WEBVTT 00:00.129 --> 00:16.903 that's the fantastic operator please what was that one called that's get what you want and their debut album yes yes vindictive is out march 17th i'm a big fan of them as some listeners might know they're all under five which is amazing when they think about it is amazing have a little think about 00:17.243 --> 00:26.708 I bet, you know, they've only been speaking for two or maybe three years, tops, and then they form a band, and then they, you know, they go through so many different phases. 00:26.768 --> 00:34.531 Kids these days, you know, kids are doing sort of older-type things, younger and younger, as human civilisation evolves. 00:35.032 --> 00:36.872 Soon, there will be bands of five-year-olds. 00:37.933 --> 00:40.834 So, what, are you saying operator police are not five? 00:40.954 --> 00:43.035 No, they're... How old's the drummer? 00:43.135 --> 00:43.976 The drummer's tiny. 00:44.756 --> 00:46.836 Right, his voice hasn't broken yet, but he's tiny. 00:47.077 --> 00:49.837 Yeah, because he's a child, not because there's anything wrong with him. 00:50.557 --> 00:51.777 But he's basically a child. 00:52.158 --> 00:58.919 Oh, a question for one of these six music listeners would be, what was the youngest charting band ever? 01:01.099 --> 01:02.160 I'd be interested to know that. 01:02.880 --> 01:07.901 And if any of the listeners could tell us that, then I'd be pleased. 01:09.042 --> 01:10.243 Well, there's something to look forward to. 01:10.283 --> 01:11.845 Youngest charting band ever. 01:12.586 --> 01:13.667 What would you guess that would be? 01:13.687 --> 01:16.290 Oh, uh, well, what about the St. 01:16.310 --> 01:17.752 Winifred School Choir? 01:17.772 --> 01:18.553 I knew you'd say that. 01:18.793 --> 01:19.353 Doesn't count. 01:19.394 --> 01:20.034 It's a choir. 01:20.715 --> 01:22.036 It's a manufactured thing. 01:22.057 --> 01:23.598 I mean, obviously, they're all manufactured. 01:23.618 --> 01:26.461 They were manufactured by a church and a love of God. 01:26.562 --> 01:30.286 No, I want a band that's, um, like more of a traditional band. 01:30.826 --> 01:31.546 A proper band. 01:31.586 --> 01:33.307 I don't want a some different school choir. 01:33.347 --> 01:34.487 Who were the other big school choir? 01:34.507 --> 01:36.747 Well, in terms of charting, what about Allie Jones? 01:36.807 --> 01:37.447 Is he a band? 01:37.787 --> 01:38.488 He's a one-man band. 01:38.548 --> 01:39.328 He's an artist. 01:40.568 --> 01:43.349 I want more of a band like Hanson, you know what I mean? 01:43.369 --> 01:44.229 What about Hanson? 01:45.569 --> 01:46.109 Well, yeah. 01:46.129 --> 01:47.929 They were pretty young. 01:48.009 --> 01:49.670 Is that the drummer or the lead singer? 01:49.810 --> 01:50.970 No, I can't remember. 01:51.010 --> 01:52.170 He was the good-looking one. 01:52.310 --> 01:53.351 That's all I remember. 01:53.611 --> 01:55.591 Who was the sort of slightly chubby drummer? 01:55.971 --> 01:56.351 Monty. 01:56.751 --> 01:57.431 Monty, that's right. 01:57.471 --> 01:58.132 Monty Pipkins. 01:59.072 --> 01:59.892 He was very young. 02:00.552 --> 02:02.514 Hey, this is Adam and Jo on BBC Six Music. 02:02.654 --> 02:03.694 Happy Saturday morning. 02:04.495 --> 02:07.697 It's the weekend, a time when there's no law, no rules. 02:08.918 --> 02:12.321 Go out, spend money, have fun, get drunk, fall over. 02:12.481 --> 02:13.161 Do what you want. 02:13.341 --> 02:13.642 Yeah. 02:13.742 --> 02:14.502 Yeah, anarchy. 02:15.083 --> 02:19.686 And I think maybe I felt the beginnings of summertime stroke spring in the air. 02:19.726 --> 02:19.986 Did you? 02:20.146 --> 02:20.407 Today. 02:21.007 --> 02:22.027 He is nice and mild. 02:22.687 --> 02:23.287 Didn't you think that? 02:23.448 --> 02:23.728 Yeah. 02:23.788 --> 02:24.708 When you went out of the house? 02:24.908 --> 02:25.208 Yeah. 02:25.388 --> 02:26.548 You don't care at all about weather. 02:26.568 --> 02:27.708 I'm not as well obsessed as you are. 02:27.728 --> 02:29.249 I love thinking about weather. 02:29.589 --> 02:30.449 I love the weather. 02:30.529 --> 02:31.509 I love the weather. 02:31.749 --> 02:37.770 I'm a confused because I bought a pastry when I came into the studio from this shop across the road. 02:38.070 --> 02:40.811 I think I know the pastry Saturday morning. 02:41.031 --> 02:41.991 I like pastry. 02:42.291 --> 02:42.891 I bought one. 02:43.412 --> 02:44.492 And I've lost it! 02:45.732 --> 02:46.532 I put it down. 02:46.592 --> 02:47.812 I can't remember where. 02:48.393 --> 02:49.713 It might be in the shop still. 02:50.689 --> 02:52.491 Shall I go to the shop to find out? 02:52.791 --> 02:53.031 No. 02:53.372 --> 02:53.812 I will! 02:53.892 --> 02:55.874 I can't live without the pastry! 02:56.114 --> 02:58.496 Hey, uh, here's some Della Sol with I know. 02:58.697 --> 03:04.022 Della Sol, uh, they're here on the Adam and Jo Show on BBC Radio 6 music. 03:04.402 --> 03:13.591 They're a hip-hop band from America and they were one of the first bands, this is for younger listeners, uh, to kind of use samples that creatively, weren't they? 03:14.111 --> 03:14.652 Yes, certainly. 03:14.712 --> 03:16.473 Unexpected samples, you know what I mean? 03:16.513 --> 03:19.416 From not necessarily black sources, you know. 03:19.456 --> 03:23.159 They were one of the first black groups to sample a white band, as far as I know. 03:23.839 --> 03:25.501 That's a Steely Dan sample, isn't it? 03:25.761 --> 03:26.442 Yeah, yeah. 03:26.522 --> 03:27.102 From Peg. 03:28.003 --> 03:29.064 Although, having said that... 03:29.344 --> 03:30.665 Grandmaster Flash was sampling. 03:30.685 --> 03:33.366 Yeah, I think you're probably, you're probably wrong there. 03:33.486 --> 03:36.987 I might say it's dangerous to be so racially secretive. 03:37.307 --> 03:38.068 It's very racist, isn't it? 03:38.088 --> 03:38.828 In your analysis. 03:38.908 --> 03:42.810 It's not racist, it's just unnecessarily, uh, divisive. 03:42.830 --> 03:43.890 I think it's probably racist. 03:44.410 --> 03:46.271 I think you're fucking racist. 03:47.091 --> 03:47.692 Oh, no. 03:47.972 --> 03:49.492 Yeah, cause that- You're very racist. 03:49.652 --> 03:50.733 I'm very racist, aren't I? 03:50.933 --> 03:52.934 Yeah, I'm probably one of the most- No, just how racist you are. 03:52.954 --> 03:53.794 I'm really very racist. 03:53.814 --> 03:54.334 It's a shame, really. 03:54.354 --> 03:55.295 You know what I smell? 03:55.355 --> 03:56.475 Very racist as well. 03:56.495 --> 03:57.676 That's a racist thing to say. 03:57.696 --> 03:58.256 It is racist. 03:58.736 --> 04:01.981 Uh, who was the guy that did, um, uh, Planet Rock? 04:03.243 --> 04:05.366 Uh... Rock, rock, Planet Rock. 04:05.967 --> 04:10.735 Beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep 04:14.944 --> 04:15.605 Anyway, there you go. 04:15.825 --> 04:16.425 Lovely de la Sol. 04:16.465 --> 04:19.427 Now, you've got a track coming up now that you've chosen for the listeners, haven't you? 04:19.467 --> 04:23.070 This is kind of a Radio 2-e track, but it's really nice. 04:23.110 --> 04:24.031 It's kind of an old one. 04:24.731 --> 04:31.917 And the story behind this is, when I was a kid, I suddenly decided... I went to see Oliver in the West End. 04:32.677 --> 04:35.138 at the Albury Theatre, maybe the Aldrich, can't remember. 04:35.158 --> 04:36.659 It was a very spectacular production. 04:36.819 --> 04:37.099 Wow. 04:37.759 --> 04:41.621 And I saw all those kids about my age dressed as little urchins. 04:41.861 --> 04:42.081 Yeah. 04:42.241 --> 04:44.922 Jumping around with everyone looking at them and applauding them. 04:45.482 --> 04:47.623 And I thought, I want to be like that. 04:47.643 --> 04:48.744 I want to be an urchin. 04:48.844 --> 04:52.465 I want to be an urchin and jump around on stage and have people applaud me. 04:52.645 --> 04:53.346 How old were you again? 04:54.146 --> 04:54.246 Uh, 23. 04:54.366 --> 04:54.586 Yeah. 04:54.606 --> 04:55.666 No, uh, probably about 9 or 10. 04:55.706 --> 04:56.107 Okay. 04:56.127 --> 04:56.267 Maybe 11. 04:59.548 --> 04:59.768 Right. 05:00.889 --> 05:05.233 So, I got my mum to take me to audition for that very production. 05:05.573 --> 05:05.733 No. 05:05.793 --> 05:09.716 I think she might have seen that they had, you know, openings for urchins coming up. 05:09.776 --> 05:11.057 I didn't have any acting training. 05:11.137 --> 05:11.818 Urtual openings? 05:11.898 --> 05:14.099 Yeah, but I decided I wanted to be an actor. 05:14.380 --> 05:15.460 Yeah. 05:15.641 --> 05:21.185 So I went to audition for it and the song I learned is from Oliver, was Where Is Love? 05:21.385 --> 05:21.625 Yeah. 05:21.645 --> 05:22.526 Do you remember that one? 05:22.546 --> 05:22.886 No. 05:22.906 --> 05:27.109 Little Mark Lester in some kind of a basement staring through the bars. 05:28.270 --> 05:29.631 It's so high-pitched. 05:29.711 --> 05:30.931 It's so high-pitched. 05:31.011 --> 05:38.153 Yeah that I think they actually get a lady to dub it over in the in in the film musical You've never told me this before. 05:38.333 --> 05:38.853 That's true. 05:38.914 --> 05:49.877 So little thespi pop idols here So I practiced and practiced and practiced that song and I had fantasies about about getting the part And you know, I told my mum all about my family 05:50.057 --> 05:59.245 Yes, Mummy, when I get the part, my favourite thing would be this, the bit when I'm in the undertakers and I toss all the coffins over and run around. 05:59.565 --> 06:00.926 That bit's going to be really good. 06:00.946 --> 06:03.769 I went, yes, yes it is. 06:05.731 --> 06:08.114 Anyway, I went along, and I was so nervous! 06:08.334 --> 06:19.149 I was popping my pants, and I went on stage, and I sung, I don't know, I have no memory of it, but I'm sure it was the worst possible version of Where Is Love Ever sung by a human being. 06:19.609 --> 06:21.652 Because all I got was a thank you! 06:21.872 --> 06:22.613 Thanks very much! 06:23.374 --> 06:24.295 I've never heard from you. 06:24.315 --> 06:26.157 We've got a tall urchin, thank you, bye. 06:27.098 --> 06:29.240 Yeah, so we're trying to get urchins under six foot. 06:29.961 --> 06:31.743 They've got to be smaller than fagin. 06:33.285 --> 06:38.970 Anyway, so when I heard this version of that song by an old-time coruna lady, Irene Crowl, 06:39.831 --> 06:41.512 This is a kind of a jazzed up version of it. 06:41.552 --> 06:44.334 It's sort of exorcised various problems. 06:44.694 --> 06:47.837 Yeah, did it exorcise me or did it make you curl up into a ball in the corner? 06:47.857 --> 06:50.618 No, because she sings this so beautifully. 06:51.119 --> 06:53.841 And I wanted to put it early in the show because it's a very soothing song. 06:54.161 --> 06:57.063 It's kind of got a bit of the radio too about it. 06:57.803 --> 07:02.186 If you're still in bed, this will be really, you know, cuddlesome and warming. 07:02.726 --> 07:03.847 This is Irene Kral. 07:03.967 --> 07:04.648 Is it Kral? 07:04.768 --> 07:05.188 I don't know. 07:05.228 --> 07:08.891 She sounds like a monster from Doctor Who with Where Is Love? 07:08.911 --> 07:09.451 This is Kral. 07:10.232 --> 07:18.500 Yeah. 07:18.640 --> 07:19.260 Oh, she's going on. 07:19.281 --> 07:19.961 She's got more. 07:20.782 --> 07:22.424 How has she found it? 07:22.724 --> 07:26.107 It's just in the, uh, Lavi by the books there. 07:26.127 --> 07:27.268 You just left it there. 07:28.349 --> 07:29.891 That song was sung by Kral. 07:31.192 --> 07:32.553 Who was Kral in the film Kral? 07:33.356 --> 07:34.798 He was just a big skull man, wasn't he? 07:34.898 --> 07:35.178 Was he? 07:35.198 --> 07:36.960 Hmm, with the glaive. 07:37.541 --> 07:37.741 What? 07:38.101 --> 07:41.024 Was he called the glaive, the weapon he had in the Kroll? 07:41.084 --> 07:41.625 The glaive, maybe. 07:41.645 --> 07:43.047 I think it was called the glaive. 07:43.627 --> 07:46.210 It was sort of a spiky boomerang type thing. 07:46.230 --> 07:48.853 Hmm, there was Kroll, I was more of a Hawk the Slayer fan. 07:48.973 --> 07:49.333 Really? 07:49.433 --> 07:49.694 Yeah. 07:51.545 --> 07:53.346 Charles much better than the Slayer. 07:53.886 --> 07:55.786 That would be the most pathetic argument. 07:56.326 --> 07:58.467 The most obsolete argument in the history of arguments. 07:58.487 --> 07:59.287 Let's have it later on. 07:59.587 --> 08:00.888 This Adam and Joel on 6 Music. 08:01.688 --> 08:05.049 The point of 6 Music is, it's an eclectic mix of music. 08:05.609 --> 08:06.609 And that was the eclectic mix. 08:06.629 --> 08:08.790 You don't have to justify your selections, man. 08:09.070 --> 08:11.971 You know, you've got a lot... Not to you, but I bet there's some Grumbley Moans out there. 08:11.991 --> 08:14.932 You've got a bit of a... You know, your half Michael Ball. 08:15.052 --> 08:15.852 Grumbley Moan. 08:16.592 --> 08:17.632 I find that insulting. 08:18.113 --> 08:19.433 I've got an enlarged ball. 08:21.118 --> 08:23.919 One of my Michael Balls is swollen. 08:23.959 --> 08:25.180 You are more than half bald. 08:26.320 --> 08:31.502 Let's have some proper music, or let's have a trail just to make it clear where we are and who we are. 08:31.662 --> 08:32.543 What is she singing there? 08:32.663 --> 08:35.584 I could have sworn she's sung, I've got Hitler's Baby. 08:35.824 --> 08:38.185 I've got Lady Fingers, yeah, I've got Hitler's Baby. 08:38.505 --> 08:40.746 That's Luscious Jackson with Lady Fingers. 08:40.806 --> 08:44.347 What was the film with all the Hitler had all the kids? 08:45.208 --> 08:46.188 Oh, The Boys from Brazil. 08:46.208 --> 08:48.549 Yeah, so it's a reality. 08:48.849 --> 08:49.149 Yeah. 08:49.789 --> 08:51.650 He has been cloned, that much we know. 08:51.670 --> 08:53.170 Oh, that's horrible. 08:53.311 --> 08:53.871 Oh, that's horrible. 08:53.891 --> 08:54.611 Horrible thought. 08:54.931 --> 08:57.992 Why is she so excited about having, like, the ladyfingers, though? 08:58.032 --> 08:59.933 They're sort of wafers, aren't they? 08:59.953 --> 09:01.413 That you pop on trifles. 09:01.913 --> 09:02.253 Are they? 09:02.273 --> 09:04.514 I thought they were a sort of sea urchin. 09:05.174 --> 09:05.394 Huh! 09:05.915 --> 09:06.715 Maybe they are, too. 09:06.995 --> 09:07.775 Like an anemone. 09:07.935 --> 09:10.596 Yeah, they tickle you when you go skydiving. 09:10.676 --> 09:11.436 Skydiving? 09:11.897 --> 09:12.697 Sea diving. 09:14.232 --> 09:15.733 That's Luscious Jackson, anyway. 09:15.893 --> 09:17.673 That was from 1999. 09:17.793 --> 09:18.553 Those were the year. 09:18.793 --> 09:21.895 Yeah, that was nine years ago, Numbers fans. 09:22.035 --> 09:23.255 No, is it more longer? 09:23.275 --> 09:23.795 Yeah, well done. 09:23.815 --> 09:24.475 Eight plus one. 09:24.635 --> 09:25.536 Yeah, well done. 09:27.416 --> 09:28.577 Now, this is Adam and Jo here on Six Music. 09:28.597 --> 09:31.678 We've got to resolve song wars from last week. 09:32.038 --> 09:33.558 It's not looking good for me. 09:33.578 --> 09:34.038 Is it not? 09:34.219 --> 09:35.159 No, I'm gonna lose. 09:35.953 --> 09:42.543 Well, they were all upset about the fact that your foreign song, they reconciled it to in debt to the concords. 09:42.563 --> 09:43.304 It's too obvious. 09:44.246 --> 09:45.247 Mine was just too obvious. 09:45.467 --> 09:46.148 I thought it was good. 09:47.070 --> 09:50.315 But we're gonna find out, definitively, who's won and we'll play the winning song. 09:50.335 --> 09:51.196 It didn't sound like you meant that. 09:51.957 --> 09:56.621 Well, listen, I thought that was fairly magnanimous after all that Song Wars history that we've had. 09:56.641 --> 09:57.161 That's true. 09:57.281 --> 09:58.182 You're being very generous. 09:59.123 --> 10:04.046 We're going to resolve Song Wars in the next 10 or 15 minutes after the news. 10:04.507 --> 10:07.309 But before that, here's some more great music for you. 10:07.329 --> 10:10.351 This is Al Green with L-O-V-E Love. 10:10.511 --> 10:11.532 That's Al Green. 10:12.093 --> 10:18.377 He's a reverend man and he loves to sing the soul songs and that was L-O-V-E Love. 10:19.258 --> 10:24.582 There's a two-hour documentary about him floating around Tellyland, yeah, on cable. 10:24.602 --> 10:26.384 There's a weird channel called Main Street. 10:26.804 --> 10:27.425 You love Main Street. 10:27.445 --> 10:28.265 You've got a satellite dish. 10:28.325 --> 10:28.666 I do. 10:28.686 --> 10:31.088 It has good musical documentaries on it. 10:31.288 --> 10:32.529 It's like Sky Arts, isn't it? 10:32.909 --> 10:33.990 It's a bit like that. 10:34.090 --> 10:36.572 But I think it actually is, and it turns into Main Street. 10:36.592 --> 10:37.032 Oh, really? 10:37.293 --> 10:39.855 Well, every now and then, I've got a week of documentaries on it. 10:39.875 --> 10:40.655 I'm not sure about that. 10:40.695 --> 10:42.957 I've never seen a proper one on Al Green before. 10:42.977 --> 10:43.798 It looked quite old. 10:45.239 --> 10:47.440 But he was, and wow, he's amazing to listen to. 10:48.101 --> 10:52.984 He's got a very, very colourful manner and gesticulates brilliantly. 10:53.124 --> 10:53.365 Right. 10:53.885 --> 10:56.567 And you know he's a preacher so he knows how to speak. 10:57.247 --> 10:59.189 He knows how to spin a yarn. 10:59.369 --> 10:59.889 That's right. 10:59.909 --> 11:02.371 Well he's had a colourful life though, goodness sake. 11:02.671 --> 11:03.992 Yeah. 11:04.032 --> 11:04.612 What's he done? 11:04.732 --> 11:08.854 Thrown, you know, pans of boiling fat at ladies? 11:08.954 --> 11:09.455 Has he? 11:09.855 --> 11:10.975 Something awful like that. 11:10.995 --> 11:11.676 Oh dear, oh dear. 11:11.696 --> 11:13.697 That was, I'm focusing on the darkest hour. 11:13.757 --> 11:13.997 Hmm. 11:14.257 --> 11:16.558 Because obviously he's done many wonderful things as well. 11:16.818 --> 11:19.720 Of course, including doing that song. 11:19.920 --> 11:20.560 So do you write? 11:20.580 --> 11:21.401 Just recording the facts. 11:22.625 --> 11:22.825 What? 11:23.165 --> 11:24.647 Did he write that song then, I wonder? 11:25.387 --> 11:29.431 You and I have got to stop sort of highlighting our ignorance. 11:29.971 --> 11:31.793 Well, we're just asking questions you don't know. 11:32.053 --> 11:33.855 Yeah, but our listeners can tell us though, can't they? 11:33.875 --> 11:34.095 That's true. 11:34.135 --> 11:34.655 Did he write that? 11:34.675 --> 11:35.536 That's what listeners are for. 11:35.816 --> 11:37.157 Or did Edwin Collins write that? 11:37.538 --> 11:38.519 Edwin Collins wrote it. 11:38.539 --> 11:38.639 Yeah. 11:38.659 --> 11:39.519 Went back in time. 11:39.600 --> 11:40.380 Orange Juice did. 11:40.741 --> 11:42.962 By the way, I was talking earlier on about who wrote Planet Rock. 11:42.982 --> 11:44.544 That was Africa Bambata who'd done that. 11:44.584 --> 11:44.664 Bomb. 11:44.984 --> 12:00.452 bomb barter we've done that song have you got an africa bambata album bomb barter yeah bambata bomb barter bomb barter bomb barter bomb barter it's like an ancient gay village body barter um have you got any albums by bomb barter 12:03.553 --> 12:04.053 Have you? 12:05.214 --> 12:05.794 Oh, dear. 12:06.174 --> 12:07.414 Er, I don't think so, no. 12:08.155 --> 12:08.395 No. 12:08.755 --> 12:09.575 I know what you're thinking. 12:09.695 --> 12:09.935 What? 12:10.075 --> 12:10.876 Oh, bad things. 12:10.896 --> 12:13.316 Just imagining a sort of medieval village. 12:13.476 --> 12:14.617 Yes. 12:15.537 --> 12:18.758 Erm... OK, now, before it's too late, it's time for the news. 12:18.778 --> 12:20.079 Christmas crackers. 12:21.059 --> 12:26.902 That's like walking from different floors of a big record shop, isn't it? 12:26.962 --> 12:27.502 You know what I mean? 12:27.622 --> 12:28.663 I know what you mean. 12:28.703 --> 12:37.086 Going up the stairs and you're getting a little bit of the classical department, the music they're playing is bleeding out, and then the R&B department, you can hear what they're playing. 12:37.106 --> 12:39.688 Or like wandering round the corridors of a music college. 12:39.748 --> 12:40.088 Yeah. 12:40.668 --> 12:43.549 Or some kind of school where they've got music day. 12:43.609 --> 12:48.672 And then meanwhile, someone's thrown a hand grenade in the drum department, 12:49.452 --> 12:50.333 And that's gone off. 12:50.874 --> 12:52.676 That's a particular bracket of music, isn't it? 12:52.736 --> 12:55.038 I put it in the same... I like to pigeonhole bands. 12:55.178 --> 12:56.179 I don't think you're quite right to do so. 12:56.199 --> 12:56.660 And you know what? 12:56.720 --> 12:58.322 Bands love to be pigeonholed. 12:58.342 --> 12:58.962 Yeah, who doesn't? 12:59.142 --> 12:59.903 Categorized. 13:00.083 --> 13:04.228 And I put that in the same pigeonhole as, um, the Polyphonic Spree. 13:04.508 --> 13:05.569 Yeah. 13:05.729 --> 13:08.192 It's a uniquely early noughties pigeonhole. 13:08.672 --> 13:09.293 That's right. 13:09.834 --> 13:11.455 It's about to be, um, sealed. 13:12.196 --> 13:12.737 Yeah, well that was from 2004. 13:12.797 --> 13:15.441 That was the Go Team with Lady Flash. 13:15.801 --> 13:18.265 And this is Adam and Joe here on BBC Six Music. 13:18.465 --> 13:21.209 I know, it's all about the ladies. 13:21.449 --> 13:22.110 But right now... 13:41.474 --> 13:57.440 You know, I did a gig this week, a stand-up gig, and one of the other performers there, Dan Clark, a very talented young man, he has a little routine in his act where he does like samples that he's obviously conjured up from garage band. 13:58.420 --> 14:03.643 And he's used a lot of the same little garage band loops that we use, you know what I mean? 14:03.843 --> 14:10.127 Like he used that, I think that little loop there that I used for that song was Jingle, and also our Text-a-Nation. 14:10.187 --> 14:11.988 Beep, beep, beep, beep, beep, beep, beep, beep, beep. 14:12.489 --> 14:13.229 He played that. 14:13.529 --> 14:14.510 I thought you can't do that. 14:14.530 --> 14:16.111 That's the Text-a-Nation, Jingle! 14:16.903 --> 14:19.125 But of course it's not, it's just a garage band loop. 14:19.205 --> 14:25.532 Yeah, we better get these song wars songs up somewhere to download soon otherwise. 14:25.832 --> 14:30.336 But what do you do if you've got like, I mean, none of those garage band loops are copyright. 14:30.356 --> 14:32.739 They're all copyright free, that's the whole point of garage band, right? 14:32.779 --> 14:37.243 So once you've sung over them, does the copyright then become yours? 14:37.283 --> 14:39.826 Does it revert to you because you've created a new thing out of it? 14:40.266 --> 14:44.009 Or does the copyright of your singing refer to iTunes to Apple's? 14:44.250 --> 14:46.071 Well, they haven't got any copyright on those loops. 14:46.491 --> 14:47.052 I don't know. 14:47.172 --> 14:47.732 I don't know! 14:47.793 --> 14:48.693 I don't understand! 14:48.994 --> 15:03.666 Anyway, last week, Song Wars was back after a little break and the challenge was for Joe and I to write a foreign song, a song in foreign, about a lady, film ladies of some kind. 15:03.966 --> 15:05.928 And Joe went for, what did you do? 15:06.448 --> 15:11.499 I went for a kind of smorgasbord of French actresses. 15:12.621 --> 15:14.565 We've had a few emails about it. 15:15.226 --> 15:16.308 Can I read some of them out? 15:16.549 --> 15:16.910 Go on then. 15:18.150 --> 15:23.993 Uh, this is from Philip Suberman... Superman? 15:24.293 --> 15:25.653 I don't know, Sussman, yes. 15:26.034 --> 15:28.395 Hi guys, greeting from the lovely city of Bamberg. 15:28.995 --> 15:30.055 Uh, this week's Song Wars. 15:30.176 --> 15:31.996 I thought it was one of the best wars ever. 15:32.437 --> 15:35.758 I liked both tracks very much, and I'm quite torn about my vote. 15:36.318 --> 15:42.481 Joe's song has such a feel-good touch to it, and I caught myself whistling along while walking around in the spring sun. 15:42.961 --> 15:44.202 Guess you're in a good mood instantly. 15:46.129 --> 15:48.110 I'm only reading this out because it's really nice about myself. 15:48.130 --> 15:49.030 That's nice, it's very upbeat. 15:49.050 --> 15:54.652 Joe's songs in general are very well produced, always very fitting to the atmosphere and just enough background instrumentation. 15:55.013 --> 15:58.134 Unlike Adam, who tends to go a bit mad and overdo it. 15:58.294 --> 15:58.774 That's true. 15:59.434 --> 16:02.375 I'm only reading this out because it's the one that's nice about my one. 16:02.795 --> 16:04.016 Adam's song was also very funny. 16:04.036 --> 16:09.278 I loved the impression of Penelope's film titles and lyrics were a bit more creative than the ones of Mr Cornish. 16:09.918 --> 16:11.099 That's as good as it gets for me. 16:11.379 --> 16:13.541 We have other emails, like from David Clarke. 16:13.581 --> 16:17.324 My vote this week goes to Adam for his depraved tale of lust and obsession. 16:17.724 --> 16:27.812 I imagine, I imagine, with a huge 4-4 kick behind it, this tune would go down well at some sort of filthy cave rave for criminals in deepest, darker Spain. 16:28.133 --> 16:28.673 Bumbata. 16:29.234 --> 16:32.476 Yeah, Joe's was good too, but the word on the street is he's a copycat. 16:33.057 --> 16:34.037 That's unfair, I think. 16:35.519 --> 16:38.380 This one from Paul Thung, I think Adam's song is the clear winner this week. 16:38.720 --> 16:43.362 He's always trying to do something different with the allotted task, whereas Joe seems a bit complacent. 16:44.222 --> 16:50.925 Adam's work goes beyond song wars and could perhaps be released in a compilation or played in an art installation. 16:53.186 --> 16:55.467 That's very nice, played in an art installation. 16:56.647 --> 17:00.549 You could play fart noises in an arse installation. 17:00.929 --> 17:02.170 But let's find out who won. 17:02.190 --> 17:03.090 In an arse installation. 17:03.250 --> 17:04.050 In an exactly. 17:04.090 --> 17:04.831 That would be ideal. 17:04.911 --> 17:06.171 Right, I'm gonna read this out this week. 17:06.191 --> 17:07.232 Usually you guys do it. 17:07.572 --> 17:08.552 Song Wars results. 17:08.612 --> 17:10.233 Here's the piece of paper, ladies and gentlemen. 17:10.873 --> 17:11.853 And the winner is... Oh! 17:12.234 --> 17:13.634 Oh wow, it's a trouncing. 17:13.734 --> 17:15.215 I've won it, ladies and gentlemen. 17:15.235 --> 17:15.215 93%. 17:15.415 --> 17:16.455 Adam with 93%. 17:17.156 --> 17:20.817 You know, still, not the biggest trouncing in the history of Song Wars by any stretch. 17:21.177 --> 17:24.819 You've trounced me with much more than that on many occasions. 17:25.559 --> 17:27.980 But there you go, I can't pretend that I'm not delighted. 17:29.780 --> 17:30.801 Thank you very much, listeners. 17:30.821 --> 17:32.501 I can't pretend that I'm not furious! 17:33.101 --> 17:35.522 Now, you're away next weekend, is that right, Joe? 17:35.542 --> 17:35.782 Yes. 17:35.942 --> 17:41.104 We have a guest presenter, guest co-presenter, who I'll tell you about a little bit later on in the show. 17:41.464 --> 17:44.505 And we're also going to do a guest presenter song wars as well. 17:44.785 --> 17:45.825 That's right, next week. 17:46.005 --> 17:51.307 Yeah, so you get, like, about a month off song wars, you lazy so-and-so. 17:51.727 --> 17:53.568 Only I, I might have written a song today. 17:53.588 --> 17:54.788 Oh really? 17:54.808 --> 17:55.288 Okay. 17:55.308 --> 17:56.349 I don't, I might not. 17:56.609 --> 17:57.529 It might not be a song. 17:57.829 --> 17:59.210 Yeah, you can unveil that later on. 17:59.330 --> 18:02.051 But right now it's time for me to play my winning song wars song. 18:02.071 --> 18:06.513 This is about Penelope Cruz and it's all in Spanish and it's, it's slightly demented. 18:06.533 --> 18:07.353 But I won! 18:08.514 --> 18:14.376 I can smell this person's soul and I wanna get rid of him, you know. 18:16.052 --> 18:44.846 Penelope Cruz, negusta siesta va en van de la ska y gothica y blue y volver que no edisto y otras no edisto se pare se nevotados pero ella es bonita She se penelope Cruz hola yo tengo pero negro y ojos hermosos pero peneno yo tengo esta ría a legre con ducier una legro y después aga una mierda y gante 18:45.806 --> 18:46.767 Oh, Pero ne me. 18:46.867 --> 18:48.348 Es me esto magabacido. 18:48.468 --> 18:49.308 Ay, caramba. 18:49.488 --> 18:51.429 E ra un armo esto largo. 19:22.366 --> 19:38.522 Ooh, Penelope Cruz, mi llamos y mi stargas, mi stangas puerone chos para di Ooh, Penelope Cruz, mi llamos y estaba, un Sahara pica, un corral, mi smadoli con y ques. 19:39.773 --> 19:42.075 There you go, that's my Penelope Cruz song. 19:42.556 --> 19:44.157 Thank you very much listeners for voting that. 19:44.177 --> 19:49.662 The winner of Song Wars this week, that's only my fifth win in the history of Song Wars, so I'm quite delighted about that. 19:50.263 --> 19:55.227 And as I said, we'll tell you more about what's happening for Song Wars next week, later on in the programme. 19:55.247 --> 19:57.649 But right now, here's some more real music. 19:57.689 --> 19:59.671 This is from MGMT. 19:59.891 --> 20:01.413 I think that's pronounced management. 20:02.173 --> 20:05.275 And they're a kind of new, crazy, uh, tail and paste. 20:05.596 --> 20:06.676 And it's tail and paste. 20:06.916 --> 20:07.677 It's the management. 20:07.777 --> 20:08.718 Paste, paste. 20:09.318 --> 20:11.399 And this is called Time to Pretend. 20:11.759 --> 20:16.823 MGMT, apparently it is MGMT rather than management or the management. 20:17.603 --> 20:19.124 Uh, and they're from America. 20:19.825 --> 20:21.105 And that's called Time to Pretend. 20:21.125 --> 20:21.806 That was good, wasn't it? 20:22.006 --> 20:22.787 I hadn't heard that before. 20:23.627 --> 20:46.761 I enjoyed that they're playing at the South by Southwest BBC no it's not a BBC festival is it it's a six music night at South by Southwest rated by Steve LaMac and they're playing alongside I was a Cub Scout the pan I am Florence and the Machine and Wild Light that's all your favorite bands I love Florence and the Machine why can't we go to South by Southwest I want to go to Austin Texas 20:47.461 --> 20:47.922 Come on! 20:48.122 --> 20:48.842 Is that where it is? 20:48.883 --> 20:52.186 That's the grooviest place in the whole of America. 20:52.546 --> 20:53.067 I've been there. 20:53.447 --> 20:54.368 I know you've been there. 20:54.388 --> 20:55.689 I want to go over there as well. 20:56.090 --> 20:56.650 Can we go? 20:57.431 --> 20:57.952 Next year. 20:58.072 --> 20:59.033 Next year. 20:59.053 --> 21:00.414 Next year. 21:00.494 --> 21:00.995 Exactly. 21:01.055 --> 21:01.795 I agree with the joke. 21:02.256 --> 21:02.957 Of course, nice. 21:03.597 --> 21:04.158 I can't do that. 21:07.035 --> 21:10.758 Okay, now, have you got anything there, Joe, that you wanted to tell the listeners? 21:11.679 --> 21:14.861 Yeah, I'd like the listeners to watch out for a film poster this week. 21:15.702 --> 21:17.824 It's all over the bus stops. 21:18.444 --> 21:20.546 I think it's the worst film poster of the year. 21:21.207 --> 21:22.728 Oh, I know exactly which one it is. 21:22.788 --> 21:23.409 Which one is it? 21:24.249 --> 21:25.090 Accidental Husband. 21:25.110 --> 21:25.430 Yes. 21:25.570 --> 21:27.452 Yeah, I was thinking that myself yesterday. 21:27.492 --> 21:27.692 Really? 21:27.892 --> 21:28.653 I made some notes. 21:28.673 --> 21:29.434 It's a disgrace. 21:29.514 --> 21:30.775 It's on the way to the tube. 21:30.895 --> 21:31.696 I can't believe it. 21:32.336 --> 21:37.198 And I could only think of three reasons why it's the worst film poster in the world, but they're powerful reasons. 21:37.458 --> 21:37.698 Yeah. 21:37.738 --> 21:39.119 The first is obvious. 21:39.539 --> 21:41.759 It's identical to Bridget Jones's diary. 21:41.799 --> 21:42.380 That's right. 21:42.620 --> 21:45.961 They've thought the meeting was, uh, went a bit like this. 21:46.561 --> 21:49.322 Bridget Jones's diary was a hit. 21:50.183 --> 21:50.543 Yes. 21:51.283 --> 21:52.884 Make this one the same. 21:52.904 --> 21:52.964 Yes. 21:54.929 --> 21:56.030 That was the end of the meeting. 21:56.070 --> 21:56.430 Exactly. 21:57.171 --> 22:01.115 Colin Farrell is in the film and he was in the other films too. 22:01.435 --> 22:04.157 We could put him in the same position on the poster. 22:04.358 --> 22:08.021 It's exactly the same, only in place of Helen Tights. 22:08.081 --> 22:08.802 What was she called? 22:09.222 --> 22:11.004 Bridget Jones lately. 22:11.424 --> 22:13.186 Janine Stritmall. 22:13.966 --> 22:14.987 Holding a diary. 22:15.288 --> 22:15.988 What's she called? 22:16.168 --> 22:16.669 That actress. 22:16.909 --> 22:17.429 Yeah, there you go. 22:17.470 --> 22:18.150 Renee Zellweger. 22:18.170 --> 22:18.931 Greta Stilts. 22:19.651 --> 22:21.793 In place of her, they've got Uma. 22:22.294 --> 22:25.336 In place of Adari, there's a bouquet of flowers. 22:25.997 --> 22:29.780 In place of a huge grunt is Colin Firth. 22:30.320 --> 22:35.625 And in place of Colin Firth is some man called Jeffrey Dean Morgan. 22:35.945 --> 22:37.407 Who's Jeffrey Dean Morgan? 22:37.987 --> 22:52.972 the more in the British Isles is gonna get excited about seeing Jeffrey Dean Morgan the Morganator Morganator he's just a man nothing distinguishing about him at all and the other thing is which maybe you've got on your list there I want to say it 22:53.172 --> 22:53.873 Go on, you say it then. 22:53.913 --> 22:58.299 Colin Firth's photo is of a much lower resolution than everybody else's. 22:58.719 --> 23:09.734 You get this quite a lot in the modern age, where it's so easy just to grab photographs off the internet and drag them into your magazine spread, but not usually into your major feature film poster. 23:10.414 --> 23:23.607 And then you pull them and you overstretch them and and you know the structure of the the photo becomes pixelated and Firth is basically just grabbed from another film splodged in and stretched He even looks as if he's grabbed from the Bridget Jones pose. 23:23.707 --> 23:26.569 He he's completely soft and out of focus. 23:26.730 --> 23:27.010 Yeah 23:27.250 --> 23:30.751 Whereas Jeffrey Dean Morgan, you can see every hair on his boring chin. 23:30.811 --> 23:34.851 Well, presumably they phoned up Firth and said, Colin, is there any way you could do? 23:35.051 --> 23:36.052 We could take some pictures. 23:36.112 --> 23:37.832 We're making a poster for the film. 23:37.892 --> 23:39.332 And Colin just said, no. 23:39.392 --> 23:40.212 No, too busy. 23:40.372 --> 23:41.053 I'm too busy. 23:41.093 --> 23:42.573 I'm watching television this afternoon. 23:42.913 --> 23:43.573 I can't come. 23:44.053 --> 23:44.893 So don't worry. 23:44.993 --> 23:46.134 It's OK, Colin. 23:46.394 --> 23:48.654 We found a picture of you on another poster. 23:48.694 --> 23:50.354 We'll just drag it from there. 23:50.834 --> 23:51.635 It's fine. 23:52.035 --> 23:53.015 No one will notice. 23:53.855 --> 23:58.756 And, you know, the idea of that being a satisfying poster anyway is kind of depressing. 23:58.856 --> 24:04.798 All film posters are these days of just a white background, the lead actor, and maybe one prop. 24:05.158 --> 24:05.998 Yeah, and that's it. 24:06.018 --> 24:08.439 You know, anything else is considered to be confusing. 24:08.459 --> 24:20.562 And if you think back at the good old days when, you know, those amazing artists would do amazing kind of imagined collages of scenes from the film, you know, the Star Wars poster? 24:20.802 --> 24:21.062 Yeah. 24:21.142 --> 24:21.943 Or Indiana Jones. 24:21.963 --> 24:25.545 I mean, obviously that's a fantasy film and stuff, and a romantic comedy's slightly different. 24:25.585 --> 24:27.907 It's always been a bit more functional in the world of romantic comedy. 24:27.927 --> 24:29.127 Romantic comedy, do you think? 24:29.207 --> 24:29.648 Yeah. 24:29.748 --> 24:30.508 Maybe you're right. 24:31.069 --> 24:33.770 But imagine if Star Wars had a similar poster design. 24:34.491 --> 24:42.696 Darth Vader in the middle, against a white background, Han Solo on one side shaking a fist at them, and Luke throwing his head back and laughing on the other. 24:42.716 --> 24:47.119 The tagline would be, you've never seen stars war quite like this. 24:48.820 --> 24:51.424 They would have got more a bigger audience. 24:51.444 --> 24:51.925 More money. 24:52.205 --> 24:53.166 They would have got more money. 24:53.186 --> 24:54.308 That's where they went wrong. 24:54.669 --> 24:56.551 Anyway, keep an eye out for that poster. 24:56.571 --> 24:57.212 What's it called? 24:57.232 --> 24:58.294 The accidental husband. 24:58.334 --> 24:58.614 Yeah. 24:58.995 --> 25:00.116 He's shockingly poor. 25:00.297 --> 25:01.338 That notion as well. 25:01.759 --> 25:03.922 The notion of a whole accidental husband. 25:04.162 --> 25:08.365 And if you work in the media and know anyone who has anything to do with that campaign, call in. 25:09.065 --> 25:10.886 Call in, or on Monday, just slap them. 25:11.567 --> 25:12.287 Don't give a reason. 25:12.407 --> 25:18.752 I would like to speak to the people involved with that, because I bet you, because it looks like a mock-up, that poster, right? 25:19.072 --> 25:25.936 I bet you there was something that happened, they had to rush release the poster or something, and they ran out of time and money and enthusiasm. 25:27.197 --> 25:28.158 That's the result. 25:28.698 --> 25:30.559 I would love to hear from anyone involved in that. 25:30.820 --> 25:31.440 Give us a call. 25:31.600 --> 25:32.120 What's the number? 25:32.180 --> 25:33.081 Can people call us up? 25:33.121 --> 25:38.265 No, they'd have to email Adamandjo.6 and then we would call them. 25:38.405 --> 25:39.806 Or of course you can text. 25:39.886 --> 25:40.666 The number is 64046. 25:40.726 --> 25:42.367 You've got to be able to prove it though. 25:42.988 --> 25:44.449 You have to prove that you're involved in the thing. 25:44.469 --> 25:45.870 We'd cross-examine you. 25:45.910 --> 25:47.431 Ask various coded questions. 25:47.511 --> 25:48.872 Can't just be comedy conjecture. 25:49.792 --> 25:52.275 Now it's time for some music that I've selected for you listeners. 25:52.775 --> 25:55.658 This isn't even out yet, okay? 25:55.678 --> 25:56.599 This is new music. 25:56.679 --> 25:59.222 I dug this out from the promo bin. 25:59.242 --> 26:02.024 I probably stole it off someone's desk here at 6 Music. 26:02.385 --> 26:03.586 It's by Peter Muhren. 26:03.846 --> 26:07.450 He's one third of the Swedish pop stars, Peter, Bjorn and John. 26:07.810 --> 26:09.291 Of course they did the whistling one. 26:10.839 --> 26:18.671 young folks, and he's got an album coming out called The Last Tycoon, which is out sometime in May, early May, and this is the single. 26:18.851 --> 26:21.175 21st of April this is out, and I think it's quite good. 26:21.215 --> 26:23.278 It's called Real to Real, but check this out. 26:23.559 --> 26:25.782 Real is spelled R-double-E-L, 26:26.383 --> 26:30.666 And two is spelt T-double-O, and then real is spelt like reality. 26:31.186 --> 26:33.868 So there's about nine layers of meaning. 26:33.908 --> 26:34.889 So there's a real. 26:35.229 --> 26:35.749 Exactly. 26:35.769 --> 26:36.970 That is too real. 26:36.990 --> 26:37.691 It's too real. 26:37.971 --> 26:39.692 This real is too real. 26:39.772 --> 26:41.173 This is just too real. 26:41.293 --> 26:41.813 It's real. 26:42.234 --> 26:42.754 Check it out. 26:43.034 --> 26:46.957 That was Peter Mirren with real to real. 26:47.377 --> 26:48.758 The real was too real. 26:48.798 --> 26:50.239 And that was sort of mellow and laid back. 26:50.279 --> 26:52.320 We've got a little mellow theme going on today. 26:52.741 --> 26:53.581 A fishing reel? 26:54.282 --> 26:56.243 A reel of magnetic tape? 26:56.843 --> 26:57.063 Right. 26:57.483 --> 26:59.804 A Scottish reel, a kind of a dance. 26:59.864 --> 27:00.824 Nice, a little jig there. 27:00.865 --> 27:01.745 What else could it be? 27:02.245 --> 27:02.745 Nothing, that's it. 27:02.985 --> 27:03.405 That's it. 27:03.585 --> 27:05.826 So one of those things is too real. 27:05.886 --> 27:06.246 Yeah. 27:06.566 --> 27:08.247 He likes imaginary fishing. 27:09.167 --> 27:10.968 This reel is too real. 27:11.908 --> 27:17.472 Anyway, as I said, that was out on, that is out on 21st April in the future. 27:17.492 --> 27:19.054 Wow, I love the future. 27:19.154 --> 27:20.354 Exactly, we all love the future. 27:20.374 --> 27:30.622 This is Adam and Joe here on BBC Six Music coming up to the top of our, and even though it's not quite 10 o'clock right now, I think we're gonna nudge the top of our sweeper forward a little bit. 27:31.122 --> 27:31.883 Let's do it now! 27:32.123 --> 27:35.405 That was Idlewild with Love Steals Us from Loneliness. 27:35.505 --> 27:37.527 Is that new Idlewild or old Idlewild? 27:38.983 --> 27:40.264 2005, so it's vintage. 27:40.625 --> 27:43.867 No, it's not vintage, I suppose you'd say, but it's from a couple of years ago. 27:44.168 --> 27:44.948 Let's put it that way. 27:45.729 --> 27:47.471 I found my pastry listeners. 27:47.491 --> 27:49.112 You'll be pleased to hear at the top of the show. 27:49.172 --> 27:50.313 Oh, thank Christmas for that. 27:50.373 --> 27:57.940 I know everyone's a little bit worried about it, you know, because I bought the pastry and then I came in to six music and suddenly, no pastry. 27:57.980 --> 27:59.781 And I'm thinking, where's the pastry? 28:00.262 --> 28:04.586 Turned out, I left it in the shop on the... Very Freudian moment for you. 28:04.606 --> 28:05.967 Sweetie counter right in front of it. 28:06.087 --> 28:10.588 When you lose your first pastry, it's a very important formative thing for a human being. 28:10.648 --> 28:11.629 What does that say? 28:11.849 --> 28:14.249 I'm getting senile, leaving my pastries behind. 28:14.269 --> 28:15.950 That is apparently the first sign. 28:16.290 --> 28:19.911 Losing track of your pastries is the first sign of old age. 28:19.991 --> 28:22.211 What's happened to my pastries? 28:22.651 --> 28:30.134 The fact that you're eating pastries, you've got flakes all over your jumper, flakes of pastry like a little old kernel. 28:32.654 --> 28:34.236 It's my Saturday treat! 28:34.896 --> 28:35.877 My pastry! 28:35.917 --> 28:36.857 What's in your pastry? 28:37.458 --> 28:39.639 Kind of a sort of a... Pastard? 28:39.939 --> 28:41.901 No, it's like a cinnamon gel. 28:43.018 --> 28:43.998 Ah, cinnamon gel. 28:44.058 --> 28:44.439 Yes. 28:44.999 --> 28:46.179 Do you know who manufactures that? 28:46.199 --> 28:46.659 No. 28:46.800 --> 28:47.320 Toshiba. 28:49.521 --> 28:50.101 It's good. 28:51.861 --> 29:03.626 Anyway, so one of our favourite actors, listeners, if you listen to our waffle regularly, you'll know that we like to follow the career of one of Britain's most thrusting young performance talents, Nicole Kidman, Danny Dyer. 29:03.806 --> 29:04.807 Danny Dyer. 29:04.867 --> 29:07.230 Danny Dyer works with a director called Nick Love. 29:07.250 --> 29:11.454 They make such films as The Football Factory and, uh, what was the one called? 29:11.514 --> 29:13.837 Where Sean Bean beat all the nances up? 29:14.517 --> 29:17.581 Uh, the revenge slopes. 29:17.801 --> 29:18.081 Stop it. 29:18.101 --> 29:18.842 Stop it and shut up. 29:19.042 --> 29:19.383 Yeah. 29:19.403 --> 29:20.364 I forget what it was called. 29:21.024 --> 29:23.387 What was the one where they went to Spain with all the money? 29:23.407 --> 29:25.009 That was the business. 29:25.029 --> 29:25.709 The boots. 29:26.290 --> 29:26.891 The business. 29:27.231 --> 29:27.451 Yeah. 29:27.511 --> 29:28.092 Yeah, the business. 29:28.132 --> 29:28.632 There you go. 29:29.093 --> 29:30.995 And they're generally a pretty good team. 29:31.696 --> 29:33.738 He was also in Severance. 29:33.758 --> 29:34.539 Severance, yeah. 29:34.579 --> 29:35.520 Which I saw this week. 29:36.060 --> 29:36.841 What a strange film. 29:36.881 --> 29:37.582 Yeah, odd one. 29:37.802 --> 29:38.202 Very odd. 29:38.222 --> 29:39.323 It's got some good moments in it. 29:39.643 --> 29:44.024 Anyway, Dyer's never, um, you know, minces his words, does he? 29:44.064 --> 29:45.225 He's been mouthing off this week, isn't he? 29:45.245 --> 29:47.846 He has been mouthing off, yeah, in quite an entertaining style. 29:47.886 --> 29:48.666 He's been mouthing! 29:48.686 --> 29:50.807 And, you know, that makes him really great value for money. 29:50.827 --> 29:51.127 Yeah. 29:51.307 --> 29:52.067 Uh, Danny Dyer. 29:52.127 --> 29:53.928 He doesn't sort of stand on ceremony. 29:54.328 --> 30:00.130 He's not amazingly kind of, um, premeditated in the way he manages his career or public persona. 30:00.190 --> 30:01.210 How old is he these days? 30:01.230 --> 30:01.370 Four. 30:01.430 --> 30:01.670 Four? 30:02.211 --> 30:03.651 Which is really refreshing. 30:03.711 --> 30:03.991 Yeah. 30:04.011 --> 30:06.032 You know, it's refreshing to someone who's kind of uncensored. 30:06.392 --> 30:08.974 He must be in his mid to late twenties, is he? 30:09.154 --> 30:09.554 I suppose. 30:09.754 --> 30:10.915 Maybe a bit older, I don't know. 30:11.955 --> 30:17.859 Anyway, it always makes the commentary tracks on the DVDs of their film amazing to listen to. 30:18.459 --> 30:23.082 If you haven't stuck in any of those films and listened to the commentary track, we do recommend it. 30:23.863 --> 30:24.944 The business is amazing. 30:25.024 --> 30:27.227 Football Factory is breathtaking. 30:28.088 --> 30:36.858 There's even a little, you know, making of a bit of video on the DVD of Severance, a kind of Danny Dyer onset diary that's quite breathtaking. 30:37.639 --> 30:38.861 Anyway, he's been mouthing off. 30:39.682 --> 30:55.800 This week and this is what it said in the London paper on Thursday I quote in a completely unprovoked tirade angry Danny branded Orlando Bloom a rubbish actor and mocked James McAvoy's foppish looks You ready for this then? 30:56.441 --> 30:57.562 So this is what Dyer says 30:57.822 --> 31:05.407 Orlando Bloom, he's come straight out of drama school, gets Lord of the Rings trilogy, and goes and gets another trilogy, Pirates of the Caribbean! 31:05.727 --> 31:11.751 He's got all sorts of dough, loads of screaming girls chasing him, but he hasn't owned his craft yet, he's a rubbish actor! 31:12.172 --> 31:14.433 I don't think anyone I've ever come across has said, you know what? 31:14.793 --> 31:16.575 He's a good actor, that Orlando Bloom. 31:16.955 --> 31:19.256 He's got a good name, and quite an irritating face. 31:20.837 --> 31:23.039 Well man, he's only calling it like he sees it, isn't he? 31:23.419 --> 31:23.999 Kapow! 31:24.059 --> 31:24.660 Kapow! 31:24.900 --> 31:26.141 That's fair enough, I would say. 31:26.161 --> 31:27.182 Bloom, taken out. 31:27.562 --> 31:30.764 Well, you know, Bloom's got his, um... Imagine that getting two trilogies. 31:30.824 --> 31:31.144 Yeah. 31:31.464 --> 31:32.505 How jammy can you get? 31:32.525 --> 31:33.266 Double trilogies. 31:33.306 --> 31:34.206 Who else has got that? 31:34.667 --> 31:37.769 Was there anyone in the Lord of the Rings trilogy that was in Pirates as well? 31:37.849 --> 31:38.149 No. 31:38.469 --> 31:39.190 Don't think so. 31:39.310 --> 31:39.810 I don't know. 31:40.030 --> 31:40.931 Double trilogies. 31:40.971 --> 31:42.072 He's right though, isn't he? 31:42.092 --> 31:42.272 Dyer. 31:42.312 --> 31:43.573 He's the jammyest actor in the world. 31:43.593 --> 31:46.054 Dyer also mouths off at James McAvoy. 31:46.074 --> 31:47.415 Do you want to hear what he's got to say about him? 31:47.475 --> 31:49.076 How can he be down on McAvoy? 31:49.096 --> 31:50.397 James McAvoy! 31:50.777 --> 31:52.979 All these quotes start with the actor's name then a question mark. 31:53.499 --> 31:55.359 He's absolutely gone flying. 31:55.559 --> 31:57.760 BAFTA nominations presented at the Oscars. 31:57.820 --> 31:58.300 Why? 31:58.600 --> 32:03.181 Because he's running about with a floppy hairdo and he does period dramas. 32:04.141 --> 32:07.622 I would say that that's unfair and unwarranted criticism from Dyer. 32:07.782 --> 32:08.942 Yeah, casting agent. 32:09.642 --> 32:13.283 We need someone with a floppy hairdo to play the lead in this period drama. 32:13.903 --> 32:14.963 Hugh Grant's too old. 32:15.183 --> 32:16.783 Hugh and McGregor's got spiky hair. 32:17.163 --> 32:17.443 I know. 32:17.643 --> 32:18.564 What about James McAvoy? 32:18.784 --> 32:19.924 He's got the ideal hair. 32:21.444 --> 32:25.907 I never thought of McAvoy as being floppy-haired in the way that Hugh- Hugh Grunt always was. 32:26.007 --> 32:26.707 At the audition? 32:27.107 --> 32:28.008 Great read, James. 32:28.068 --> 32:29.869 Now, can we see what you can do with your hair? 32:30.169 --> 32:32.070 Flop it around as if you've just been accused of rape. 32:32.531 --> 32:32.911 Great. 32:33.431 --> 32:36.393 Now, flick it back like you've just been caught having sex in a library. 32:36.773 --> 32:37.033 Terrific. 32:37.053 --> 32:37.754 You've got the part. 32:37.834 --> 32:39.795 This is all a to- This is imaginary. 32:39.855 --> 32:40.815 Atonement audition. 32:40.835 --> 32:41.095 Yeah. 32:41.196 --> 32:41.436 Right. 32:41.556 --> 32:41.776 Yeah. 32:42.196 --> 32:43.277 I still haven't seen that film. 32:43.878 --> 32:45.899 But Dyer, he's insane. 32:45.919 --> 32:49.623 I think he's justified in going off on one about Bloom. 32:49.683 --> 32:51.484 It's not something you're supposed to do, though, is it? 32:51.544 --> 32:58.571 It's very bad form if you're in the entertainment business too, but, you know, we kind of do it all the time in a pathetic way, but to bad-mouth other people. 32:59.111 --> 32:59.591 Yeah. 33:00.092 --> 33:00.412 No. 33:00.492 --> 33:02.974 Because now he can never be in a film with Orlando Bloom. 33:03.094 --> 33:06.857 Well, it's gonna be very awkward out there being a big, big bruising fight. 33:06.877 --> 33:07.537 You know what would happen? 33:07.597 --> 33:10.639 They'd go out, they'd find that they were both very decent guys. 33:10.659 --> 33:11.080 They'd go out. 33:11.100 --> 33:11.460 Were they? 33:11.560 --> 33:12.000 Drinky. 33:12.301 --> 33:18.125 They might have to do a little bit of shoving each other in the shoulders and then they'd bond. 33:18.165 --> 33:21.067 Don't fancy Bloom's chances in a fight with Dyer. 33:21.087 --> 33:21.487 Tasty. 33:21.607 --> 33:22.368 Dyer's probably tasty. 33:22.388 --> 33:24.249 Yeah, he'd take him all the way out the back door. 33:24.289 --> 33:25.050 Very well tasty. 33:25.070 --> 33:27.872 Wouldn't be a lot of Bloom's pretty boy looks after that altogether. 33:28.132 --> 33:28.252 the 33:45.126 --> 33:49.408 keep a bit more shtum because it might limit his casting options. 33:49.528 --> 33:56.870 When he's older and wiser, he'll look back and he'll say, oh, I used to may have awful up in the old days, back in the day, but I don't do that no more. 33:57.030 --> 33:59.331 When he's the new generation's answer to Ray Winston. 33:59.511 --> 34:01.352 When he's in his own trilogy. 34:01.692 --> 34:02.632 Yeah. 34:02.893 --> 34:03.453 That's what he needs. 34:03.473 --> 34:04.393 That's what everyone dreams of. 34:04.593 --> 34:05.293 I dream of a trilogy. 34:05.313 --> 34:06.294 The lamp trilogy. 34:06.334 --> 34:06.794 The lamp. 34:07.455 --> 34:08.016 The boot. 34:09.699 --> 34:10.480 Boot two. 34:11.241 --> 34:11.902 Double boots. 34:12.764 --> 34:14.947 Right now it's time for REM listeners. 34:15.128 --> 34:15.729 And what are we doing? 34:15.749 --> 34:18.373 Are we giving away tickets to an REM gig? 34:19.205 --> 34:28.350 Uh, yeah, you can head to bbc.co.uk forward slash six music to find out how you can get your hands on tickets to see, uh, REM play live at the ICA. 34:28.771 --> 34:29.571 Hey, that'd be good. 34:29.611 --> 34:31.012 A nice little intimate gig. 34:31.072 --> 34:31.252 Yeah. 34:31.292 --> 34:32.012 We love the ICA. 34:32.093 --> 34:32.893 That'd be fantastic. 34:32.933 --> 34:34.734 This is Supernatural Super Serious. 34:35.134 --> 34:37.095 REM with Supernatural Super Serious. 34:37.135 --> 34:38.476 That's out on March the 24th. 34:38.536 --> 34:44.680 That's gonna be the first single to be taken from their new album, Accelerate, out at the end of, uh, this month. 34:45.460 --> 35:00.005 and you can head to bbc.co.uk forward slash six music to find out how you can get your hands on tickets to see them play the ICA that's a great venue because it's small exactly it's intimate and it's always amazing seeing a you know really big band 35:00.585 --> 35:02.127 in an intimate venue. 35:02.247 --> 35:04.390 Any tall people, you mean? 35:04.750 --> 35:06.433 Like a band made out of big people. 35:06.733 --> 35:07.354 What did I say? 35:07.454 --> 35:08.034 A big band. 35:08.175 --> 35:09.156 A big band, yeah. 35:09.376 --> 35:10.718 Because they are fairly big, aren't they? 35:10.738 --> 35:12.520 Peter Bucky's a big hulking man. 35:13.361 --> 35:15.704 Stipey, he's sort of tall and thin, isn't he? 35:15.804 --> 35:16.825 Or is he a little titchy man? 35:17.566 --> 35:18.927 You never know, do you with pop stars? 35:18.947 --> 35:19.908 You should just never know. 35:20.068 --> 35:21.550 I used to love Adam Ant. 35:21.610 --> 35:27.995 There should really be a button on, you know, a TV remote control that could give you the height of anyone on the telly. 35:28.215 --> 35:28.776 Right, exactly. 35:28.796 --> 35:33.240 Because it's always very hard to tell and it can sometimes be shocking when you see them in real life. 35:33.940 --> 35:39.325 Well, you and I, people always shocked how what a disparity there is, height-wise. 35:39.545 --> 35:42.307 I saw Harry Potter with my own eyes the other day. 35:42.587 --> 35:42.947 Yes. 35:43.168 --> 35:44.229 Couldn't believe it. 35:44.349 --> 35:44.889 Teeny weeny. 35:45.169 --> 35:47.671 I was standing right next to him and it was like he was a mile away. 35:47.691 --> 35:48.852 Is he a little titchbox? 35:49.112 --> 35:49.573 Tiny! 35:49.913 --> 35:50.334 Wow. 35:50.394 --> 35:55.379 But of course in the world of film acting that saves a lot of money because they build the sets much smaller. 35:55.619 --> 35:56.260 That's true. 35:56.540 --> 35:57.000 You know what? 35:57.361 --> 35:59.723 I saw Ron Weasley the other day. 35:59.783 --> 36:00.203 Did you? 36:00.324 --> 36:01.725 Yes, I did. 36:03.126 --> 36:04.227 Is that the name dropping sound? 36:04.247 --> 36:05.549 That's the name dropping sound. 36:05.569 --> 36:06.290 Nice one. 36:06.610 --> 36:08.111 What's the name of the actor Ron Weasley? 36:08.452 --> 36:09.273 Uh, Reg Howard. 36:10.393 --> 36:26.822 yeah anyway I saw him and he was surrounded he had an entourage man because he was looking nonchalant yeah that guy's life must be hell he's cool he's the new Malcolm McDowell yeah yeah Malcolm McLaren but don't you reckon he must have a hard time wherever he goes 36:27.142 --> 36:28.564 Oh, he has a wicked time. 36:28.624 --> 36:31.027 And I saw him in a kind of grown-up drinking club. 36:31.188 --> 36:32.790 His life's like a trailer for Skins. 36:33.350 --> 36:33.951 Exactly. 36:34.051 --> 36:41.722 Well, it looked, I mean, it looks as if he had the cast of Skins surrounding him like a little entourage there guarding him in case anyone came up and started ruffling his feathers. 36:41.802 --> 36:43.404 Wait, someone text in that actor's name. 36:43.464 --> 36:44.666 We can't remember what his name is. 36:44.966 --> 36:45.966 Who plays Ron Weasley. 36:46.126 --> 36:47.607 We're very bad and Harry Potter. 36:47.807 --> 36:48.707 It's early in the morning. 36:48.787 --> 36:51.147 What was the other fact that someone texted us in recently? 36:51.468 --> 36:56.849 They said that we were okay, uh, MCPS-wise as far as the rights for our song wars songs went. 36:57.309 --> 36:58.169 They reverted to us. 36:58.209 --> 36:59.529 Hang on, you're going off on a tangent. 36:59.850 --> 37:00.670 Stick to Weasley. 37:00.870 --> 37:01.510 Stick to Weasley. 37:01.870 --> 37:04.411 He looked, uh, very moody and... Did he? 37:04.511 --> 37:05.951 He looked as if you shouldn't approach him. 37:06.451 --> 37:07.771 Otherwise he would do magic. 37:08.592 --> 37:08.852 Really? 37:09.012 --> 37:09.452 Yeah. 37:09.792 --> 37:09.892 He... 37:10.572 --> 37:12.454 Give you a bit of his Thunderpants. 37:12.494 --> 37:13.335 Was he in Thunderpants? 37:13.355 --> 37:13.776 Of course he was. 37:13.816 --> 37:15.037 He was the lead in Thunderpants. 37:15.097 --> 37:15.999 Thunderpants. 37:16.019 --> 37:16.299 Wasn't he? 37:16.579 --> 37:17.500 That's right. 37:18.121 --> 37:19.062 Thunderpants, of course. 37:19.082 --> 37:20.544 Sorry to go off on another tangent. 37:21.325 --> 37:25.229 Being one of those movies that just recycles the theme tune from another film. 37:25.470 --> 37:25.970 Is that true? 37:25.990 --> 37:27.993 In the case of Thunderpants, it was the theme from Ants. 37:28.573 --> 37:28.893 Really? 37:28.913 --> 37:29.854 And they just hijacked it. 37:29.874 --> 37:32.476 I don't know if they hijacked it for the actual film, but it was all over the trails. 37:32.496 --> 37:33.076 Over the trailer. 37:33.296 --> 37:36.879 Doo doo doo doo doo doo doo doo doo doo doo doo doo doo. 37:37.259 --> 37:39.160 And they just used it on Thunderpants. 37:39.200 --> 37:41.862 Listen, listeners, coming up in a second, it's text the nation time. 37:41.902 --> 37:43.843 The actor's name is, of course, Rupert Grint. 37:44.544 --> 37:45.524 No, that was real name. 37:45.544 --> 37:47.786 No one can remember the word Grint on a Saturday before noon. 37:47.806 --> 37:48.667 I don't believe that's his real name. 37:48.767 --> 37:51.408 I think all of our listeners just texted in a made up name there. 37:51.629 --> 37:52.449 Here's a free play. 37:52.929 --> 37:55.051 This is a... Are they... Were they German, trio? 37:55.171 --> 37:55.471 Yeah. 37:55.571 --> 37:56.592 Yeah, this is a classic. 37:56.632 --> 37:58.073 This is trio with Da Da Da. 37:58.473 --> 38:01.035 Toots and the Maytals with pressure drop. 38:01.095 --> 38:03.496 This is Adam and Joe here on BBC6 Music. 38:03.517 --> 38:09.841 Before we get into Text the Nation, we've got an email for Danny Dyer. 38:10.021 --> 38:11.262 Yeah, actually it's a text. 38:11.802 --> 38:13.643 It's an anonymous text, made us laugh. 38:13.703 --> 38:20.128 It says, Hi Adam and Joe, if you see Danny Dyer, can you tell him I've got a couple of trilogies, barely used in the back of the motor if he wants them? 38:20.208 --> 38:21.189 Lovely trilogies. 38:21.269 --> 38:23.310 Well, imagine getting your eyes on a lovely trilogies. 38:23.690 --> 38:38.700 And we were thinking as well that trilogy some people texted or emailed us to say that of course other people who have appeared in double trilogies Harrison Ford Harrison Ford in in the Star Wars trilogy and of course Raiders the Lost Ark and That'll become a quad trilogy. 38:39.240 --> 38:40.001 Oh the Raiders. 38:40.241 --> 38:46.425 It's not a real word That word was invented by the aliens the people marketing the aliens box set. 38:46.465 --> 38:49.107 No, they did it you quad trilogy It makes no sense 38:50.217 --> 38:57.243 And also Hugo Weaving, who was the pointy-eared elf man in the Lord of the Rings trilogy, and also in the Matrix trilogy. 38:57.343 --> 39:00.025 He was Agent Smith in the Matrix trilogy. 39:01.186 --> 39:01.326 Yes. 39:01.346 --> 39:03.187 Danny Dyer, he's desperate for a trilogy. 39:03.267 --> 39:04.208 Come on, someone out there. 39:04.568 --> 39:06.110 No anyone who's got a spare one. 39:06.350 --> 39:07.110 You've got a spare trilogy. 39:07.130 --> 39:11.294 One of those Chinese blokes goes round the pubs with a briefcase full of trilogies. 39:11.474 --> 39:13.135 Maybe a dirty trilogy. 39:13.195 --> 39:13.936 He's desperate. 39:14.036 --> 39:14.676 A filthy trilogy. 39:15.777 --> 39:17.818 Danny wouldn't mind, you know what I mean? 39:18.198 --> 39:20.359 We don't want him to have to do the football, what is it called? 39:20.379 --> 39:21.899 The real football factories. 39:21.979 --> 39:23.260 Have you seen that on Sky One? 39:24.120 --> 39:24.680 The series. 39:24.720 --> 39:33.663 The real football factories, where he goes off, he goes to football matches all round the world, watches it kicking off, as a Ziggy and goes all to you. 39:33.703 --> 39:34.724 He presents that, doesn't he? 39:34.744 --> 39:35.504 Yeah, he does, yeah. 39:35.544 --> 39:36.244 Does he have a Ziggy? 39:36.264 --> 39:37.485 As a little Ziggy. 39:37.645 --> 39:38.145 On the screen. 39:38.365 --> 39:39.126 I think he does. 39:39.146 --> 39:40.567 I might be imagining that. 39:40.607 --> 39:41.428 Excuse me, viewers. 39:41.708 --> 39:42.488 I'm going to have a see. 39:42.508 --> 39:46.031 I'm going to have a little ciggy and watch the match and watch the fight kicking off. 39:47.272 --> 39:48.393 Oh dear. 39:48.533 --> 39:49.755 Oh dear. 39:49.775 --> 39:50.295 Oh, tasty. 39:50.375 --> 39:51.296 Oh, tasty. 39:51.576 --> 39:52.457 That bloke's tasty. 39:52.497 --> 39:52.877 Look at that. 39:52.897 --> 39:54.438 Oh, I'm going to have to have another see. 39:54.498 --> 39:55.419 Oh, that's appalling now. 39:55.459 --> 39:56.340 That bloke's tasty. 39:56.400 --> 39:57.741 Yeah, that's what they say, is it? 39:57.921 --> 39:59.863 Tasty means they like to punch each other. 40:00.303 --> 40:01.064 Ah, yes. 40:01.704 --> 40:03.106 Now I think it's time for... 40:05.811 --> 40:06.533 Text-a-nation! 40:06.613 --> 40:07.655 Text, text, text! 40:07.775 --> 40:08.517 Text-a-nation! 40:08.577 --> 40:09.559 What if I don't want to? 40:09.799 --> 40:10.521 Text-a-nation! 40:10.621 --> 40:11.643 But I'm using email. 40:11.804 --> 40:12.525 Is that a problem? 40:12.565 --> 40:13.387 It doesn't matter, text! 40:16.280 --> 40:19.443 Right, we're not sure how this subject's gonna go down, but we're gonna try it anyway. 40:19.483 --> 40:26.691 Text the Nation is, of course, the part of the show where you, uh, text things into us and we read them out, uh, in response to a question. 40:26.971 --> 40:29.053 It's a new- it's a new kind of- It's a new idea. 40:29.073 --> 40:32.176 Yeah, it's a new idea that we thought of and we're gonna make a lot of money on it. 40:32.196 --> 40:34.779 Yeah, if this catches on, other shows might do it. 40:34.939 --> 40:35.159 Yeah. 40:35.520 --> 40:37.341 Um, but remember, you heard it here first. 40:38.202 --> 40:39.303 Uh, the idea this week, 40:39.964 --> 40:43.426 Uh, starts with pet names or nicknames for young children. 40:43.446 --> 40:47.808 Uh, so pet names in the literal sense and the non-literal sense. 40:48.008 --> 40:49.249 It doesn't have to be young children as well. 40:49.289 --> 40:51.830 It happens with your partner or your loved ones. 40:51.890 --> 40:52.851 Yeah, cute things. 40:52.891 --> 40:53.051 Yeah. 40:53.131 --> 40:55.252 Uh, and the idea is you give a pet 40:55.572 --> 40:58.854 I'm going to stick to pets, because this is how it happens in my life. 40:59.074 --> 41:02.856 You know, I do have people I love in my life, but mainly the cat. 41:04.217 --> 41:05.177 It was called Macy. 41:06.378 --> 41:07.158 I didn't name her. 41:07.358 --> 41:10.220 She belonged to a neighbour, and then she just kind of moved in with us. 41:10.760 --> 41:12.241 And the neighbour's since moved away. 41:12.681 --> 41:13.561 She's a very nice cat. 41:13.622 --> 41:14.482 She's called Macy. 41:15.382 --> 41:23.587 But of course, you give a cat a name or a pet a name, and very quickly you get bored of that name and you start kind of rejigging it, remixing it, reversioning it. 41:24.327 --> 41:26.048 So Macy became Mace Face. 41:26.468 --> 41:26.728 Right. 41:26.908 --> 41:27.168 Yeah. 41:27.388 --> 41:27.808 Mace Face. 41:28.588 --> 41:29.869 And then after a while we got bored of that. 41:29.909 --> 41:31.889 So Mace Face became Macy Facey. 41:32.250 --> 41:32.470 Uh-huh. 41:32.490 --> 41:33.810 It was only a couple of minutes later. 41:34.350 --> 41:35.871 Macy Facey became Measles. 41:36.311 --> 41:36.631 Yeah. 41:36.831 --> 41:38.912 Measles became Measly Weasly. 41:39.652 --> 41:41.913 Measly Weasly became Ron Measly. 41:41.953 --> 41:42.273 Nice. 41:42.533 --> 41:43.273 Out of Harry Potter. 41:43.293 --> 41:43.673 Very good. 41:43.973 --> 41:45.774 Ron Measly became Feasibles. 41:46.154 --> 41:46.414 Uh-huh. 41:46.714 --> 41:48.755 Feasibles became Furry Sticks. 41:49.395 --> 41:50.016 Furry sticks. 41:50.036 --> 41:51.137 You make a little jump there. 41:51.157 --> 41:51.917 I did make a jump. 41:52.237 --> 41:53.278 So forget furry sticks. 41:53.499 --> 42:02.046 But what we're after is kind of pet names that you then evolve like Chinese whispers or maybe declining a Latin verb. 42:02.206 --> 42:02.386 Right. 42:02.646 --> 42:03.347 Do you know what I mean? 42:03.447 --> 42:04.027 Yeah, exactly. 42:04.047 --> 42:09.312 There has to be some kind of logical through line there because you do at certain points you just make a little logic jump, don't you? 42:09.592 --> 42:12.254 Yeah, you start with Macy, end up with Ron Measley. 42:12.474 --> 42:12.735 Right. 42:13.315 --> 42:15.077 Or, well, I like furry sticks. 42:15.817 --> 42:17.880 Yeah, well that's in reference to the cat's legs. 42:18.141 --> 42:18.942 Exactly. 42:19.403 --> 42:20.204 That's genius. 42:20.705 --> 42:22.628 I think all cats should be called furry sticks. 42:22.728 --> 42:24.311 We also call her woolly face. 42:25.292 --> 42:29.018 And that turns into when she's haranguing us for food woolly bully. 42:29.779 --> 42:30.540 A woolly bully. 42:31.682 --> 42:32.822 And sometimes verbal features. 42:33.103 --> 42:33.603 There you go. 42:34.003 --> 42:38.607 You know, and you do this with your children and with your partner sometimes. 42:38.627 --> 42:40.569 You don't do it with your parents so much, do you? 42:41.510 --> 42:45.713 You don't call, you don't have kind of- No names for your dad and stuff. 42:45.813 --> 42:47.214 No, unless you're really pathetic. 42:47.294 --> 42:48.435 You know, exactly. 42:48.495 --> 42:49.396 We would discourage them. 42:49.416 --> 42:50.557 Parents are authority figures. 42:50.797 --> 42:51.277 That's right. 42:51.438 --> 42:54.220 Yeah, you don't give them demeaning pet names. 42:54.500 --> 42:57.041 No, and you wouldn't do that to the Prime Minister, for example. 42:57.101 --> 42:58.381 That would be simply awful. 42:58.421 --> 43:01.362 It would be disrespectful and it would undermine his authority. 43:01.382 --> 43:02.102 But what's your point? 43:02.442 --> 43:02.902 I don't know. 43:03.922 --> 43:14.425 No, my point is that I think if people are texting us or emailing us, then I'm interested to hear their pet names for their children and husbands and wives and partners as well. 43:14.625 --> 43:16.826 Deal is the- the way they evolve. 43:17.046 --> 43:17.767 Yeah, we wanna hear the evolution. 43:17.787 --> 43:24.390 We wanna know where you start, you started somewhere sensible, and then gradually, as you got bored of calling it that name, the name evolved. 43:24.950 --> 43:26.931 So we want those little lists- lists of names. 43:26.951 --> 43:29.873 Like my- my son, uh, my younger son is called Natty. 43:30.753 --> 43:31.454 Uh, so we call it. 43:31.474 --> 43:33.034 I would immediately go for Natty Dread. 43:33.574 --> 43:35.175 Right, and I'd probably go for Judge Dread. 43:35.295 --> 43:35.755 Would you? 43:35.935 --> 43:38.396 Yeah, and then I'd be off on a whole 2000 AD. 43:38.597 --> 43:39.257 Never went there. 43:39.317 --> 43:40.297 We never went there. 43:40.317 --> 43:41.738 That avenue lies ahead of us. 43:42.258 --> 43:54.643 Instead, we went, uh, Nat, and then Nut, and then Nutty, and then Go Nutty, and then Go Nuts, and then very dangerously close to an anatomical word. 43:54.883 --> 43:55.644 Yeah, exactly. 43:56.464 --> 43:57.464 Uh, he doesn't know that. 43:57.544 --> 43:58.405 And then Gotard, 43:59.325 --> 44:00.687 It's insulting. 44:00.747 --> 44:02.769 It's a little bit insulting if he's behaving like an idiot. 44:03.569 --> 44:07.233 And then go-nust and... What does where does go-nust come from? 44:07.293 --> 44:09.515 It's kind of go-nuts with the letters mixed round. 44:09.535 --> 44:11.396 Swap round, yeah, but where does it come from? 44:11.416 --> 44:13.778 Oh, go-nust it blows from the east. 44:15.760 --> 44:16.461 I don't know what. 44:16.641 --> 44:17.181 I don't know what. 44:17.801 --> 44:19.222 So you get the kind of thing, listeners. 44:19.723 --> 44:26.327 Please text us on 64046 or email adamandjo.6musicatbbc.co.uk. 44:26.927 --> 44:29.249 You can communicate via either of those methods. 44:29.309 --> 44:30.629 We read the emails instantly. 44:30.649 --> 44:31.530 You know what? 44:31.570 --> 44:36.033 You can communicate with either of those methods with anyone you want as well. 44:36.053 --> 44:36.753 It's not just us. 44:36.893 --> 44:37.173 Really? 44:37.334 --> 44:37.614 Yeah. 44:38.234 --> 44:39.156 I'm not sure that's true. 44:39.376 --> 44:39.937 No, maybe not. 44:40.337 --> 44:41.459 Um, so there we go. 44:41.499 --> 44:42.561 That's Texanation this week. 44:42.921 --> 44:43.682 Get him coming in. 44:44.263 --> 44:45.705 Uh, now what's, what is it now? 44:45.745 --> 44:49.010 It's time for the news read by a man, I think. 44:49.691 --> 44:53.096 This is a recording of, um, something that happened to me last night. 44:54.582 --> 44:55.422 Which one were you there? 44:56.343 --> 44:57.343 The one, the first one. 44:57.363 --> 44:58.783 It's my girlfriend. 44:58.803 --> 44:59.944 Is that you saying get in the car then? 44:59.964 --> 45:00.884 Yeah, yeah, yeah, yeah. 45:00.904 --> 45:01.364 Get in the car! 45:01.384 --> 45:02.064 Get in the car! 45:02.164 --> 45:04.385 Yeah, it's just an incident with the milkman yesterday morning. 45:04.505 --> 45:05.866 Why'd you put that accent on there? 45:06.306 --> 45:07.706 It's just how I talk off air. 45:07.866 --> 45:08.746 This is a persona. 45:09.527 --> 45:09.627 Oh. 45:09.687 --> 45:09.987 Yeah. 45:10.787 --> 45:12.548 When you get back to Stockwell, that's how you talk. 45:12.568 --> 45:12.628 Yep. 45:12.848 --> 45:14.288 Everyone talks like that in Stockwell. 45:14.608 --> 45:15.329 It's near Brixton. 45:15.369 --> 45:17.309 It's the most violent and deadly place in the country. 45:17.429 --> 45:22.891 Now folks, I'm sorry to tell you this, but Joe and I are going to be fired. 45:23.251 --> 45:25.192 Yeah, we've had a mess in the studio. 45:25.232 --> 45:30.713 We've had an accident in the studio, a spillage of information all over the floor. 45:31.073 --> 45:32.873 And it's information concerning REM. 45:33.134 --> 45:37.115 We've been horribly misinformed about this whole REM business. 45:37.135 --> 45:38.655 They're not playing at the ICA. 45:39.015 --> 45:42.776 They're playing at the Royal Albert Hall and they've got some kind of exhibition at the ICA. 45:42.876 --> 45:45.857 What's more, the gig is in honour of the ICA. 45:45.897 --> 45:46.137 Right. 45:47.197 --> 45:48.919 What's more, you can no longer get tickets. 45:48.939 --> 45:52.141 No, the lines have been closed, so it looks like it's curtains for this show. 45:52.321 --> 45:54.903 You know, it's a lot... It's a phone vote scandal. 45:54.943 --> 45:55.684 People are up to their heads. 45:55.744 --> 45:58.747 People have been fired for a lot less than less from the big British castle. 45:58.767 --> 46:01.008 All we can say is it wasn't our fault. 46:01.028 --> 46:01.729 That's what they all say. 46:01.989 --> 46:02.269 Yeah. 46:02.710 --> 46:04.551 That doesn't wash at the Big British Castle. 46:04.691 --> 46:05.412 We're off then. 46:05.792 --> 46:07.473 We're going to be tarred and feathered. 46:07.493 --> 46:08.854 Alan Carr's back next week. 46:08.894 --> 46:09.655 Pushed off the ramparts. 46:09.675 --> 46:10.636 For the foreseeable future. 46:11.156 --> 46:12.497 It's been lovely being on air. 46:12.517 --> 46:13.518 Thanks very much. 46:13.538 --> 46:14.679 We'll see you on the Big Al. 46:14.919 --> 46:16.080 For all your... Where's the Big Al? 46:16.120 --> 46:19.262 It's some radio station with old DJs on it by the seaside. 46:19.362 --> 46:19.903 Oh, good one. 46:20.283 --> 46:21.384 Very good old DJs. 46:21.424 --> 46:22.245 Free candy floss. 46:22.565 --> 46:23.285 Exactly, yeah. 46:23.385 --> 46:24.807 If we're lucky we'll go on the Big Al. 46:25.887 --> 46:26.887 So yeah, sorry about that. 46:27.247 --> 46:32.749 If you tried to get on the website there for the REM tickets and... Whose fault was that? 46:32.969 --> 46:34.969 Can we put some blame on something? 46:34.989 --> 46:35.349 Was it really? 46:35.369 --> 46:36.030 Was it Charlotte? 46:36.130 --> 46:37.410 Charlotte, come in here, please. 46:38.190 --> 46:38.590 Come in here. 46:38.630 --> 46:39.810 Charlotte, Charlotte, just come in here. 46:39.830 --> 46:40.351 What are we gonna do? 46:40.631 --> 46:41.971 We're just gonna make an effort to apologise. 46:41.991 --> 46:45.392 We're gonna do some humiliating... Come on, Charlotte, come over here. 46:45.452 --> 46:46.132 This is Charlotte. 46:46.152 --> 46:47.392 Do you like to apologise? 46:47.432 --> 46:49.013 Yes, I'm very, very sorry. 46:49.053 --> 46:49.953 Say, dear listeners, 46:50.273 --> 46:50.934 Dear listeners. 46:50.974 --> 46:51.914 I'm very sorry. 46:51.934 --> 46:52.955 I'm very sorry. 46:52.975 --> 46:53.936 No, I'm very sorry. 46:53.976 --> 46:54.917 I'm very sorry. 46:54.957 --> 46:56.137 For do what I do. 46:56.318 --> 46:57.318 For do what I do. 46:58.119 --> 46:58.479 Bye bye. 46:58.739 --> 46:58.920 Bye. 46:59.480 --> 47:00.060 There we are. 47:00.100 --> 47:01.201 Didn't say the second bye there. 47:01.361 --> 47:01.822 She did. 47:02.002 --> 47:02.402 You're fired. 47:02.762 --> 47:03.283 You're fired. 47:03.643 --> 47:04.304 Thank you very much. 47:04.344 --> 47:04.904 Clear your desk. 47:05.104 --> 47:08.247 Clear your desk, pack your bags, get your coat and get out. 47:08.807 --> 47:11.069 So yeah, sorry about that, REM fans. 47:12.570 --> 47:16.473 What did we offer them as a sop, a fob or whatever you want to call it? 47:16.693 --> 47:16.893 Nothing. 47:16.913 --> 47:17.894 You can listen to the gig. 47:18.394 --> 47:22.897 on the Stuart McConey and Mark Lard show. 47:26.480 --> 47:27.701 What is Lard's first name? 47:28.982 --> 47:29.862 Eric. 47:30.183 --> 47:31.383 Listen, let's have some music. 47:31.704 --> 47:33.245 This is a free play from you, isn't it Adam? 47:33.705 --> 47:34.526 Yes, yes, yes. 47:35.246 --> 47:40.370 I'm a big Robin Hitchcock fan and this is from his album, I, which was re-released recently. 47:40.870 --> 47:42.851 And if you're a Van Morrison fan, 47:43.932 --> 47:48.394 which I think a lot of our listeners will be, then maybe you're familiar with the album Wieden Fleece. 47:48.434 --> 47:50.335 That's one of my favourite Van Morrison albums. 47:50.375 --> 47:54.776 It's a sort of just after Astral Weeks and it's an absolute, absolute mess. 47:55.317 --> 47:57.617 That's how you pronounce the phrase absolute mess. 47:57.797 --> 47:58.618 Absolute mess. 47:59.378 --> 48:10.228 Um, and this song, Raining Twilight Coast by Robin Hitchcock, is sort of indebted to a track, uh, from that Van Morrison album called, uh, Streets of Arclo, I think it's called. 48:10.688 --> 48:12.950 But this is Raining Twilight Coast by Robin Hitchcock. 48:13.010 --> 48:13.591 Enjoy! 48:14.432 --> 48:16.613 That was, uh, The Slits with Typical Girls. 48:16.633 --> 48:18.955 This is Adam and Joe here on BBC 6 Music. 48:19.236 --> 48:20.076 It's time now! 48:22.742 --> 48:23.523 Text-a-nation! 48:23.603 --> 48:24.665 Text, text, text! 48:24.765 --> 48:25.506 Text-a-nation! 48:25.566 --> 48:26.548 What if I don't want to? 48:26.788 --> 48:27.529 Text-a-nation! 48:27.609 --> 48:28.631 But I'm using email. 48:28.811 --> 48:29.512 Is that a problem? 48:29.552 --> 48:30.373 It doesn't matter, text! 48:32.921 --> 48:41.847 It's text the nation time, this is the part of the show, listen carefully, because this is complicated, where we give you a subject, and you text us about it, and we read them out. 48:42.608 --> 48:43.688 So what was the middle part? 48:44.909 --> 48:45.930 Uh, I'd forgotten. 48:45.950 --> 48:48.792 I wish you'd have made a note there. 48:49.272 --> 48:52.714 Anyway, the subject this week is evolving nicknames. 48:52.994 --> 48:55.976 For pets, or children, or loved ones. 48:56.477 --> 49:02.701 You give them a kind of a nickname, you get bored with it quickly, you start to evolve that nickname. 49:03.441 --> 49:10.166 until it becomes kind of like a weird game of Chinese whispers and ends up something that nobody could possibly deduce where it came from. 49:10.186 --> 49:11.247 Does that make sense? 49:11.287 --> 49:11.747 Yeah, it does. 49:12.708 --> 49:14.709 So, I've only done the emails so far. 49:14.889 --> 49:15.810 We've had a lot in. 49:16.330 --> 49:20.933 I'll try and go through the text when we get a longer record, but here are some emails. 49:21.313 --> 49:22.914 This is from Emily Poston. 49:23.395 --> 49:23.675 She says, 49:33.041 --> 49:34.302 Is that how you pronounce Sicily? 49:34.402 --> 49:35.883 C-I-C-E-L-Y. 49:36.003 --> 49:36.444 Sicily. 49:37.224 --> 49:37.665 Sicily. 49:37.865 --> 49:38.185 Yeah. 49:38.606 --> 49:38.886 Yeah. 49:40.047 --> 49:41.948 Quite suitable for the blonde muppet she was. 49:42.008 --> 49:51.255 Happily for all concerned, I think, this has in the intervening years morphed into cis-pass, parson, arson-parson, and often fondly into pass-hole. 49:52.777 --> 49:57.921 A move to the mellower west country led to my attempt to impose pass-i-ri on her? 49:59.784 --> 50:01.365 I think I'm pronouncing some of these wrongly. 50:01.385 --> 50:05.669 This continues to sit uncomfortably with her all-consuming antipathy for all things mellow. 50:06.189 --> 50:06.710 I love her. 50:07.390 --> 50:08.171 Oh, that's nice. 50:08.231 --> 50:08.791 Isn't that nice? 50:08.811 --> 50:09.752 That's a wonderful journey. 50:09.872 --> 50:10.273 That's good. 50:10.333 --> 50:10.973 Parsehole, though. 50:11.033 --> 50:12.194 Parsehole? 50:13.015 --> 50:14.336 This is one from Ryan Stains. 50:14.756 --> 50:15.957 I've got a friend called Laura. 50:16.378 --> 50:19.920 Once, when pronouncing her name in a funny way, I noticed it sounded like Lou Roll. 50:20.861 --> 50:24.284 Ah, that turned into Bog Roll, since that was funnier to shout in the street. 50:24.664 --> 50:27.747 Someone changed that to Bog It, which was meant to be nicer. 50:28.147 --> 50:30.450 Somehow that devolved again into Bogonoggers. 50:31.131 --> 50:36.177 She is now a barrister and has been known to call herself Ginger Ninja Lawmaster Laura. 50:38.340 --> 50:39.281 Bogonoggers is good. 50:39.301 --> 50:39.922 Bogonoggers. 50:40.522 --> 50:41.624 A trained barrister. 50:41.964 --> 50:43.626 Would Bogonoggers please come to the stand? 50:45.468 --> 50:49.089 I have many names for my cat, says Alison Shaw, who is named Lemmy. 50:49.569 --> 50:52.210 He is named after Lemmy Kilmeister's mole. 50:53.170 --> 50:55.750 He's Lemmy Kilmeister from Motorhead. 50:56.091 --> 50:56.371 Okay. 50:56.651 --> 51:00.151 This can also be Lem, Lemlem, or the Lemster. 51:00.892 --> 51:05.973 Anyway, when I got him, he was kind of lackluster, according to my vet, so I started to call him Scruggy. 51:06.853 --> 51:10.175 Scruggy Scruggs, which then became the Scrugglet. 51:10.856 --> 51:15.999 That mutated to Scrabbly, or Scrabbles when feeling formal, Scrabulous junks. 51:16.700 --> 51:22.003 When he's bad I say No Way Jose, as in No Way Jose, but pronounced wrong. 51:22.063 --> 51:22.264 What? 51:23.385 --> 51:25.127 No, no way Josie. 51:25.267 --> 51:25.768 I don't know. 51:26.008 --> 51:27.330 Anyway, there you go. 51:27.350 --> 51:31.715 So that went from Scruggy Scruggs, Scruggly, Scrabble, Scrabble, Scrabulous Junks. 51:32.176 --> 51:33.277 Scrabulous Junks is good. 51:33.317 --> 51:34.158 I like where they end up. 51:34.198 --> 51:35.320 These names often, you know? 51:35.480 --> 51:35.800 Yeah. 51:36.842 --> 51:38.984 Gareth Owens says, hello, my name is Gareth. 51:39.725 --> 51:47.266 At the age of eight, I unfortunately acquired the nickname Garfield, which was regrettably shortened to Garf and stayed that way for some years. 51:47.886 --> 51:51.327 I went to college, tried to lose it, but it still lingered like a foul smell. 51:51.767 --> 51:55.268 My brother modified the name to Garfi, which I quite like. 51:55.748 --> 52:01.109 We've got a habit of putting the in front of people's names, so it became the Garfi, which I like even more. 52:01.569 --> 52:07.770 It eventually changed into the Garf C, which when typed into a text message comes out the hard she. 52:09.227 --> 52:09.627 Whoa! 52:09.647 --> 52:13.608 Which the very same brother decided to use as El Hadchi Libre. 52:14.028 --> 52:16.769 And now a lot of the time he just says Libre. 52:18.569 --> 52:21.050 You see, that's exactly the kind of thing we're looking for. 52:21.070 --> 52:22.290 That is an insane journey. 52:22.510 --> 52:23.730 Finally, Andrew Morris. 52:23.930 --> 52:27.551 Hello, A and J. Over the course of our eight year relationship, my ex named be thus. 52:27.871 --> 52:28.211 Andrew. 52:28.451 --> 52:28.732 Drew. 52:29.272 --> 52:29.932 Drewbington. 52:30.472 --> 52:30.892 Drewy. 52:31.392 --> 52:31.952 Drewby. 52:32.512 --> 52:33.373 Drewby Madraws. 52:33.893 --> 52:34.793 Drewby Draws. 52:36.414 --> 52:37.895 That doesn't go so far, really, does it? 52:38.215 --> 52:38.996 Keep these coming in. 52:39.036 --> 52:45.620 We're looking for, you know, the most bizarre and weird evolution of a nickname for a pet or a friend or a loved one. 52:45.640 --> 52:48.682 Here's another one from Jennifer Rachel Burks. 52:49.183 --> 52:54.987 I went to a sixth-form college in the early 90s with someone called Jonathan Thorpe, who went by the nickname Temps. 52:55.747 --> 52:58.369 That came from the following logic strand. 52:58.469 --> 53:00.110 Thorpe equals Thorpey. 53:00.651 --> 53:01.691 Sounds like Thorpey. 53:02.872 --> 53:04.093 Ad6 is 10p. 53:05.354 --> 53:06.574 Becomes temps. 53:06.914 --> 53:07.835 Ad6 is 10p. 53:07.915 --> 53:11.377 I put that bit in because it just goes Thorp, Thorp, 4p, 10p, temps. 53:13.198 --> 53:15.459 Do you remember our friend Chris Cook? 53:15.959 --> 53:18.961 He had quite a tortured... Evolution of nicknames. 53:19.001 --> 53:22.883 Yeah, it started off Chris Cook and then Dr. Hook, he was called. 53:23.383 --> 53:29.527 And then after that it was just the doctor for a while and then Hookles and then Dr. Spock. 53:30.547 --> 53:51.023 and then Spockles and then Spockta Spockta's a good one and then oh yeah and then and then variations on there was a little fork that went in the doctor road you know yeah so it went he turned into Doc Ock for a while ah like Dr. Octopus yeah exactly and yeah Doc Ock and Spock I've got a few 53:52.425 --> 53:53.905 Joe, Joe Bowe. 53:55.246 --> 53:56.087 The Cornmeister. 53:56.147 --> 53:57.748 I have to have a think about those. 53:57.828 --> 53:58.068 Cornballs. 53:58.088 --> 53:59.189 You must have a few as well. 53:59.769 --> 54:00.650 No, I never had any. 54:00.690 --> 54:03.572 We talked about this before, but I was always very jealous of people who had nicknames. 54:03.832 --> 54:06.314 I've got nothing except obscene variations on Buxton. 54:06.874 --> 54:09.976 Keep your nickname evolutionary strings coming in. 54:10.096 --> 54:13.439 The email is adamandjoe.sixmusicatbbc.co.uk. 54:13.479 --> 54:14.759 The text is 64046. 54:15.800 --> 54:17.721 Here's Johnny Flynn with his leftovers. 54:19.543 --> 54:19.823 Come on. 54:20.123 --> 54:20.643 Come on, Johnny. 54:20.903 --> 54:21.264 There you go. 54:24.870 --> 54:30.511 Delicious, uh, freshly squeezed orange juice for you there, listeners there. 54:30.931 --> 54:32.091 Let's rip it up, of course. 54:32.512 --> 54:34.272 This is Adam and Joel on BBC Six Music. 54:34.332 --> 54:36.672 It's Saturday morning, we're in the last hour of the show now. 54:37.533 --> 54:38.613 Uh, who's coming up at noon? 54:38.673 --> 54:39.133 Is it Liz? 54:40.033 --> 54:40.993 Is it Liz? 54:41.433 --> 54:44.614 What, you know, we don't, we don't know, we're not gonna say anything, in fact, you're not anymore. 54:44.634 --> 54:49.595 No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, 54:49.835 --> 55:09.089 But listen, as Adam mentioned earlier in the show, I'm unfortunately in dispose next weekend, so Adam's got a guest presenter sitting in, but before we get to that, we're doing song wars every other week at the moment, listeners, and to be perfectly honest, I'm a little bit jealous that someone else, the mystery guest presenter, 55:10.010 --> 55:11.631 He's gonna get to do a song wars. 55:11.831 --> 55:14.613 I like doing song wars and I've really gotten to the habit. 55:14.994 --> 55:25.321 I was a bit grumpy about it when we first started and complained about the workload but I got into the habit and I can't stop doing songs. 55:25.461 --> 55:26.702 The songs just gotta come out. 55:26.862 --> 55:27.883 It's just gotta come out. 55:28.944 --> 55:29.864 I've got music in you. 55:29.964 --> 55:31.065 It's fun. 55:31.405 --> 55:34.788 And you know, sometimes they're not very good like the following. 55:35.288 --> 55:40.029 But this week I just couldn't stop myself from doing a song and I knew I wasn't allowed to write a song. 55:41.069 --> 55:42.569 I thought it might make you upset. 55:43.750 --> 55:46.150 So I've written a song that isn't really a song. 55:47.150 --> 55:49.271 It's called This Is Not A Song, This Is It. 55:49.291 --> 55:57.032 This is not a song. 55:57.312 --> 55:58.592 It does not exist. 55:59.452 --> 56:00.933 This is not a song. 56:01.033 --> 56:02.153 If you think you hear 56:07.553 --> 56:14.489 And it's out of tune, it does not make sense It's out of sequence, it suddenly stops 56:46.132 --> 56:48.334 This is not a song 56:56.983 --> 56:57.223 Yeah. 56:57.503 --> 56:58.964 Well, it's like the Beatles, isn't it? 56:59.284 --> 56:59.584 Is it? 56:59.604 --> 57:01.484 It's very similar to a lot of the Beatles. 57:02.024 --> 57:02.704 What do you mean? 57:02.824 --> 57:10.726 Experimental music, like something that maybe would have turned up on the Yellow Submarine album there. 57:10.746 --> 57:13.187 It reminds me of a Tonya Northern song. 57:13.887 --> 57:15.328 It's very deconstructionist. 57:15.368 --> 57:17.288 There's a lot of ideas going on there. 57:17.308 --> 57:20.649 Did you buy a new set of plugins for GarageBand there? 57:20.669 --> 57:22.289 I bought something called a Chaosolator. 57:22.629 --> 57:23.410 Chaosolator? 57:23.450 --> 57:24.810 Have you heard of the Chaosolator? 57:25.370 --> 57:27.050 Pop the K-Oscillator into YouTube. 57:27.110 --> 57:32.131 K-A-O-S-C-I, you know, oscillator on the end. 57:32.151 --> 57:33.452 Like a chaos pad or something. 57:33.572 --> 57:34.772 Yeah, that'll teach you all that. 57:34.852 --> 57:36.192 Is that a bit of hardware? 57:36.432 --> 57:40.213 It's basically, what was the Rolf Harris thing called? 57:40.233 --> 57:41.013 The stylophone. 57:41.033 --> 57:41.693 Stylophone, yeah. 57:41.714 --> 57:43.034 It's a stylophone for the noughties. 57:43.374 --> 57:45.534 Brillo pads, K-Oscillator. 57:45.614 --> 57:46.334 K-Oscillator. 57:46.515 --> 57:48.395 It's brilliant, also very frustrating. 57:48.715 --> 57:52.356 You'll see why if you have a look at the films of people using them on YouTube. 57:52.556 --> 57:52.716 Uh-huh. 57:53.756 --> 57:57.759 Well that was, that was extraordinarily strange, thanks for sharing that with us. 57:57.819 --> 57:58.620 It was only short. 57:58.980 --> 58:00.682 And we're not asking people to vote for that. 58:00.802 --> 58:01.963 No, just ignore that. 58:02.323 --> 58:03.224 Pretend it didn't happen. 58:03.244 --> 58:06.987 It was just a little burst, a little creative ejaculation there from Joe Korsch. 58:07.007 --> 58:08.428 Yeah, all over the ears. 58:08.968 --> 58:09.328 Alright. 58:10.209 --> 58:17.955 Now, my presenter next week, my guest co-presenter, will be the film director and pop video genius, Garth Jennings. 58:18.336 --> 58:21.518 He's an old friend of both of us, me and Joe, we met him ages ago. 58:21.558 --> 58:22.659 He'll do a ruddy good job. 58:22.799 --> 58:23.600 Yeah, I'm sure he will. 58:23.820 --> 58:25.241 And he's got a film coming out. 58:25.281 --> 58:28.764 That's not the reason that he is co-presenting, incidentally. 58:28.944 --> 58:30.346 It's a convenient coincidence. 58:30.386 --> 58:31.547 It's a convenient coincidence. 58:31.587 --> 58:33.468 He's got a film called Son of Rambo coming out. 58:33.488 --> 58:34.990 Talk about convenient coincidences. 58:35.410 --> 58:40.674 They made the film over a year ago, but it was sort of held up as far as getting it released went. 58:40.855 --> 58:44.318 So now it's turned out that it's being released about a month after Rambo. 58:44.938 --> 58:46.019 So that's quite good, isn't it? 58:46.039 --> 58:52.123 It's got nothing to do with Rambo, other than the fact that it's about some, uh, young boys in the 80s making a cut. 58:52.143 --> 58:53.544 It's got quite a lot to do with Rambo. 58:53.784 --> 58:57.426 Yeah, thematically, a little bit, but that's where the similarity matters. 58:57.446 --> 59:10.275 Yeah, but a kid who doesn't have a telly, who's from a puritanical religious background, who sees Rambo in the 80s on home video, and it changes his life, and he goes about making a kind of, uh, kiddie version of Rambo. 59:10.595 --> 59:10.735 Yeah. 59:10.775 --> 59:11.196 It's great. 59:11.476 --> 59:12.697 It's hitting cinemas soon. 59:12.817 --> 59:16.359 It's more of a rites of passage thing, though, than a kind of recreation of Rambo. 59:16.399 --> 59:17.100 It's a must-see. 59:17.480 --> 59:18.261 Yeah, absolutely. 59:18.521 --> 59:20.602 I've got, like, a little minor scene in there. 59:20.703 --> 59:20.763 Hey! 59:20.783 --> 59:22.124 Oh, I thought you were gonna talk about something else. 59:22.404 --> 59:22.744 No, no, no. 59:22.964 --> 59:23.164 What? 59:23.585 --> 59:25.766 You've got a little disease or mole. 59:26.107 --> 59:27.888 Oh, I've got a little, uh, winky. 59:28.488 --> 59:30.849 Uh, no, I pop up in Son of Rambo very briefly. 59:31.249 --> 59:33.470 But anyway, Garth is gonna be co-presenting next week. 59:33.510 --> 59:44.676 Of course, as well as being a film director, he also directed amazing pop videos like Pumping on Your Stereo, the one with the Muppets for Supergrass, Coffee and TV with the little milk carton for Blur, and many others. 59:44.896 --> 59:47.097 You can ask him about that next week, listeners, if you like. 59:47.217 --> 59:50.458 And Garth is gonna be taking part in Song Wars. 59:50.518 --> 59:54.020 And the Song Wars challenge for next week, which Garth and I have to fulfill, 59:54.780 --> 59:58.442 is we've got to create songs using members of our family. 59:58.462 --> 01:00:01.184 It can be any family member. 01:00:02.045 --> 01:00:04.126 We've just got to make a song with them in it. 01:00:04.246 --> 01:00:05.387 It can't be us singing. 01:00:06.027 --> 01:00:09.769 So that song was for next week and you'll hear what we came up with then. 01:00:10.970 --> 01:00:14.872 But for the time being, that's it for Information Zone. 01:00:15.653 --> 01:00:17.594 Here's Elbow with Grounds for Divorce. 01:00:17.934 --> 01:00:20.376 That's Elbow with Grounds for Divorce. 01:00:20.936 --> 01:00:22.197 Right now it's time for... 01:00:25.538 --> 01:00:26.320 Text the nation! 01:00:26.400 --> 01:00:27.463 Text, text, text! 01:00:27.563 --> 01:00:28.305 Text the nation! 01:00:28.365 --> 01:00:29.327 What if I don't want to? 01:00:29.568 --> 01:00:30.310 Text the nation! 01:00:30.430 --> 01:00:31.433 But I'm using email! 01:00:31.593 --> 01:00:32.315 Is that a problem? 01:00:32.355 --> 01:00:33.177 It doesn't matter, text! 01:00:35.595 --> 01:00:49.246 Yes, Text the Nation, this week is all about evolving nicknames where you give someone a name or a nickname and then over the weeks and months it evolves into something completely different that a novice could never possibly trace back to the origin. 01:00:50.207 --> 01:00:53.289 We've had lots of very nice emails and texts. 01:00:53.369 --> 01:00:54.590 Nice is the wrong word, isn't it? 01:00:54.870 --> 01:00:55.871 No, nice is a good word. 01:00:55.891 --> 01:00:56.231 I'm using. 01:00:56.251 --> 01:00:57.592 I like the word nice. 01:00:58.733 --> 01:01:09.199 We used to have a teacher at school who banned the word nice teachers hated it Yeah, and everyone as an end of term present used to bring her nice biscuits, you know Yes, I know some of them and laugh in your face. 01:01:09.239 --> 01:01:13.102 You should have shoved those biscuits right in her face That's what you should have done. 01:01:13.382 --> 01:01:14.222 I'm joking. 01:01:14.262 --> 01:01:23.848 You should never shove biscuits in people's faces It's very dangerous, but I think everyone who has slowly and softly that's fun That's sexy if you just press it on the end of the nose very softly and then wait till it does crash 01:01:24.168 --> 01:01:28.310 Hey, listen, if you moisten the biscuits first with warm water, that's a whole different thing. 01:01:28.350 --> 01:01:32.113 If you dunk them and then push them in someone's face, that's a sign of love. 01:01:32.353 --> 01:01:34.534 But everyone has teachers who do that, don't they? 01:01:34.574 --> 01:01:37.255 Like English teachers, they're always saying, don't use the word nice. 01:01:37.596 --> 01:01:38.616 I'd ban that word. 01:01:38.656 --> 01:01:43.459 If I see that in an essay, you get a minus mark thing, you know, immediately. 01:01:43.479 --> 01:01:45.300 And I've never had a problem with word nice. 01:01:45.360 --> 01:01:45.740 I like it. 01:01:46.501 --> 01:01:47.041 It's nice. 01:01:48.539 --> 01:01:50.160 Okay, here are some of those emails. 01:01:50.181 --> 01:01:54.144 This is from Dave in Cheltenham. 01:01:54.284 --> 01:01:58.888 Morning chaps, our eldest son is named Joshua, which was obviously shortened to Josh. 01:01:59.328 --> 01:02:04.073 This quickly became Joshmosh, then mishmash, then Michigan. 01:02:04.653 --> 01:02:05.153 That's very good. 01:02:23.931 --> 01:02:24.551 That's a good one. 01:02:25.092 --> 01:02:32.237 Here's one from A Collins, Andrew Collins, I'm not sure. 01:02:32.297 --> 01:02:33.738 My little sister's called Georgina. 01:02:34.138 --> 01:02:41.143 This was swiftly turned into Georgie and George, but strangely moved in the tyrannical direction of Genghis. 01:02:41.883 --> 01:02:44.325 That was too brilliant to let go of, so we stuck with it. 01:02:45.145 --> 01:02:45.706 Genghis. 01:02:46.546 --> 01:02:47.767 That's a quite odd one, isn't it? 01:02:47.787 --> 01:02:48.047 Good. 01:02:48.328 --> 01:02:49.088 Genghis is nice. 01:02:49.108 --> 01:02:50.629 So, this is from John Bateman. 01:02:50.689 --> 01:02:56.713 Hi, we inherited a cat when we bought our house, imaginatively named Thomas, which obviously wasn't interesting enough. 01:02:57.134 --> 01:02:57.914 He became Tom. 01:02:58.335 --> 01:02:58.675 Tom-o. 01:02:58.975 --> 01:02:59.415 Thompson. 01:02:59.716 --> 01:03:03.218 And whatever Tom derivatives came to mind, including Tomkin. 01:03:03.778 --> 01:03:06.300 And that naturally led to Battleship Potomkin. 01:03:07.601 --> 01:03:11.283 I don't think he understands the role he played in Russian history, but he answers to it. 01:03:11.603 --> 01:03:12.824 But then he answers to anything. 01:03:12.844 --> 01:03:14.085 I think he might be a bit deaf. 01:03:14.965 --> 01:03:17.887 John Bateman and Judith Winters in Scarborough. 01:03:17.907 --> 01:03:18.848 Thank you very much for that. 01:03:18.888 --> 01:03:19.508 That's excellent. 01:03:19.908 --> 01:03:21.009 Battleship Potomkin. 01:03:22.410 --> 01:03:22.830 Brilliant. 01:03:23.771 --> 01:03:24.511 Russ Jones. 01:03:24.551 --> 01:03:25.192 Dear Adam and Jo. 01:03:25.232 --> 01:03:28.894 My mother had a cross between a Chihuahua and a Chinese crested powder puff. 01:03:29.414 --> 01:03:30.095 Does that exist? 01:03:30.595 --> 01:03:31.676 It was a cartoon character. 01:03:32.177 --> 01:03:36.621 It was originally named Webster after Webster Booth, who died on the day that she bought him. 01:03:37.181 --> 01:03:41.485 Webster naturally turned into Webby, and then became Webby Woo Woo. 01:03:42.186 --> 01:03:50.354 This somehow evolved into Webby Woozle, in reference to the Winnie the Pooh story, where Pooh and Piglet walk around and round a tree in search for two Woozles and one Weasel. 01:03:51.034 --> 01:03:54.776 Webby Woozle became just Woozle and then turned into Woo Woo Woozle. 01:03:55.256 --> 01:03:59.198 Finally, any combination of Webby's, Woo Wooz and Woozle's was accepted. 01:03:59.218 --> 01:04:01.079 The dog died of a brain tumour. 01:04:02.319 --> 01:04:04.320 I was wondering why I was reading that one out and then I realised. 01:04:04.500 --> 01:04:05.681 Not because of the nicknames though. 01:04:05.761 --> 01:04:06.621 Possibly, I think. 01:04:06.701 --> 01:04:08.522 It's very confusing for a dog. 01:04:09.522 --> 01:04:11.503 Leon Trigg has sent Dear Adam and Jo. 01:04:11.803 --> 01:04:13.404 Oh no, sorry, this is from Amy and Brighton. 01:04:14.281 --> 01:04:15.761 email address says Leon Trigg. 01:04:15.861 --> 01:04:17.822 She's piggybacking on someone else's Wi-Fi. 01:04:17.962 --> 01:04:19.122 It's illegal. 01:04:19.242 --> 01:04:26.424 Dear Adam and Jo, we have a lovely fluffy cool customer of a cat called Sydney and then Denny off the back of Sydney. 01:04:26.464 --> 01:04:33.466 I suppose Sydney became Denny, becomes Den, becomes Denzel, became Denzel Washington, becomes Denzel Washington Cat. 01:04:36.506 --> 01:04:40.348 If it's a Denny day, we can sing the blondie song Denny Denny I'm so in love with you. 01:04:40.468 --> 01:04:40.908 Ooo ooo. 01:04:41.288 --> 01:04:41.989 That's pretty good. 01:04:42.009 --> 01:04:43.269 Denny Denny I think you'll find. 01:04:44.129 --> 01:04:45.390 Denny Denny says yes. 01:04:46.290 --> 01:04:47.311 Denzel Washing Cat. 01:04:47.671 --> 01:04:48.331 That's very good. 01:04:49.151 --> 01:04:55.594 Harold Dalton says my girlfriend is called Helen which soon became Helly, which became Smelly, which became Stinky, which became Ugly. 01:04:55.954 --> 01:04:57.495 She loves it! 01:04:57.875 --> 01:05:01.457 What ugly! 01:05:01.597 --> 01:05:03.718 Elise Richardson, our dog is called Ruby. 01:05:04.158 --> 01:05:08.340 When she was hungry, we used to say that she was hungry-pungry. 01:05:08.740 --> 01:05:10.281 We then started calling her Pungry. 01:05:10.701 --> 01:05:11.822 Now she's called Pungs. 01:05:12.722 --> 01:05:13.363 That's weird. 01:05:13.383 --> 01:05:14.784 That doesn't go far enough, does it? 01:05:14.844 --> 01:05:16.025 For you, you look disappointed. 01:05:16.165 --> 01:05:19.228 Well, yeah, that's the journey that's only halfway complete. 01:05:19.268 --> 01:05:19.589 Yeah. 01:05:19.849 --> 01:05:22.231 I'd like them to get back to me in a year. 01:05:22.671 --> 01:05:26.455 John Vowles says, my daughter Alice has a great pet name. 01:05:26.495 --> 01:05:27.256 Here's how it happened. 01:05:27.716 --> 01:05:28.997 Alice became Ali. 01:05:29.438 --> 01:05:30.619 Ali became Ali Bongo. 01:05:31.039 --> 01:05:32.661 Ali Bongo became Alfonso. 01:05:33.021 --> 01:05:34.543 Alfonso has become Fonzie. 01:05:35.063 --> 01:05:36.004 Oi, Bonzi! 01:05:36.344 --> 01:05:36.764 That's good. 01:05:36.784 --> 01:05:38.446 You'd never track that back to Alice, would you? 01:05:38.546 --> 01:05:38.846 Never. 01:05:39.186 --> 01:05:39.787 Wouldn't happen. 01:05:39.807 --> 01:05:41.308 The tracks are perfectly well covered. 01:05:41.528 --> 01:05:44.310 Tom Bacon says, I had a friend at school called Adam. 01:05:44.690 --> 01:05:47.012 His real name was Sam, but he didn't like that name. 01:05:47.032 --> 01:05:48.133 That's a different story. 01:05:48.673 --> 01:05:52.696 When we found this out, we used to call him Spam, which then evolved to Spoon. 01:05:53.197 --> 01:05:57.580 He was also called Baboon alongside this, as he looked a little bit like a baboon. 01:05:58.020 --> 01:06:01.142 We then merged these two names, and he became known as Spaboon. 01:06:04.204 --> 01:06:24.037 says Tom Bacon well I'm jealous I sympathize what's the boon you could hang on what's the boon from Adam yeah you could take a spoon I never had any that's no good I tell you what let's let's wrap up text the nation shortly there's a lot more that we can do but first is a bit more music for you listeners now you chose this one didn't you Joe what is it it's Erica bar do 01:06:24.457 --> 01:06:26.278 Yeah, this is the new Erica Badu album. 01:06:26.359 --> 01:06:27.960 She's a terrific singer. 01:06:28.340 --> 01:06:39.349 If you don't know any Erica Badu and want to know how to get into her, then if you haven't seen Dave Chappelle's film Block Party, rent that out and watch it on a really good hi-fi on a big screen. 01:06:39.749 --> 01:06:42.671 And Erica Badu does an amazing couple of songs in there. 01:06:43.272 --> 01:06:44.473 And she's got a new album out. 01:06:44.533 --> 01:06:46.815 It's a very important, difficult, mysterious album. 01:06:47.335 --> 01:06:50.918 It's called something like New America Part 1, but America's spelt all funny. 01:06:51.138 --> 01:06:52.479 Because it has a concept album. 01:06:52.700 --> 01:06:53.360 It certainly is. 01:06:53.420 --> 01:06:59.066 The cover has her face, a painting of her face, and she's got a big afro, but it's not an afro made of hair. 01:06:59.126 --> 01:07:01.628 It's made of all kinds of symbolic little symbols. 01:07:01.989 --> 01:07:02.749 Symbolic junk. 01:07:02.969 --> 01:07:05.272 Yeah, you know, it's one of those album sleeves you can get lost in. 01:07:05.532 --> 01:07:06.012 Yeah. 01:07:06.072 --> 01:07:06.913 Lots of messages in. 01:07:06.953 --> 01:07:08.535 Concept album's coming back in, I think. 01:07:08.795 --> 01:07:20.989 This is her new single, It's Great, and it's got a fantastic squidgey synth on it that reminds me of my childhood and is sort of the sound of going through very thick mud in wellies. 01:07:21.229 --> 01:07:21.469 Ooh. 01:07:21.770 --> 01:07:23.592 Yeah, this is Erica Badoo with Honey. 01:07:23.772 --> 01:07:27.195 There we go, Erica Badoo with Honey, and weirdly, that's the hidden track on the album. 01:07:27.515 --> 01:07:28.416 Oh, that's often the case. 01:07:28.436 --> 01:07:30.318 Sometimes it's... Is it that's happened before, has it? 01:07:30.338 --> 01:07:32.620 Well, you get, like, a really good hidden track, you know? 01:07:32.640 --> 01:07:35.082 I mean, there's nothing worse than a really bad hidden track. 01:07:35.102 --> 01:07:37.924 That's her first single off of it, and it's the hidden track. 01:07:38.264 --> 01:07:38.585 Right. 01:07:38.725 --> 01:07:41.727 So it was... I was a bit, um, you know, disturbed when I got it. 01:07:41.747 --> 01:07:42.188 That's very strange. 01:07:42.208 --> 01:07:43.469 Oh, man, I was looking for that song, and I... 01:07:43.849 --> 01:07:45.469 I thought, man, the single's not on the album. 01:07:45.729 --> 01:07:47.830 The name of the single isn't on the back of the album. 01:07:47.890 --> 01:07:51.231 Well, sometimes what happens is the band does a stopgap single, do you know what I mean? 01:07:51.251 --> 01:07:53.911 But something that between albums... To keep up interest. 01:07:53.971 --> 01:08:04.254 To keep up interest, but it's not really in keeping with the spirit of the album that eventually gets released, so they either miss it out completely or they have it as a little hidden track there. 01:08:04.514 --> 01:08:06.035 It's a good album though, I do recommend it. 01:08:06.135 --> 01:08:10.156 If you like that kind of thing, if you don't like that kind of thing... What happens if you don't like it? 01:08:10.176 --> 01:08:11.517 Well, I wouldn't buy it. 01:08:12.117 --> 01:08:14.758 I think you'll be misinvesting your money. 01:08:14.898 --> 01:08:15.238 Right. 01:08:15.298 --> 01:08:18.379 That's city news here on the Adam and Jo Radio Show. 01:08:18.419 --> 01:08:20.180 Very important news. 01:08:20.240 --> 01:08:26.862 Now before the real news, here are the Lunatic Fringe, also known as CSS with Off The Hook. 01:08:27.142 --> 01:08:27.923 Yeah, they're off the hook. 01:08:28.023 --> 01:08:28.623 That's CSS. 01:08:28.643 --> 01:08:30.445 This is Adam and Joe here on BBC Six Music. 01:08:30.485 --> 01:08:35.149 Time now for the news at 11.30, read by Nicki Cardwell and Andre Payne. 01:08:35.169 --> 01:08:35.649 Hmm. 01:08:36.270 --> 01:08:39.092 Brit Award winner Kate Nash with Mary Happy. 01:08:39.112 --> 01:08:43.136 That's the fifth single to be taken from her debut album, Made of Bricks. 01:08:43.716 --> 01:08:50.983 Surely, I mean, with the best will and the best skills in the world, she's never going to be able to equal the success of Made of Bricks. 01:08:51.263 --> 01:08:51.863 Don't you reckon? 01:08:51.903 --> 01:08:52.664 The first album? 01:08:56.088 --> 01:08:59.434 It's bad to be negative about music that you play on your show. 01:08:59.855 --> 01:09:04.784 Usually we take care for one of us to be enthusiastic about a record. 01:09:06.167 --> 01:09:06.888 Can't manage it. 01:09:07.279 --> 01:09:08.460 Oh, come on, I loved it. 01:09:08.500 --> 01:09:09.520 That was my favourite song. 01:09:09.640 --> 01:09:10.061 There we go. 01:09:10.381 --> 01:09:16.224 Listen, we might do for Song Wars in the week after the week after next, we might go for Kate Nash style songs. 01:09:16.244 --> 01:09:16.844 Kate Nash songs. 01:09:16.944 --> 01:09:18.185 I've always wanted to do a Kate Nash song. 01:09:18.225 --> 01:09:19.465 See if we can out-nash each other. 01:09:19.505 --> 01:09:21.346 I think it'd be hard to do the accent, though. 01:09:21.386 --> 01:09:23.608 I might have to do a sort of parallel universe Kate Nash. 01:09:23.668 --> 01:09:24.148 I don't know. 01:09:24.388 --> 01:09:25.769 I think it would be easy. 01:09:25.789 --> 01:09:26.909 That's quite good. 01:09:26.929 --> 01:09:29.951 Because I got spots on my bum and I'm feeling real sleazy. 01:09:30.331 --> 01:09:31.572 Oh, you're already one step ahead there. 01:09:31.592 --> 01:09:32.692 I've had a cup of tea. 01:09:33.573 --> 01:09:35.494 My best friend's calling. 01:09:35.914 --> 01:09:37.995 You've got to talk about how rubbish your boyfriend is as well. 01:09:38.055 --> 01:09:38.916 He is rubbish. 01:09:39.556 --> 01:09:40.757 I wish he'd go away. 01:09:41.298 --> 01:09:41.858 That's good. 01:09:42.038 --> 01:09:42.458 Thanks. 01:09:42.678 --> 01:09:44.480 You could get a chance on, son. 01:09:44.740 --> 01:09:46.261 You could get a chance on. 01:09:49.898 --> 01:10:19.147 so yeah okay then uh... so next week on song wars me and garth are battling it out for songs with relatives in them and thereafter two weeks vents it'll be song wars um... with kate me and joe doing kate nash songs brilliant all stuff to look forward to there now let's wrap up text the nation jingle jingle my jangles text the nation text text text text the nation what if i don't want to text the nation but i'm using email is that a problem it doesn't matter 01:10:21.786 --> 01:10:33.772 We're talking about evolving nicknames, nicknames that sort of start sensible, then you get bored with them, so you twist and change them until they become a word whose logic you can't possibly trace back to any kind of sense or origin. 01:10:33.953 --> 01:10:35.834 A mangled distant cousin. 01:10:36.074 --> 01:10:36.914 Thank you very much. 01:10:37.274 --> 01:10:38.655 This is from Lindsay in Glasgow. 01:10:38.715 --> 01:10:40.856 My friend Stiff got his name thus. 01:10:41.357 --> 01:10:45.359 His name was Graham McClure, which changed into Mcglue. 01:10:45.979 --> 01:10:50.541 then into glue stick, and then from stick into stiff. 01:10:50.821 --> 01:10:51.361 That's good. 01:10:51.701 --> 01:10:51.981 Yeah? 01:10:52.061 --> 01:10:53.802 How do you go from stick to stiff? 01:10:54.562 --> 01:10:55.263 Oh, steezy. 01:10:55.743 --> 01:10:56.183 Sticky? 01:10:56.343 --> 01:10:56.763 Stiffy? 01:10:57.444 --> 01:10:57.824 Fair enough. 01:10:57.844 --> 01:10:58.184 Stiff? 01:10:58.324 --> 01:10:59.744 Thanks, thanks, you've answered the question. 01:11:00.025 --> 01:11:00.525 Stufuls? 01:11:00.545 --> 01:11:01.385 This is from Matt. 01:11:01.865 --> 01:11:04.486 My mate at school became knickers from Anthony. 01:11:04.726 --> 01:11:04.987 Yeah. 01:11:05.027 --> 01:11:05.407 Fair enough. 01:11:06.267 --> 01:11:11.972 I'm not sure how, but it went to Antenoid, then to Noid, then to Droid. 01:11:11.993 --> 01:11:12.833 Nice. 01:11:12.873 --> 01:11:13.594 That's quite good. 01:11:13.914 --> 01:11:14.074 Oi! 01:11:14.295 --> 01:11:14.795 Droid! 01:11:15.115 --> 01:11:16.497 He also has my cat cobweb. 01:11:16.837 --> 01:11:18.018 It's now known as Colly Wobbles. 01:11:21.401 --> 01:11:36.411 Our cat, says Stee in Wirral, is called Milo, which is transformed into Millua, Putti Millua, Putti Musieu, Musieu Stench, Cat Head, Cat Face, Cat Face Killer. 01:11:38.912 --> 01:11:40.173 Cat face killer is good. 01:11:40.213 --> 01:11:41.955 Yeah, why cats are hideous murderers. 01:11:41.995 --> 01:11:42.756 They're awful. 01:11:42.916 --> 01:11:47.900 Whenever you think they're all sweet, they'll go and disembowel a baby hen or something. 01:11:48.081 --> 01:11:48.901 They are cold-blooded. 01:11:48.921 --> 01:11:49.642 Toss them around. 01:11:50.283 --> 01:11:51.143 Spiritually, that is. 01:11:51.564 --> 01:11:53.025 Yeah. 01:11:53.205 --> 01:11:54.366 My kitten's called Lynn. 01:11:55.467 --> 01:11:56.809 This one's anonymous, I think. 01:11:57.289 --> 01:12:00.952 And gets called Linica, which is how she is sometimes known as Gary. 01:12:01.773 --> 01:12:02.053 Nice. 01:12:02.093 --> 01:12:03.635 Yeah, that's fairly straightforward. 01:12:04.696 --> 01:12:05.176 Is that it? 01:12:05.577 --> 01:12:05.837 Yeah. 01:12:06.257 --> 01:12:06.838 Two steps. 01:12:07.138 --> 01:12:07.478 Yeah. 01:12:08.259 --> 01:12:09.420 Well, it's only a text. 01:12:11.102 --> 01:12:13.224 My cat Eric evolved to Rick Rock. 01:12:13.744 --> 01:12:15.306 I guess you go from Eric to Rick. 01:12:15.386 --> 01:12:15.626 Yeah. 01:12:15.686 --> 01:12:20.250 From Rick to Rick Rock, based on the name of the guy who sang It Wasn't Me with Shaggy. 01:12:20.571 --> 01:12:21.972 Now it's become Truck Stop. 01:12:22.352 --> 01:12:22.833 That's good. 01:12:22.993 --> 01:12:27.097 Eric, Rick, Rick Rock, Truck Stop, to Hairy Trucker. 01:12:27.717 --> 01:12:28.117 Nice. 01:12:28.217 --> 01:12:28.558 Yeah. 01:12:29.178 --> 01:12:31.799 The next step is going to be obscene, isn't it, from that? 01:12:31.959 --> 01:12:32.700 Yes. 01:12:33.580 --> 01:12:45.886 My sister started with Nina, then became Nienz, then Nina Noona, then Noony, Noony Noone, Goon, Goose, Loose Goose, Goon Face, I now call her Marvino Gravel Balloon Face. 01:12:47.487 --> 01:12:48.488 Hang on, who's that from? 01:12:51.209 --> 01:12:53.391 I thought maybe Nina Nana would be in there somewhere. 01:12:53.411 --> 01:12:55.212 Nina Nana, yeah. 01:12:55.292 --> 01:12:58.615 Is she still the entertainment correspondent for London Tonight? 01:12:59.255 --> 01:13:04.079 Which is an excellent news programme if you live in the London area. 01:13:04.259 --> 01:13:10.223 Just looked at the text and we've had quite a little flurry of texts complaining there about the playing of the Kate Nash. 01:13:10.484 --> 01:13:11.104 Oh, come on. 01:13:11.124 --> 01:13:12.825 She's only, what is she like, 13? 01:13:13.006 --> 01:13:13.326 She's 14. 01:13:16.588 --> 01:13:19.190 Um, dear Adam and Joe, this is from Ali. 01:13:19.471 --> 01:13:27.418 I was at university with a boy called Mark Manson-Barr, who was so insanely posh that the only possible thing to call him was Mark Panson-Barr. 01:13:28.198 --> 01:13:30.740 When his brother came up... Wait, Mark Manson-Barr? 01:13:30.881 --> 01:13:31.141 Yeah. 01:13:31.201 --> 01:13:32.522 That is an amazing name. 01:13:32.742 --> 01:13:33.643 Mark Panson-Barr. 01:13:33.663 --> 01:13:37.466 When his brother came up once to celebrate his birthday, we simply called him Thong. 01:13:37.927 --> 01:13:39.108 This was 12 years ago. 01:13:40.731 --> 01:13:42.194 That's probably a lawyer now as well. 01:13:42.214 --> 01:13:42.515 Very good. 01:13:42.575 --> 01:13:45.340 My sister is the wigwam. 01:13:45.420 --> 01:13:45.701 Why? 01:13:45.721 --> 01:13:46.944 It is the wigwam. 01:13:47.304 --> 01:13:47.545 Why? 01:13:48.379 --> 01:13:48.899 Here's why. 01:13:49.119 --> 01:13:49.979 Her name is Fran. 01:13:50.319 --> 01:13:52.160 Obviously after that was flan. 01:13:52.740 --> 01:13:53.960 Then fat flan. 01:13:54.380 --> 01:13:55.680 Then cheese flan. 01:13:56.041 --> 01:13:57.801 Then cheese flan, the cheesy wigwam. 01:13:58.301 --> 01:14:01.082 Finally abbreviated to the simple form wigwam. 01:14:01.322 --> 01:14:02.182 That's from Rowan. 01:14:03.002 --> 01:14:03.522 Very good. 01:14:03.602 --> 01:14:04.082 Pretty good. 01:14:04.182 --> 01:14:05.803 Wiggles would have been nice after that as well. 01:14:05.823 --> 01:14:07.063 Could have popped wiggles in there. 01:14:07.443 --> 01:14:12.784 Timothy Parry says, My brother Simon has seen his name mutate in the following fashion over the last 20 years. 01:14:13.084 --> 01:14:14.144 Simon, Paimon. 01:14:14.684 --> 01:14:15.124 Very common. 01:14:15.144 --> 01:14:15.584 Fair enough. 01:14:15.825 --> 01:14:16.785 From Paimon to Pi. 01:14:17.185 --> 01:14:17.945 From Pi to Pig. 01:14:18.565 --> 01:14:44.986 from pig to skip from skip to skip from skip to moses skip to moses skip to moses skip to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses to moses 01:14:46.400 --> 01:14:46.840 Ahem. 01:14:46.860 --> 01:14:48.622 Did you check these before you read them? 01:14:48.642 --> 01:14:49.102 No, I don't. 01:14:49.162 --> 01:14:49.883 I don't have time. 01:14:49.903 --> 01:14:50.843 There's so many of them. 01:14:51.604 --> 01:14:53.305 Okay, you're allowed two more and then we have to wrap up. 01:14:53.325 --> 01:14:53.485 Two more. 01:14:53.545 --> 01:14:54.266 All right, all right. 01:14:54.286 --> 01:14:55.247 Text the nation this week. 01:14:56.147 --> 01:14:56.768 Oh gosh. 01:14:56.788 --> 01:14:57.969 Still got more music to play. 01:14:57.989 --> 01:15:07.916 My name is Sarah, which became Saz, which became Soos, which inexplicably became Squiddoo, Soos Squiddoodle, which was shortened to Squid, which is what my mum still calls me today. 01:15:08.236 --> 01:15:11.659 But when I answer to Squid in mixed company, people give me funny looks. 01:15:12.658 --> 01:15:12.839 Mmm. 01:15:13.099 --> 01:15:16.863 It's always strange when parents do keep working the nickname in public. 01:15:17.744 --> 01:15:19.506 Your parents don't have an insane nickname for you, do they? 01:15:19.546 --> 01:15:20.808 My dad calls me Bobo. 01:15:21.128 --> 01:15:21.689 Does he? 01:15:21.929 --> 01:15:25.233 And he sometimes calls it to me, uh, calls me that quite loudly in the street. 01:15:25.253 --> 01:15:25.773 In the street. 01:15:25.833 --> 01:15:26.494 Hello Bobo! 01:15:26.514 --> 01:15:26.894 Bobo! 01:15:28.211 --> 01:15:28.631 I love it. 01:15:29.071 --> 01:15:30.092 I love him and I love it. 01:15:30.372 --> 01:15:30.892 He can do no wrong. 01:15:30.912 --> 01:15:32.812 I never knew you were called Bobo by your dad. 01:15:32.852 --> 01:15:36.114 He can hit me across the head with a cricket bat and I'd still give him a hug. 01:15:36.214 --> 01:15:36.874 Yeah, exactly. 01:15:36.914 --> 01:15:39.615 Especially if he called you Bobo just after he hit you. 01:15:39.635 --> 01:15:39.975 Bobo. 01:15:40.015 --> 01:15:40.415 There you go. 01:15:40.435 --> 01:15:41.695 Plus it's Bob Hoskins, isn't it? 01:15:41.875 --> 01:15:42.556 Only Bobo. 01:15:43.156 --> 01:15:43.776 Only the best. 01:15:44.136 --> 01:15:44.856 Do you want one more? 01:15:44.916 --> 01:15:45.317 Last one. 01:15:45.337 --> 01:15:48.118 I can't tell you whether this is any good or not. 01:15:48.138 --> 01:15:48.758 I haven't really read it. 01:15:48.778 --> 01:15:49.478 This is from Helen. 01:15:49.819 --> 01:15:55.041 An old friend of mine called Rachel decided when we were about 13 that she wanted to be known as Pick from now on. 01:15:55.561 --> 01:16:00.123 We found this a difficult transition, so to ease ourselves in, we came up with a string of nicknames. 01:16:00.423 --> 01:16:03.324 To begin with, Pick became Pickles or Captain Pickles. 01:16:03.825 --> 01:16:06.326 Following the Pickled Good strand, she became Pick a Lily. 01:16:06.806 --> 01:16:08.887 This inevitably became Piccadilly Circus. 01:16:09.328 --> 01:16:10.388 There was even a song for her. 01:16:10.468 --> 01:16:12.030 Pick, pick, pick, pick, pickles. 01:16:12.630 --> 01:16:13.971 Lay a little egg for me. 01:16:13.991 --> 01:16:15.412 But I'm not sure where that one came from. 01:16:15.432 --> 01:16:19.815 It came from the post-war variety halls. 01:16:21.636 --> 01:16:24.078 So she, she could never have foreseen that. 01:16:24.118 --> 01:16:26.339 Why did she want to be called Pic in the first place? 01:16:26.679 --> 01:16:28.100 To know that's bizarre. 01:16:28.280 --> 01:16:28.961 Being called Helen. 01:16:29.221 --> 01:16:31.943 I've been called Nellie, smelly Nellie, Nellie the elephant, melon, lemon. 01:16:31.963 --> 01:16:35.185 And when I was in school, one of my best friends latched onto hell. 01:16:35.685 --> 01:16:36.206 Yeah. 01:16:37.086 --> 01:16:37.967 I've been to hell and back. 01:16:38.407 --> 01:16:40.869 Thanks very much for all your texts and emails this week. 01:16:40.889 --> 01:16:43.811 We really appreciate all of them, and sorry if we didn't read yours out. 01:16:44.651 --> 01:16:46.873 You know, we don't want to get into a big fight about it, okay? 01:16:47.293 --> 01:16:50.976 But we'll be back, of course, next week with more of the same sort of stuff. 01:16:51.376 --> 01:16:54.098 From the nation's favorite feature, text the nation. 01:16:54.298 --> 01:16:55.859 Feels like we should have an outro jingle. 01:16:55.899 --> 01:16:56.900 Yeah, you did well there. 01:16:57.060 --> 01:16:57.260 Yeah. 01:16:57.460 --> 01:16:59.842 We've never really sort of closed it or wrapped it up in. 01:17:00.042 --> 01:17:00.722 I was wrapping it up. 01:17:00.742 --> 01:17:01.043 That way. 01:17:01.063 --> 01:17:02.063 That felt really good. 01:17:02.083 --> 01:17:03.044 I put a little bow on it. 01:17:03.064 --> 01:17:03.725 Finally closure. 01:17:03.845 --> 01:17:04.025 Yeah. 01:17:04.565 --> 01:17:07.007 Now here's the strokes with When It Started. 01:17:07.027 --> 01:17:08.148 That's brilliant there. 01:17:08.168 --> 01:17:09.949 That's one of my favourite songs by The Strokes. 01:17:09.989 --> 01:17:14.132 I think that is a B-side of a... maybe the last night single. 01:17:14.152 --> 01:17:15.613 It's just a smash. 01:17:15.674 --> 01:17:17.475 I wouldn't mind some more strokes, please. 01:17:17.915 --> 01:17:19.336 They must be working on something new. 01:17:19.476 --> 01:17:20.497 Another slice of strokes. 01:17:20.617 --> 01:17:23.059 They're too busy being very rich and swanning around in New York. 01:17:23.139 --> 01:17:24.020 And sexy. 01:17:24.080 --> 01:17:24.660 And sexy. 01:17:24.680 --> 01:17:26.302 Have they got rid of all their celebrity girlfriends? 01:17:26.342 --> 01:17:27.462 I think they might have done, you know. 01:17:27.683 --> 01:17:28.583 I think they may have done. 01:17:28.683 --> 01:17:29.384 So wise move. 01:17:29.544 --> 01:17:30.064 It's always a wise move. 01:17:30.084 --> 01:17:30.905 Better it's been normal. 01:17:31.085 --> 01:17:31.686 Get safer. 01:17:31.866 --> 01:17:33.187 Get rid of Decad and A, surely. 01:17:33.467 --> 01:17:42.474 Hey listen, earlier we were talking about the, what we believe to be currently the worst film poster on display in the Great British Isles, which is for a film called The Accidental Husband. 01:17:43.055 --> 01:17:48.098 Got a dreadful example of low resolution photoshoppery on Colin Firth's face. 01:17:48.179 --> 01:17:49.379 Yeah, very low rate. 01:17:49.440 --> 01:17:51.841 And a number of people have emailed in pointing out other... 01:17:52.842 --> 01:18:07.092 Photoshop-style inconsistencies in film posters, and we're thinking this could kind of run as a sort of minor strand, because it's often very frustrating when you see a film poster and, you know, the body is clearly a different person than the head. 01:18:07.392 --> 01:18:14.177 The other thing they do sometimes is to flip the image round from left to right, you know, to mirror the image. 01:18:14.677 --> 01:18:15.057 Yes. 01:18:15.337 --> 01:18:20.919 If someone is facing the wrong way and they want them to just face from left to right rather than the other way round, they just flip it round. 01:18:21.239 --> 01:18:24.239 But when you do that to a picture, it often looks very weird. 01:18:24.319 --> 01:18:25.620 Something odd happens. 01:18:26.300 --> 01:18:33.882 Like if you just flip round a picture of someone you know or whatever, they look wrong if you mirror that image. 01:18:33.922 --> 01:18:37.622 Well, especially if they're wearing something that has a word on it. 01:18:37.903 --> 01:18:38.423 Exactly. 01:18:38.563 --> 01:18:39.123 Or something. 01:18:40.023 --> 01:18:43.605 Then it's completely backwards, but someone sent in an email saying this is from Mike Wheatley. 01:18:44.066 --> 01:18:45.487 He says, I'm glad it's not just me. 01:18:45.547 --> 01:18:47.448 I saw that poster on London Bridge the other day. 01:18:47.808 --> 01:18:52.611 I'm a retoucher by trade, so I notice rubbish Photoshop work as a matter of course. 01:18:53.152 --> 01:19:00.836 I can understand why they won't be able to shoot the three of those actors together, but it looks like Firth had his shot done by the local free paper photographer. 01:19:01.377 --> 01:19:05.640 They've spent the retouching budget on her face to make her look like a Stepford wife. 01:19:06.900 --> 01:19:08.402 He's way too magenta. 01:19:10.644 --> 01:19:13.867 Next on my film poster hit list is the new film, Get Smart. 01:19:14.607 --> 01:19:15.989 Have a look at his left foot. 01:19:16.389 --> 01:19:18.010 You see it from full on underneath. 01:19:18.311 --> 01:19:20.893 There's no way on earth you can have it in that position. 01:19:21.333 --> 01:19:21.914 Get Smart. 01:19:21.934 --> 01:19:22.935 Who stars in Get Smart? 01:19:23.415 --> 01:19:25.917 It's Mr. Man, Dan in real life. 01:19:26.758 --> 01:19:27.779 Steve Carroll. 01:19:29.300 --> 01:19:32.501 Oh, he's going on a little downward spiral there, isn't he? 01:19:45.405 --> 01:19:47.946 Now, here's my final choice for you this week, listeners. 01:19:48.006 --> 01:19:49.526 This is by Suicide. 01:19:49.566 --> 01:19:52.687 They're from New York, and they're kind of a crazy art punk band. 01:19:53.228 --> 01:20:02.050 And this, if you remember, if you listened to us last year, we did songs based, for Song Wars, songs based on the instructions from IKEA Meatballs. 01:20:02.691 --> 01:20:07.632 And my song, Meatballs, was more or less based on this track by Girl. 01:20:07.692 --> 01:20:10.093 It's sexy, it's minimal, it's suicide. 01:20:12.494 --> 01:20:13.095 Stop it! 01:20:13.135 --> 01:20:14.196 You're touching my cakes! 01:20:14.216 --> 01:20:15.336 Don't touch my cakes! 01:20:15.376 --> 01:20:16.497 Don't touch my cakes! 01:20:22.113 --> 01:20:23.193 That's why he's like the guy. 01:20:23.494 --> 01:20:25.314 You see, Martin Rever is he called? 01:20:25.574 --> 01:20:27.955 My profiterole is glazed with honey. 01:20:28.215 --> 01:20:34.498 You have touched it with your fingers now so stickiness on your fingers from my profiterole. 01:20:35.018 --> 01:20:36.899 Licks of stickiness from your fingers. 01:20:36.939 --> 01:20:38.499 I can't finish my sausages. 01:20:38.800 --> 01:20:41.341 My profiterole has become stuck to this. 01:20:41.461 --> 01:20:43.001 Don't you like my sausage? 01:20:43.281 --> 01:20:45.122 Peel the doily from the profiterole. 01:20:45.162 --> 01:20:45.842 He's not German. 01:20:45.882 --> 01:20:47.003 I don't know why I'm doing that voice. 01:20:47.463 --> 01:20:48.144 But that's what it sounds like. 01:20:48.164 --> 01:20:50.145 He sounds like a filthy German man on that song. 01:20:50.185 --> 01:20:50.785 That's disgusting. 01:20:51.025 --> 01:20:52.046 That was Girl by Suicide. 01:20:52.086 --> 01:20:53.266 This is Adam and Joe here on 6 Music. 01:20:53.286 --> 01:20:55.288 It's pretty much it for the show this week, folks. 01:20:55.488 --> 01:21:05.453 Yeah, we must remind you that you're able to listen to this entire show live on the BBC 6 Music website or you can go to iTunes or the 6 Music website or, I don't know, other sites. 01:21:05.533 --> 01:21:09.315 What do podcasts and download the edited version as of 6 p.m. 01:21:09.395 --> 01:21:09.956 tomorrow? 01:21:10.136 --> 01:21:12.157 It only stays up there for a week, don't forget. 01:21:12.637 --> 01:21:12.917 Quick. 01:21:12.997 --> 01:21:21.300 Yeah, people have emailed us to ask us why the, you know, the iTunes thing doesn't have a back catalogue of podcasts. 01:21:21.320 --> 01:21:21.760 Just don't. 01:21:21.940 --> 01:21:30.063 That's something to do with the Great British Castle's licensing laws, the whole big contract between the tax-paying public and... The big British contract. 01:21:30.424 --> 01:21:31.464 Yeah, no one understands it. 01:21:31.804 --> 01:21:33.768 Uh, the thing you have to do is subscribe. 01:21:33.868 --> 01:21:37.614 If you just press the subscribe button on iTunes, they'll pop into your inbox. 01:21:37.634 --> 01:21:41.080 Then you can keep them at home, then you can upload them to BitTorrent, which would be wrong. 01:21:41.200 --> 01:21:41.540 No. 01:21:41.841 --> 01:21:44.365 But there's sure to be some nutter out there collecting them. 01:21:44.651 --> 01:21:53.098 And you may have read in certain trade publications this week that plans are underfoot for a new hour-long sort of podcast stroke album thing. 01:21:53.138 --> 01:21:54.339 We haven't quite decided on it. 01:21:54.739 --> 01:21:58.041 We're still feeling a little anxious about the idea of charging for it. 01:21:58.081 --> 01:22:01.484 We don't want to think the problem is that, you know, you put all the work into it. 01:22:01.524 --> 01:22:08.269 You need to get paid for the time and everything, but then you don't want to rip off the public. 01:22:08.289 --> 01:22:11.812 It's just I'm voicing concerns in my brain. 01:22:12.272 --> 01:22:14.514 Anyway, we'll let you know when that all finally 01:22:14.554 --> 01:22:15.315 materializes. 01:22:15.475 --> 01:22:16.416 That's the end of the show, though. 01:22:16.436 --> 01:22:17.577 Thank you very much for listening. 01:22:17.617 --> 01:22:20.139 Thank you to everybody who's texted and emailed. 01:22:20.799 --> 01:22:22.421 I'll be back with you the week after next. 01:22:22.461 --> 01:22:24.182 Next week, a very special guest DJ. 01:22:24.622 --> 01:22:26.524 Yeah, Goth Jennings is going to be with me next week. 01:22:26.684 --> 01:22:29.066 Liz Kershaw is coming up, but right now, here's Ting Tings. 01:22:29.286 --> 01:22:29.727 Take care. 01:22:29.767 --> 01:22:30.327 Have a good week. 01:22:30.367 --> 01:22:30.567 Bye. 01:22:30.587 --> 01:22:30.908 Love you. 01:22:30.928 --> 01:22:31.008 Bye.