'm only joking, you know.

19:26.281 --> 19:27.382
Yeah, yeah.

19:27.562 --> 19:29.243
But listen, folks, it was really good.

19:29.343 --> 19:33.246
But by stark contrast, the next day, we went to the panto.

19:34.047 --> 19:47.778
And maybe I shouldn't say the panto that we saw, just because I don't want to be negative, especially as I knew... Well, you can... I mean, pantos are generally generic, so you can tell us the story that was the fairy story that was unfolding without revealing the specific production, right?

19:48.278 --> 19:48.738
Can't you?

19:49.059 --> 19:49.379
Maybe.

19:49.679 --> 19:50.780
Was it Jack in the Beanstalk?

19:50.800 --> 19:50.920
Yeah.

19:50.940 --> 19:51.580
Was it Cinderella?

19:51.620 --> 19:52.221
Was it Snow White?

19:52.241 --> 19:53.101
It was Jack in the Beanstalk.

19:53.141 --> 19:53.441
Yeah.

19:53.762 --> 19:54.382
OK, that's fine.

19:54.422 --> 19:56.243
There are millions of productions of Jack in the Beanstalk.

19:56.403 --> 19:57.384
Who was the star?

19:58.184 --> 20:05.329
Well, I should say from the get-go that it went down very well with the audience that we went to see it at the Barbican Centre in London.

20:05.469 --> 20:06.610
Well, that's that then now.

20:06.630 --> 20:06.990
Yeah, I know.

20:07.030 --> 20:10.252
But I'm saying that I'm identifying it now.

20:10.332 --> 20:10.632
Right.

20:10.953 --> 20:12.694
But everybody loved it.

20:13.394 --> 20:16.495
It just- it was just me and my family.

20:16.515 --> 20:16.815
Right.

20:17.076 --> 20:17.816
That had a problem with it.

20:18.116 --> 20:20.797
But mainly the problem was it was so long.

20:21.217 --> 20:21.677
Why?

20:21.917 --> 20:23.158
Why do they have to be so long?

20:23.178 --> 20:26.819
They're for- they're- They're- It's important to be true to the facts of Jack and the Beanstalk.

20:26.939 --> 20:27.240
No.

20:27.340 --> 20:29.360
What are the facts of Jack and the Beanstalk?

20:29.561 --> 20:30.521
Tell me the whole story right now.

20:30.541 --> 20:31.641
I bet you could do it in under 10 seconds.

20:31.661 --> 20:31.982
Okay, here we go.

20:32.002 --> 20:33.202
Jack and the Beanstalk by J.M.

20:33.242 --> 20:33.602
Cornish.

20:33.682 --> 20:38.464
Once upon a time, Jack got some seeds and he put them in the ground.

20:38.484 --> 20:40.545
They were from a fairy or maybe a witch.

20:40.825 --> 20:58.492
and he put them in the ground and then a tree grew and he climbs up and at the top no a vine a beanstalk a beanstalk grows up and it goes above the clouds and he climbs up it and at the top there's a giant yes and he hides on the table

20:58.852 --> 21:01.395
And then, et cetera, et cetera, et cetera, there's a car chase.

21:01.936 --> 21:03.958
He kisses the scullery maid.

21:04.579 --> 21:07.322
Ah, there's some business with the loofah and Tom Hanks.

21:07.882 --> 21:14.350
And then eventually the giant becomes nice and comes down to Earth, and they all live happily ever after.

21:16.371 --> 21:18.653
Oh no, hang on, someone chops the beanstalk down.

21:18.874 --> 21:19.094
Yeah.

21:19.354 --> 21:23.879
Before the dragon can chase Cinderella.

21:24.059 --> 21:25.020
That's basically it.

21:25.200 --> 21:25.440
Yeah.

21:25.460 --> 21:26.261
That's more or less it.

21:26.781 --> 21:33.648
Well, that was... That was longer than I expected the summary to be, but that was still less than a couple of minutes.

21:34.069 --> 21:34.289
Right.

21:34.369 --> 21:36.852
The one I saw was two and a half hours.

21:37.452 --> 21:39.874
Wow, two and a half hours.

21:39.894 --> 21:44.518
Uh, I'm not sure exactly how long the interval was because we left them.

21:44.838 --> 21:45.238
No!

21:45.358 --> 21:45.638
Yes.

21:45.698 --> 21:46.639
Did the kids want to go?

21:46.979 --> 21:48.901
Yes, they wanted to go before it started.

21:48.921 --> 21:50.062
But they're the ultimate arbiters.

21:50.802 --> 21:52.184
The worst thing was that we were...

21:53.424 --> 21:54.445
We got bad seats.

21:54.485 --> 21:55.806
I mean, we were unlucky with the seats.

21:56.266 --> 22:01.690
We were stuck there in the very back row of the circle, like the uppermost part of the theater.

22:01.870 --> 22:03.431
So the furthest back you could possibly be.

22:03.451 --> 22:09.935
Farthest back and right in the middle of a very long thin row from which there was absolutely no escape.

22:09.955 --> 22:11.096
You know what I mean?

22:11.296 --> 22:12.317
I absolutely hate that.

22:12.517 --> 22:13.377
I can't bear it.

22:14.178 --> 22:15.219
So I felt very claustrophobic.

22:15.259 --> 22:16.960
It was incredibly hot in the theater.

22:17.860 --> 22:19.962
And, uh, oh man, it lasted ages.

22:20.002 --> 22:22.644
The children were squirming around and saying, Danny, when's he gonna start?

22:22.685 --> 22:26.027
Like, a good 20 minutes before the show actually commenced.

22:26.408 --> 22:30.491
Luckily, modern gadget fans, I had my video iPod there.

22:30.852 --> 22:31.752
You watched a movie.

22:31.812 --> 22:32.853
Did you catch a movie?

22:32.973 --> 22:34.134
Or some episode of The Wire?

22:34.215 --> 22:35.476
Headphones in?

22:35.996 --> 22:37.237
Yeah, yeah, yeah.

22:37.257 --> 22:41.501
Children were watching some, you know, inappropriate movie action on their

22:41.781 --> 22:43.762
Oh, the whole family was watching the video?

22:43.822 --> 22:44.382
Yeah, yeah.

22:44.422 --> 22:44.683
Wow.

22:45.063 --> 22:46.303
So it saved our bacon now.

22:46.323 --> 22:47.964
That's one of the Barbican, how long's that on for?

22:48.765 --> 22:49.885
Probably a couple of years.

22:49.945 --> 22:56.508
I mean, it's a successful production, a lot of talented people involved, and I would stress again that everybody else there was having a whale of a time.

22:56.889 --> 23:00.470
But I think maybe my family is kind of jaded by DVDs and stuff.

23:00.631 --> 23:07.074
Quite soon after the beginning of the production, my son Frank leaned over and said, Dad, I wish I could watch Star Wars again.

23:07.094 --> 23:11.316
And I had to, I had to concur.

23:12.060 --> 23:13.441
Listen, here's a session track listeners.

23:13.481 --> 23:30.993
This is everything but the girl singing lonesome for a place I know this was recorded for Mark Goodyear on radio one in 1988 Everything but the girl with lonesome for a place I know recorded in 1988 for Mark Goodyear This is Adam and Joe on BBC radio six music home of the number six

23:32.234 --> 23:39.916
Uh, now we were chatting about Pantos just there before the session track and Joe suddenly admitted that he had a little, little repressed memory that popped out.

23:39.996 --> 23:43.617
A panto, it wasn't that long ago, I went to see a panto at the Royal Festival Hall, was it?

23:43.637 --> 23:44.577
Hall?

23:45.477 --> 23:48.138
Uh, it was designed, it was Peter Pan.

23:48.838 --> 23:51.099
And it was designed by Lawrence Llewelyn Bowen.

23:51.319 --> 23:53.700
Oh, you're obsessed with Llewelyn Bowen.

23:53.820 --> 23:55.420
I do like that he's a very nice chap.

23:55.540 --> 23:56.421
Yeah, well, we worked with him.

23:56.681 --> 23:57.101
Exactly.

23:57.121 --> 23:58.042
He's a nice fellow.

23:58.722 --> 24:05.507
And I didn't go to see this because it was designed by Lawrence Llewellyn-Bowen, but it was a kind of, you know, a Tony production.

24:05.967 --> 24:07.328
A What's a Tony production?

24:07.348 --> 24:09.369
That's like an American phrase for classy.

24:09.750 --> 24:10.150
Oh, okay.

24:10.190 --> 24:11.131
You know, a theatre phrase.

24:11.551 --> 24:13.652
So yeah, so I went to see it.

24:13.792 --> 24:18.035
And what Llewellyn-Bowen had done brilliantly was remove all the colour.

24:18.536 --> 24:18.916
Right.

24:19.156 --> 24:20.877
It was a black and white production.

24:20.917 --> 24:23.119
There was no colour in any of the costumes.

24:23.859 --> 24:25.700
Or the, uh, scenery.

24:26.020 --> 24:26.240
Right.

24:26.540 --> 24:27.461
No colour at all.

24:27.681 --> 24:29.242
So it's all just white people as well.

24:29.502 --> 24:30.882
White sort of outlining people.

24:30.962 --> 24:31.182
Right.

24:31.343 --> 24:33.303
Yeah, and it was really visually boring.

24:33.784 --> 24:34.244
Colorless.

24:34.504 --> 24:34.704
Yeah.

24:35.204 --> 24:37.345
And nobody flew in it until the very, very end.

24:37.405 --> 24:40.167
Literally after the audience had finished the first round of applause.

24:40.187 --> 24:41.507
So it was colorless right the way through.

24:41.527 --> 24:43.968
I thought you were gonna say it was like an opening gambit to make it.

24:43.988 --> 24:44.789
No, not the whole thing.

24:44.849 --> 24:46.009
Taking all the colour out from the whole thing.

24:46.029 --> 24:47.590
Suddenly an explosion of colour like Pleasantville.

24:48.030 --> 24:48.230
No.

24:48.350 --> 24:52.774
Yeah, it was applying the logic of interior decoration to stage design, to set design.

24:52.794 --> 24:55.396
Was this aimed mainly at adults?

24:55.696 --> 24:58.499
There was an atmosphere of loathing in the auditorium.

24:59.259 --> 25:00.380
Boredom and loathing.

25:00.640 --> 25:01.481
How long did that go on?

25:01.501 --> 25:15.973
And then at the very end, Peter Pan, we were waiting for flying all the way through and at the very end, Peter Pan sort of quite visibly strapped on a couple of wires and went about two metres off the ground, swung to the left a bit and then swung back into the scenery and then went down again.

25:15.993 --> 25:17.033
Oh my lord.

25:17.074 --> 25:17.574
It was awful.

25:17.714 --> 25:19.035
Were there risque jokes?

25:19.575 --> 25:19.755
No.

25:20.016 --> 25:27.120
But you know what, when I get bored in the theatre, I don't know whether you find this or the listeners find this, you end up sort of looking at the bodies of the performers.

25:27.781 --> 25:28.501
Do you ever find that?

25:28.541 --> 25:32.884
Your mind goes off the story and you just end up looking at the... Like pieces of meat.

25:33.044 --> 25:33.265
Yeah.

25:35.305 --> 25:36.226
for your pleasure.

25:50.310 --> 25:52.570
There'll be quite a lot of detail available for you.

25:52.590 --> 25:56.071
The theatre for you is like a kind of sex show, isn't it?

25:56.431 --> 25:56.871
And for you.

25:56.891 --> 25:57.951
It's like Amsterdam.

25:58.171 --> 25:59.812
It's like going to Amsterdam.

26:00.312 --> 26:01.792
For you, for me, for everybody.

26:01.832 --> 26:02.272
Let's face it.

26:02.292 --> 26:05.233
It fills the performance in a little box.

26:05.453 --> 26:06.973
Uh, let's have some more music, listeners.

26:07.513 --> 26:12.234
Um, this is Lauren Hill with Doo Wop, uh, open brackets, that thin, closed brackets.

26:12.454 --> 26:18.015
No, actually, as it's written down, it's Doo Wop T, open brackets, hat thing, closed brackets.

26:18.355 --> 26:19.495
I think that might be a typo.

26:20.115 --> 26:29.020
That's the yeah, yeah, yes With gold lion and before that you heard Lauren Hill with do what do that thing?

26:29.560 --> 26:33.222
That thing that thing that's two ladies in a row.

26:33.783 --> 26:42.007
Yeah sandwich my favorite Just before you carry on with what you would think I just wanted to get something of mine face Katie tunstall.

26:42.187 --> 26:44.348
Hmm, you know Katie tunstall, right?

26:44.729 --> 26:47.050
Is she very very small?

26:47.492 --> 26:49.293
Or is it the guitar that's giant?

26:50.673 --> 26:52.514
Because she knows she has a giant guitar.

26:52.914 --> 26:53.134
Is it?

26:53.174 --> 26:54.715
I'm just wondering, seriously.

26:54.755 --> 26:56.696
Is she known to have an oversized guitar?

26:56.756 --> 26:58.197
That's what I can't quite tell.

26:58.237 --> 26:59.457
I can't tell if she's weenie.

26:59.477 --> 27:03.539
Well, I think, you know, Occam's Razor and everything, you were talking about the other week.

27:03.939 --> 27:06.280
The most logical explanation would be that she's small.

27:06.560 --> 27:10.002
Where would it get you in the business to just have a really large guitar?

27:10.022 --> 27:13.063
Well, in the crazy world of pop, it might be some kind of gimmick, yeah.

27:13.363 --> 27:14.043
Yeah, do you think?

27:14.323 --> 27:15.824
Wouldn't she push that a bit more?

27:15.984 --> 27:22.588
I don't know, I saw her on later with Jules Holland the other day, and, uh, she was dwarfed by this ludicrously enormous guitar.

27:22.608 --> 27:22.969
I'd say small.

27:23.009 --> 27:23.569
You would say tiny.

27:23.589 --> 27:25.330
Yeah, famous people are usually very small.

27:25.530 --> 27:26.351
Right, right, right.

27:26.431 --> 27:26.771
Tiny.

27:26.871 --> 27:27.572
That's true, isn't it?

27:27.592 --> 27:29.613
Makes it cheaper to build sets around them.

27:29.913 --> 27:31.654
They, you know, eat less food.

27:32.255 --> 27:37.498
If they get, um, shirty or bulgy in any way, they can be, you know, put down physically easier.

27:37.538 --> 27:39.620
Yeah, you can transport more of them more cheaply.

27:39.640 --> 27:40.440
They go in the hold.

27:40.540 --> 27:40.761
Yeah.

27:40.981 --> 27:43.502
In kind of, um, velvet-lined cases.

27:43.642 --> 27:44.643
Bulk, famous people.

27:44.663 --> 27:45.704
Yeah, exactly.

27:46.845 --> 27:48.526
So there you go, there's the answer to your question.

27:48.566 --> 27:48.926
Thank you.

27:49.046 --> 27:55.771
Now, listeners, as we've mentioned several times, this is a pre-recorded show, but that shouldn't stop us from making it feel as if it's a real show.

27:55.832 --> 27:56.772
How are you gonna do that?

27:56.972 --> 27:59.334
By having a kind of imaginary text-o-nation.

27:59.855 --> 28:00.235
Right.

28:00.295 --> 28:01.236
So let's play the jingle.

28:04.238 --> 28:07.020
Text-o-nation, text, text, text, text-o-nation.

28:07.080 --> 28:08.041
What if I don't want to?

28:08.301 --> 28:09.002
Text-o-nation.

28:09.102 --> 28:10.102
But I'm using email.

28:10.283 --> 28:11.003
Is that a problem?

28:11.043 --> 28:11.864
It doesn't matter, text!

28:14.486 --> 28:22.572
but don't text listeners because we're not actually here, but you can imagine you're texting or you can just chat about this Text the Nation subject between yourselves.

28:23.550 --> 28:26.311
Yeah, so this is a sort of virtual text donation.

28:26.531 --> 28:27.252
It's simulated.

28:27.272 --> 28:28.292
It's a placebo.

28:28.853 --> 28:31.794
Is it, in fact, a test text donation?

28:31.834 --> 28:33.395
Yeah, it's a synthy test.

28:33.455 --> 28:34.535
It's like a dry run.

28:34.575 --> 28:34.835
Yeah.

28:35.756 --> 28:36.856
A dress rehearsal for 2008.

28:37.096 --> 28:39.217
Yeah, so please don't text.

28:39.257 --> 28:40.378
There's no one here to read them.

28:41.038 --> 28:45.280
But you can mind texting, you know, if you need some sort of business to keep you occupied.

28:45.820 --> 28:51.003
But were we to be live, we'd be asking you, or I'd be asking you, to text in on the following.

28:51.383 --> 28:53.204
I watched the Newborn film.

28:53.544 --> 29:10.975
again yeah yeah yeah ultimatum supremacy which one ultimatum isn't it i think so the final one yeah yeah uh and it was quite exciting one of those films wasn't quite as good the the second time oh that's disappointing i'm just about to get into my second watch with the ultimatum you sort of see the tricks a bit more the second time

29:11.175 --> 29:13.096
You know, the shaky cam, the relentless drum beats.

29:13.396 --> 29:17.478
Surely the long chase sequence with the book punching was still good, wasn't it?

29:17.498 --> 29:17.938
Yeah, brilliant.

29:18.459 --> 29:20.820
Yeah, the set pieces are all fantastic.

29:21.160 --> 29:23.601
But I was quite taken by the man.

29:23.701 --> 29:28.263
I don't know what the actor's name is, but he's the baddie man and he's in the control room the whole time.

29:28.463 --> 29:29.024
Do you remember him?

29:29.064 --> 29:30.904
He's a bit like a sort of teacher.

29:31.345 --> 29:33.706
He keeps saying stuff like, I want information, people.

29:34.426 --> 29:36.088
Yes, you know in the little glasses.

29:36.128 --> 29:37.069
He's strutting up and down.

29:37.089 --> 29:41.233
There's him and there's the blonde lady and there's Brian Cox Yeah, there's not the blonde lady.

29:41.273 --> 29:42.053
It's not Brian Cox.

29:42.113 --> 29:42.694
It's him guy.

29:42.894 --> 29:44.215
Although you do fancy Brian Cox.

29:44.756 --> 29:47.899
I do a little bit What makes you say that's being silly?

29:47.959 --> 29:48.259
Sorry?

29:48.619 --> 29:51.442
Yeah, I was challenged there Mike.

29:51.642 --> 29:53.384
Yeah What he knows I thought he knows

29:57.788 --> 30:06.294
So I was taken by the dialogue, this man, it says, and the way he says it, he says stuff like in, yeah, stuff like, we went in for a sneak and peek.

30:06.775 --> 30:07.535
A sneak and peek?

30:07.575 --> 30:08.977
Yeah, what do you think that means, sneak and peek?

30:10.017 --> 30:11.078
That's like a recce, isn't it?

30:11.458 --> 30:14.080
Exactly, they broke into his flat and they searched around.

30:14.141 --> 30:15.522
Yeah, we went in for a quick sneak and peek.

30:15.862 --> 30:17.103
He says, get me a tic-tac-toe.

30:17.983 --> 30:18.444
Ooh.

30:18.644 --> 30:23.368
Yeah, what would you do if suddenly you were in that control room at a computer and he said to you, get me a tic-tac-toe?

30:24.127 --> 30:26.829
What would you say?

30:26.909 --> 30:28.830
I'd say I've got orange.

30:29.030 --> 30:31.192
Orange and lime, is that good?

30:31.432 --> 30:32.212
Or would you like mints?

30:32.252 --> 30:34.914
Tic-tac-toe, it's like a tic-tac disease of the toes.

30:35.174 --> 30:35.995
Of the toes, yeah.

30:36.015 --> 30:37.176
Yeah, too many tic-tacs.

30:37.416 --> 30:37.656
Yeah.

30:38.136 --> 30:38.837
I've got tic-tac-toe.

30:38.897 --> 30:40.098
I've got tic-tac-toes.

30:40.138 --> 30:42.559
One of my toes is like green, the other one's orange.

30:42.940 --> 30:44.741
And the other one's white and minty.

30:44.921 --> 30:47.723
That actually means in elevations, like plans, elevations of a building.

30:47.863 --> 30:48.123
Okay.

30:48.143 --> 30:48.944
You can see it now, can't you?

30:48.984 --> 30:49.344
A grid.

30:49.404 --> 30:49.584
Yes.

30:49.624 --> 30:51.285
Yeah, give me a tic-tac-toe.

30:52.066 --> 30:53.647
He says, activate the asset.

30:54.229 --> 30:54.889
That's an easy one.

30:54.969 --> 30:55.990
You know what the asset is?

30:56.070 --> 30:56.950
Oh, here's the assassin.

30:57.050 --> 30:57.911
Yeah, the spy, exactly.

30:57.931 --> 30:59.231
But that's something born invented, isn't it?

30:59.251 --> 31:00.272
The use of the word asset.

31:00.592 --> 31:03.713
Well, I mean, part of the thrill of those movies is the weird words they use.

31:03.773 --> 31:06.795
I guess that a lot of these terms are taken from their real security forces.

31:06.815 --> 31:07.515
Possibly all made up.

31:07.715 --> 31:08.115
Possibly.

31:08.496 --> 31:09.536
They say release the funds.

31:10.036 --> 31:10.737
Release the fun?

31:10.757 --> 31:12.317
No, release the funds.

31:12.457 --> 31:12.758
It's Pat Sharp.

31:12.778 --> 31:13.978
That's a fun house phrase.

31:14.278 --> 31:15.099
Release the funds.

31:15.519 --> 31:16.679
Someone said release the funds to you.

31:16.719 --> 31:17.500
What would you think?

31:18.620 --> 31:19.861
Uh, release the funds.

31:20.061 --> 31:22.923
I would get onto the bank.

31:23.103 --> 31:27.806
It's all terminology designed that if the phone's being tapped, they won't know what you actually mean, right?

31:28.166 --> 31:31.428
It's like if you're on a plane or in a shop, they've always got a code for the fire alarm.

31:31.689 --> 31:34.270
Is it like your security code on the back of your credit card?

31:34.670 --> 31:37.172
I think that one was just to release some funds.

31:37.712 --> 31:38.813
But I wrote it down anyway.

31:39.734 --> 31:40.174
And one more.

31:41.335 --> 31:43.596
He goes, at one stage, do a subrosa collection of the buddies.

31:43.916 --> 31:44.677
Subrosa?

31:44.757 --> 31:45.417
What does that mean?

31:45.437 --> 31:46.418
That's just Latin, isn't it?

31:46.818 --> 31:51.822
Well, Sub Rosa does mean something, um, but I forget what, because it's between Christmas and New Year.

31:51.982 --> 32:03.172
But my question would be, were we having text in the nation, can you think of other phrases that could be applied in that way that sound as if they are very meaningful in a sort of spy and a complicated way, do you know what I mean?

32:03.192 --> 32:05.193
In science fiction films, they have lots of stuff like that.

32:05.213 --> 32:09.577
There's always a character that says things where locked and cocked, five by five, all green on my screen.

32:09.597 --> 32:11.659
So what phrases are best under those circumstances?

32:11.739 --> 32:12.900
I thought I'd maybe finished a mouthful.

32:13.380 --> 32:39.920
finish the mouthful yeah yeah or what about uh put the clothes in the tumble dryer get me clothes in that tumble dryer yeah that could mean something what would that mean clothes in the tumble dryer that means that means conceal the body right what about uh what would the mouthful one mean finish the mouthful that would mean uh kill kill him polish him off finish the mouthful yeah yeah yeah yeah so get thinking how about record uh don't say it now don't say it now save it up okay save it up oh my god

32:40.220 --> 32:40.901
Here's some music.

32:41.261 --> 32:42.863
This is Elvis Costello with Oliver's Army.

32:42.983 --> 32:44.485
That's Elvis Costello with Oliver's Army.

32:44.845 --> 32:48.129
A song whose existence I was first made aware of by the film E.T.

32:48.669 --> 32:51.593
by Elliot's older brother singing the lyrics there when he comes into the bedroom.

32:51.613 --> 32:52.153
Do you remember that?

32:52.714 --> 32:54.215
He doesn't sing Oliver's Army.

32:54.236 --> 32:54.776
Are you sure?

32:54.796 --> 32:56.017
He sings Accidents Will Happen.

32:56.898 --> 32:58.981
There's so many people to see.

32:59.361 --> 33:02.343
Some many people you can check upon and add to your collection.

33:02.363 --> 33:02.603
There you go.

33:02.804 --> 33:05.966
Wow, that's weak Elvis Costello information.

33:06.206 --> 33:08.007
I've just heard I've been fired.

33:08.168 --> 33:08.808
Of MacManus.

33:08.928 --> 33:09.749
Why have you been fired from?

33:09.769 --> 33:10.649
From 6 Music for that.

33:11.110 --> 33:11.570
Oh, you have?

33:11.590 --> 33:12.210
For getting that wrong.

33:12.230 --> 33:12.551
That's right.

33:12.811 --> 33:19.856
You know the line that always sticks out in Oliver's Army for me is, Hong Kong is up for grabs, London is full of abs.

33:20.677 --> 33:22.638
I always think, hey, now you've been fired.

33:22.738 --> 33:24.079
How does he know about abs from 5?

33:25.820 --> 33:26.481
You've been fired.

33:26.841 --> 33:43.747
for that yeah for that saying abs it's simulated text the nation time again listeners before that record we were asking you whether you had any ideas for general things you say around the house that could also be applied to a high tension scene in the born supremacy or identity or ultimatum

33:44.307 --> 33:57.960
You've got to imagine a sweaty, evil government-type undercover man, pacing around in a room full of assistants and laptops and screens with confusing maps on them, shouting commands at them, and he says stuff like, Get me a tic-tac-toe.

33:58.000 --> 33:59.201
We went in for a sneakin' peek.

34:00.262 --> 34:01.003
And stuff like that.

34:01.283 --> 34:02.144
Activate the asset.

34:02.885 --> 34:03.646
Release the funds.

34:04.006 --> 34:05.327
Put the clothes in the tumble dryer.

34:06.048 --> 34:08.590
Get me eyes on Landy, he said at one stage.

34:08.650 --> 34:09.291
That's a real one.

34:09.431 --> 34:10.271
Get me eyes on Landy.

34:10.291 --> 34:11.172
Get me eyes on Landy.

34:11.212 --> 34:15.574
That just means, can you, can you get a video picture of Landy on the screen please?

34:15.614 --> 34:17.014
See, it took a lot longer for you to say that.

34:17.054 --> 34:19.135
Absolutely, and it made me sound pathetic.

34:19.175 --> 34:19.475
Yeah.

34:19.615 --> 34:21.336
It undermined my authority, where I discussed it.

34:21.356 --> 34:22.196
Get me eyes on Landy.

34:22.296 --> 34:22.917
Yeah, ooh.

34:23.237 --> 34:24.837
What if I said, Code Tenabort?

34:25.237 --> 34:26.058
Code Tenabort!

34:27.324 --> 34:28.365
Would you say, what's that?

34:28.385 --> 34:30.367
Stop the code 10.

34:30.547 --> 34:32.128
Yeah, we know what abort means.

34:32.589 --> 34:34.630
In case it's quicker just say, stop, stop it.

34:35.271 --> 34:35.751
Stop that.

34:35.911 --> 34:36.412
Stop it.

34:36.572 --> 34:38.574
You'd have to go to the book and look at number 10.

34:38.634 --> 34:39.334
Everyone stop it.

34:39.414 --> 34:39.795
Stop it.

34:39.955 --> 34:41.036
One code two.

34:41.176 --> 34:41.556
Everyone.

34:42.056 --> 34:42.537
Stop it.

34:42.557 --> 34:43.378
Just stop everything.

34:43.418 --> 34:43.758
Stop it.

34:43.838 --> 34:44.298
To be sure.

34:44.859 --> 34:47.701
At one stage in the born ultimatum, is that what it's called?

34:47.881 --> 34:48.122
Yeah.

34:48.202 --> 34:50.704
Somebody says, somebody give me a visual.

34:51.914 --> 34:54.775
Yeah, I'd like to shout that more often, generally.

34:55.395 --> 34:55.716
You know?

34:56.276 --> 34:57.696
When would you say it in your everyday life?

34:57.716 --> 34:59.057
Just at any point ordering a sandwich.

34:59.737 --> 35:00.658
What sandwiches have you got?

35:00.838 --> 35:02.018
Well, we've got... Get me a visual.

35:02.178 --> 35:03.379
Get me a visual, you know?

35:04.099 --> 35:06.000
I just need it visually represented to me.

35:06.020 --> 35:07.441
I don't have time to listen to words.

35:07.561 --> 35:12.443
Right, so if someone's talking about, like, a famous person or something, you just say, shut up, get me a visual.

35:12.503 --> 35:13.423
Get me a visual, yeah.

35:13.703 --> 35:15.444
Not even the shut up, that's a waste of words.

35:15.604 --> 35:16.704
What would you say for shut up?

35:17.105 --> 35:19.546
Uh, just, uh, cold sex, closure.

35:21.107 --> 35:22.749
Code 6 refers to the jaw area.

35:22.769 --> 35:25.031
Yeah.

35:25.552 --> 35:26.974
Lock down the mouth.

35:27.034 --> 35:27.174
Yeah.

35:29.417 --> 35:30.238
Lock down the fangs.

35:30.558 --> 35:31.719
Lock down the mouth, give me a visual.

35:31.739 --> 35:32.239
Join the fangs.

35:32.439 --> 35:33.600
Join the fangs, fans.

35:33.840 --> 35:34.480
I can't talk.

35:34.621 --> 35:34.881
Go on.

35:34.901 --> 35:38.723
So you were, Adam, thinking of... I've got some phrases that could be used in the same way.

35:38.944 --> 35:40.465
Who put the forks in the knife drawer?

35:40.705 --> 35:41.245
That's good.

35:41.986 --> 35:43.166
The forks are in the knife drawer.

35:43.186 --> 35:45.148
You know, that means the mission's gone wrong.

35:45.388 --> 35:46.769
Who put the forks in the knife drawer?

35:46.789 --> 35:47.289
That's true.

35:47.950 --> 35:49.030
They've gone off the pattern.

35:49.231 --> 35:50.151
Right, right.

35:50.171 --> 35:50.952
They've mixed the cutlery.

35:50.972 --> 35:52.873
This is not the plan.

35:53.373 --> 35:54.974
You've deviated from set plan.

35:55.155 --> 35:55.535
That's good.

35:55.575 --> 35:57.036
Who put the forks in the knife drawer?

35:57.216 --> 35:57.936
That's good, I like it.

35:57.956 --> 35:59.077
More.

35:59.397 --> 36:00.538
Get me some toilet paper!

36:01.198 --> 36:08.002
That's good, that's the sort of thing in real life you might hear in a slightly panicked voice from behind a closed bathroom door.

36:08.042 --> 36:11.063
That means the operation has gone totally wrong.

36:11.443 --> 36:11.864
Yeah.

36:11.964 --> 36:12.884
Totally, it's a total mess.

36:12.904 --> 36:14.245
What are you actually asking for?

36:14.285 --> 36:15.446
Get me some toilet paper!

36:15.566 --> 36:17.347
Are you actually asking for something?

36:18.187 --> 36:18.807
Toilet paper.

36:19.227 --> 36:21.409
Toilet paper, I'm confused.

36:21.769 --> 36:22.369
Here's another one.

36:22.649 --> 36:23.830
Can somebody feed the cat?

36:25.298 --> 36:26.661
I like that one in particular.

36:27.362 --> 36:28.764
Yeah, that's my favorite of the three.

36:33.612 --> 36:34.333
What does that mean?

36:34.353 --> 36:35.214
It goes both ways.

36:35.475 --> 36:36.476
Because there's a cat.

36:38.192 --> 36:39.773
In the operations room?

36:39.934 --> 36:44.678
I'd say that one should be said more like, okay, gentlemen, let's feed the cat.

36:44.718 --> 36:45.278
You know what I mean?

36:45.318 --> 36:46.299
Yeah, let's feed the cat.

36:46.339 --> 36:47.320
Who's gonna feed the cat?

36:47.400 --> 36:49.281
Yeah, I don't know what it means.

36:49.381 --> 36:52.024
But you could use it in some sort of a tense military situation.

36:52.464 --> 36:53.525
No one would question it.

36:53.605 --> 36:56.808
Because at the very least it gives somebody an excuse to leave the room.

36:56.828 --> 37:00.591
The one I used to like, I was really impressed by when I was a kid, was Swallow that puppy.

37:01.308 --> 37:01.888
What's that?

37:02.028 --> 37:02.669
I don't know.

37:02.889 --> 37:04.270
They say it in Top Gun, I think.

37:04.650 --> 37:05.471
Swallow that puppy.

37:05.551 --> 37:06.851
In some 80s film they say swallow that puppy.

37:06.871 --> 37:07.452
They never say.

37:07.472 --> 37:08.292
They do, I promise.

37:09.133 --> 37:10.974
I thought that was the most meaningful thing.

37:11.034 --> 37:12.975
Oh wow, can't wait to use that.

37:13.876 --> 37:14.997
Never knew what it meant.

37:15.057 --> 37:18.479
I've heard women referring to their assets as puppies before.

37:18.499 --> 37:19.679
Maybe it was very dirty.

37:19.760 --> 37:20.100
Maybe.

37:20.800 --> 37:22.161
music time listeners.

37:22.221 --> 37:27.923
I chose this one for you listeners and I wonder if lots of other DJs are forced to play this one.

37:28.064 --> 37:30.245
I bet they happen because I'm so clever and they're so stupid.

37:30.465 --> 37:32.165
But it's The Breeders with New Year.

37:32.426 --> 37:35.707
That was Source featuring Candy Staten with You Got the Love.

37:36.107 --> 37:38.028
Before that you heard a trail.

37:38.248 --> 37:38.769
Wasn't it fun?

37:38.789 --> 37:39.269
That was great.

37:39.309 --> 37:40.029
I love that trail.

37:40.369 --> 37:48.013
And before that you heard my choice for you listeners which was The Breeders with New Year because you see in a couple of days time

37:48.553 --> 37:51.958
It will be the new year, so I was thinking ahead about that month.

37:52.779 --> 37:54.041
That's the reason I chose the first one.

37:54.061 --> 37:54.601
That's clever, that's good.

37:54.662 --> 37:55.863
Yeah, yeah, it's always thinking.

37:56.404 --> 37:57.345
All ties in, you see.

37:57.706 --> 37:58.707
It's like a theme song.

37:59.842 --> 38:00.303
Um, yeah.

38:00.583 --> 38:04.586
So we're Adam, I'm Adam Buxton, and, uh, who are you?

38:04.766 --> 38:05.667
My name's Ja Cornish.

38:05.707 --> 38:06.347
Ja Cornish.

38:06.567 --> 38:06.888
Mmm.

38:07.428 --> 38:08.229
The J-Man.

38:08.309 --> 38:08.589
Yeah.

38:08.629 --> 38:09.249
The J-Monster.

38:09.289 --> 38:09.810
J-Corn.

38:10.170 --> 38:10.891
That's my album.

38:10.971 --> 38:12.292
My hip-hop name is J-Corn.

38:12.732 --> 38:15.794
My album will be, will just have my face in an acorn.

38:16.135 --> 38:16.755
Cornballs.

38:16.855 --> 38:17.456
Cornballs.

38:17.716 --> 38:17.916
Yeah.

38:18.056 --> 38:20.518
We've never been big on nicknames throughout our lives.

38:20.938 --> 38:21.399
It's true.

38:21.419 --> 38:23.660
Uh, you know, I always wanted a nickname.

38:23.700 --> 38:24.481
Like a street name.

38:24.841 --> 38:26.622
Yeah, have you never had a nickname?

38:27.002 --> 38:27.243
Did you?

38:27.323 --> 38:28.343
Uh, I'd call you Mintz.

38:29.004 --> 38:29.424
Mintz?

38:29.684 --> 38:30.024
Yeah.

38:30.185 --> 38:30.485
What?

38:30.765 --> 38:31.165
Don't know.

38:31.245 --> 38:32.786
With a T or like Mintz meets?

38:32.806 --> 38:33.046
Uh, no.

38:33.086 --> 38:34.027
Mintz is wrong for you.

38:34.787 --> 38:36.509
What, you want kind of like a heart like a tag?

38:36.989 --> 38:39.731
Well, something real like that comes from my name, Adam Buxton.

38:39.751 --> 38:40.311
You know what I'm saying?

38:40.351 --> 38:43.933
Like, you never had, like you never called, uh...

38:45.434 --> 38:46.915
Anything, apart from Joe, were you?

38:47.075 --> 38:47.896
Yeah, Joe's good enough.

38:47.956 --> 38:48.836
Joe sounds like a nickname.

38:49.057 --> 38:50.057
Ads, people called me.

38:50.137 --> 38:50.397
ADZ.

38:50.417 --> 38:50.658
Yeah.

38:50.798 --> 38:51.638
Yeah, that's alright.

38:51.658 --> 38:52.599
It's not bad, is it?

38:52.619 --> 38:54.200
I wouldn't mind something a little bit more flash.

38:55.281 --> 38:56.561
Uh, okay, I'll see what I can do.

38:56.621 --> 38:56.922
Thanks.

38:57.142 --> 38:58.823
I'll work on it during this next record.

38:58.843 --> 39:02.585
Uh, maybe, maybe some listeners could, uh, suggest some stuff.

39:02.945 --> 39:07.368
And when we come back next week, if you text during the week, then we can pick up those texts.

39:07.388 --> 39:09.310
I wouldn't mind a few little nickname suggestions.

39:09.370 --> 39:13.212
Don't just immediately suggest loads of offensive ones, okay?

39:13.232 --> 39:14.153
Because we won't read them out.

39:15.093 --> 39:19.115
I'm hoping people will send in ideas for Bourne-style lingo as well.

39:19.235 --> 39:19.596
Absolutely.

39:19.616 --> 39:21.557
That will be fun to read out on another show.

39:22.197 --> 39:23.418
Here's the new Supergrass single.

39:23.438 --> 39:24.858
It's released on the 14th of January.

39:24.938 --> 39:28.100
It's only available on limited edition 7-inch and download, okay?

39:28.600 --> 39:31.702
So don't try getting it on a non-limited edition.

39:32.968 --> 39:33.988
Or what else?

39:34.148 --> 39:34.829
Or a single?

39:35.449 --> 39:36.709
Could they get it on a memory stick?

39:37.269 --> 39:37.749
Don't know.

39:38.129 --> 39:38.369
No.

39:38.469 --> 39:38.950
Don't know.

39:39.030 --> 39:40.870
Because that's my favourite way of listening to music.

39:41.010 --> 39:42.430
It's their 27th single.

39:42.490 --> 39:43.531
Buying a memory stick.

39:43.811 --> 39:44.971
I love Supergrass.

39:45.171 --> 39:46.971
This is called Diamond Who Ha Man.

39:47.031 --> 39:50.432
That's the mighty Supergrass with Diamond Who Ha Man.

39:50.492 --> 39:52.853
This is Adam and Joe here on BBC 6 Music.

39:53.273 --> 39:57.214
Just a reminder, listeners, that this show is pre-recorded.

39:57.694 --> 40:00.597
Yeah, I'm just thinking we don't have to keep reminding them.

40:00.697 --> 40:03.980
I feel like we do because it's the climate of fear at the BBC.

40:04.000 --> 40:04.120
Really?

40:04.140 --> 40:07.323
You think we should really make it totally clear in case people are just tuning in?

40:07.423 --> 40:09.986
Yeah, because you can get done for anything these days.

40:10.046 --> 40:10.326
Really?

40:10.446 --> 40:13.949
Oh yeah, there could be off-com investigation like that.

40:14.009 --> 40:15.110
This show is not live.

40:15.331 --> 40:16.292
You know, it should be...

40:16.732 --> 40:17.572
Say that every now and then.

40:17.612 --> 40:17.953
Exactly.

40:17.973 --> 40:19.013
This show is not live.

40:19.053 --> 40:20.374
Right the way through like a little bug.

40:20.394 --> 40:25.656
You know sometimes if you watch a preview copy of a film, it says property of Warner Brothers.

40:25.716 --> 40:26.416
It's stamped across there.

40:26.436 --> 40:28.657
Do not attempt to text or email this show live.

40:28.677 --> 40:29.958
This show is not live.

40:30.078 --> 40:33.759
You see, I thought that maybe reminding them once in a while would be slightly less annoying than that.

40:33.880 --> 40:34.420
Not live.

40:35.800 --> 40:36.741
But maybe you're right.

40:36.921 --> 40:38.021
This show is not live.

40:38.041 --> 40:39.002
Maybe that's the way to go, yeah.

40:40.313 --> 40:43.875
It's difficult, though, to maintain any kind of dialogue when you're just saying that.

40:44.196 --> 40:45.656
I can talk at the same time.

40:45.676 --> 40:46.017
Can you?

40:46.077 --> 40:46.577
Not live.

40:46.617 --> 40:47.718
This show is not live.

40:47.758 --> 40:49.359
Can you tell them about the news in between them?

40:49.379 --> 40:50.419
Yeah, here comes the news.

40:50.900 --> 40:51.280
Live.

40:51.380 --> 40:52.321
The news is live.

40:53.081 --> 40:53.702
Uh, yeah.

40:54.142 --> 40:55.523
Read by the news readers.

40:55.543 --> 40:56.523
La la la la la.

40:56.723 --> 40:57.624
La la la la.

40:58.004 --> 40:59.505
Echo and the bunny men there with silver.

40:59.865 --> 41:02.627
And before that, you heard, uh, foals with balloons.

41:02.707 --> 41:03.268
Is that correct?

41:04.028 --> 41:08.873
There we go, this is Adam and Joe, a very happy mid seasonal celebration Saturday morning.

41:08.933 --> 41:15.721
To all of our listeners, we hope you had a wonderful Christmas day and we'll have a marvellous New Year's business.

41:16.322 --> 41:23.609
I got a Christmas card from someone, well I assume it was a Christmas card, it just had the number 8 on it, it was like a homemade card.

41:24.170 --> 41:28.734
But it was studiously the whole point of the card was to avoid the issue of Christmas.

41:28.754 --> 41:32.237
So it didn't mention Christmas or any kind of... Why did it say eight on it?

41:32.577 --> 41:33.979
Because it was like a limited edition.

41:34.019 --> 41:34.900
It was presumably the number.

41:34.920 --> 41:36.201
It was from an artist friend of mine.

41:36.241 --> 41:36.461
Right.

41:36.501 --> 41:37.081
Are you sure?

41:37.202 --> 41:38.102
Not a serial killer.

41:38.703 --> 41:40.745
No, number eight on some sort of list.

41:40.845 --> 41:41.786
I'm pretty sure.

41:41.806 --> 41:42.346
Are you sure?

41:42.366 --> 41:42.927
Yeah.

41:43.967 --> 41:54.836
How tell us more about my son and I'll tell you about the card I'll tell you more about how you will be killed it just said inside happy midwinter mmm and That doesn't buried in the snow.

41:54.976 --> 42:01.240
Yeah, keep talking and then it said you will die pig at the bottom Really?

42:01.300 --> 42:04.723
So probably you'll be killed and then you'll be fed to pick.

42:04.763 --> 42:04.923
Yeah.

42:04.983 --> 42:09.006
No, they didn't it didn't say you will die pig No, it's a happy midwinter and it was it just

42:10.447 --> 42:11.947
It sort of made it an issue for me.

42:11.967 --> 42:20.510
I was like, oh man, am I really... I suddenly thought about all the times that I'd mentioned Christmas to this person and I was thinking, do I really offend them every time I mention, like, anything religious?

42:20.550 --> 42:24.711
Are they so anti-religious that they just don't want any mention of the word Christmas?

42:24.731 --> 42:25.331
Do you know what I mean?

42:25.991 --> 42:30.373
Like, I don't feel as if I'm particularly religious but I'm not offended when people talk about Christmas.

42:30.653 --> 42:30.813
No.

42:31.753 --> 42:33.194
Uh, the world's gone PC mad.

42:33.214 --> 42:33.894
It's gone PC mad.

42:34.055 --> 42:34.295
Yeah.

42:34.555 --> 42:37.217
Listen, um, here's a track from Queen and David Bowie.

42:37.237 --> 42:38.477
You all probably know which one it is.

42:39.098 --> 42:42.980
Uh, the last time I sung this at Karaoke, I sung it so well.

42:43.681 --> 42:47.723
Uh, everybody stopped and just stared and looked quite angry and bored.

42:48.043 --> 42:50.505
Did you sing the Freddie Mercury parts or the Bowie parts?

42:50.565 --> 42:50.945
Probably.

42:50.965 --> 42:51.305
The whole thing.

42:51.325 --> 42:52.306
Oh, I think the Bowie parts.

42:52.446 --> 42:52.686
Right.

42:53.106 --> 42:55.368
But you know karaoke's not for good singing.

42:55.728 --> 42:55.908
No.

42:56.208 --> 42:59.330
You know, people who sing well when you do karaoke, they're idiots.

42:59.450 --> 42:59.991
It's a bit of a drag.

43:00.011 --> 43:00.551
Do you know what I mean?

43:00.591 --> 43:02.752
You're supposed to sing badly or funnily.

43:02.792 --> 43:04.854
Were you in the UK when you sang the song?

43:04.914 --> 43:05.474
I was, yeah.

43:05.514 --> 43:05.674
Right.

43:05.934 --> 43:06.174
Yeah.

43:06.695 --> 43:08.536
But that's just a little anecdote.

43:08.896 --> 43:09.977
Really, really small one.

43:10.217 --> 43:11.658
Can you do a little bit for us now?

43:11.678 --> 43:13.219
What's your favourite part of Under Pressure to do?

43:14.039 --> 43:15.800
I can't do it now, I've got a sore throat!

43:16.160 --> 43:18.221
David Bowie and Queen with Under Pressure.

43:18.241 --> 43:19.441
Do you remember the video for that?

43:20.041 --> 43:20.902
Uh, you know what?

43:20.922 --> 43:22.082
I don't think I do, really.

43:22.122 --> 43:22.602
What was it?

43:22.662 --> 43:24.263
I think it was a performance thing.

43:24.403 --> 43:29.425
I might be wrong, but I've got an image in my head of people sat around a studio.

43:29.445 --> 43:35.567
Maybe I'm just imagining the top of the pop's performance and Legs & Co were just sitting down while they played it or something, I don't remember.

43:35.647 --> 43:37.568
It was from, was it from the album Hot Space?

43:38.308 --> 43:39.649
Hot Space, yes it was.

43:39.689 --> 43:40.409
Is that a Queen album?

43:40.569 --> 43:42.751
Yeah, yeah, yeah, it had, uh, was it on there?

43:42.991 --> 43:45.633
Or maybe it was a sort of stopgap single, I can't remember.

43:46.213 --> 43:51.837
Hot Space wasn't bad, it had, uh, Give Me Your Buddy, Buddy Language.

43:52.157 --> 43:55.940
Doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop-doop.

43:56.560 --> 43:57.881
That's my impression of the song.

43:57.921 --> 43:59.242
That sounds like a great song.

43:59.482 --> 43:59.843
It's not bad.

43:59.863 --> 44:02.084
This is Adam and Joel on BBC Six Music.

44:02.124 --> 44:03.105
Happy Saturday morning.

44:03.365 --> 44:05.046
Hope everyone's had a lovely Christmas and all that.

44:05.787 --> 44:07.809
It's time for a little bit more music now.

44:08.109 --> 44:09.650
Here's Hot Chip with Ready for the Floor.

44:09.850 --> 44:11.131
Ooh, it's a little abrupt there, isn't it?

44:11.231 --> 44:13.032
What an extraordinary series of noises.

44:13.052 --> 44:13.733
Bit rude.

44:14.313 --> 44:17.536
A lot of those noises were created just with rubber bands with stationery.

44:18.116 --> 44:20.398
Most of that song is actually played on stationery.

44:20.678 --> 44:21.358
Is that true, Pat?

44:21.579 --> 44:21.679
No.

44:22.239 --> 44:22.559
Mmm.

44:22.579 --> 44:23.320
Be good though, wouldn't it?

44:23.340 --> 44:26.162
There's gotta be a lot of songs that have that kind of percussion in it.

44:26.182 --> 44:26.442
Really?

44:26.502 --> 44:26.882
Yeah.

44:27.022 --> 44:28.984
Like Lo-Fi, Home Developed Percussion.

44:29.004 --> 44:29.564
Well, The Beatles.

44:29.644 --> 44:31.545
No, was it The Beatles or The Beach Boys?

44:31.585 --> 44:37.229
No, The Beach Boys used the sound of people eating vegetables as the percussion for one of their tracks, called Vegetables.

44:37.409 --> 44:42.014
Has anyone ever used the sound where you get a flexi ruler and put half of it off the desk?

44:42.154 --> 44:42.474
Right.

44:42.634 --> 44:46.838
Flip it, let it vibrate, then rotate it so that it's dampened.

44:46.998 --> 44:47.639
You would think so.

44:48.600 --> 44:52.544
That was hot chip, incidentally, folks, in case you were wondering, with ready for the floor.

44:53.004 --> 44:55.166
And this is Adam and Jo here on 6 Music.

44:55.607 --> 44:57.348
It's very hot in the studio today.

44:57.549 --> 44:58.409
It's very hot, yeah.

44:58.449 --> 44:59.651
The air conditioning's broken.

44:59.811 --> 45:00.652
It's getting sexy.

45:01.452 --> 45:02.693
Uh, we're down to our undies.

45:02.713 --> 45:06.076
It's a little bit soporific though, when you get heat like this, especially when it's cold outside.

45:06.096 --> 45:06.836
I'm not soporific.

45:07.137 --> 45:11.560
And in this country, they can't handle, they can't get the balance right, you know what I mean?

45:11.620 --> 45:19.866
England is not equipped for any radical change of temperature, so as soon as it gets very parky, everybody just blasts the heat right up, you know?

45:20.267 --> 45:21.768
Like I got on the train the other day,

45:22.548 --> 45:50.068
and it was so hot inside the carriage and you'd come out and you're all wrapped up and freezing cold outside you get in the carriage and it's like tropical heat so you have to strip right down and then a train gets there you have to get you have to pull your clothes back on they should do you know like in sexy films when somebody comes into a room appears to be dressed in lots of clothing but it's all got one zip on it right and they take it off and then either naked or in their smalls yeah they should sell clothes like that in Britain what film is that meaning?

45:52.289 --> 45:53.931
Well, I got a whole liddie team.

45:53.991 --> 45:54.631
Can I borrow?

45:55.472 --> 45:56.393
Uh, wouldn't that be great?

45:56.433 --> 46:06.481
And then so everyone goes on the Tube, or on their public transport system, if they don't live in a city with a Tube, and they unzip their things, and then it's just like sexy stuff.

46:06.501 --> 46:06.962
Sexy time.

46:07.282 --> 46:09.803
Yeah, and only only sexy people would be allowed on.

46:10.223 --> 46:12.064
Oh, well, that's no good for me then.

46:12.184 --> 46:13.044
It's good for me.

46:13.144 --> 46:16.406
I dare say you as well, I was gonna say.

46:16.426 --> 46:19.407
This is Adam and Joe on BBC Six Music.

46:20.587 --> 46:21.828
Is it time for even more music?

46:22.788 --> 46:23.748
Well, alright, yeah.

46:23.868 --> 46:27.630
Here's some... Seems a little... You know, it's a new year for Amy Winehouse coming up.

46:28.270 --> 46:29.450
She's been in the papers a lot.

46:30.351 --> 46:37.933
The other week in The Guardian, there was an article about how she tries to avoid the paparazzi, and it had a little vignette where Amy's walking along the street.

46:37.953 --> 46:41.374
She leaves her house, the paparazzi try to pap her, and two old ladies go, Leave her alone!

46:41.715 --> 46:42.255
Leave her alone!

46:42.295 --> 46:42.735
Have a day!

46:42.795 --> 46:43.195
Leave her alone!

46:43.215 --> 46:44.856
She's just trying to leave her life!

46:45.936 --> 46:50.704
And it describes how the two old ladies help Amy Winehouse into the newsagent out of the way of the paps.

46:50.925 --> 46:51.966
Then they go, you alright, dear?

46:52.247 --> 46:52.708
You alright?

46:52.728 --> 46:53.749
And she goes, yeah, I'm fine.

46:54.170 --> 46:55.572
Alright, can we have a picture?

46:56.209 --> 46:58.650
And they ask her for her picked photo on their mobile phone.

46:58.710 --> 46:59.390
Did she oblige?

46:59.551 --> 46:59.751
Yes.

47:00.231 --> 47:01.711
Well, that's alright, that's a happy story, isn't it?

47:01.872 --> 47:04.093
What a terrible, uh, hassled life, though.

47:04.613 --> 47:04.833
Yes.

47:04.853 --> 47:05.873
She must be leading at the moment.

47:05.913 --> 47:06.293
No respite.

47:06.354 --> 47:07.394
It can't be fun to be her.

47:07.814 --> 47:09.095
Even by the old ladies.

47:09.215 --> 47:10.475
You know, is she courting it?

47:10.495 --> 47:11.036
Yeah.

47:11.096 --> 47:12.036
Has she asked for it?

47:12.436 --> 47:13.337
Does she deserve it?

47:13.717 --> 47:15.718
Or is it a terrible albatross round her neck?

47:16.278 --> 47:18.759
Text the message board with your thoughts on that.

47:18.799 --> 47:20.840
Here's Amy Winehouse with Stronger Than Me.

47:22.566 --> 47:23.146
Well done.

47:23.266 --> 47:23.967
Well done, Amy.

47:24.227 --> 47:24.687
Thank you.

47:24.767 --> 47:25.487
Thanks very much.

47:25.907 --> 47:26.727
Have something to drink.

47:27.188 --> 47:27.668
No, sorry.

47:27.828 --> 47:28.668
I shouldn't have asked you that.

47:28.748 --> 47:29.468
Just have some water.

47:29.488 --> 47:30.309
How awkward.

47:30.389 --> 47:30.929
How awkward.

47:30.949 --> 47:31.549
How very awkward.

47:31.569 --> 47:32.389
That was Amy Winehouse.

47:32.429 --> 47:35.390
That was a session recorded for Six Music on the 2nd of November 2003.

47:35.470 --> 47:35.991
Wow.

47:36.011 --> 47:38.071
Early days.

47:38.331 --> 47:38.871
Early winehouse.

47:39.032 --> 47:40.212
I can't remember anything about 2003.

47:40.252 --> 47:40.212
2003.

47:40.272 --> 47:40.972
We were just partying.

47:43.473 --> 47:45.174
We were raving all year long, that's why.

47:45.314 --> 47:48.376
We were spending all the cash that we got from that advert.

47:48.476 --> 47:49.197
Yeah, exactly.

47:49.317 --> 47:50.798
We pretty much didn't do anything that year.

47:50.818 --> 47:52.199
Yeah, thanks sir, automatic.

47:53.099 --> 47:55.001
This is Adam and Jo on BBC Six Music.

47:55.061 --> 48:03.406
Now this next track, Listeners, is a punk classic and it's one that's close to my heart because I spent absolutely hours learning this because I can play this on my guitar.

48:03.426 --> 48:04.487
It's a four chord wonder.

48:04.887 --> 48:05.308
Right.

48:05.348 --> 48:07.309
Richard Hell and the Voidoids with Blank Generation.

48:07.369 --> 48:11.912
But it's got very difficult lyrics to learn, you know, because they don't necessarily scam.

48:11.932 --> 48:13.073
They're brilliant lyrics.

48:15.014 --> 48:23.317
And he, I remember seeing him just reciting the lyrics on some punk documentary, and they just got him to sit down and recite them like a poem, you know?

48:23.337 --> 48:26.838
I was saying, let me out of here before it's even born.

48:27.098 --> 48:28.779
It's such a gamble when you get a face.

48:28.979 --> 48:31.440
It's fascinating to observe what the mirror does.

48:31.880 --> 48:34.621
When I die, it's to the wall that I set my face.

48:35.001 --> 48:36.782
I belong to the blank generation.

48:36.902 --> 48:37.802
And on he went like that.

48:37.822 --> 48:40.403
It was sort of good, but the song's a bit better.

48:40.703 --> 48:41.864
Here's Richard Helen the Voidoids.

48:59.011 --> 49:00.852
from seven to ten in the evening.

49:00.872 --> 49:02.233
I thought we weren't going to tell people about that.

49:02.454 --> 49:03.074
I've done it now.

49:03.094 --> 49:03.815
Have you?

49:03.855 --> 49:13.642
We're leading into the queens of noise who are going to present a kind of a barnstorming DJ-type set to take you right up to the big hour, the moment when the world changes.

49:13.742 --> 49:13.962
Yeah.

49:14.442 --> 49:15.863
It's a fresh start for everybody.

49:16.043 --> 49:16.604
Absolutely.

49:16.624 --> 49:20.347
New celebrities, new TV shows, new clothes.

49:21.167 --> 49:25.468
Uh, new words, new haircuts, new fashions, new snack products.

49:25.628 --> 49:27.729
Have you got the fashion news for 2008?

49:27.889 --> 49:28.149
Yeah.

49:28.389 --> 49:28.910
What's happening?

49:29.370 --> 49:30.690
Uh, uh, bomber jackets.

49:31.050 --> 49:31.670
Bomber jackets.

49:31.690 --> 49:32.871
Yeah.

49:32.971 --> 49:34.271
One leg short, one leg long.

49:34.671 --> 49:34.911
Right.

49:35.192 --> 49:36.992
On the, um, trousers.

49:37.012 --> 49:38.012
They're called trousers.

49:38.193 --> 49:38.673
Yeah, yeah.

49:39.553 --> 49:40.553
Uh, roller skates.

49:40.813 --> 49:41.073
Right.

49:41.734 --> 49:42.994
Uh, a back, back, back.

49:43.154 --> 49:44.334
You know what I heard is in?

49:44.515 --> 49:44.935
What's in?

49:44.975 --> 49:45.735
Vled nostrils.

49:46.215 --> 50:05.824
really yeah just flaring them the whole time no little rings really to push the nostrils out keep them flared really yeah and then by September they're gonna be right out and then drain pipe nostrils are gonna be I've heard pleading growing a beard pleasing it growing the pubic hair pleasing it and pleasing them both together so they link in the middle

50:06.004 --> 50:07.846
Thank goodness, because I've been doing that for years.

50:07.926 --> 50:08.806
That's going to be huge.

50:08.826 --> 50:09.687
Well, you're ahead of the trend.

50:09.707 --> 50:11.609
I hope it was going to come back in style.

50:11.649 --> 50:12.690
You're on top of the ball.

50:12.790 --> 50:13.610
That's excellent.

50:14.611 --> 50:16.353
Yes, time for more music now.

50:17.193 --> 50:19.215
Is this Stars With The Night Starts here?

50:20.096 --> 50:22.317
I love Stars With The Night Starts here.

50:22.417 --> 50:23.178
Wow, there you go.

50:23.278 --> 50:24.659
Stars With The Night Starts here.

50:24.699 --> 50:29.763
What an extraordinary sort of record, very pictorial lyrics there.

50:30.524 --> 50:34.026
A man driving a car into the sea, and then turning back.

50:34.306 --> 50:36.208
It's amazing what you can do with words, isn't it?

50:36.368 --> 50:36.708
It is.

50:37.028 --> 50:40.410
Describe scenes and things, but that sounds like an 80s record.

50:40.670 --> 50:41.231
It does, doesn't it?

50:41.251 --> 50:42.691
It sounds like, do you know what it reminds me of?

50:42.711 --> 50:46.914
The kind of song that would pop up on a soundtrack to a very, very bad film.

50:46.934 --> 50:53.298
Yeah, or if you were quite young and were listening to it on your headphones, you could really imagine that life was a film.

50:53.678 --> 51:01.407
And I'm not, I'm not damning the song by saying it would pop up on one of those bad soundtracks, but sometimes you can get quite a good soundtrack to a very bad film.

51:01.707 --> 51:03.529
Like, do you remember the film Cool World?

51:03.969 --> 51:06.792
Sort of half animated, half, uh, real?

51:07.253 --> 51:08.374
Mmm, Ralph Baschke business.

51:08.574 --> 51:09.335
Yeah, yeah, yeah.

51:09.415 --> 51:13.460
And there was a brilliant Brian Eno, a couple of excellent Brian Eno songs, which I believe

51:13.980 --> 51:24.606
Sort of first appeared on the album if you weren't all well I'm very rich and very soulful and sometimes that happens to me and there was some a couple of good like There was an original Bowie track for that one.

51:24.626 --> 51:25.567
Do you remember real cool?

51:25.607 --> 51:28.708
Well, yeah quite enjoying them out for the movies.

51:28.928 --> 51:40.755
He loves popping them out Yes, so Adam just a quick bit of advert related info How what distance do you like your flakes to be visible from?

51:42.233 --> 51:45.514
Well, the flake is a very visible bar because of the yellow wrapper.

51:45.534 --> 51:47.134
No, no, no, you've misunderstood me.

51:47.394 --> 51:48.495
Your dandruff flakes.

51:48.755 --> 51:49.155
Oh, I see.

51:49.175 --> 51:51.195
What distance do you like them visible from?

51:51.215 --> 51:53.936
I'd rather they weren't visible.

51:54.056 --> 51:54.376
Really?

51:54.416 --> 51:54.716
Yeah.

51:54.876 --> 52:04.838
Would you be interested in a product which claims to make your flakes invisible, but that that claim is based on visibility of flakes when seen from a distance of two feet?

52:04.999 --> 52:05.839
Oh, I see.

52:05.899 --> 52:06.759
Would you be interested in that?

52:07.359 --> 52:18.862
Have you seen that advert for the I don't know whether you've seen it listeners for a for an anti dandruff shampoo And it says at the bottom of the screen claim based on visibility of flakes when seen at distance of two feet No way.

52:18.882 --> 52:20.982
Yeah, you'd have to have giant flakes.

52:21.362 --> 52:21.802
Wouldn't you?

52:22.643 --> 52:26.263
Oh, you mean right to so without the am I two feet from you now?

52:26.304 --> 52:32.665
Yes, I am probably more I'd say that was three to four feet a foot is the length of a ruler I a standard ruler 30 centimeters

52:32.705 --> 52:35.507
Well, if you did have severe dandruff, I would be able to see it at two feet.

52:35.888 --> 52:36.328
Do you think?

52:36.408 --> 52:36.648
Yeah.

52:37.049 --> 52:38.990
No, but this, not if I use this stuff.

52:39.090 --> 52:40.231
Well, no, hopefully not.

52:40.391 --> 52:43.594
Yeah, but if you came closer than two feet, the flakes would begin to appear.

52:44.153 --> 52:44.453
Yeah.

52:44.873 --> 52:46.754
So it's good for first date stuff, isn't it?

52:46.794 --> 52:48.675
Because he's not going to come too close or she.

52:49.035 --> 52:49.836
No.

52:49.956 --> 52:53.517
But then if it gets down to the nitty gritty, it's lights off time.

52:53.597 --> 53:00.781
Yeah, but they're saying, listen, we can control very big dandruff, but we can't guarantee to control like micro dandruff.

53:00.801 --> 53:05.823
So for this product to be useful to you, you'd have to have really big flakes.

53:06.523 --> 53:07.283
No, that's what I'm saying.

53:07.323 --> 53:09.604
I think, well, you have quite big flakes.

53:09.624 --> 53:10.685
Yeah, like cornflakes.

53:13.466 --> 53:14.927
They're quite big as flakes go.

53:14.947 --> 53:16.929
They are, aren't they?

53:16.969 --> 53:17.209
Yeah.

53:17.329 --> 53:22.032
It just conjures up interesting images of like dates and dancing on the dance floor.

53:22.072 --> 53:27.656
Every time he comes closer than two feet, you integrate a little shove into your routine.

53:27.856 --> 53:28.116
Right.

53:28.236 --> 53:29.237
Just to keep him at bay.

53:29.297 --> 53:35.942
Well, you know, the other thing, if you couldn't afford the shampoo in question would just be to tell people to stay two feet away from you.

53:36.962 --> 53:43.065
at all times, or just to stink slightly, to encourage flatulence and just have a cloud of stench around you.

53:43.085 --> 53:51.428
You could wear like a hoop, you know, with a strap around your shoulders to keep people more than two feet away from you at all times.

53:52.028 --> 53:53.329
This is a very good idea.

53:53.429 --> 53:54.869
If you didn't want to buy the shampoo.

53:55.129 --> 53:56.150
Yeah, that's a good idea.

53:56.170 --> 53:56.550
Thank you.

53:57.600 --> 53:58.441
Oh, I chose this song.

53:58.461 --> 54:00.542
Look, I just looked at the coming up next screen.

54:01.443 --> 54:02.684
I hope you enjoy this one, folks.

54:03.284 --> 54:12.712
I've actually chosen a lot of old music this week, and you know, usually I like to unveil some really hot happening underground music stuff, Joe, because that's kind of... Sure you do.

54:12.812 --> 54:19.877
...person I like, but this week I seem to have delved into the old bucket, and here's a very old bucket indeed, Neil Young, with Cinnamon Girl.

54:20.177 --> 54:20.758
Oh my gosh.

54:21.178 --> 54:31.786
The Beastie Boys, an irresponsible ban from New York who are going round encouraging kids to steal the badges off VW Volkswagens and wearing them round their necks on a chain.

54:32.347 --> 54:41.094
Was it the illegal actions of the Beastie Boys and their VW badge stealing antics that caused Mercedes to actually invent

54:42.015 --> 55:06.117
Badges that retreated into the hood of the car rolls-royce did that I think they used to have a What she called the silver lady or yeah, she's called that they had a special rolls-royce where the where she went inside I'm not sure VW did or maybe lots of cars No, I didn't about VW because they never had a badge maybe BMWs, but Mercedes You know possibly the bends cuz some a lot of rappers used to wear the bends logo.

55:06.137 --> 55:06.297
Yeah

55:06.637 --> 55:09.521
But they're a disgrace, the Beastie Boys, and they must be kept out of Britain.

55:09.561 --> 55:11.383
Keep the sick rappers.

55:11.443 --> 55:12.424
It's not even musical.

55:12.444 --> 55:13.185
They just talk.

55:13.385 --> 55:14.026
They just shout.

55:14.186 --> 55:15.808
What happened to Melody?

55:15.828 --> 55:16.449
They just shout.

55:17.110 --> 55:18.772
And you know they're posh as well.

55:19.132 --> 55:21.655
They're Ivy League educated, so they're not from the street.

55:21.695 --> 55:22.316
They're trust fun kids.

55:22.336 --> 55:23.437
They'll never get anywhere.

55:23.618 --> 55:25.700
They have women in cages, do they?

55:25.760 --> 55:26.281
At their shows.

55:26.681 --> 55:27.342
That's disgusting.

55:27.382 --> 55:28.903
Women with ooze in cages.

55:29.203 --> 55:30.244
No, I think that's public enemy.

55:30.844 --> 55:32.385
But they should be stopped.

55:32.425 --> 55:34.067
Quick, stop them before they become famous.

55:34.087 --> 55:35.007
For goodness sake.

55:35.488 --> 55:37.629
This is Adam and Jo on BBC6 Music.

55:37.669 --> 55:38.530
Thanks for joining us.

55:39.210 --> 55:42.033
We hope you're recovering from your festive overload.

55:42.073 --> 55:44.735
Everyone listening will probably be feeling quite bloated.

55:45.455 --> 55:48.738
So do take a macrobiotic yogurt drink.

55:49.478 --> 56:00.060
For that it's difficult especially in the winter as well because is it true to say that your body naturally bulks up a little bit anyway That's true Because of the cold weather.

56:00.440 --> 56:07.362
Yeah, you get you actually get if you go outdoors and come indoors You get condensation on the inside of your body, right?

56:07.882 --> 56:11.722
And that can cause to that can cause to farting.

56:11.742 --> 56:13.663
There we go Dr. Cornish

56:14.583 --> 56:15.344
Dr. Cornish, right.

56:15.364 --> 56:22.770
Let's have a little more music then I'd like to make some predictions for the television in the new year Here's a good song.

56:22.950 --> 56:25.492
This is a song that very much inspired the band blur.

56:25.852 --> 56:29.035
I I would venture Yeah, are you guessing or do you know that?

56:29.215 --> 56:31.857
I'm pretty sure I'm pretty sure I mean it's it you'll get your

56:32.237 --> 56:35.299
Well, I'm sort of guessing, but it's everything you need to know about mid-period blur.

56:35.439 --> 56:35.579
Really?

56:35.599 --> 56:37.280
Like a little character sketch.

56:37.721 --> 56:40.422
Very well observed with an excellent quirky little melody.

56:40.723 --> 56:42.884
I'm talking about Pink Floyd with Arnold Lane.

56:42.984 --> 56:43.604
Good stuff.

56:43.744 --> 56:45.385
That's Pink Floyd with Arnold Lane.

56:45.406 --> 56:52.010
This is Adam and Joe here on BBC Six Music on Saturday the 28th of December 2007.

56:54.071 --> 57:00.255
Before we heard that record, Adam was saying that he thought there was a, you know, a little nugget of inspiration for blur in that Pink Floyd track.

57:00.575 --> 57:07.537
Yeah, you can hear the Damon Albron-isms of mid-period blur in there, related to the vocal style, I would say.

57:07.837 --> 57:13.758
Speaking of blur, I'd been interested in watching E4, you know, the Channel 4 cable channel.

57:14.078 --> 57:14.658
What?

57:14.798 --> 57:16.559
Yeah, it's a new channel.

57:17.159 --> 57:19.999
They've got a show on called, I think it's called Mobile Unsigned.

57:20.380 --> 57:23.020
It's kind of like the X-Factor for indie bands.

57:23.080 --> 57:26.541
I've seen, it's got... They repeat it on the main channel, I think, like Zane presents it.

57:26.801 --> 57:33.105
Alex Zane presents it, and it's a kind of indie x-factor style competition between credible young bands.

57:33.926 --> 57:37.828
The judges are Joe Wiley and some bloke from some record company.

57:38.108 --> 57:45.973
Right, I've seen him sort of saying, if none of these bands is successful, then I've totally wasted my time and the reputation of my company will lie in tatters.

57:46.114 --> 57:46.614
Exactly.

57:46.994 --> 57:50.977
He's judge number two and judge number three is Alex James from Blur.

57:51.077 --> 57:51.237
Yeah.

57:51.517 --> 57:54.039
And it's interesting to see that kind of format

57:55.420 --> 57:59.064
taken and they've tried to make it as cool as possible.

57:59.084 --> 58:00.065
Do you know what I mean?

58:00.305 --> 58:06.332
So there's an atmosphere in the show of just embarrassment and discomfort at the whole proceedings.

58:06.352 --> 58:07.293
Do you know what I mean?

58:07.313 --> 58:15.421
Because anyone with any sense of reality would kind of realise that those competition shows are pretty stupid.

58:15.441 --> 58:16.763
They're inherently uncool of course.

58:16.903 --> 58:25.426
Yeah, and of course, so like a good band that gets respect from the music papers would never come into the scene on a show like that, would they?

58:25.826 --> 58:26.506
No, exactly.

58:26.526 --> 58:32.689
But the people that designed the show are aware of that credibility problem, so they've done everything they can to shore it up against it.

58:33.089 --> 58:35.050
You know, Alex Sane presenting, he's cool.

58:35.330 --> 58:37.190
He is cool, he's a good looking sexy little man.

58:37.210 --> 58:39.071
Yeah, credible people on the panel.

58:39.291 --> 58:39.491
Yeah.

58:39.571 --> 58:41.112
Wylie, she knows what she's talking about.

58:41.932 --> 58:43.654
Alex James knows what she's talking about.

58:44.774 --> 58:49.998
But some of the bands find it very difficult to kind of respond in the right sort of a way in some of the VT packages.

58:50.679 --> 58:55.082
Yeah, when we came onto this show, we thought it was stupid, load of rubbish.

58:55.703 --> 59:00.447
Then we thought, cool, you know, if it gets us attention, you got to get out there any way you can.

59:00.507 --> 59:01.467
And then they kicked us off.

59:01.968 --> 59:03.269
We thought, oh, it's rubbish.

59:03.829 --> 59:06.972
But then they invited us back on and we thought, cool, you know,

59:07.532 --> 59:08.333
That sort of business.

59:08.833 --> 59:10.894
They keep kicking people off and getting them back on again.

59:11.334 --> 59:12.975
Giving people last minute reprieves.

59:13.215 --> 59:15.776
That's one of the latest mechanics in those shows, right?

59:15.877 --> 59:16.837
To mess with their heads.

59:16.877 --> 59:18.218
To mess with their heads, yeah.

59:18.558 --> 59:21.980
Then they had professional musicians giving them advice the other week.

59:22.280 --> 59:24.041
Some bloke from the Wanna Dies, was it?

59:24.761 --> 59:25.422
Someone like that.

59:25.442 --> 59:26.602
That's hair from the Wanna Dies?

59:26.622 --> 59:28.863
Maybe, I don't know, but it's a peculiar show.

59:29.364 --> 59:31.785
Do you think the band that will win it could get anywhere?

59:32.739 --> 59:34.760
Well... You've got to be nice, you've got to be charitable, haven't they?

59:34.780 --> 59:38.282
If they're a good band, then they're good regardless of how they were launched.

59:38.562 --> 59:41.743
Yeah, I don't know, but I mean... Would you find that a problem?

59:42.143 --> 59:47.326
Buying a record by an album that had won, like, an E4 talent competition?

59:47.466 --> 59:49.487
I'd find it a problem buying a record by an album.

59:50.507 --> 59:58.211
I think it would just be so difficult for the album itself to become animated to the extent that it could produce a record.

59:58.531 --> 59:58.971
Fair point.

01:00:00.732 --> 01:00:02.233
There might be something about it in the news.

01:00:02.273 --> 01:00:03.914
I was really trying to speak then.

01:00:04.834 --> 01:00:05.955
I made one mistake.

01:00:06.055 --> 01:00:10.117
I kept the words going in a order that made sense for minutes.

01:00:10.337 --> 01:00:10.777
I'm really sorry.

01:00:10.797 --> 01:00:12.077
And then I have one little slit.

01:00:12.097 --> 01:00:12.658
I'm sorry, man.

01:00:12.678 --> 01:00:13.258
And that was it.

01:00:13.318 --> 01:00:14.158
It's so hot in here.

01:00:14.178 --> 01:00:15.139
Let's have some blondie.

01:00:15.319 --> 01:00:17.420
Blondie with Ripper to shreds.

01:00:17.500 --> 01:00:20.321
They made a mistake in the whole West End musical game, didn't they?

01:00:20.481 --> 01:00:21.202
What?

01:00:21.222 --> 01:00:23.543
There's a West End musical called Desperately Seeking Susan.

01:00:23.923 --> 01:00:25.444
Oh, that uses Blondie music.

01:00:25.504 --> 01:00:26.204
That's right.

01:00:26.264 --> 01:00:27.564
What a miscalculation.

01:00:27.684 --> 01:00:29.565
Listen, there might be a story about this in the news.

01:00:29.685 --> 01:00:32.846
Jack Peñate with Have I Been a Fool.

01:00:33.046 --> 01:00:35.107
Hey, this is Adam and Joe here on 6 Music.

01:00:35.507 --> 01:00:36.828
Almost the end of the year, folks.

01:00:37.722 --> 01:00:38.563
It's almost over.

01:00:38.783 --> 01:00:39.163
That's it.

01:00:39.183 --> 01:00:40.244
Enjoy it while it lasts.

01:00:40.304 --> 01:00:42.545
Yeah, because, you know, you've only got a couple more days left.

01:00:43.106 --> 01:00:49.450
Incidentally, we'll be with you on New Year's Eve here on Six Music to take you through from seven o'clock till 10 p.m.

01:00:49.730 --> 01:00:54.473
And after us, there's the, uh, the Cheeky Girls with their New Year's Eve celebration.

01:00:54.493 --> 01:00:55.534
They're called the Queens of Noise.

01:00:55.814 --> 01:00:56.995
They're like the Cheeky Girls, though, aren't they?

01:00:57.015 --> 01:00:57.195
They are.

01:00:57.215 --> 01:00:58.936
They're kind of like the indie version of the Cheeky Girls.

01:00:58.956 --> 01:01:00.317
They're very attractive, the Cheeky Girls.

01:01:00.337 --> 01:01:00.617
They are.

01:01:00.877 --> 01:01:01.998
And so are the Queens of Noise.

01:01:02.038 --> 01:01:02.679
Yeah, they are.

01:01:03.499 --> 01:01:03.619
Mmm.

01:01:03.699 --> 01:01:04.120
Ooh.

01:01:04.360 --> 01:01:04.780
Hello.

01:01:04.960 --> 01:01:05.360
Steady.

01:01:05.761 --> 01:01:07.362
Um, so, TV chat time.

01:01:08.282 --> 01:01:14.066
Um, I've been worried this year 2007 and far bit from me to open up another can of TV controversy worms.

01:01:14.346 --> 01:01:16.488
Mmm, I love TV controversy worms though.

01:01:17.048 --> 01:01:20.551
I've been worried that some of my favourite reality shows are becoming self-aware.

01:01:21.091 --> 01:01:27.756
Do you know, like when a computer becomes sentient, the people who take part in these shows are aware of the format.

01:01:28.476 --> 01:01:29.597
And they're playing up to them.

01:01:30.078 --> 01:01:31.279
Oh, that's been happening for years.

01:01:31.319 --> 01:01:31.840
Has it?

01:01:31.920 --> 01:01:32.300
Surely.

01:01:32.540 --> 01:01:34.682
I've been getting into Ramsay's kitchen nightmares.

01:01:34.702 --> 01:01:35.443
Do you ever watch that?

01:01:36.104 --> 01:01:37.385
Uh, no, I'm not down with Ramsay.

01:01:37.405 --> 01:01:38.386
It's very, very good.

01:01:38.446 --> 01:01:38.686
Is it?

01:01:38.867 --> 01:01:39.127
Yeah.

01:01:39.447 --> 01:01:42.130
He takes a restaurant that's going wrong.

01:01:42.270 --> 01:01:42.450
Yeah.

01:01:42.790 --> 01:01:43.671
And he visits it.

01:01:44.032 --> 01:01:45.533
And it's always a disaster.

01:01:45.954 --> 01:01:47.075
The people are nutty.

01:01:47.655 --> 01:02:02.703
The kitchen's a mess, the food's horrible, and it always sort of revolves around some delusion that the owner's got based on an experience in his past, or some sort of psychological thing that one can often learn from in terms of ambitions and delusions and stuff.

01:02:03.944 --> 01:02:07.506
Ramsey swears at them, he takes the Mickey, he provokes them, he prods them.

01:02:08.226 --> 01:02:24.601
brilliant TV they get furious then he introduces a special Ramsey menu he makes over the pub he launches a special it's always the same every week he does a special some sort of parade down the main square so all the villagers know about the new restaurant and then it's a triumph

01:02:24.861 --> 01:02:25.121
Right.

01:02:25.141 --> 01:02:26.041
It's always a triumph.

01:02:26.121 --> 01:02:26.822
Like Ratatouille.

01:02:27.082 --> 01:02:29.222
And yeah, the people make up the rats run the restaurant.

01:02:29.262 --> 01:02:29.463
Yeah.

01:02:29.763 --> 01:02:35.385
But the more I've watched this, the more it seems that the participants know that that's the lay of the land.

01:02:35.485 --> 01:02:36.845
They know the roles they have to play.

01:02:36.925 --> 01:02:39.526
They know that the restaurant has to look a bit disastrous.

01:02:39.546 --> 01:02:39.666
Yeah.

01:02:40.026 --> 01:02:41.547
And it's beginning to be a bit contrived.

01:02:41.807 --> 01:02:44.930
Now, you quite rightly said that you think people just know this.

01:02:44.990 --> 01:02:47.672
This is a kind of accepted part of viewing.

01:02:47.932 --> 01:02:48.612
You would think so.

01:02:48.632 --> 01:02:50.313
Like wife swap I've noticed it in.

01:02:50.514 --> 01:02:50.734
Yeah.

01:02:51.494 --> 01:02:52.675
How clean is your house?

01:02:53.136 --> 01:02:58.099
I don't think those houses are that dirty until the camera crew announce they're gonna come round.

01:02:58.119 --> 01:02:58.579
Oh really, yeah.

01:02:58.599 --> 01:02:59.620
I think they muck them up.

01:03:00.081 --> 01:03:00.781
Yeah.

01:03:01.141 --> 01:03:01.722
A widdle here.

01:03:02.642 --> 01:03:03.323
A pop there.

01:03:04.484 --> 01:03:09.247
You know, use the sink as a toilet for a couple of weeks before Kim and Aggie come.

01:03:09.568 --> 01:03:11.569
It would be sort of liberating in a way, wouldn't it?

01:03:11.689 --> 01:03:12.069
It would.

01:03:12.089 --> 01:03:13.310
It would almost be worth.

01:03:13.811 --> 01:03:17.734
If you've got a normal house, just live like a happy tramp for a week.

01:03:17.974 --> 01:03:18.354
Exactly.

01:03:18.454 --> 01:03:19.395
And get on telly.

01:03:19.475 --> 01:03:21.637
Presumably they give you a little bit of money for doing the show.

01:03:21.657 --> 01:03:23.278
I think we should set up a restaurant.

01:03:23.398 --> 01:03:24.339
This is a good idea.

01:03:24.639 --> 01:03:26.160
And it would be awful.

01:03:26.340 --> 01:03:28.082
Yeah, and we would not get on.

01:03:28.843 --> 01:03:29.985
There'd be arguments.

01:03:30.065 --> 01:03:30.225
Right.

01:03:30.786 --> 01:03:32.929
Uh, it would stink, the food would be awful.

01:03:33.449 --> 01:03:35.131
Then get on the phone, call Ramsey.

01:03:35.231 --> 01:03:37.494
We could make a little bit of money, this is a good idea.

01:03:37.735 --> 01:03:37.995
Yeah?

01:03:38.095 --> 01:03:38.255
Yeah.

01:03:38.636 --> 01:03:40.318
And then, uh, we'd play along.

01:03:40.678 --> 01:03:42.060
At the end, we'd hug and stuff.

01:03:42.360 --> 01:03:44.123
And then, A, we'd be back on telly.

01:03:44.463 --> 01:03:46.165
Hug & Stuff would be a good name for a restaurant.

01:03:46.185 --> 01:03:47.766
That's how the restaurant's called Hug & Stuff.

01:03:47.886 --> 01:03:48.087
Uh-huh.

01:03:48.707 --> 01:03:51.470
Uh, we'd be on telly, we'd have a successful restaurant.

01:03:51.530 --> 01:03:51.750
Yeah.

01:03:52.050 --> 01:03:54.533
Gordon's dishes are very simple, it wouldn't be much work.

01:03:54.633 --> 01:03:56.154
I'm really excited about Hug & Stuff.

01:03:56.915 --> 01:03:58.797
Because it sounds a little bit like Haagen-Dazs.

01:03:59.297 --> 01:04:01.279
So it's a sort of successful, you know.

01:04:01.319 --> 01:04:01.740
Do you know what?

01:04:01.760 --> 01:04:02.801
It's not even a restaurant.

01:04:02.901 --> 01:04:04.022
It's just a happy shop.

01:04:04.122 --> 01:04:04.462
Exactly.

01:04:04.502 --> 01:04:07.005
You come in, and here's the problem with Hug & Stuff.

01:04:07.125 --> 01:04:07.345
What?

01:04:07.465 --> 01:04:07.806
We stink.

01:04:08.666 --> 01:04:09.006
Do we?

01:04:09.026 --> 01:04:09.487
We smell.

01:04:09.507 --> 01:04:09.767
Really?

01:04:10.067 --> 01:04:13.029
Because we're not properly clean, we're not, uh, you know, we don't wash enough.

01:04:13.049 --> 01:04:15.590
This is the problem before the... Yeah, before Ramsay gets there.

01:04:15.610 --> 01:04:17.191
This is the problem that Ramsay would identify.

01:04:17.271 --> 01:04:18.632
So he just deodorises us.

01:04:18.692 --> 01:04:22.774
He says, uh... Look, you're getting people in off the street, you're promising them hugs and stuff.

01:04:22.794 --> 01:04:23.914
Off the effing street, you effer.

01:04:23.954 --> 01:04:25.375
Off the effing street, you silly effer.

01:04:25.735 --> 01:04:26.536
But you effing smell.

01:04:26.556 --> 01:04:27.316
That's the word of BS.

01:04:27.396 --> 01:04:28.237
Yeah, exactly.

01:04:28.837 --> 01:04:29.657
You silly silly word.

01:04:29.737 --> 01:04:30.198
It's H1T.

01:04:30.218 --> 01:04:31.498
Did you say the C word?

01:04:31.598 --> 01:04:31.839
No.

01:04:31.939 --> 01:04:32.139
No.

01:04:32.279 --> 01:04:34.180
And when he does, he means custard.

01:04:34.520 --> 01:04:34.900
Right.

01:04:36.681 --> 01:04:37.502
What are you talking about?

01:04:37.522 --> 01:04:38.782
Oh, just sensorizing.

01:04:38.802 --> 01:04:40.363
That's the C word in rams as well.

01:04:40.403 --> 01:04:43.785
Anyway, lots of exciting ideas there for me and Adam in the new year.

01:04:43.966 --> 01:04:44.806
You guys stink.

01:04:44.986 --> 01:04:45.967
You need some deodorant.

01:04:46.687 --> 01:04:47.968
You effing BS'ers.

01:04:48.088 --> 01:04:51.050
Huggin' stuff's never gonna happen unless you learn how to wash properly.

01:04:51.110 --> 01:04:52.091
Huggin' stuff.

01:04:52.111 --> 01:04:54.892
We're gonna copyright that, by the way, during this next record.

01:04:54.932 --> 01:04:56.693
This is one of my choices.

01:04:57.054 --> 01:04:59.455
It's a hip-hop band from the past called The Far Side.

01:04:59.735 --> 01:05:00.736
This is called Passin' Me Bar.

01:05:00.936 --> 01:05:03.777
There's the Farside with passing me by, all the way from 1993.

01:05:04.717 --> 01:05:07.178
Now Fat Lip was in Farside, right?

01:05:07.358 --> 01:05:22.963
Yeah, and Fat Lip, uh, yeah, he's brilliant, and if you go on the Spike Jones DVD, the big, uh, you know, the, the director's set, there's a set of DVDs by some of the world's greatest pop video directors, and Spike Jones did one, and there's a brilliant documentary that Spike Jones did with Fat Lip.

01:05:23.883 --> 01:05:24.744
Did I say Dones?

01:05:24.964 --> 01:05:25.404
Yes you did.

01:05:25.545 --> 01:05:32.350
There's a brilliant documentary that Spike Jones did with Fat Lip and it's all about him leaving that band and having a bit of a mental breakdown.

01:05:32.550 --> 01:05:33.431
That's right, dignity.

01:05:33.451 --> 01:05:36.474
Coping off with a lady of the night who turned out to be a fellow of the night.

01:05:36.674 --> 01:05:37.194
Yeah, yeah, yeah.

01:05:37.234 --> 01:05:38.215
Getting horribly teased.

01:05:39.016 --> 01:05:40.998
But yeah, the Far Side split.

01:05:41.378 --> 01:05:43.760
But Fat Lip did release a solo album that's brilliant.

01:05:43.980 --> 01:05:45.121
It's called The Loneliest Punk.

01:05:45.722 --> 01:05:46.983
It was only released in the US.

01:05:47.623 --> 01:05:58.132
But you and you can get it on obviously amazon.com, but if you're a fan of farsight and you haven't checked out fat lips solo album the loneliest punk well worth Maybe you can download it off off of the itunes.

01:05:58.172 --> 01:06:02.616
I don't know well worth check checking out Yeah, yeah, yeah, he's good man.

01:06:02.656 --> 01:06:04.658
He's wicked he's a wicked.

01:06:04.678 --> 01:06:05.759
That's what people say, right?

01:06:06.039 --> 01:06:06.279
Is it?

01:06:06.720 --> 01:06:07.480
I think so, yeah.

01:06:07.881 --> 01:06:08.781
Is it wicked?

01:06:09.382 --> 01:06:17.448
You know, one of the things in the, we were talking about the panto biome the other day, they'd absorbed loads of humorous cultural reference points.

01:06:17.508 --> 01:06:18.669
Yes, pop culture references.

01:06:18.789 --> 01:06:19.070
Yeah.

01:06:19.090 --> 01:06:21.472
It's an important element aspect of panto.

01:06:21.572 --> 01:06:26.756
You can sort of get a feel for, you can take the nation's comedy pulse by the stuff that seeps into panto.

01:06:27.136 --> 01:06:31.320
Like a couple of years ago, or maybe just a year ago even, it would have been loads of Little Britain references.

01:06:31.900 --> 01:06:41.904
But in the panto this year, it was like one of the big jokes was having the fairy godmother be talking very posh, but then kind of drop into street slang in it.

01:06:42.744 --> 01:06:46.245
A little bit like the Armstrong and Miller sketch, you know, with the posh... Oh, do you think?

01:06:46.406 --> 01:06:48.686
Yeah, I would say almost certainly, they'd nicked it off there.

01:06:49.027 --> 01:07:00.551
That's just illustrating the schizophrenic nature of modern Britain, with half the population speaking posh, the other half peaking, speaking a kind of Jamaican kind of slang, and there's no in-between anymore.

01:07:00.871 --> 01:07:01.732
No, no, no.

01:07:01.852 --> 01:07:05.376
But it's be- it's beautifully illustrated, of course, by the, uh, Armstrong and the others.

01:07:05.396 --> 01:07:06.378
Yeah, that's a good sketch.

01:07:06.398 --> 01:07:08.340
It's as good as it gets as an illustration goes.

01:07:08.600 --> 01:07:11.043
Hey, this is Adam and Joe on, uh, BBC Six Music.

01:07:11.103 --> 01:07:14.507
Here's a little more music, uh, you know, cause that's what the station's all about.

01:07:14.547 --> 01:07:16.009
This is New Order with World.

01:07:16.409 --> 01:07:19.010
That's New Order with World, The Price of Love.

01:07:19.451 --> 01:07:25.333
It feels as if you couldn't really bring out a new song that was as upbeat as that nowadays, do you know what I mean?

01:07:25.754 --> 01:07:30.496
I mean, that's obviously nonsense, but, uh, it's so shiny and special, that song.

01:07:30.796 --> 01:07:31.396
When did it come out?

01:07:31.416 --> 01:07:33.037
Like, early 90s, that one.

01:07:33.057 --> 01:07:36.359
1993, the same year as, uh, the fast side record we played before it.

01:07:36.539 --> 01:07:37.279
There you go.

01:07:37.299 --> 01:07:39.240
It was a, it was a more hopeful time.

01:07:39.340 --> 01:07:41.421
It was, it was before the world changed, Adam.

01:07:41.621 --> 01:07:58.835
changed forever on changed forever on that fateful day on the fateful day fat take that split yeah yeah sediment John BBC six music time for this from Adam oh yeah well I just noticed that I didn't choose this but I'm very happy to see it here it's a session track from John Cooper Clark

01:07:59.616 --> 01:08:00.697
Uh, he's fantastic.

01:08:00.757 --> 01:08:11.451
If you've never investigated John Cooper Clarke, I would strongly recommend that you do a poet, a kind of punk poet, I suppose, from Manchester, and the very first of, uh, well, not a particularly long line.

01:08:11.751 --> 01:08:13.874
But do you remember who was the guy Murray Lachlan Young?

01:08:13.894 --> 01:08:14.455
Was that his name?

01:08:14.815 --> 01:08:15.135
Don't know.

01:08:15.335 --> 01:08:24.678
He was supposed to be turning poetry into rock and roll for a while in the early 90s, I think, and it was supposed to make it sexy again.

01:08:24.878 --> 01:08:25.779
Make poetry sexy.

01:08:26.299 --> 01:08:27.679
But it didn't really work.

01:08:28.059 --> 01:08:31.500
But John Cooper Clarke, I reckon, did make it sexy.

01:08:32.081 --> 01:08:33.681
I can make poetry sexy.

01:08:33.841 --> 01:08:35.302
Go on, make some poetry sexy right now.

01:08:35.382 --> 01:08:36.262
Do it during the song.

01:08:36.462 --> 01:08:36.942
I can't do.

01:08:37.002 --> 01:08:37.922
I'll write a sexy poem.

01:08:37.942 --> 01:08:38.943
Are you going to write a sexy poem?

01:08:38.963 --> 01:08:39.183
Yeah.

01:08:39.323 --> 01:08:40.523
Finish the whole show with your sexy poem.

01:08:40.543 --> 01:08:41.443
Pop rhymes with legs.

01:08:42.363 --> 01:08:45.144
Okay, while Joe's composing his sexy poem, here is... Eggs?

01:08:45.584 --> 01:08:49.765
John Cooper Clarke with a poem about readers' wives.

01:08:49.865 --> 01:08:54.726
Like it's a poem about something dirty, but he makes it brilliant using his brain.

01:08:55.026 --> 01:08:55.406
Check it out.

01:08:55.706 --> 01:08:55.966
Eggs.

01:08:56.226 --> 01:08:58.547
That was John Cooper Clarke with readers' wives.

01:08:58.567 --> 01:09:01.408
That was recorded for a John Peel session way back in October 1978.

01:09:03.448 --> 01:09:04.169
I finished the poem.

01:09:04.209 --> 01:09:04.810
Oh, excellent.

01:09:04.830 --> 01:09:05.571
I was hoping you might.

01:09:05.611 --> 01:09:07.513
You were challenging me to make poetry sexy.

01:09:07.553 --> 01:09:08.054
Are you ready?

01:09:08.234 --> 01:09:08.394
Yeah.

01:09:09.095 --> 01:09:10.256
She was a sexy woman.

01:09:10.617 --> 01:09:11.778
Her body was all nice.

01:09:12.179 --> 01:09:16.524
Sexy legs and sexy face and sexy breast twice.

01:09:18.126 --> 01:09:18.667
That was nice.

01:09:18.687 --> 01:09:20.108
I thought you were going to talk about the legs.

01:09:20.969 --> 01:09:25.333
No, I couldn't think of a rhyme better than pegs That wasn't as good.

01:09:25.373 --> 01:09:27.374
You know, I went through I scrapped a lot of versions.

01:09:27.774 --> 01:09:28.435
That's lovely.

01:09:28.515 --> 01:09:29.556
Is that almost a haiku?

01:09:30.196 --> 01:09:32.038
Probably not sexy breast.

01:09:32.458 --> 01:09:32.878
I don't know.

01:09:33.178 --> 01:09:37.722
Hey, listen, thanks very much for listening this week everybody Are we gonna have one more record before we go?

01:09:37.742 --> 01:09:42.966
I think we should do shouldn't we think you should it's been a little bit rambly and shambolic More than usual this week.

01:09:43.026 --> 01:09:44.787
Everyone's tired after the Christmas period

01:09:45.687 --> 01:09:59.955
our audience's brain cognitive functions will be impaired so actually we purposely made this show a little more ramshackle just to fit in with them yeah yeah exactly we're on the nation's brain waves the nation's brain waves exactly that's the thing about our show it's all very very tightly scripted

01:10:02.756 --> 01:10:20.964
but we'll be back with you live properly next week with a proper song wars the theme of song wars is going to be jingles no ringtone ringtones we're going to make a million so they'll be short but incredibly powerful but until then here's some more music and it is the jam by the muhawks hey thanks for listening and we're sorry