WEBVTT

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That's the new sound.

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It's called nerd rock.

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I don't understand it.

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A, it scares me.

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B, I can't make sense of it musically in my head.

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It's made me feel old and out of touch.

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And I'm worried for the kids.

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Well, get with it, Granddad, because that's the kind of thing they're listening to.

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Yeah, because that's nerd rock.

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They might be giants they're called.

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It's the new thing.

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And it's a new kind of nerdy sound.

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You have to wear a bow tie.

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But get this.

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The bow ties have razors.

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on the side of the bowties, and they twirl around like comedy bowties, but they can kill people.

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The person wearing it.

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Exactly.

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What's the point of that?

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What is the point of that?

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But that's nerd rock.

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It's not really nerd rock.

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That was from, when was that?

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1989?

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1990.

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1990, there you go.

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They might be giants.

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Hello, this is Adam and Jo on BBC 6 Music.

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It's a newest radio station all about music.

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hmm and and the number six yeah and we've got a great three hours of stuff coming up for you we're gonna have song wars oh yeah a bit later the theme this week is festivals so we're gonna be fighting our homemade songs a little bit later in the show we're going to have text the nation even though we haven't really decided what it's gonna be yet

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We like to throw it open sometimes, we like to be free and easy with it.

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Maybe it could be something about festivals even.

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Although, perhaps that's jumping the gun a bit, but seeing as we've done festival song wars, you know?

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It's confusing, I'm confused.

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Plus, of course, we've got terrific music coming up, including in this first hour alone, such exciting bands as Frank Black.

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Is he a band?

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He's not coming up in this first hour, I don't think.

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Oh, isn't he?

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Yeah.

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According to this list, he is.

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Julian Cope, Delos Sol, Funboy 3.

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You're just reading things off the... That's good.

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...listeners love reading.

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And yeah, so lots of stuff to get excited about.

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Absolutely.

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What kind of free plays have you brought in with you this week?

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Well, I've got some Ben Folds 5.

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Yeah.

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Who's played a lot on 6 Music.

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He's kind of one of the artists who represents what 6 Music means.

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Right, sort of cerebral, but very musical.

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Cool, but business-like.

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Yeah.

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Good on a piano.

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Nerd rock.

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Exactly.

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He wears a bow tie with razors on the end.

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Plus I've got a bit of something else.

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Oh yeah, a bit of Jungle Brothers.

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Yeah.

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Then I've got one I'm not sure about.

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I've got one I'm really not sure about.

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Really?

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And I can't believe it didn't get weeded out, because we have to send our free plays in towards the beginning of the week.

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Maybe that's a new feature.

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Yeah.

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They're not sure about its slot.

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And it's quite a long one as well.

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Is it?

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Yeah.

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Now I'm not sure about it either.

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So that's all coming up.

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It's exciting, isn't it, listeners?

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Now... No.

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No, it's not.

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It's the sound of one of our listeners.

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What's your name, listener?

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My name's Trevor.

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Trevor, what?

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Shut up and play some music.

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Oh, gosh.

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Trevor, he's upstairs.

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Stop gassing on and play some music.

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Sorry, Trevor.

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Do you like James?

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Six music, not six chads.

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Do you like James?

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Shut up and play some music.

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Well, here's James.

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What on earth is going on in that song?

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What is it?

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I think it's about, you know, white boy men.

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But his mum seems to be saying that to him.

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Right.

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And he's saying that she's so pristine in her own body bag.

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Mm-hmm.

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Is he describing the clothes she's wearing as being like a body bag?

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Yeah, it's the same kind of philosophy as people who drive in cars.

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They're just more or less driving around in metal coffins.

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Right.

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And she's saying to him, uh, you wanna talk to me, white boy man?

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Mm.

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You'd think the mother would know, uh, what colour her son was.

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Well, she's a red Indian, his mother.

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Is she?

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I think so, yeah.

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And is he not?

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No, he's, uh, he's just a white boy man.

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How does that work?

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Well, maybe he's adopted.

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Adopted.

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I don't know if that's true.

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Right.

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No, this is becoming clearer now that you're explaining it.

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Because, uh, there's stuff about TV dinners in there microwavable.

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He looks like Yule Brenner?

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He looks like Yule Brenner, too.

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It's all making sense now.

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Was he too young to play Lear, too old to play Hamlet, or something?

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Something like that.

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Yeah.

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That makes perfect sense now, thanks.

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You know, James, have they got together and they've split up and got together just once or more than once?

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I don't know.

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They were away for a long time.

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Our listeners will probably tell us.

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And they're back together again.

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But do you remember a few weeks ago, if you're a regular listener, you might remember that, I was talking about an advert that I saw in the back of a music mag for an exciting gig by all three members of Aha!

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They were going to play a gig at the Royal Albert Hall.

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I don't know if it's happened already.

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No, May 24th.

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There you go.

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And they are not playing as A-ha together.

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They're doing three individual sets to showcase their individual solo talents.

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And as a sort of ignorant person, someone ignorant of the genius of A-ha,

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I made the casual comment that, you know, it seemed a little bit of a desperate move that you would capitalise on the fame of your band in order to showcase your solo talents.

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How wrong you were.

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How wrong I was.

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How stupid you were.

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That was a tidal wave of...

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Fury.

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We dealt with this in some detail on the show in question.

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Well, there was a few angry emails that came in.

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We established that they are very famous in their own right, in their home country.

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Well, you leapt to their defence, calling them the Norwegian Beatles.

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They're not Norwegian, are they?

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I don't know.

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No, they're Scandinavian, but that's more than one place.

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Yeah.

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So that'll do.

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You immediately knew you instinctively were aware of their beetle-like status.

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Well, I like them.

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You do like... I do like a heart.

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I don't have any of their records.

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Right.

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But I don't get angry when I hear them.

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I like it.

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No, but nothing happens to me when I hear them.

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Really?

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I'm just amazed that they... You flat-line.

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Yeah.

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Yeah, well I disagree.

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I think there's a lot of talent there.

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Of course there is.

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Anyway, a lot of people agree with you, and we had an essay sent to us this week from an Aha fan.

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Obviously I can't read the whole thing, but I'll paraphrase.

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This is from Claudia from the Netherlands.

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She's certainly going to that concert.

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They've never played solo concerts over here either, and I doubt they ever will.

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So she's very excited about the fact that they're doing so in

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in the Royal Albert Hall, but she says that a friend of hers described our comments to her, so she never actually heard what we were talking about.

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But that was enough to get her absolutely incensed, she said.

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My fellow Aha fan, Amanda, who had to hear you, she had to sit there hearing you, mocking her favourite band, gave me more than enough of an idea of what you were saying.

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First of all, they do not in any way trick people into thinking this is an a-ha gig.

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They don't say it's a-ha, do they?

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They don't bill it as a-ha, do they?

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Fair point.

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She then restates, I never said they did.

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You were saying that it gave the misleading impression that you might be seeing an a-ha concert.

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No, I never said anything of the sort.

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I did, though, just then.

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No, I didn't.

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It doesn't give the impression that they will be doing an Aha gig at all.

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What was your point then, when you was it?

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I just made my point before, if you were listening.

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Well, I wasn't.

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No, of course you never do.

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But the point was, it's a little bit desperate, is it not, to convene the three members of a group under the banner of their... Not have them play together.

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Exactly, and not have them play in the Aha brand.

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But no, obviously, these people don't agree.

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It just seemed like, you know, can't they just find individual kids?

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No, I think we're toying with fire.

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Yeah, I know.

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Our fans are dangerous, they're prepared to do whatever it takes to defend the integrity of their... bands, you know?

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I know.

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You've crossed the wrong fan... Rubicon, you've crossed the Rubicon.

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She says later on, For some reason you also seem to have completely missed the fact that Aha had a top ten single hit in your country with analog brackets, all I want.

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A mere two years ago, with an album and a tour to accompany it.

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In your country.

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Were you a big fan of analog, the single, the top ten single?

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You know what, I missed that one.

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Did you?

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Yeah.

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I thought you loved them.

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Not only your favourite band, you're right.

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You love them.

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Hey, listen, here's a free play while those Aha fans get texting again.

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If it was sunny today, this would be a really good choice, but it isn't, so at least down here in Londinium it isn't.

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So it's a bad choice.

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Here's the Jungle Brothers with Sunshine.

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A spiz energy there with... Where's Captain Kirk?

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This is Adam and Joe here on BBC Six Music.

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It's kind of a miserable Saturday morning here in London town, but we hope it's a bit more sunny where you are.

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And if it's not, well, let us bring some sunshine into your lives.

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How are we gonna do that?

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I was really hoping that you might know.

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We could try and put together a cloud bursting machine.

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Yeah, or just some... they probably sell cans of sunshine in places like Jamaica, don't they?

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Yeah, we could bring some sun-kissed into your life.

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Yeah, yeah.

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Billy said something else.

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Someone's gonna be having fun editing that.

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It's weak.

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That's all right, that's accidental.

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We can't get checked out of the big British castle for that.

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Now, listen, Joe Cornish, you love to follow the news, you love to read the newspapers, right?

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Did you know what the 10p tax rate was all about?

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You know Gordon Brown is getting in loads of trouble for.

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I'll answer that honestly, no, not really.

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Neither did I, right?

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And it's just everyone's talking about the 10p tax rate.

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Gordon Brown, he's in hot water because he's getting rid of the 10p tax rate.

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Claire, our producer who's standing in for Jude this week, do you know what the 10p tax rate is all about?

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I do know one thing, though.

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It's hitting the poor very hard.

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Well, exactly.

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We know that much.

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We know it's not a good thing if you're a low earner, right?

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But everybody talks about it as if everyone knows exactly what it is, the 10p tax rate.

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Maybe everybody does.

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I don't know if they do.

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I just think people are lying.

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Well, listen, my natural assumption is that I'm stupid, right?

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And I just don't happen to know because I don't read enough newspapers.

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But then I asked a few people throughout the week if they knew what it was and if they could explain it to me.

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None of them could.

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And these were all fairly well-educated people, you know?

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And so I had to go and research it myself and look it up.

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Still found it quite hard to understand a little bit.

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But 10p tax rate is something the Labour Party introduced around about 1999.

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It was one of their big, you know, it was one of the big incentives to vote for them at that point for the general election.

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They were going to

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it was the lowest it was a new low rate of tax this is getting slightly political so here at the big british castle i have to balance anything politically biased that Adam says i'm just warning listeners that no i'm not talking about political bias this is a statement of fact right so it's a 10 you pay 10p on every round uh if you're earning between around 5 000 and

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7,000 pounds.

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It's the lowest bracket of tax, basically.

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And so he's getting rid of that, and you now have to pay 20p on the pound, and so that's hitting certain income brackets harder than others.

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It's helping them.

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Well, it is helping some people.

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It's hitting some.

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You could see it that it's helping some.

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That's true, yes.

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Just being balanced.

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Oh, you're being balanced, yeah.

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But you know like on the news everyone was talking about it last night, and they never really explained like I thought the news I Watched some idiot news as well You know some are on the idiot channels and not even they really properly explained it you think they have a little sidebar Maybe explaining what the heck the 10p tax rate was but no

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They just expect you to know.

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I'm scandalised.

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I'm speechless.

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I'm scandalised.

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I'm still trying to say sunkissed.

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Yeah.

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In my head.

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Sunkissed.

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Sunkissed.

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That's what threw you off.

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Don't mess those syllables up.

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Not on the BBC.

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What were you talking about?

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Sunkissed.

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I was making a brave admission of ignorance there.

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But you're... I'm more ignorant than you, so I can't help you.

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You're talking to the wrong person, mate.

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Alright then, fair enough.

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Now we've got some more music coming up for you and news very shortly and after the news and some more music we're gonna be unveiling our new song wars songs on the subject of festivals and That's gonna be exciting.

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Are you happy with yours?

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Yeah, I'm quite happy.

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You never know though.

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What the other person's come up with.

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Mine's quite boisterous.

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Is it?

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Yeah, it's gotta be for a festival isn't it?

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Yeah, does it?

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Yeah

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Okay, anyway, here's Ida Maria before that.

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This is Queen of the World.

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That was the Choral Within the Morning.

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This is Adam and Jo on BBC6 Music.

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It's time for the news read by Catherine Kratnall.

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Yes, it's Song Wars time.

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Before that, you heard Ryan Adams with So Alive.

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This is Adam and Jo on BBC6 Music.

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If you're a new listener, Song Wars is the part of the show where Adam and I make homemade songs on a theme and then we play them both and they kind of fight each other through the medium of listener votes.

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It's the closest you can get to a competition on the BBC Air these days.

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Competitions have been

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because they're evil and but it's this is a sort of thousands of lives were lost last year thanks to BBC competitions that's true and it's a tragedy that's never going to be repeated again yeah certainly not in the big British castle no it's a warning from history but it's okay for the presenters themselves because we're trained to scrap it out to have a little competitive scrap

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Me and Jo- But there's no prize.

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No, there's no prize.

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Or it's the greatest prize of all.

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What is it?

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Respect.

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Pride.

13:05.004 --> 13:05.465
Respect.

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Respect.

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Yeah.

13:06.967 --> 13:13.196
You know, in Stockwell, outside the tube there, they've got that, um, in- in Bricks, they've spelt out the word respect.

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Right.

13:14.377 --> 13:15.980
Over by the, uh, Monolith.

13:16.460 --> 13:16.740
Yeah.

13:17.140 --> 13:17.541
That's good.

13:17.581 --> 13:18.681
That's an important monolith.

13:18.901 --> 13:19.302
Exactly.

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I like walking across that bit of respect.

13:21.583 --> 13:23.304
Violet Sharbo, Zabo.

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She was a war hero.

13:24.424 --> 13:24.644
Yeah.

13:24.924 --> 13:25.185
Yeah.

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And she deserves your respect.

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She's got it.

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She's got it.

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It didn't sound like it to me, so be perfectly honest.

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Oh, wow.

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She's got loads of it.

13:33.309 --> 13:34.870
Anyway, yeah, respect.

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This is all about respect.

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And so do you think you're going to be winning the listeners' respect today?

13:38.852 --> 13:39.372
I don't know.

13:39.432 --> 13:43.814
But I do know this, that the overall score for Song Wars is nearly neck and neck, isn't it?

13:43.894 --> 13:44.955
Isn't it even neck and neck?

13:45.635 --> 13:50.316
For a while, I had a commanding lead and was resting on my laurels.

13:51.936 --> 13:52.916
But not anymore.

13:53.376 --> 13:54.597
Yeah, it was like Laurel and Hardy.

13:54.817 --> 13:55.217
It was.

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In what way?

13:57.897 --> 14:01.978
Well, a sort of tall bloke and a slightly chunkier bloke.

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Right.

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And one of them was resting on his laurels.

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What does that mean?

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Laurel and Hardy!

14:07.939 --> 14:08.839
Yeah, no, that's good.

14:09.799 --> 14:11.840
So this week's theme has been festivals.

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Uh, because it's the start of the festival season, so we've both written songs about festivals.

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Uh, and we're gonna play them now.

14:19.261 --> 14:24.664
And when you've decided which one you think is the best, text 64046, who's gonna go first?

14:24.684 --> 14:25.624
I'm getting the coin out.

14:25.965 --> 14:27.426
And we're gonna toss a coin!

14:27.466 --> 14:30.888
So you never told the listeners, though, who- what the actual tally is, do we know?

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Uh, I'm not sure.

14:32.869 --> 14:35.090
It's gotta be quite big, because we've done enough of these things now.

14:35.230 --> 14:39.211
Well, the thing is, the confusing thing is that it's been a bit erratic the last few weeks, you know?

14:39.371 --> 14:41.111
Some weeks we do it, some weeks we don't.

14:41.131 --> 14:43.572
Well, we started doing it every week and then it became every other week.

14:43.592 --> 14:44.232
Yeah, exactly.

14:44.272 --> 14:45.012
It's easier doing it every week.

14:45.032 --> 14:46.593
We'll find out while we play the first one.

14:46.893 --> 14:48.153
So the coin is being tossed.

14:48.413 --> 14:48.753
Okay.

14:50.834 --> 14:52.474
We're calling it, I'm gonna go for Tails.

14:53.074 --> 14:53.934
Tails, you go first?

14:54.014 --> 14:54.294
Yeah.

14:54.514 --> 14:54.754
Okay.

14:54.774 --> 14:55.515
Sonic and Tails.

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It's heads.

14:56.535 --> 14:57.895
It's heads, so you get to choose.

14:59.075 --> 14:59.656
No, I... Or whatever.

14:59.716 --> 15:00.196
Oh, you go first.

15:00.276 --> 15:00.936
Yeah, I go first, yeah.

15:01.832 --> 15:06.958
Okay, so, um, my festival tra- I'm not gonna- I'm not gonna talk too much about it before, okay?

15:06.978 --> 15:08.280
Well, we'll go into it afterwards.

15:08.700 --> 15:11.724
This is a very- very straightforward, uh, speaks for itself.

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It's called Festival Song by Adam Buxton.

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Here it is.

15:14.948 --> 15:18.312
Please leave a message after the tone.

15:19.201 --> 15:20.823
Gaz Man, it's the Julienator.

15:21.463 --> 15:31.893
Just to let you know, I bought the tickets for Sludge Fest, as well as Chillax, Wicker World, the Inoffensive Electronic Festival, Wet Weekend, and Pins in the Park with Timbukh 3 Headlining.

15:32.213 --> 15:34.095
Drops a text if you think I've missed any.

15:34.295 --> 15:34.856
Cheers ears.

15:35.476 --> 15:50.821
Load up the four by four, it's festival time We're stuffing the chill bag with nibbles and wine We're going to sleep inside a collapsible yard We've got a nurse in case anybody gets hurt

15:51.821 --> 15:55.083
Festivals used to be awful, just crusties and weirdo groups.

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There was nowhere to charge your mobile, and nowhere nice for doing poops.

15:59.465 --> 16:02.907
Now they're often in stately homes with global cuisine as ace.

16:03.207 --> 16:06.729
And you can leave the kids in a really nice crash while you get off your face.

16:06.809 --> 16:10.511
In hip hooray, it's time for festival fun.

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We've got our hats and our sun cream.

16:13.112 --> 16:37.989
In case there's some sun But when it rains We've got our green welly boots And if we feel the love We've got our birthday suits Look kids, that's Keith Allen That's Lily Allen's dad He's been coming since the fifties And apparently he's really mad And over there, that's Katie Moss That's right, that crazy drug is X Let's ask her if she'll join us for a boogie and some sex

16:43.073 --> 16:43.457
Move on

16:53.522 --> 17:21.308
We've got some chill pills, some wizwahs and a gram of some stuff But I'm a little bit wary, there won't be enough So would you call Jemima and ask her to bring a bit of rice Some jelly and a big ball of string And don't forget the Baroque and the yoga mats too Because there's going to be healing and yoga to do And there's a bloke from Tibet who can teach us to breathe and laugh

17:21.448 --> 17:25.452
After that, we'll see Moby then we'll probably leave.

17:25.512 --> 17:30.017
Load up the 4x4, it's festival time, we're stuffing the

17:48.361 --> 17:49.182
It's a fade-out.

17:49.602 --> 17:52.464
Yeah, I don't think we've ever had a fade-out on Song Wars before, have we?

17:52.584 --> 17:53.945
Yeah, yeah, I've had a couple of fade-outs.

17:53.965 --> 17:54.265
Really?

17:54.385 --> 17:55.166
I like a fade-out.

17:55.226 --> 17:55.646
That's good.

17:55.686 --> 17:57.427
That's Adam's Song Wars song there.

17:57.547 --> 18:02.751
If you... Well, you shouldn't vote yet because you haven't heard the other one yet, but the text number is 64046.

18:03.431 --> 18:04.252
What?

18:04.292 --> 18:05.713
Can't vote for text for Song Wars.

18:07.334 --> 18:18.681
Really they can text during the show But after the show you can't text you have to email So what was that one called the Glastonbury song?

18:18.701 --> 18:20.142
No, that's just a festival.

18:20.342 --> 18:23.304
So that was good That was quite a classy festival you were singing about.

18:23.404 --> 18:25.145
Yeah, really quite a posh one certainly

18:25.345 --> 18:27.688
Yeah, did you have any particular festival in mind?

18:28.890 --> 18:29.551
Just all of them.

18:29.771 --> 18:30.412
Just all of them.

18:30.452 --> 18:33.857
I mean, you know, it sounded quite like an exclusive country house one, maybe.

18:33.977 --> 18:36.941
I haven't, yeah, because I went to a country house one year.

18:36.961 --> 18:38.002
For a slightly older crowd?

18:38.183 --> 18:39.264
Yeah, yeah, exactly.

18:39.304 --> 18:41.888
For slightly ravey, you know, ex-ravers.

18:42.148 --> 18:42.428
Yeah.

18:42.588 --> 18:46.552
Who are now looking for a comfortable festival, nothing too crazy.

18:46.572 --> 18:46.652
Yeah.

18:46.993 --> 18:48.674
They certainly don't want to get burglarized.

18:49.075 --> 18:49.335
No.

18:49.755 --> 18:51.877
But they would like to do a little bit of ravey dancing.

18:51.897 --> 18:52.218
Yeah.

18:52.298 --> 18:53.619
And maybe have some fizz-wizz.

18:53.639 --> 18:54.640
Somewhere safe for the kids.

18:54.740 --> 18:55.200
Exactly.

18:55.220 --> 18:55.961
While they do that.

18:56.021 --> 18:56.241
Yeah.

18:56.261 --> 18:56.642
That's right.

18:56.662 --> 18:57.302
Some fizz-wizz.

18:57.483 --> 18:57.703
Yeah.

18:58.003 --> 18:58.784
Some chompers.

18:59.004 --> 18:59.404
Chompers.

18:59.424 --> 18:59.785
That's right.

19:00.245 --> 19:03.709
And so thematically, were you on the same kind of

19:04.449 --> 19:04.810
Sort of.

19:04.890 --> 19:14.940
Mine's specifically about Glastonbury and it's a kind of song from the point of view of a couple of boisterous lads who are preparing to go down to Glastonbury.

19:15.420 --> 19:19.344
But I would point out that there are a couple of similarities between our songs.

19:20.185 --> 19:21.226
The spoken word intro.

19:21.346 --> 19:21.566
Yeah.

19:21.987 --> 19:22.948
And a mention of pooing.

19:23.348 --> 19:23.788
Of course.

19:23.868 --> 19:26.050
Well, I mean, that is one of the central things, isn't it?

19:26.111 --> 19:26.411
Yeah.

19:26.771 --> 19:28.253
Pivots of the festival experience.

19:28.553 --> 19:29.294
So here's my one.

19:29.314 --> 19:30.575
I'm not really sure what it's called.

19:30.875 --> 19:32.657
I think it's just called the Glastonbury song.

19:32.917 --> 19:34.859
But here's song number two in Song Wars.

19:36.010 --> 19:51.776
Right, yeah, register, download the correctly formatted passport, photo, get a hundred and sixty-four pounds out, you'll be looking for your postage, burn a coat, five and ten, and now, me and my mate Terry, we're gonna glist on very, we're gonna have a very good time.

19:53.196 --> 20:00.579
Don't care if it's all muddy, we'll just dive in in the muddy, and dance and drink and try and snuck, girls.

20:02.012 --> 20:16.590
I'll try to get on telly but hello mum on my belly Eat full of apples then full of birds then be sick Add if someone licks or ten I'll get angry and violent Punch a hippie, smoke a cigarette

20:19.747 --> 20:46.244
Last time I was here I ate a space case And it made me feel a little geekly And like I was in love with everybody in the whole world I tried to help them live up their bases Turned into demons I lost out in the madness These are tick monkeys don't do drugs So what we do this year

20:46.704 --> 20:52.746
It's just drink a lot of beer, buy a Jester's hat, and throw things at Jay-Z.

20:53.666 --> 21:01.889
I hate those quarter-loos, so for three days I won't poo, then I'll do one by the road on the way home.

21:02.269 --> 21:09.231
We'll go to see hot chick, then have some nice hot chips, meet a sexy girl, and get on really well.

21:10.982 --> 21:21.219
She'll take me to her teepee And hopefully sleep with me We'll text for two weeks They'll never see each other again Oh, Glastonbury's gonna be wicked

21:22.403 --> 21:26.464
There we go, so it's the Glastonbury song versus, what was your one?

21:26.584 --> 21:27.484
Just the festival song.

21:27.504 --> 21:30.065
The festival song, couple of inspired titles there.

21:30.465 --> 21:39.427
Vote for your favourite by text during the live show on 64046, or by email only if you're not listening to the live show here on Saturday morning.

21:39.687 --> 21:45.349
And if you're confused, or maybe slightly hungover, what you are now listening to is live.

21:45.369 --> 21:47.930
Well that's not going to do them any good though if they're listening again.

21:47.950 --> 21:49.470
But if you're not listening to it live,

21:49.830 --> 21:51.130
This is not live.

21:51.190 --> 21:53.271
The best way to judge it is... How can you tell?

21:53.391 --> 21:53.931
How can you tell?

21:54.011 --> 21:58.772
Well, you look at a newspaper, or think about what day it is, or look at the clock, right?

21:59.332 --> 22:05.014
And if it's not between 9 and 12 on Saturday morning, it's probably not live.

22:05.494 --> 22:07.294
It's gonna be confusing for some people.

22:08.254 --> 22:08.995
So get voting.

22:09.255 --> 22:13.236
But we'll have a reminder of those songs, of course, before the end of the show today.

22:13.576 --> 22:15.136
But now it's back to some real music.

22:15.496 --> 22:16.396
This is young chap.

22:16.436 --> 22:18.957
He's called Sam Sparrow, and this is black and gold.

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No it isn't.

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Oh yes it is.

22:21.969 --> 22:23.130
Here it is.

22:24.711 --> 22:25.331
Who was that then?

22:25.512 --> 22:26.472
How was Julian Coke?

22:26.913 --> 22:27.573
Oh I like him.

22:27.733 --> 22:28.534
He's good isn't he?

22:28.554 --> 22:30.675
You see the one that writes the books about the stones?

22:30.955 --> 22:31.315
Yes.

22:31.436 --> 22:31.796
Yeah.

22:31.916 --> 22:32.917
We've got one of those books.

22:33.157 --> 22:34.798
He's one of the most intelligent men in rock.

22:35.538 --> 22:37.480
It's wicked, the book about the big stones.

22:37.980 --> 22:40.582
He's done all kinds of amazing things Julian Coke, you know.

22:40.882 --> 22:49.207
He's one of these people whose knowledge and enthusiasm is even, you know, it's even greater than his talent.

22:49.327 --> 22:50.048
I'm one of those people.

22:50.248 --> 22:50.768
No, you're not.

22:51.368 --> 22:51.588
Really?

22:51.888 --> 22:52.348
No, no.

22:52.709 --> 22:53.729
What kind of books have you written?

22:54.409 --> 22:57.770
I've written a series of detective novels.

22:58.470 --> 22:58.750
Yeah.

22:59.030 --> 23:01.150
I wrote them when I was seven.

23:01.811 --> 23:10.953
Well, I'm sure you could relaunch the... Because more or less Julian Cope is credited with kind of re-establishing Scott Walker as a credible musical presence.

23:11.553 --> 23:16.674
After years and years of sort of relative obscurity, he brought out a compilation in the 80s

23:17.774 --> 23:27.624
of all Scott Walker's best kind of tracks and in the process kind of completely helped people to reassess the canon, the Walker canon.

23:28.005 --> 23:33.230
And now Scott Walker has a huge influence on many of the young bands what are in the charts.

23:33.370 --> 23:38.717
Yeah, I mean I'm not saying obviously that people wouldn't have discovered Scott Walker without Julian Cope, but Julian Cope certainly helped.

23:39.238 --> 23:46.287
And of course he wrote a book called Crap Rock Sampler, all about amazing German music from the southern... The myth thing.

23:46.487 --> 23:47.068
The myth thing.

23:47.589 --> 23:49.912
And of course the book about stones that you're talking about.

23:49.992 --> 23:50.633
How come you've got it?

23:50.653 --> 23:51.174
Have you read it then?

23:51.634 --> 23:56.935
Uh, we've had a good flick through it when we go on journeys into, uh, into Britain's hinterlands.

23:57.455 --> 24:02.796
We often look at the book to see whether there's any kind of, uh, you know, neolithic thing that we can go and see.

24:03.076 --> 24:03.276
Yeah.

24:03.936 --> 24:04.936
Get out on the coat book.

24:05.357 --> 24:05.617
Yeah.

24:05.717 --> 24:08.217
Plus he's got, uh, good things to say about parenting.

24:08.677 --> 24:09.037
Does he?

24:09.237 --> 24:09.537
Yeah.

24:10.257 --> 24:11.518
He's generally a genius.

24:12.058 --> 24:12.978
Uh, yeah.

24:13.158 --> 24:18.499
He's a good guy, but, um, you know, unhinged, obviously went through a long period of being completely nuts.

24:18.559 --> 24:18.919
I like.

24:19.179 --> 24:41.554
me like you so the votes are coming in thick and fast for song wars uh i'd say it's quite divided this week with a slight bias towards uh adam's songs so far that's the early running uh we've had such text as this one from ross saying love them both especially adam's line about the creche but joe's just won it for me this week with the awesome space cake interlude that was a very good interlude

24:41.934 --> 24:42.454
Nicely produced.

24:42.474 --> 24:43.774
You're just padding it out.

24:43.994 --> 24:45.115
You're very, very kind.

24:46.115 --> 24:47.135
But here's another one.

24:47.815 --> 24:50.516
Hang on, where's the one... Yes, Joe is a white Stevie Wonder.

24:50.916 --> 24:54.876
In his golden period he was untouchable, but now he's a shadow of his former self.

24:55.216 --> 24:57.237
Today he reached a musical nadir.

24:57.757 --> 24:58.917
Says Tommy Danger.

24:59.277 --> 24:59.717
Danger?

24:59.737 --> 25:00.577
What are you on about?

25:00.857 --> 25:03.418
So I'd say Buxton's just about pipping it at the moment.

25:04.278 --> 25:05.838
So get your vote in via email.

25:06.078 --> 25:08.579
I take all that stuff back about the texts I've been told off.

25:09.139 --> 25:13.824
Because apparently it's wrong to encourage people to text, so you've got to send your votes via email.

25:13.904 --> 25:20.271
Adam and Jo will one word with an A-N-D, not an ampersand, dot, six music, uh, what?

25:21.433 --> 25:22.634
At bbc.co.uk.

25:23.175 --> 25:26.118
Yeah, don't text for song wars.

25:26.158 --> 25:27.599
You can text for other things though, right?

25:28.460 --> 25:42.646
The problem with texting for song wars is that because we encourage people to vote for song wars right throughout the week, because we don't reveal the winner until next week's show, the texts can't be counted during the week, so we don't want you to waste your text money on a vote that won't be counted, you know?

25:43.226 --> 25:46.167
We're looking out for you, listeners, at the end of the day.

25:46.207 --> 25:46.707
Well said.

25:46.867 --> 25:47.127
Right.

25:48.468 --> 25:51.409
Excuse me, I've got a little bit of a frog happening in my throat area.

25:52.189 --> 26:07.526
But Song Wars, the last thing I'll say on Song Wars is that I felt as if I was not scraping the bottom of the barrel, but certainly some of my techniques were getting a bit samey, and certainly the structure of my song was very samey, and I think I even used the same drum and bass pattern that I'd used before.

26:07.906 --> 26:08.928
And that's a disgrace, isn't it?

26:08.948 --> 26:09.528
We need new life.

26:09.568 --> 26:13.693
We either need a new idea for a kind of segment,

26:14.253 --> 26:18.094
Or we need some new instruments, or some new garage band loops.

26:18.394 --> 26:19.234
Well, let me ask you this.

26:19.594 --> 26:22.615
Is it acceptable to recruit other musicians?

26:23.895 --> 26:25.976
To get session musicians in of some kind?

26:26.176 --> 26:26.916
I'd say no.

26:27.196 --> 26:27.516
What?

26:28.777 --> 26:31.857
Well, let's talk about it more later in the show, maybe.

26:31.897 --> 26:33.918
That's an interesting premise.

26:33.958 --> 26:35.318
Let's have a bit of De La Soul.

26:35.398 --> 26:39.079
Someone emailed in very angry that I'd pronounced them De La Soul.

26:39.099 --> 26:40.820
Of course, it's De La Soul.

26:41.180 --> 26:42.320
And this is me, myself and I.

26:42.600 --> 26:45.001
That's After Hours by We Are Scientists.

26:45.101 --> 26:47.861
This is Adam and Joe here on BBC Six Music.

26:48.261 --> 26:50.902
So let's have this discussion about song wars then.

26:50.962 --> 26:53.283
Your suggestion is to bring in other musicians.

26:53.743 --> 27:01.845
I'm saying that we should throw open the doors to all kinds of musical influences and techniques in order to broaden the palette.

27:01.965 --> 27:02.825
Yeah, yeah, yeah.

27:03.125 --> 27:08.487
I'm just worried that it shouldn't be a competition for who has the most time during the week.

27:08.527 --> 27:09.067
Do you know what I mean?

27:09.967 --> 27:16.129
Sometimes if you're very busy during the week or I am, then it's not song wars, it's availability wars.

27:16.449 --> 27:18.950
Well, that's something that you just got to live with though, isn't it?

27:18.990 --> 27:21.491
That's what was happening before.

27:21.551 --> 27:23.711
We've both got to struggle with that occasionally, don't we?

27:23.731 --> 27:32.714
Sometimes we have a busy week and then... Well, you're right, because on the other hand, one wouldn't want any sort of competitive feeling to in any way stifle creativity.

27:34.346 --> 27:39.690
You wouldn't want one person not to do a thing just because the other person fears losing.

27:40.070 --> 27:40.731
Well, exactly.

27:40.771 --> 27:41.552
That's no way.

27:41.572 --> 27:43.953
You know, we're striving for musical excellence here, aren't we?

27:43.973 --> 27:46.675
But at the same time... Joe fears losing.

27:47.096 --> 27:50.739
I might fear losing if you bring in... You've got more rockstar friends than I have.

27:51.439 --> 27:51.979
Than I have.

27:52.360 --> 27:53.561
Well... You have.

27:53.641 --> 27:54.822
I don't know anybody, really.

27:54.922 --> 27:56.083
Of course you do.

27:56.143 --> 27:56.983
No, not as well as you do.

27:57.023 --> 27:57.744
You know Travis.

27:57.944 --> 27:59.465
You've got blue tones in your locker.

27:59.485 --> 28:00.566
That's it.

28:00.746 --> 28:02.748
Martin Morris is probably the only musician... Charlotte Hasley.

28:03.448 --> 28:04.108
Mmm, true.

28:05.269 --> 28:06.529
Um... That's it.

28:07.489 --> 28:08.090
Who do you know?

28:08.110 --> 28:10.150
I know them all, all the greats.

28:10.250 --> 28:10.791
Exactly.

28:11.311 --> 28:15.212
Yeah, but, um, who do I- I can get, uh, yeah, I can get Tim Bucks 3.

28:15.252 --> 28:20.534
You could get the Travis, you could get, uh, you could probably get the Spoon Man if you haven't scared him off.

28:21.949 --> 28:22.289
Maybe?

28:23.090 --> 28:25.391
Listen, I'm not proposing, I'm sure these people are busy.

28:26.112 --> 28:28.494
They've got their own things to do, they've got their own careers to worry about.

28:29.134 --> 28:33.817
I am proposing, you know, if you've got a mate who can play guitar, you get him in.

28:34.418 --> 28:34.758
Right.

28:34.838 --> 28:35.959
Do a bit of session guitar.

28:36.079 --> 28:36.739
Session guitar.

28:36.759 --> 28:38.220
Take you to a different level, right?

28:38.621 --> 28:40.702
So you don't have to lean on GarageBand the whole time.

28:40.722 --> 28:41.122
Yeah.

28:41.743 --> 28:44.305
Johnny Maracas, he comes round, he's the king of Maracas.

28:44.485 --> 28:45.966
Well, let's throw this open to the listeners.

28:46.026 --> 28:47.207
Listeners, what do you think?

28:47.227 --> 28:48.308
Do you think we should do that?

28:49.348 --> 28:52.731
Give us a give us an email Can they text about that?

28:52.931 --> 28:56.975
Yeah, because it's non-competitive you can text 64046 in a second.

28:56.995 --> 29:02.179
We're gonna have Some text the nation fun, but right now here's a little bit more music.

29:02.619 --> 29:08.784
This is one I've chosen for you listeners This is Frank black and it's from an album that came out a couple of years called

29:09.645 --> 29:10.265
Chris Mass.

29:10.285 --> 29:11.986
A couple of years ago.

29:13.287 --> 29:14.027
Did I not say a go?

29:14.087 --> 29:14.228
No.

29:14.348 --> 29:15.068
I'm very sorry.

29:15.088 --> 29:15.888
He's popping it in for you.

29:16.049 --> 29:16.829
How embarrassing.

29:17.809 --> 29:19.050
Thank you very much for popping in there.

29:19.070 --> 29:19.690
That's alright.

29:19.751 --> 29:20.311
A go there.

29:20.711 --> 29:24.193
Yeah, Chris Mass is the album, and this is a great track on here.

29:24.473 --> 29:30.856
And as far as I can recall, it doesn't actually have drums in it, but it's so... though his playing is so percussive, it really drives along.

29:30.876 --> 29:31.577
I hope you enjoy it.

29:31.597 --> 29:37.300
It's almost like a sort of mantra of this song, and it's called, Do What You Want, Guinashua by Frank Black.

29:37.600 --> 29:40.102
Frank Black with Do What You Want, Garnishois.

29:40.142 --> 29:45.145
This is Adam and Joe here on BBC Six Music, and I think it's time to launch Text-o-Nation.

29:47.807 --> 29:48.647
Text-o-Nation.

29:48.687 --> 29:50.588
Text, text, text, Text-o-Nation.

29:50.649 --> 29:51.609
What if I don't want to?

29:51.869 --> 29:52.590
Text-o-Nation.

29:52.690 --> 29:53.690
But I'm using email.

29:53.851 --> 29:54.591
Is that a problem?

29:54.631 --> 29:55.472
It doesn't matter, text!

29:58.511 --> 30:00.653
This week it's a confessional text the nation.

30:00.673 --> 30:05.337
We're going to do a text the nation about terrible things you've done to teachers.

30:05.998 --> 30:17.989
Yeah, because people complain obviously a lot about their teachers, you know, and there are terrible teachers out there who inflict a lot of pain and suffering on their students, as well as obviously many great

30:18.109 --> 30:20.291
Well that's how it used to be in the old days.

30:20.371 --> 30:23.473
These days it's more about feeling pity for the teachers.

30:23.493 --> 30:24.214
Well exactly.

30:24.354 --> 30:27.036
And the awful things that pupils do to the teachers.

30:27.056 --> 30:37.784
We're talking about, or I'm thinking about that particular period in your mid-adolescence when something chemically inside you forces you to push the boundaries of the world.

30:37.924 --> 30:38.525
Do you know what I mean?

30:38.545 --> 30:39.205
When you say you.

30:40.086 --> 30:41.447
Are you mainly talking about yourself?

30:41.487 --> 30:42.488
Yeah, that's what I'm saying.

30:42.528 --> 30:43.028
Yeah, sure.

30:43.068 --> 30:43.549
Me, you.

30:43.729 --> 30:44.309
Yes, of course.

30:44.529 --> 30:50.734
But I think every teenager goes through a phase where they kind of have to experiment with the limits of human endurance.

30:51.574 --> 30:52.975
And humour endurance as well.

30:53.135 --> 30:54.556
I can't actually talk this morning.

30:54.596 --> 31:05.144
No, because a lot of the time, you know, the teasing, once you find a teacher who's a little bit vulnerable, and one person starts going at that teacher and teasing and niggling a little bit,

31:05.784 --> 31:11.529
that teacher is doomed if they don't immediately squash the humor front.

31:11.989 --> 31:18.374
So we're looking for your shameful stories, and we're not trying to sort of aggrandize this kind of behavior.

31:18.434 --> 31:20.395
No, this is... We want confessional stuff.

31:20.415 --> 31:26.019
We want people who are sorry for taking advantage of their teachers in a terrible way.

31:26.139 --> 31:28.121
And this is an opportunity to apologize.

31:28.661 --> 31:35.028
And we might add that it might be a good idea to maybe create pseudonyms for some of these teachers, because we don't want to humiliate real people.

31:35.048 --> 31:36.169
We don't want actual names.

31:36.269 --> 31:38.712
Call them Mr. or Mrs. X. Yeah.

31:38.732 --> 31:40.413
Or just invent a name for the teacher.

31:40.954 --> 31:42.295
And yourself, if necessary.

31:42.956 --> 31:44.518
The whole thing can be done anonymously.

31:44.818 --> 31:51.001
Yes, and we certainly don't want to be humiliating teachers who are, you know, teaching that's a hard enough job as it is, right?

31:51.181 --> 31:58.265
So this is an opportunity for you to say sorry and to make amends, but we also want to hear the stories of what you actually did.

31:58.625 --> 32:06.089
For instance, when I was at school, I picked on a particular teacher who I'd identified as maybe somebody who couldn't fight back.

32:06.949 --> 32:10.410
And I burst into her history class.

32:10.710 --> 32:11.610
I wasn't in the class.

32:11.670 --> 32:14.471
I had a kind of free study period, but I wasn't studying.

32:14.991 --> 32:18.612
I burst into her class, sort of dressed as a ghost buster.

32:20.033 --> 32:21.953
First of all, I pushed a friend into her class.

32:21.993 --> 32:23.013
He was covered in a sheet.

32:23.133 --> 32:23.834
He was a ghost.

32:24.354 --> 32:28.355
I pushed him in first, waited a couple of minutes for him to have done a bit of haunting.

32:28.915 --> 32:43.412
then got a fire extinguisher and I don't know how else maybe a satchel on my back and burst in claiming I was a ghostbuster I didn't set off the fire extinguisher but I chased him round the classroom I think I was in that class possibly as a as a

32:43.712 --> 32:46.034
a ghost buster and then chased him out again.

32:46.054 --> 32:47.316
Of course it grew ha ha.

32:47.556 --> 32:48.998
The teacher got very very angry.

32:49.038 --> 32:49.558
Of course.

32:50.039 --> 32:58.848
So about ten minutes later I took a, you know, one of those horrible paintings you have on the wall of a school, Constable's The Hayway, and a nasty print with bits of bubble gum all over it.

32:58.868 --> 32:59.208
Yeah.

32:59.449 --> 33:00.229
I took it off the wall.

33:00.510 --> 33:01.431
I walked into the classroom.

33:01.451 --> 33:04.674
This is the most awful bit that makes me feel really genuinely ashamed.

33:06.035 --> 33:19.820
and I started an apology I said miss I'm really really sorry that's such an awful thing to do I'm sorry I disrupted your class she believed me at this point I was being very sincere and I said so as a gesture of apology we'd like to present you with this

33:20.703 --> 33:22.405
copy of Constable's The Hayway.

33:22.705 --> 33:24.007
Right, and what did she do then?

33:24.307 --> 33:25.388
She cried, I think.

33:25.428 --> 33:26.629
She got really upset.

33:26.809 --> 33:27.070
Yeah.

33:27.150 --> 33:28.331
It was really horrible.

33:28.471 --> 33:30.934
She wasn't crying because she was so touched, though, was she?

33:31.074 --> 33:31.374
No.

33:31.695 --> 33:34.477
She was crying because she was completely humiliated.

33:34.558 --> 33:38.702
It wasn't, you know, a genuine version of The Hayway, and it was just a print

33:39.022 --> 33:42.563
So do you ever wake up sweating and sort of thinking, what the hell was I thinking about?

33:42.783 --> 33:43.203
I do.

33:43.503 --> 33:43.743
Yeah.

33:44.003 --> 33:44.323
Yeah.

33:45.043 --> 33:45.604
So, yeah.

33:45.624 --> 33:48.984
And this is an official opportunity for you, Joe Cornish, to say, I'm sorry.

33:49.064 --> 33:49.545
I'm sorry.

33:50.325 --> 33:51.685
Did you do anything similar, Adam?

33:52.005 --> 33:53.486
I never went to those extremes.

33:53.566 --> 33:56.186
I mean, you were really pushing the boat out there.

33:56.206 --> 33:57.186
Are you sure you didn't?

33:58.507 --> 34:03.328
No, not really, because I was fairly timid and I was too frightened of authority.

34:04.348 --> 34:16.293
I didn't want to get busted, you know, I would sit around, I was one of these weeds, even worse maybe than the bully boys who just sat around and giggled when there was another bully boy doing their stuff, you know, pathetic.

34:16.653 --> 34:27.898
We were in the same history class and we did a thing where, well, the history teacher made a bit of a mistake when we were misbehaving, he said, look, I'm going to leave the class and stand outside the door until someone comes out here and apologises.

34:28.098 --> 34:29.999
This was in the first few minutes of the class.

34:30.680 --> 34:31.260
40 minutes later,

34:31.960 --> 34:32.441
Still there.

34:32.721 --> 34:33.642
Still there.

34:33.662 --> 34:35.504
We all just filed out of the classroom.

34:35.904 --> 34:36.545
Bye-bye, sir.

34:36.805 --> 34:37.366
Bye, sir.

34:37.406 --> 34:37.966
Sorry, sir.

34:38.627 --> 34:47.956
But the thing is that there was a sort of... The problem is that there's always an atmosphere of bullying at a lot of schools anyway, and part of it is the fault of some of the bully boy teachers.

34:48.096 --> 34:51.660
So you've got other teachers at the same time as maybe the weaker ones,

34:52.020 --> 34:55.963
You've got other real ruffians who perhaps shouldn't be teaching who are behaving disgracefully.

34:55.983 --> 34:56.803
Encouraging the kids.

34:56.883 --> 34:57.284
Exactly.

34:57.344 --> 35:03.648
So maybe the kids, they find a slightly weaker teacher, more easygoing teacher, and they vent all their frustration and fury on that one.

35:03.968 --> 35:09.672
I'm thinking about another teacher that we had who would routinely humiliate people by making them sit in the bin.

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Right?

35:10.193 --> 35:10.733
Did you have that?

35:11.233 --> 35:11.914
Sit in the bin!

35:12.194 --> 35:12.354
Oi!

35:12.514 --> 35:13.175
Sit in the bin!

35:13.655 --> 35:22.978
And so you'd have to go and sit in the bin, and he'd always pick on, like, the fat bloke as well, you know, or, uh, there was a Chinese guy in there, he'd go, oi, chinky, sit in the bin.

35:23.339 --> 35:26.880
I mean, it was totally outrageous stuff that you could never get away with, you know what I mean?

35:26.900 --> 35:35.503
Like, now you would immediately get fired, you would get, uh, disciplined, the school would be shut down quite rightly, but, you know, he was coming out with some outrageous stuff.

35:35.523 --> 35:36.324
That's outrageous.

35:36.684 --> 35:41.587
So listen, text your stories of awful things you've done to a teacher to 64046.

35:42.828 --> 35:45.450
We want shame, we want contrition, we want apologies.

35:45.630 --> 35:45.850
Yeah.

35:46.630 --> 35:46.931
Okay.

35:47.091 --> 35:47.851
And sincere ones.

35:47.971 --> 35:50.873
And use made up names, otherwise we'll all be in trouble.

35:51.153 --> 35:52.855
Now here's Chromio with Fancy Footwork.

35:53.135 --> 35:55.116
Fancy Footwork there by Chromio.

35:55.216 --> 35:58.358
That sounded a little bit like... What was that song?

35:58.398 --> 35:59.239
You're the one for me.

35:59.899 --> 36:03.201
Open up from the ground and shout out loud.

36:03.262 --> 36:04.803
You're the one for me.

36:06.670 --> 36:07.331
Who was that by?

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I don't know.

36:08.772 --> 36:09.492
We'll find out.

36:09.612 --> 36:09.972
Okay.

36:10.193 --> 36:11.233
But that was good, wasn't it?

36:11.754 --> 36:14.476
This is Adam and Joel on BBC Six Music on a Saturday morning.

36:14.816 --> 36:18.219
Coming to the midway point in the show, we've already launched Song Wars.

36:18.239 --> 36:20.580
We'll be playing those songs again towards the end of the show.

36:20.981 --> 36:22.582
And we're in the midst of Text the Nation.

36:22.882 --> 36:27.045
And we're asking you about shameful things you've done to sort of pick on a teacher.

36:27.085 --> 36:29.607
And we're not aggrandising this kind of behaviour.

36:29.627 --> 36:30.808
No, we look down on it.

36:31.188 --> 36:31.789
Yeah, no, definitely.

36:31.829 --> 36:35.692
We don't want to hear just horrible stories about bullying that you've been doing to teachers.

36:35.712 --> 36:36.152
No, we want to hear

36:36.372 --> 36:37.453
kind of sort of St.

36:37.493 --> 36:41.796
Trinian's, Billy Bunter style, you know, Beano style activity.

36:42.236 --> 36:48.061
We don't want stabbing and text bullying and all these nasty, naughty behaviours, do we?

36:48.141 --> 36:48.781
No, exactly.

36:48.821 --> 36:50.763
We want to go kind of period with this.

36:51.143 --> 36:51.543
Japes.

36:52.424 --> 36:53.545
Japes is the word.

36:53.645 --> 36:53.925
Yeah.

36:54.225 --> 36:55.026
Lovely japes.

36:55.586 --> 36:57.888
Not things that actually ruined people's lives.

36:58.448 --> 37:00.409
Which maybe my Ghostbusters thing did.

37:00.809 --> 37:01.390
Well, exactly.

37:01.410 --> 37:03.931
Do you think that was really horrible, my Ghostbusters story?

37:03.951 --> 37:05.552
It was totally undermining her credibility, isn't it?

37:05.572 --> 37:07.313
There's a certain amount of either in there, though.

37:07.673 --> 37:10.555
No, I mean, it's how vicious can Ghostbusters get as a premise?

37:10.875 --> 37:13.337
It's not, it's not like totally malicious.

37:13.377 --> 37:16.539
You're not like pinning up against a wall and threatening her with a knife or something.

37:16.559 --> 37:17.139
That was a ghost in there.

37:17.239 --> 37:19.180
That's what they do at Grange Hill nowadays, you know?

37:19.200 --> 37:19.620
Is this?

37:19.640 --> 37:22.502
It's all knives and pinning people up against walls and stuff like that.

37:22.522 --> 37:23.543
I think it's guns these days.

37:23.683 --> 37:24.123
It's guns.

37:24.143 --> 37:24.863
Rocket launchers.

37:25.043 --> 37:25.444
Exactly.

37:26.044 --> 37:33.831
But that kind of mental cruelty and humiliation and ribbery, right, that you're indulging in there, that can be just as damaging sometimes.

37:34.512 --> 37:35.873
I didn't know I was very young.

37:36.073 --> 37:36.554
Yeah.

37:36.854 --> 37:37.595
Didn't understand.

37:39.073 --> 37:40.034
I was being bullied.

37:40.294 --> 37:41.455
You were being bullied?

37:41.475 --> 37:42.796
I wanted to bully someone else.

37:42.836 --> 37:46.218
The hard lads, you see, all, everybody hands it on to each other, don't they?

37:46.438 --> 37:48.039
Yeah, let's not make this about me though.

37:49.060 --> 37:49.860
Oh, I think we should.

37:50.120 --> 37:50.741
Please don't.

37:51.021 --> 37:52.862
Okay then, have you got any of that have come in there?

37:52.962 --> 37:57.826
We have, but I'm gonna sort through them because, you know, these have to be looked at with a precise psychological eye.

37:58.106 --> 38:02.629
We have to bring in various big British Castle rule books to filter them through and experts.

38:02.969 --> 38:05.130
It's a controversial show this morning.

38:05.651 --> 38:07.072
It seems strangely controversial.

38:07.092 --> 38:08.673
There's an air of edginess in the air.

38:09.773 --> 38:11.774
Yeah, so we've got a bit tread very carefully.

38:12.914 --> 38:13.474
Yeah, okay, then.

38:14.495 --> 38:15.375
What about this trail?

38:15.415 --> 38:16.595
What's going to happen in the trail?

38:16.655 --> 38:17.735
Something's going to go wrong.

38:17.775 --> 38:19.096
Someone's going to say something bad.

38:19.196 --> 38:20.296
It's going to be an edgy trail.

38:20.336 --> 38:20.876
Who's it for?

38:22.317 --> 38:24.117
Saturday, so I presume it's Saturday.

38:24.477 --> 38:25.638
Edgy day, difficult day.

38:25.818 --> 38:27.498
It could have been about George Lamb.

38:27.598 --> 38:29.559
That would have been potentially more tricky.

38:29.819 --> 38:30.099
Yeah.

38:30.159 --> 38:32.319
But no, Saturday's a day of joy and fun.

38:32.359 --> 38:34.280
Let's find out what you've got to look forward to, listeners.

38:34.580 --> 38:36.961
Sweet Jane there by Velvet Underground.

38:37.321 --> 38:38.681
What's that keyboard noise there?

38:38.701 --> 38:41.302
That's a really nice noise, isn't it?

38:41.322 --> 38:42.822
That is a keyboard, isn't it, I assume?

38:42.842 --> 38:44.563
I wonder what sort of a keyboard that is.

38:45.863 --> 38:48.324
Now that we do Song Wars, I envy noises like that.

38:48.404 --> 38:49.864
You know, noises I can't access.

38:50.004 --> 38:50.944
You're a noise queen now.

38:50.964 --> 38:53.445
Yeah, you get quite obsessed with keyboard noises and stuff.

38:53.765 --> 38:54.565
And that's a nice one.

38:54.585 --> 38:55.306
I want to get hold of that.

38:55.326 --> 38:56.626
That sounds analog-y though.

38:56.746 --> 38:59.887
You can get lots of vintage keyboard noises, you know, that you can plug into.

38:59.907 --> 39:00.247
Can you?

39:00.307 --> 39:00.767
Can you?

39:01.027 --> 39:02.369
That's what we need, new loops.

39:02.669 --> 39:02.949
Yeah.

39:03.350 --> 39:05.492
This is Adam and Joel on BBC Six Music.

39:05.532 --> 39:08.355
We've been talking about weird commercials over the last few weeks.

39:08.415 --> 39:14.822
Adam, you had a bit of a problem with the clearest old advert with the mum and the boyfriend and the daughter on the sofa.

39:14.962 --> 39:17.304
Yes, thanks to everybody who explained that to me, by the way.

39:17.625 --> 39:20.127
You were having some problems with Andy McDowell's hair advert.

39:21.008 --> 39:25.110
Yes, she's got storylines instead of just wrinkles.

39:25.210 --> 39:32.494
Yeah, someone was suggesting, I can't remember who it was, someone sent in an email suggesting that if you had a double chin you could call it your subplot.

39:32.854 --> 39:34.134
Haha, that's very good.

39:34.195 --> 39:36.155
I'll try and find that person's name to give them credit.

39:36.476 --> 39:42.439
But I've spotted an advert that's weirding me out for a new breakfast cereal called Optivita.

39:42.779 --> 39:43.039
Oh yes.

39:43.619 --> 39:45.321
And it's from Kellogg's.

39:45.361 --> 39:49.825
There are many other companies that make cereals and many other cereals available.

39:50.706 --> 39:52.667
And I'm not talking really about the product here.

39:52.968 --> 39:54.249
I must be careful to stress.

39:54.769 --> 39:56.371
Just the advert for the product.

39:57.131 --> 39:59.313
It starts off with a chef called Aldo Zilli.

39:59.814 --> 40:00.855
He's Italian.

40:01.295 --> 40:03.877
And he has this sort of silly Italian accent, you know.

40:03.897 --> 40:06.219
He probably just talks like this when he's off camera.

40:06.900 --> 40:08.881
But when he's on, Camry talks like this.

40:09.041 --> 40:09.601
I know, Zilly.

40:09.861 --> 40:12.842
He's walking through a market full of fresh produce.

40:13.422 --> 40:15.002
Ooh, it's so fresh and good for you.

40:15.102 --> 40:15.462
Yeah.

40:15.802 --> 40:17.643
And he's talking about cholesterol.

40:18.283 --> 40:21.584
And how if you've got high cholesterol, you have to watch what you eat, right?

40:21.604 --> 40:22.544
You have to watch everything.

40:22.564 --> 40:23.484
You're living on a knife edge.

40:23.604 --> 40:25.645
People are always saying, don't eat that, mate.

40:25.965 --> 40:27.385
It's not good for your cholesterol.

40:28.125 --> 40:30.106
No, it's not good for my cholesterol.

40:30.746 --> 40:31.026
Right?

40:31.046 --> 40:32.208
It's like the Dolmio.

40:32.228 --> 40:33.729
This is a terrible stereotype.

40:33.950 --> 40:35.451
It's like the Dolmio family, you know?

40:35.491 --> 40:35.811
Right, yeah.

40:35.852 --> 40:38.114
I'm not reflecting the way real Italians speak.

40:38.394 --> 40:38.534
No.

40:38.554 --> 40:41.037
I have to be so careful here on the big British castle.

40:41.077 --> 40:42.118
It's a minefield.

40:42.699 --> 40:44.120
Anyway, he's walking through this market.

40:44.160 --> 40:47.344
He starts banging on about this new cereal, Optivita.

40:47.744 --> 40:51.468
And he says, it's a specifically designed to combat a cholesterol.

40:52.309 --> 40:53.130
Literally like that.

40:54.090 --> 40:55.311
Now, this is my point.

40:55.872 --> 40:57.973
He says, specifically designed.

40:58.714 --> 41:01.456
And he makes a great play of the word, specifically.

41:02.036 --> 41:03.277
And that's why they've got him.

41:03.457 --> 41:06.079
Because he's Italian, and he doesn't say specifically.

41:06.439 --> 41:07.520
He says, specifically.

41:07.820 --> 41:08.120
Right.

41:08.380 --> 41:13.384
And they're so pleased with the way he says, specifically, that they've put it on the box in huge letters.

41:13.564 --> 41:16.046
Specifically designed to a slower cholesterol.

41:16.586 --> 41:17.186
Now, why...

41:18.146 --> 41:20.287
Does it matter that it's specifically designed?

41:20.927 --> 41:24.929
You know, would it matter if something was accidentally designed to lower cholesterol?

41:25.489 --> 41:26.569
We have two cereals!

41:26.929 --> 41:33.232
This one accidentally lower cholesterol, this one specifically lower cholesterol, or choose the specifically lower cholesterol.

41:33.837 --> 41:34.977
Does that make sense to you?

41:35.458 --> 41:38.599
Yeah, because, you know, you know, it's gonna do a really amazing job.

41:38.819 --> 41:43.181
Because it's- but what if- what if something does a better job, and isn't specifically developed?

41:43.801 --> 41:46.942
That's not as good, because, you know, scientists weren't involved.

41:47.342 --> 41:51.964
Well, now it's time to hear from Catherine Cracknell, and she was specifically designed to read the news!

41:53.385 --> 41:54.366
Ooh, ow, ow!

41:54.706 --> 41:57.968
Ooh, no, let's not play Master and Servant any more that hurts.

41:58.348 --> 41:58.888
That's filthy.

41:58.929 --> 41:59.949
That's gonna leave a scar.

42:00.009 --> 42:00.409
Stop it.

42:01.010 --> 42:01.650
Absolute filth.

42:01.710 --> 42:05.292
Pure pornography there from Depeche Mode with Master and Servant.

42:05.733 --> 42:07.474
This is Adam and Jo on BBC6 Music.

42:07.734 --> 42:09.335
We're in the midst of, uh, textination.

42:09.695 --> 42:12.477
We should have set ourselves a little bit of a tricky one this week.

42:12.617 --> 42:13.318
I don't think so.

42:13.338 --> 42:19.083
I just think there's a sort of inappropriate and unnecessary post-9-11 atmosphere of paranoia in the studio today.

42:19.423 --> 42:19.603
Yeah.

42:19.683 --> 42:21.104
I think we're going to be fine with this.

42:21.525 --> 42:28.371
The thing about this is when you sort of, um, bully's the wrong word, torture's the wrong word, are naughty towards teachers.

42:29.091 --> 42:31.393
It's the sort of thing your parents always tell you off about.

42:31.433 --> 42:32.414
They go, oh, how could you?

42:32.454 --> 42:33.255
That's so cruel.

42:33.275 --> 42:34.035
You're so horrible.

42:34.436 --> 42:35.056
Then there's a pause.

42:35.076 --> 42:37.458
Then they go, I remember when I was at school.

42:37.498 --> 42:39.360
And then they tell you some hideous thing they've done.

42:39.600 --> 42:44.345
Yeah, it's a kind of cyclical rites of passage that will be stopped today.

42:44.606 --> 42:50.252
It's a psychic proving ground, the relationship between teacher and student.

42:50.452 --> 42:53.575
Maybe that's why we played Master and Servant there by depression mode.

42:53.675 --> 42:56.799
You know what though, we'd really like to hear from some teachers as well.

42:57.219 --> 43:03.685
Either there's some teachers who've endured Jaipuri, or some teachers who've got some ideas for how to deal with it.

43:03.705 --> 43:05.447
Well, let's not forget the actual Jaipuri.

43:05.747 --> 43:07.669
Let's have a look at some of these texts that have come in.

43:08.229 --> 43:11.893
Here's someone called RME, they're gonna remain anonymous.

43:12.273 --> 43:19.220
Apart from that, in primary school, inspired by a Grange Hill story involving humming during classes, an angry teacher was targeted.

43:19.660 --> 43:22.061
and the mental destruction began over a long period.

43:22.421 --> 43:24.661
During the final term, he was continually hummed at.

43:25.041 --> 43:27.582
Humming would pass like a torch from one person to another.

43:28.042 --> 43:31.523
It was cruel, as he would have to chase the hum around the classroom.

43:32.383 --> 43:33.844
I won't go into what happened to him.

43:34.104 --> 43:34.924
No, but he was fine.

43:35.184 --> 43:36.705
But humming is a big thing, isn't it?

43:36.725 --> 43:39.245
Yeah, that's very destructive, and that's really... But that's classic.

43:39.265 --> 43:40.186
That's an age-old thing.

43:40.206 --> 43:41.386
That's a good way to wonder mine.

43:42.767 --> 43:46.091
If the teacher, yeah, if it's an unpopular teacher, because you can't tell who's doing it.

43:46.172 --> 43:51.078
Or the other thing to do is, whenever the teacher says um or are, you just say um, are.

43:51.298 --> 43:53.441
A little bit like, do you remember that bit in the day-to-day?

43:53.461 --> 43:58.608
I think there was a great sketch with Steve Coogan in there, and they were all, and Patrick Marber.

43:59.168 --> 44:08.975
And it was some kind of team building thing, and they were all, every time he said um or ah, the rest of the team had to say um, ah, um, um, to make him totally nervous, and he can do that with a teacher.

44:09.215 --> 44:09.775
Don't do that.

44:09.875 --> 44:11.336
Don't do any of these things, listeners.

44:11.696 --> 44:12.377
Don't do this.

44:12.957 --> 44:15.619
Once, when I was 15, we had a supply teacher for English.

44:15.659 --> 44:22.163
Due to a leak in our classroom, we were moved to the home economics room, which had a large cupboard at the back, hidden by a giant poster.

44:22.764 --> 44:24.685
When the supply teacher came in, we all stood up.

44:24.765 --> 44:27.207
She went to get some paper from the English room, and the whole class

44:27.887 --> 44:29.548
piled into the cupboard and hid.

44:29.949 --> 44:31.870
She came back and couldn't work out where we were.

44:32.211 --> 44:35.133
She came back with the head, and we all fell out of the cupboard.

44:35.393 --> 44:36.735
She cried, don't do that.

44:37.395 --> 44:39.157
That's an example of something not to do.

44:39.517 --> 44:41.379
Here's another example of something never to do.

44:41.939 --> 44:48.745
In an attempt to wind up the IT staff, I put a series of password protected bespoke screensavers on the library computers.

44:49.225 --> 44:52.227
They featured Richard Nixon saying hello on an endless loop.

44:52.727 --> 44:58.070
Unfortunately, this ended up annoying only the librarian who was a lovely woman and a friend of my mother's.

44:58.430 --> 44:59.010
There you go.

44:59.331 --> 44:59.751
Typical.

44:59.871 --> 45:00.571
Shouldn't have done it.

45:01.752 --> 45:02.672
Here's another one.

45:04.173 --> 45:14.339
At college, we used to wind up the principal by implying that he was an alcoholic and placing adverts on the notice board for his car and other possessions that needed to be sold due to urgent debts.

45:14.619 --> 45:16.680
With his direct telephone number, it was funny.

45:17.220 --> 45:17.941
Cheers, James.

45:18.941 --> 45:19.502
Don't do that.

45:19.822 --> 45:25.848
No, very few of these people are actually trying to make amends or apologize for the things they've done.

45:25.928 --> 45:26.589
Here's another one.

45:26.909 --> 45:33.496
At the start of our very first physics lesson at my new school, the teacher announced, you can give me any nickname you like as long as you don't call me Biggles.

45:34.036 --> 45:36.117
Guess what we called him for the next five years.

45:36.617 --> 45:38.498
Sorry, Biggles, from Stewart in Liverpool.

45:38.518 --> 45:39.159
There you go.

45:39.519 --> 45:49.424
So, there must be, as part of teacher's training, a section of the course that teaches you how to deal with at least the classic sort of teacher trickery.

45:49.644 --> 45:51.305
Yeah, Pranks 101, surely.

45:51.385 --> 45:52.426
Humming is so old.

45:52.466 --> 45:54.407
I mean, that's been going on for hundreds of years.

45:54.647 --> 45:57.808
There must be an agreed technique to dealing with humming.

45:57.889 --> 45:58.789
Maybe it's just attention.

45:59.069 --> 45:59.289
Yeah.

45:59.589 --> 46:00.550
Maybe it's just an iron fist.

46:00.590 --> 46:01.971
How would you deal with it, teacher Buckles?

46:02.811 --> 46:04.673
You've got to earn their trust, don't you?

46:06.095 --> 46:08.217
You've got to... I would do some rapping.

46:08.257 --> 46:12.841
I would make up a rap about how it's bad to hum, and then I would do the rap to the class.

46:12.861 --> 46:14.663
Because the kids love rap.

46:15.224 --> 46:15.905
They love to rap.

46:16.125 --> 46:19.168
So I'd say, OK, hey, hey, class, calm down.

46:19.208 --> 46:19.969
Whoa, whoa, whoa, whoa.

46:19.989 --> 46:22.171
Listen, can I just say to you this?

46:22.411 --> 46:23.232
I'd say it like that as well.

46:23.252 --> 46:24.473
What would you rhyme with humming?

46:25.714 --> 46:26.855
Hey there, kids.

46:27.015 --> 46:27.855
Stop your humming.

46:28.515 --> 46:29.376
Hey there, kids.

46:29.416 --> 46:30.436
You got trouble coming.

46:31.256 --> 46:36.198
If you're not careful, you're gonna be slumming in a world where humming ain't acceptable in that way.

46:36.498 --> 46:37.819
Hey, just stop that.

46:38.459 --> 46:44.882
Otherwise, I'm gonna have to give you a smack, you prat.

46:47.153 --> 46:50.815
At that point, your head is struck by 50 textbooks.

46:51.875 --> 46:55.317
No it isn't, they got... they got asked though, were you kissing me?

46:55.337 --> 46:59.599
We used to think Mr Buckles was a jerk, but then he started rapping and he really want me over.

46:59.660 --> 47:01.420
He really want me over.

47:01.841 --> 47:04.322
I'm not gonna misbehave in Dr Buckles class anymore.

47:04.522 --> 47:06.443
Keep your tame, we stress tame.

47:06.483 --> 47:10.364
We don't want any actual, like, long-lasting psychological damage done to teachers.

47:10.404 --> 47:15.526
And remember, this is all in an instructional context, where warning kids not what not to do.

47:15.966 --> 47:16.247
Yeah?

47:16.267 --> 47:19.808
264046, this is Adam and Jo on BBC Six Music.

47:20.348 --> 47:21.288
Is it music's time?

47:21.629 --> 47:21.909
Yeah.

47:22.189 --> 47:23.769
So, are we gonna play this David Byrne track?

47:23.789 --> 47:24.870
Do you wanna play it later?

47:25.492 --> 47:26.813
Well, there's no sense in playing it later.

47:26.833 --> 47:27.773
We either play it or we don't.

47:27.833 --> 47:31.596
The only reason I was... Listen, I was hovering, because I do love this track, right?

47:31.636 --> 47:34.557
This is from a great album by David Byrne called Music from the Knee Plays.

47:35.418 --> 47:36.118
Was it a bit weird?

47:36.198 --> 47:37.059
It is a bit weird.

47:37.499 --> 47:45.664
And he did it for this production of a stage thing, Robert Wilson's Knee Plays, and Byrne wrote some music for it, and it's a little bit like...

47:45.984 --> 47:46.624
Let's give it a go.

47:46.664 --> 47:48.585
If it doesn't agree with us, we can come out of it early.

47:48.725 --> 47:50.246
But I like it for a number of reasons.

47:50.266 --> 47:54.008
A, it's very self-consciously sort of pretentiously arty, right?

47:54.349 --> 47:58.551
But the thing that he's doing throughout, it's called In the Future, the track.

47:58.611 --> 48:02.493
He's making predictions, kind of nomic predictions for what will happen in the future.

48:03.233 --> 48:09.096
And so this came out in the early 80s, and a lot of his predictions, even though they're fairly vague, are sort of on the money.

48:09.417 --> 48:12.318
Listen to what he's got to say, and we can come in, because this is a long one.

48:12.458 --> 48:13.699
We'll come in, we won't play the whole thing.

48:14.279 --> 48:15.941
We played the whole thing in the end that was good.

48:16.021 --> 48:16.921
I like that good.

48:17.042 --> 48:17.602
That was great.

48:17.642 --> 48:36.798
I want to live in that future Well, it's the kind of music you either love or loathe, but I love that kind of thing That's David Byrne from the knee plays that was called in the future And that was probably one of the last times that he did that kind of thing You know, he's got such a wonderful voice for declaiming in that very monotone way What's he doing at the moment David Byrne?

48:36.998 --> 48:38.019
What's his latest release?

48:38.039 --> 48:38.299
You know?

48:38.519 --> 48:38.939
Burn.

48:39.920 --> 48:41.562
I always buy his records when they come out.

48:41.582 --> 48:48.127
Well, he does the music for a show called Big Love, all about, well, there was a news story all about the oligomists.

48:48.928 --> 48:50.749
And it's a good show, actually.

48:51.050 --> 48:52.971
And he does it for that.

48:53.251 --> 48:54.372
It's a show about Mormons.

48:55.393 --> 48:57.075
It's about a polygamist family, yes.

48:57.095 --> 48:57.636
Are they Mormons?

48:57.896 --> 48:58.757
They are Mormons.

48:58.897 --> 48:59.958
I think they are Mormons.

49:00.279 --> 49:00.880
Mormons?

49:00.960 --> 49:01.640
Mormons.

49:02.541 --> 49:03.803
He does loads of things, David Byrne.

49:03.823 --> 49:09.169
There's a good interview between David Byrne and Tom York, which is in Wired magazine, and that's online.

49:09.870 --> 49:12.593
It's well worth checking out if you're a fan of either of those two people.

49:13.134 --> 49:14.315
But he's a genius.

49:15.696 --> 49:19.717
Now, I should say thank you to everyone who's been texting in for Text the Nation.

49:20.557 --> 49:25.819
Some of you should really look deep into your souls, though, and have a think about what you've done in the past.

49:26.179 --> 49:28.759
There are some terrible, terrible, terrible confessions coming in.

49:28.799 --> 49:31.240
Well, there's loads that we just can't read out, because they're so grim.

49:31.260 --> 49:34.201
Quite a lot that we can't read out, because, yeah, they're just not very nice.

49:34.641 --> 49:37.641
But there are some light-hearted, funny, and enjoyable ones.

49:38.362 --> 49:42.823
Or ones that are kind of nasty in an amusing way that, you know, compel themselves to be read out.

49:42.843 --> 49:43.763
Do you want to hear some more?

49:44.423 --> 49:46.664
Yeah, go on, give us a couple more before we play some PJ Harvey.

49:46.764 --> 49:49.586
Well, why don't we play some Harvey, then come back and have a proper go at them?

49:49.726 --> 49:50.606
Alright, that's a good idea.

49:50.746 --> 49:53.267
Here's A Perfect Day Elise by PJ Harvey.

49:53.547 --> 49:56.709
Polygene Harvey with A Perfect Day Elise.

49:56.909 --> 50:00.571
This is Adam and Joe here on BBC 6 Music.

50:00.891 --> 50:01.991
That was from her 1998 album, Is This Desire?

50:05.593 --> 50:06.894
I would say yes, that is.

50:07.694 --> 50:08.694
Glad we cleared that up.

50:08.975 --> 50:10.175
We're in the middle of Text the Nation.

50:10.215 --> 50:15.157
It's the exciting part of the show where we ask you to text things into us and we read them out to you.

50:15.457 --> 50:16.778
It's the nation's favourite feature.

50:16.818 --> 50:17.058
Yeah.

50:17.218 --> 50:24.561
And this week's subject is... We haven't found the correct way to word this without using any inflammatory words like bully.

50:25.261 --> 50:27.803
or torture, or make life hell.

50:28.864 --> 50:30.345
What would be a nice soft way?

50:30.525 --> 50:30.785
Tricks.

50:31.066 --> 50:31.706
Classroom tricks.

50:31.866 --> 50:32.287
Pranks.

50:32.407 --> 50:32.667
Pranks.

50:32.767 --> 50:33.187
Pranks.

50:33.287 --> 50:34.288
Pranks to play on teachers.

50:34.308 --> 50:34.668
Pranks.

50:34.728 --> 50:35.309
Japery.

50:35.689 --> 50:37.210
Pranks not to play on teachers.

50:37.430 --> 50:37.811
Ribbing.

50:37.911 --> 50:38.531
Yeah, exactly.

50:38.631 --> 50:40.873
These are all things that you should never do.

50:41.413 --> 50:43.635
Well, it started off as well as a confessional, didn't it?

50:43.655 --> 50:43.795
Exactly.

50:43.815 --> 50:47.198
It's an opportunity to say sorry for things that you've done at school.

50:47.278 --> 50:47.558
Right.

50:47.618 --> 50:48.098
To teachers.

50:48.379 --> 50:49.840
So here are some what have come in.

50:51.241 --> 50:53.723
This is from someone called Rill in Peckham.

50:55.004 --> 50:57.807
He or she says I'm from Oz, so you don't need to worry about names.

50:57.927 --> 51:01.892
In year seven, my classmates dared me to ask if our teacher was a virgin.

51:02.773 --> 51:07.359
So I stuck up my hand and said, Miss, have you ever been mated?

51:08.573 --> 51:09.514
She went bright red.

51:10.074 --> 51:10.415
Mated.

51:10.775 --> 51:11.255
Mated.

51:11.275 --> 51:12.276
I like that.

51:13.077 --> 51:14.678
Here's another one from Sophie.

51:15.038 --> 51:18.041
Not me but my brother used to do classroom surfing.

51:18.421 --> 51:24.225
The game was to stand on one's desk while teacher Mrs. H's back was turned.

51:24.666 --> 51:26.727
Particularly difficult as the classroom was very small.

51:27.288 --> 51:28.529
Six desks only in it.

51:28.889 --> 51:29.430
Poor woman.

51:29.790 --> 51:30.691
Desk surfing.

51:30.711 --> 51:34.614
So you had to actually get up on your desk and then I suppose down again before you were seen?

51:35.234 --> 51:35.735
That's good.

51:35.795 --> 51:36.856
I like that.

51:36.936 --> 51:37.896
That's a very good game.

51:38.157 --> 51:38.917
These are just games.

51:38.957 --> 51:39.798
They're innocent games.

51:39.818 --> 51:41.199
They could do that in the House of Commons.

51:41.660 --> 51:42.580
They should do that.

51:43.161 --> 51:44.842
This sort of thing goes on in the House of Commons.

51:44.862 --> 51:46.284
It's part of the national character.

51:46.424 --> 51:47.244
Exactly.

51:47.264 --> 51:48.686
Brownie definitely does that.

51:49.226 --> 51:56.613
Here's another one for someone called... No, this is an anonymous text, but the trickery was aimed at someone called Mrs. Moose.

51:57.253 --> 51:58.573
Not a good name to start with.

51:58.973 --> 52:00.014
Maybe it's a pseudonym.

52:00.394 --> 52:08.895
We used to rewind the harrowing film Escape from Sobibor every time our hum teacher, humanities, what would hum be?

52:09.135 --> 52:09.515
Yeah.

52:10.176 --> 52:11.596
Every time our teacher left the room.

52:11.936 --> 52:14.956
So this is a classroom where they were being shown a movie, right?

52:15.537 --> 52:19.737
Sometimes if you're lucky towards the end of the term, they'll show you a movie vaguely connected to something you're studying.

52:19.837 --> 52:20.097
Right.

52:20.117 --> 52:22.898
It's just an excuse for the teacher to remember Escape from Sobibor.

52:23.238 --> 52:28.745
But this class rewound it every time, so they started from the beginning and watched the same bit for about a year.

52:29.266 --> 52:31.408
So they made a, like, 90-minute feature.

52:32.009 --> 52:32.610
Last a year.

52:32.790 --> 52:36.034
We also used to sing Happy Birthday to her at the beginning of every lesson.

52:37.557 --> 52:42.518
That's nice and abstract because it's so joyful you can't interrupt a round of happy birthday.

52:42.938 --> 52:47.820
It's not my... Here's another one from Jill.

52:47.880 --> 52:52.401
My uncle used to get sent out of class and stand in the quad by the classroom window.

52:52.841 --> 52:53.141
Okay.

52:53.381 --> 52:59.463
When the teacher then handed books out, the class passed them along and out the window to him and he hid them all.

53:00.703 --> 53:04.306
I like the idea of passing books around a classroom and then them just going out the window.

53:04.386 --> 53:04.666
Yeah.

53:05.366 --> 53:05.627
Yeah.

53:05.947 --> 53:07.468
None of them arrive at their destination.

53:08.409 --> 53:09.549
Another one from Jimin Hackney.

53:09.790 --> 53:21.358
When Mr Jackson left our chemistry class in a rage of fury at someone setting fire to a textbook, we put cellotape across the door so he became entangled like a big fly when he burst back in.

53:22.841 --> 53:23.722
That's quite good, isn't it?

53:24.462 --> 53:26.764
That sounds a bit out of hand though, you're burning the books in there.

53:26.804 --> 53:31.247
I know, the fire... Let's forget the fire thing and just go with the innocent japery of the sellotape.

53:31.287 --> 53:32.487
The fun sellotape, Jake.

53:32.768 --> 53:34.169
Yeah, okay, one last one.

53:34.449 --> 53:37.291
And this is kind of like a French art movie sort of thing.

53:37.711 --> 53:38.371
Hi, Adam and Jo.

53:38.411 --> 53:42.034
In my old school, there was a supply teacher who was known for being a real pushover.

53:42.074 --> 53:45.156
You could do almost anything in her classes without fear of punishment.

53:45.536 --> 53:52.501
This reached its zenith when a particularly naughty kid stripped down to his wife fronts and began smoking one of his dead cigars.

53:54.783 --> 53:58.386
That's the sort of thing Gerard Depardieu did as a boy in school, don't you think?

53:58.406 --> 54:00.087
I mean, that's way out of control.

54:00.368 --> 54:06.153
It's difficult for the supply teachers as well because they often, you know, they don't have the relationship there with the children.

54:06.233 --> 54:08.995
It's way out of control and way into cool troll.

54:10.216 --> 54:12.418
Well, that's the kind of thing that Tom Cruise might have done.

54:12.458 --> 54:12.918
Exactly.

54:13.099 --> 54:14.840
It's wrong, but yeah, right, but wrong.

54:15.120 --> 54:15.300
Yeah.

54:15.360 --> 54:15.961
No, bad.

54:16.061 --> 54:16.281
Good.

54:16.441 --> 54:16.702
Bad.

54:17.422 --> 54:18.783
Nakedness is a- is a good one.

54:18.803 --> 54:20.285
Oh, it's a problematic area though, isn't it?

54:20.365 --> 54:21.386
It is, these days, yeah.

54:21.406 --> 54:23.968
But Wyffronts, there's nothing sexual about Wyffronts.

54:24.088 --> 54:24.869
I don't know, Wyffronts.

54:24.889 --> 54:25.649
It's been tested.

54:25.789 --> 54:25.990
No.

54:26.550 --> 54:29.312
If your teacher got down to his Wyffronts, so that would be a problem, wouldn't it?

54:29.332 --> 54:30.734
No, there's nothing sexual about Wyffronts.

54:30.754 --> 54:34.557
They were designed by the British in the, uh, to stop people becoming aroused in the military.

54:34.597 --> 54:36.158
You are happy with the teacher in Wyffronts?

54:36.298 --> 54:37.179
Anyone in Wyffronts.

54:37.199 --> 54:38.741
There's nothing sexual, it's- they're revolting.

54:39.261 --> 54:40.521
Okay, this is official then.

54:41.322 --> 54:44.902
Joe Cornish BBC says there's no problem with teachers just wearing Wi-Fi.

54:44.983 --> 54:46.443
Or kids, anyone can wear Wi-Fi.

54:46.723 --> 54:49.484
They're designed to cancel out any kind of sexual feelings.

54:49.764 --> 54:51.564
It's totally appropriate for any situation.

54:52.665 --> 54:53.165
Moving on.

54:53.865 --> 54:56.245
We'll come back to some more texts quite soon.

54:56.285 --> 54:57.086
Do keep them coming in.

54:57.106 --> 54:58.926
The text number is 64046.

54:59.186 --> 55:02.407
The email is adamandjo.6musicatbbc.co.uk.

55:03.907 --> 55:05.268
Is this a top of hour sweeper?

55:06.380 --> 55:08.561
Well, it says it on the thing.

55:08.581 --> 55:09.621
I think we should do what we're told.

55:09.641 --> 55:10.501
Okay.

55:10.521 --> 55:11.201
Here's the sweeper.

55:11.502 --> 55:13.582
High fidelity by Elvis Costello and the attractions.

55:13.982 --> 55:15.103
You're an Elvis fan.

55:15.183 --> 55:16.543
Where's that from, roundabout?

55:16.783 --> 55:17.883
It's from 1980, Adam.

55:18.604 --> 55:18.704
Oh.

55:18.744 --> 55:19.964
Yeah, you'd have the answer.

55:19.984 --> 55:20.524
Thanks a lot, mate.

55:20.804 --> 55:21.805
Which album is that from?

55:21.965 --> 55:22.485
Uh, I don't know.

55:22.865 --> 55:25.826
Um, so, uh, I went to the theatre this week.

55:26.046 --> 55:26.166
Oh.

55:26.446 --> 55:27.206
Yeah, the theatre.

55:27.226 --> 55:28.106
Do you remember the theatre?

55:28.126 --> 55:28.607
Yeah, I do.

55:28.627 --> 55:30.007
I try and avoid the theatre.

55:30.327 --> 55:31.548
What did you go to the theatre for?

55:32.148 --> 55:34.951
My lady friend bought tickets, so I went along.

55:35.171 --> 55:37.012
Does she love the theatre?

55:37.052 --> 55:38.333
We like to see things, you know.

55:38.974 --> 55:40.355
Well, she's got shorter legs than you do.

55:40.435 --> 55:41.095
She does.

55:41.536 --> 55:47.020
This is a play that's going on in London in The Old Vic, which is run by the great Hollywood actor Kevin Spacey.

55:47.440 --> 55:48.221
Oh, Speed the Plow.

55:48.281 --> 55:49.062
Speed the Plow.

55:49.082 --> 55:50.423
I've been thinking about going to see Speed the Plow.

55:50.443 --> 55:50.563
Really?

55:50.603 --> 55:52.604
I was going to break my no theatre rule to go and see that.

55:52.804 --> 55:53.465
Well, I'd done it.

55:53.905 --> 55:54.366
How was it?

55:54.606 --> 55:55.667
It was pretty good.

55:56.287 --> 55:56.927
Oh, come on.

55:57.087 --> 55:57.888
No, it was pretty good.

55:57.948 --> 55:58.948
I tell you who else is in it.

55:59.168 --> 55:59.648
Goldblum.

55:59.868 --> 56:00.649
Jeff Goldblum.

56:00.669 --> 56:01.349
He's amazing.

56:01.369 --> 56:01.949
I love Jeff Goldblum.

56:01.969 --> 56:02.489
He is amazing.

56:02.509 --> 56:03.090
And you know what?

56:03.130 --> 56:08.052
The thing about Jeff Goldblum is that he is obviously physically extraordinary.

56:08.212 --> 56:10.292
Yeah, he's got the best hand gestures in the business.

56:10.353 --> 56:10.693
Absolutely.

56:10.753 --> 56:20.877
But in the movies, you seldom get a full body shot of Jeff Goldblum, so you don't get a chance to watch his hands moving in consort with his feet and head and other bits and areas.

56:20.897 --> 56:21.897
He's hugely tall, isn't he?

56:21.997 --> 56:22.857
He's hugely tall.

56:22.937 --> 56:24.318
He might even be taller than me.

56:24.438 --> 56:25.258
Maybe, I don't know.

56:25.678 --> 56:26.698
I'm pretty hugely tall.

56:26.878 --> 56:27.038
Yep.

56:27.298 --> 56:28.939
But man, he looks amazing.

56:28.959 --> 56:29.439
How tall are you?

56:29.459 --> 56:30.499
45 feet.

56:30.819 --> 56:31.099
45 feet?

56:31.139 --> 56:32.860
That's hugely tall.

56:32.880 --> 56:34.160
I mean, that's too tall.

56:34.900 --> 56:35.620
It's impractical.

56:36.320 --> 56:37.141
You're about six.

56:37.201 --> 56:37.981
No, I'm six foot two.

56:38.101 --> 56:38.721
Six foot two.

56:38.821 --> 56:39.101
And a bit.

56:39.401 --> 56:39.941
That's right.

56:40.081 --> 56:40.321
Yeah.

56:40.882 --> 56:45.483
So, but he's a big chap and he's got huge hands and a tiny head, which is very exciting to look at.

56:45.503 --> 56:46.623
What's going on?

56:46.983 --> 56:51.705
You feel like you're at the foot of a mountain, or maybe on drugs, because nothing's the right proportions.

56:51.805 --> 56:55.426
He looks a little bit like the action figure that came out for his Jurassic Park character.

56:55.466 --> 56:55.726
Right.

56:56.106 --> 56:57.307
Well, no surprises there.

56:58.087 --> 57:00.528
Or maybe that is a surprise, because action figures don't usually get the lightness right.

57:00.548 --> 57:04.189
Well, do you remember the... It had a big chunky body and a tiny little... Tiny head, that's true.

57:04.309 --> 57:04.809
...plastic head.

57:04.829 --> 57:05.189
That's true.

57:05.670 --> 57:08.991
Anyway, watching him move around in full body was extraordinary.

57:09.731 --> 57:11.512
And Spacey does a good job.

57:11.553 --> 57:12.853
He tries very hard as well.

57:13.694 --> 57:16.956
And it's generally not such a good play for the beginning.

57:16.976 --> 57:18.497
I was thinking, this isn't very good.

57:18.778 --> 57:19.678
This is a bit obvious.

57:20.139 --> 57:21.379
These are Hollywood cliches.

57:21.900 --> 57:25.122
But then in the third act, it suddenly all starts to make sense.

57:25.783 --> 57:27.384
And it suddenly starts to be really good.

57:27.484 --> 57:28.665
What's it about, Brief Synopsis?

57:29.025 --> 57:39.072
It's about a head of production at a studio and a producer, and they're fighting, and they've got a big pitch to make in the morning, and they're deciding whether to do a crappy movie.

57:39.632 --> 57:45.157
or whether to do an adaptation of an amazingly profound sort of philosophical novel.

57:46.097 --> 57:47.038
And it's by David Mamet.

57:47.098 --> 57:53.343
Yeah, and there's a sexy girl who I think in the first production was played by Madonna, she's like the intern, and she's passionate about the novel.

57:53.823 --> 57:55.264
And who's it played by here, Kat Dealey?

57:55.605 --> 57:56.065
You know what?

57:56.165 --> 57:57.446
I don't know the name of the actress.

57:57.486 --> 58:00.128
I didn't look at the program.

58:00.148 --> 58:00.588
Kat Dealey?

58:00.789 --> 58:02.650
It was Kat Dealey, which is brilliant.

58:02.710 --> 58:04.772
It was Natasha Kaplinsky.

58:04.792 --> 58:05.372
She's brilliant.

58:05.432 --> 58:06.473
Kaplinsky Dazzles.

58:06.733 --> 58:11.675
Yeah, that's very bad of me not to know the name of the actress, but she was radiant and marvellous.

58:11.955 --> 58:13.015
Was it Honeysuckle Weeks?

58:13.256 --> 58:13.536
Yes.

58:13.916 --> 58:14.436
Who's that?

58:14.776 --> 58:16.497
Don't you know who Honeysuckle Weeks is?

58:16.517 --> 58:17.897
No, she's in Foil's War.

58:18.477 --> 58:18.938
Really?

58:19.078 --> 58:19.298
Yes.

58:20.349 --> 58:21.069
She's attractive.

58:21.609 --> 58:22.349
Anyway, carry on.

58:22.430 --> 58:23.430
I don't think it is, honey.

58:23.590 --> 58:27.731
Anyway, the last point was, my final point is, there is an atmosphere of terror at the Old Vic.

58:27.751 --> 58:28.331
Do you know why?

58:28.931 --> 58:29.131
Why?

58:29.191 --> 58:34.532
Because it's run with a rod of iron by Spacey, and he shouts at people if their phones go off.

58:34.592 --> 58:34.892
Does he?

58:34.912 --> 58:35.872
Do you remember that story?

58:36.052 --> 58:36.732
Yes, I do.

58:36.772 --> 58:47.034
If your phone goes off during the production of Speed the Plow, the play will stop, Spacey will come out of character, and like a teacher, he will turn to you and shout at you.

58:47.855 --> 58:49.695
So I think this was at the forefront of everyone's...

58:49.815 --> 59:14.626
minds in the auditorium it was a bit like a class of children sitting down for a talk yeah given by big hollywood men and uh someone's alarm did go it was on buzz what did kpax do well it came at a point when there was a dramatic pause yeah so it was a very dramatic pause he didn't know whether he was gonna but no he he got over it he ignored it but i could have been embarrassed in the theater yeah of course because it's a bit of an artificial situation isn't it

59:15.166 --> 59:21.133
Well, it certainly strips away all the levels of craziness, and yeah, you're confronted by the ludicrousness of acting, aren't you?

59:21.153 --> 59:22.354
Yeah, it's odd, it's odd.

59:22.535 --> 59:31.405
Especially when dramatic things happen, and there's lots of moments in this play where someone will shout and then go really quiet for a long time, do you know what I mean?

59:31.425 --> 59:32.846
And that's why I can't stand you!

59:37.116 --> 59:53.465
like that and the man that my brain is just going so wanting me to make a noise or throw something at another point spacey pushes over an aluminium ladder in fury there's a very long silence after that he really milks that everyone's going

59:55.598 --> 01:00:08.868
Panting on stage that's the next production milk the silence really that would be good under milk silence over milk silence even Anyway, I do recommend it if you live in London, maybe it'll tour it's short.

01:00:09.089 --> 01:00:10.670
That's the main thing is it how long?

01:00:11.390 --> 01:00:11.651
90 minutes.

01:00:11.711 --> 01:00:12.611
Oh, that's no interval.

01:00:12.811 --> 01:00:13.252
Ideal.

01:00:13.352 --> 01:00:14.613
But Goldblum, what a genius.

01:00:14.653 --> 01:00:15.233
His hands.

01:00:15.493 --> 01:00:16.134
I love him, man.

01:00:16.154 --> 01:00:17.114
They were doing amazing things.

01:00:17.134 --> 01:00:19.156
I'm up for pretty much anything that he's been in, Goldblum.

01:00:19.176 --> 01:00:20.277
Would you sleep with Goldblum?

01:00:20.357 --> 01:00:20.897
Definitely.

01:00:21.217 --> 01:00:21.517
Really?

01:00:21.658 --> 01:00:21.958
Definitely.

01:00:21.978 --> 01:00:22.438
In a bar?

01:00:22.818 --> 01:00:23.759
Somewhere near the Old Vic?

01:00:24.199 --> 01:00:25.400
What, sleep with him in the bar?

01:00:25.420 --> 01:00:26.521
Can I not go home to bed with him?

01:00:26.561 --> 01:00:27.402
No, I hadn't finished.

01:00:27.622 --> 01:00:30.544
What if his huge hands settled on your tiny knee?

01:00:31.685 --> 01:00:33.526
It's sounding a bit awful, isn't it?

01:00:34.258 --> 01:00:34.999
No, I like it.

01:00:35.099 --> 01:00:36.800
His beady eyes and his tiny head.

01:00:36.880 --> 01:00:38.241
Nothing you're saying is putting me off.

01:00:38.741 --> 01:00:39.582
He's very thin.

01:00:39.782 --> 01:00:40.882
He obviously works out.

01:00:41.003 --> 01:00:42.644
His suits are beautiful.

01:00:42.684 --> 01:00:44.785
The best thing about the production was Goldblum's suits.

01:00:44.825 --> 01:00:45.085
Yeah.

01:00:45.566 --> 01:00:46.586
Oh, he looks great in a suit.

01:00:46.606 --> 01:00:47.107
I fancy him.

01:00:47.127 --> 01:00:47.967
He's the opposite of me.

01:00:48.347 --> 01:00:48.688
Really?

01:00:48.708 --> 01:00:48.968
Yeah.

01:00:49.048 --> 01:00:49.788
It's true, isn't it?

01:00:50.309 --> 01:00:50.729
I love him.

01:00:50.989 --> 01:00:54.231
It's like Captain Caveman and Crazy Legs Crane making love.

01:00:55.412 --> 01:00:56.713
Here's some Portishead for you.

01:00:56.773 --> 01:00:57.674
Is this new Portishead?

01:00:58.014 --> 01:00:58.094
Yes.

01:00:58.594 --> 01:01:00.495
Magic Doors, they were amazing on Jules Holland.

01:01:00.515 --> 01:01:01.636
You didn't happen to catch Jules Holland.

01:01:01.676 --> 01:01:04.318
I didn't, but I hear their live sets are extraordinary.

01:01:04.338 --> 01:01:04.678
They're the best.

01:01:04.698 --> 01:01:05.899
They're playing at the moment, aren't they?

01:01:05.919 --> 01:01:06.019
Best.

01:01:06.039 --> 01:01:06.879
They're back with a bang.

01:01:06.919 --> 01:01:08.340
Jules Holland thing I've seen for ages.

01:01:08.380 --> 01:01:10.142
Tumane Diabate, have you ever seen him?

01:01:10.502 --> 01:01:12.963
Playing, what's the instrument that guy plays?

01:01:13.103 --> 01:01:13.904
The harmonica.

01:01:14.224 --> 01:01:16.405
It's not the harmonica, but he was extraordinary.

01:01:16.425 --> 01:01:17.686
I've never seen him in action before.

01:01:18.247 --> 01:01:19.548
Lost Shadow Puppets they were on.

01:01:20.088 --> 01:01:20.928
They were amazing.

01:01:21.089 --> 01:01:22.690
And Portishead were fantastic.

01:01:22.830 --> 01:01:24.731
It was the best Jules Holland I've ever seen.

01:01:25.111 --> 01:01:26.832
Anyway, here's Magic Doors by Portishead.

01:01:27.052 --> 01:01:28.733
That is Portishead and Magic Doors.

01:01:28.773 --> 01:01:30.475
That is not the track they played on Jules Holland.

01:01:31.653 --> 01:01:33.854
Didn't you like that one as much as the one they played on shows?

01:01:33.874 --> 01:01:34.334
No, I didn't, no.

01:01:34.554 --> 01:01:35.314
Is that their single?

01:01:35.634 --> 01:01:36.034
No, it's not.

01:01:36.074 --> 01:01:39.696
That's just a track from the new album, which is called Third, and apparently it's good.

01:01:39.856 --> 01:01:43.817
I don't know, it's one of those albums that's been getting between three and four stars, you know?

01:01:44.137 --> 01:01:46.518
Do you know what's funny about the timing of Portishead's comeback?

01:01:46.538 --> 01:01:46.798
No.

01:01:47.658 --> 01:01:50.239
Well, I'll tell you what it is, is that things have gone depressing again.

01:01:50.799 --> 01:01:55.301
When all those Bristol bands became big, it was during the recession, wasn't it, of the mid-90s?

01:01:55.341 --> 01:01:55.481
Uh-huh.

01:01:56.901 --> 01:01:58.924
Uh, and things seem to be going that way again.

01:01:59.285 --> 01:02:01.768
At least all the papers are very keen for it to go that way again.

01:02:01.788 --> 01:02:03.951
Financial crunch, that's when people just had come out of the shadows.

01:02:03.971 --> 01:02:04.171
Exactly!

01:02:04.632 --> 01:02:05.313
They've timed it.

01:02:05.333 --> 01:02:06.975
They just keep their eye on the stock market.

01:02:07.015 --> 01:02:08.537
Whenever shares plunge, bang!

01:02:08.938 --> 01:02:09.238
Album.

01:02:10.079 --> 01:02:10.940
Don't you think that's true?

01:02:11.181 --> 01:02:11.561
Possibly.

01:02:11.581 --> 01:02:12.002
Yes, I do.

01:02:12.202 --> 01:02:21.585
Well, Beth Gibbons came out with an album with Rustin Man, that's the pseudonym of one of the other members of Jeff Barrow, is it, from Portishead?

01:02:22.205 --> 01:02:32.808
And that was a lovely album, and that was back in 2003, thereabouts, and it was very similar to the track they were playing last night on Jules.

01:02:33.528 --> 01:02:37.069
So I'm hoping that maybe, I haven't listened to the whole of the Portishead album yet,

01:02:37.629 --> 01:02:38.970
But I'm hoping it's more of the same.

01:02:38.990 --> 01:02:41.370
You know, I'd be happy if it was like that Rustin man thing.

01:02:41.590 --> 01:02:42.571
It was the wicked man.

01:02:42.651 --> 01:02:43.611
Well, give it a listen then.

01:02:43.631 --> 01:02:44.271
I will give it a listen.

01:02:44.291 --> 01:02:45.792
You've got no one to blame but yourself.

01:02:46.172 --> 01:02:48.273
Well, listen, I don't want to buy it, right?

01:02:48.593 --> 01:02:52.334
I want to steal it from someone's desk.

01:02:52.734 --> 01:02:53.715
That's six music.

01:02:55.276 --> 01:02:56.497
There's a warning to everybody.

01:02:57.198 --> 01:02:59.060
This is Adam and Jo on BBC Six Music.

01:02:59.461 --> 01:03:01.463
Pretty soon we're going to be playing the Song Wars songs again.

01:03:01.483 --> 01:03:06.910
We're also going to be wrapping up Text the Nation, which is going to be tricky to do because we've been inundated with amazing stories.

01:03:07.170 --> 01:03:08.872
Have we got any responses from teachers?

01:03:08.932 --> 01:03:09.513
Yeah, we do.

01:03:09.773 --> 01:03:11.295
So we'll be coming back to that in a second.

01:03:11.315 --> 01:03:14.259
But first, if there was an award for Best Track

01:03:14.779 --> 01:03:38.751
on most incongruous cd then i think the following would get it this is from the Godzilla soundtrack Roland Emmerich's disastrous blockbuster remake of Godzilla which i've got a soft spot for well you know uh you love that film don't you we do like Roland Emmerich's Godzilla yeah you are a weirdo yeah another good album with uh incongruous album with excellent stuff on it is which we talked about a few weeks back is the a

01:03:39.531 --> 01:03:40.992
original soundtrack for Cool World.

01:03:41.573 --> 01:03:42.573
Right, which has what on it?

01:03:43.354 --> 01:03:46.456
It's got a couple of Ino tracks, Brian Ino tracks.

01:03:46.476 --> 01:03:46.777
Really?

01:03:46.837 --> 01:03:49.719
That at that point had not been released in their beautiful tracks.

01:03:49.839 --> 01:03:54.983
Well, similar thing here at this point, or at the point of which... I'm going to start that sentence again.

01:03:55.283 --> 01:04:00.387
At the point when the Godzilla soundtrack was released, the following Ben Folds 5 track wasn't available anywhere else.

01:04:00.447 --> 01:04:02.809
It's now available on the reissue of their first album, I think.

01:04:03.129 --> 01:04:05.410
But this may be my favourite Ben Foll's track.

01:04:06.271 --> 01:04:07.832
And it was written for Godzilla.

01:04:08.032 --> 01:04:08.292
Wow.

01:04:08.432 --> 01:04:10.173
And apparently he wasn't that happy with it.

01:04:10.233 --> 01:04:11.734
He felt it was kind of unfinished.

01:04:12.094 --> 01:04:13.895
Yeah, plus he was writing it for Godzilla.

01:04:14.856 --> 01:04:18.638
Well, it doesn't necessarily reflect on the song itself, which is pretty incredible.

01:04:18.898 --> 01:04:19.738
This is called Air.

01:04:20.059 --> 01:04:22.200
That's the Funboy 3 with Bananarama.

01:04:22.640 --> 01:04:49.717
with it ain't what you do it's the way that you do it are they a new band they're brand new uh it's very exciting that's going to be a big hit i think uh that's out on monday it's not it's not out on monday it's they're old all right it came out in the 80s that was a bit of a joke here little one the little tiny joke for you there but that's good that song man i mean that hasn't dated badly at all that still sounds amazing and when terry hall comes in there that's a thrilling moment that's uh tingles down the back of the spine

01:04:50.117 --> 01:04:58.141
And, of course, the connection with that David Byrne track that we played earlier is, not that you need one, but David Byrne, of course, produced one of the Funboy 3 albums.

01:04:58.161 --> 01:04:59.082
Do you remember that?

01:04:59.122 --> 01:05:00.783
You were a big Funboy 3 fan, right?

01:05:01.143 --> 01:05:01.943
Uh, yeah, kind of.

01:05:01.983 --> 01:05:03.284
I had a lot of their seven inches.

01:05:03.604 --> 01:05:07.546
I think maybe the album that Byrne produced is deleted now?

01:05:07.786 --> 01:05:08.767
I might be wrong about that.

01:05:09.027 --> 01:05:09.967
I like to get things wrong.

01:05:10.007 --> 01:05:10.968
Let's have it deleted.

01:05:11.028 --> 01:05:12.689
In fact, I got something wrong very recently.

01:05:12.829 --> 01:05:18.612
I said that Beth Gibbons and Rustin Man was Beth Gibbons with Jeff Barrow from Porter's Head.

01:05:18.732 --> 01:05:19.172
Oh, dear.

01:05:19.932 --> 01:05:21.093
Ahhh, you idiot!

01:05:21.353 --> 01:05:22.573
I hate you!

01:05:23.153 --> 01:05:25.154
It's Paul Webb from Talk Talk.

01:05:25.254 --> 01:05:26.254
I was just joking.

01:05:26.274 --> 01:05:27.175
It was a joke.

01:05:27.195 --> 01:05:28.275
It was one of my jokes.

01:05:28.335 --> 01:05:29.415
It's a new type of humour.

01:05:30.056 --> 01:05:31.196
Just called wrongness.

01:05:31.216 --> 01:05:32.616
Just saying the wrong thing.

01:05:32.856 --> 01:05:33.377
It's a joke.

01:05:33.417 --> 01:05:34.137
It's a funny joke.

01:05:34.497 --> 01:05:36.679
I could go, like, do a whole tour, you know?

01:05:36.699 --> 01:05:38.560
And, um... Jingle!

01:05:38.580 --> 01:05:40.281
Uh, Jingle Jingle Jongles?

01:05:40.321 --> 01:05:41.582
No, it's time for the news very soon.

01:05:41.642 --> 01:05:41.902
Is it?

01:05:42.462 --> 01:05:43.923
Oh, okay, I do apologize.

01:05:43.943 --> 01:05:45.164
Why did you just say Jingle like that?

01:05:45.184 --> 01:05:47.006
Because I thought we were gonna do some text the nation.

01:05:47.046 --> 01:05:47.906
I was all excited.

01:05:48.126 --> 01:05:48.647
Oh, I see.

01:05:48.667 --> 01:05:50.348
I completely forgot it was news time.

01:05:50.448 --> 01:05:52.029
Hey, you gotta make way for the news, yo.

01:05:52.069 --> 01:05:53.090
Make way for the news.

01:05:53.130 --> 01:05:54.731
We've only got half an hour left of this show.

01:05:55.191 --> 01:05:57.172
Oh no, we're overloaded with stuff.

01:05:57.312 --> 01:05:57.852
Absolutely.

01:05:58.372 --> 01:06:00.492
So after the news, we're going to resolve Texanation.

01:06:00.533 --> 01:06:04.454
Plus, of course, we have to remind the listeners of our festival songs from Song Wars.

01:06:04.494 --> 01:06:04.894
We do.

01:06:05.194 --> 01:06:06.614
Lots to be done in the last half hour.

01:06:07.414 --> 01:06:07.935
Absolutely.

01:06:07.995 --> 01:06:09.555
Don't say it in that final way like that.

01:06:09.595 --> 01:06:11.455
You still got a little while before the news.

01:06:11.475 --> 01:06:12.056
It's exciting.

01:06:13.076 --> 01:06:13.236
Yeah.

01:06:14.076 --> 01:06:14.836
What were you going to do?

01:06:14.876 --> 01:06:16.457
I'll say it in a different way.

01:06:16.677 --> 01:06:19.558
You're holding up the sheet of paper as if you're going to say some things.

01:06:19.818 --> 01:06:20.059
I am.

01:06:20.119 --> 01:06:21.939
Keep your teacher stories coming in.

01:06:22.139 --> 01:06:31.703
If you've done slightly unpleasant things to teachers in a confused adolescent state, tell us about them on 64046 or email adamandjoe.6musicatbbc.co.uk.

01:06:31.984 --> 01:06:38.706
And we've also got a few responses coming in from teachers now, some of which we're going to read out after the news.

01:06:38.926 --> 01:06:42.088
Favourite news story at the moment, Joe, apart from the 10p tax rate?

01:06:42.848 --> 01:06:46.551
My favourite news story is probably, uh, just the weather.

01:06:46.792 --> 01:06:50.535
I mean, it's a slow news day on the cover of, what is it, the cover of The Sun.

01:06:50.635 --> 01:06:53.698
You've got a picture of Anne Robinson and the headline is, what is it?

01:06:53.778 --> 01:06:54.639
The Weakest Freak?

01:06:55.119 --> 01:06:57.141
Yes, she's just stuck her top lip out slightly.

01:06:57.161 --> 01:06:58.102
Freakest Link, sorry.

01:06:58.682 --> 01:06:59.423
Freakest Link.

01:06:59.883 --> 01:07:02.566
And they've just got a picture of her where she's pouting a little bit.

01:07:03.106 --> 01:07:08.071
And it's a big story on the cover of The Sun, all about the fact that she's got a trout pout.

01:07:08.351 --> 01:07:09.372
Not exactly news, isn't it?

01:07:09.392 --> 01:07:11.174
I don't know, see if that makes the bullet in.

01:07:11.214 --> 01:07:12.195
Let's see if it gets covered.

01:07:12.215 --> 01:07:12.756
Here's the news.

01:07:13.056 --> 01:07:14.277
What if I don't want to?

01:07:14.317 --> 01:07:16.339
But I'm using email.

01:07:16.359 --> 01:07:17.320
Is that a problem?

01:07:25.325 --> 01:07:30.049
I was epilae by Reuxop that you heard just before the Text the Nation jingle there.

01:07:30.069 --> 01:07:32.111
Hard to tell one from the other, really.

01:07:32.131 --> 01:07:32.811
It is, isn't it?

01:07:32.891 --> 01:07:34.693
Both masterpieces of contemporary music.

01:07:34.773 --> 01:07:35.373
Electronica.

01:07:35.654 --> 01:07:41.759
I'm going to speed through some of these texts now about bad things you've done to teach us to make their lives misery.

01:07:41.799 --> 01:07:44.621
We got so many of these in, and there are so many good ones.

01:07:44.681 --> 01:07:47.444
I do apologise if I don't get to read yours out, but here...

01:07:48.044 --> 01:07:49.985
is the pick of the cropping in the time we've had.

01:07:50.045 --> 01:07:51.406
This is from Marian Lincoln.

01:07:51.826 --> 01:07:54.508
When I was about 14 we had a maths teacher who we called Kipper.

01:07:55.088 --> 01:07:58.330
One day before he came into the lesson I drew a Kipper on the blackboard.

01:07:58.590 --> 01:08:01.172
It was wearing little glasses and a moustache like his.

01:08:01.652 --> 01:08:06.215
When he came in and saw it he was apoplectic with rage, went purple in the face and was shaking.

01:08:06.875 --> 01:08:09.297
The whole class held out though and didn't let on who had done it.

01:08:09.737 --> 01:08:12.259
It was only so funny because he was so angry.

01:08:12.739 --> 01:08:15.661
I'm 51 now but can still remember what a laugh it was.

01:08:15.841 --> 01:08:16.982
So no remorse there.

01:08:17.782 --> 01:08:20.383
The other thing I like about that is the teacher shouldn't have got angry at that.

01:08:20.403 --> 01:08:21.844
The teacher handled it very badly.

01:08:21.884 --> 01:08:22.385
Very badly?

01:08:22.425 --> 01:08:23.745
Sometimes it's the teacher's fault.

01:08:23.825 --> 01:08:24.306
Exactly.

01:08:24.406 --> 01:08:25.346
Here's another one from Rob.

01:08:25.686 --> 01:08:33.510
I rolled up a bundle of my cat's surplus fur and glued it into my exercise book before handing it in to my cat-hating maths teacher.

01:08:34.191 --> 01:08:38.893
Sadly, he turned out to hate cats because he was very allergic to them and ended up in A&E.

01:08:39.373 --> 01:08:43.976
I was so guilt-ridden, I worked ultra hard at maths and somehow ended up doing a PhD in maths.

01:08:44.276 --> 01:08:45.477
So the joke's on me now.

01:08:46.397 --> 01:08:47.438
That's a good story.

01:08:47.478 --> 01:08:50.461
That's an extraordinary rollercoaster of consequences there.

01:08:50.862 --> 01:08:51.002
Yeah.

01:08:51.042 --> 01:08:53.905
This is from Rich P in Gloucester aged 33.

01:08:54.385 --> 01:09:01.253
I turned my exercise book upside down and gave myself a new name on the back cover to fool a substitute teacher.

01:09:01.293 --> 01:09:03.054
Richie P, my man.

01:09:03.435 --> 01:09:06.278
The name he gave himself was Barry de Radish.

01:09:07.520 --> 01:09:09.441
Barry, Barry de Radish, what do you think about that?

01:09:11.201 --> 01:09:12.722
You said Barry de Radish.

01:09:13.062 --> 01:09:17.223
Matt in Canterbury says two friends and I had won the confidence of our newly qualified history teacher.

01:09:17.523 --> 01:09:24.866
She told us that she had her driving test one evening after school, so we tailgated her around in her test car.

01:09:25.746 --> 01:09:27.627
with our car covered in good luck messages.

01:09:27.647 --> 01:09:28.367
Does that make sense?

01:09:28.888 --> 01:09:32.589
To her credit, she still passed and later became my boss at another school.

01:09:33.069 --> 01:09:36.351
That's not really a prank, that's just over-enthusiastic niceness.

01:09:36.571 --> 01:09:39.112
Yeah, that's sort of stalkerish waste of tea.

01:09:39.152 --> 01:09:39.672
Yeah, too nice.

01:09:40.353 --> 01:09:40.873
Here's another one.

01:09:40.913 --> 01:09:41.633
Hello, I'm Luke.

01:09:41.914 --> 01:09:46.756
And once I was the editor of my school magazine, I filled it with some rebellious satire.

01:09:47.096 --> 01:09:53.519
There was something about the food, we rewrote the sports reports as if I were eight, and we said the headmaster was a racist.

01:09:54.379 --> 01:09:56.941
The teacher meant to be in charge almost lost his job.

01:09:57.041 --> 01:09:57.621
Of course!

01:09:57.661 --> 01:10:00.463
How can you get away with that in the school mag?

01:10:00.743 --> 01:10:06.546
Another one Katie says during our German classes when the teacher was writing on the board we used to stand up and shout cabbages.

01:10:07.186 --> 01:10:09.707
By the time the teacher turned round we'd be sitting in our seats.

01:10:10.308 --> 01:10:13.910
He just looked totally bemused and never once said anything.

01:10:14.770 --> 01:10:15.811
That's a good tactic.

01:10:15.851 --> 01:10:16.111
Yeah.

01:10:16.371 --> 01:10:17.612
Just freeze the kids out.

01:10:18.032 --> 01:10:18.872
Yes, psych them out.

01:10:18.892 --> 01:10:20.673
Just act as if it's totally normal.

01:10:20.893 --> 01:10:21.334
Cabbages.

01:10:22.910 --> 01:10:23.230
It's good.

01:10:23.250 --> 01:10:23.870
Yeah, it's good.

01:10:24.030 --> 01:10:26.511
I think the teacher's got the right way to go around it.

01:10:27.031 --> 01:10:28.952
And here's another classic one from Phil Gallagher.

01:10:28.992 --> 01:10:37.794
He says, every time a particular one of our teachers look down in one lesson, we all shuffled our tables forward a tiny bit and ended up encircling him in a corner.

01:10:37.834 --> 01:10:39.115
Hey, we did that one.

01:10:39.155 --> 01:10:39.875
That's a classic one.

01:10:39.895 --> 01:10:40.695
That's a good one.

01:10:40.715 --> 01:10:42.796
If you do it incrementally, the teacher doesn't notice.

01:10:42.836 --> 01:10:43.056
Yeah.

01:10:43.937 --> 01:10:44.758
That's brilliant.

01:10:44.778 --> 01:10:45.699
That's a loud, isn't it?

01:10:45.799 --> 01:10:46.080
Yeah.

01:10:46.240 --> 01:10:47.401
That's like classic stuff.

01:10:47.421 --> 01:10:48.303
That's actually permitted.

01:10:48.443 --> 01:10:50.285
I think it's illegal for a school to punish you for that.

01:10:50.506 --> 01:10:53.710
If they turn round as well and go to the blackboard, you sort of creep forward.

01:10:53.770 --> 01:10:54.531
That is a good one.

01:10:54.551 --> 01:10:55.352
I've forgotten about that.

01:10:55.372 --> 01:10:56.033
Yeah, that is a good one.

01:10:56.053 --> 01:10:57.014
Any from teachers at all?

01:10:57.114 --> 01:10:57.535
Yeah.

01:10:57.555 --> 01:10:59.377
Do you want the teacher one?

01:10:59.578 --> 01:11:00.419
No, here's the teacher one.

01:11:01.740 --> 01:11:02.861
It's from Mark Johnson.

01:11:03.381 --> 01:11:06.423
Hi, I feel the need to let you know about teacher's tricks too.

01:11:06.803 --> 01:11:11.366
When invigilating exams, teachers play a few different games as the little lovelies are bent over their tests.

01:11:11.646 --> 01:11:17.110
Game number one, walk around the desks in the shape of letters, usually spelling out swear words.

01:11:17.470 --> 01:11:19.051
No, they don't do that.

01:11:19.151 --> 01:11:22.053
Number two, standing by the ugliest child.

01:11:22.113 --> 01:11:23.714
Spelling out swear words.

01:11:23.794 --> 01:11:24.454
I can't believe it.

01:11:24.474 --> 01:11:26.055
We're standing by the ugliest child.

01:11:26.075 --> 01:11:30.118
Yeah, this one I've heard before that like if there's two teachers invigilating an exam, one will just go,

01:11:30.718 --> 01:11:59.957
ugliest okay and then they wander around and stand by the ugliest one that's a good game uh and then number three is wandering around but when you come to the front add a line to a limerick usually an offensive one about the kids are the sweet taste of revenge another teacher texted in and and said just you know you mustn't forget that uh teachers go into the common room at the end of every lesson and exchange very cruel stories about the children yeah their hopeless uh complexions of course their future

01:11:59.997 --> 01:12:07.582
teachers, their appalling sex lives, their home lives, their stench that follows them around, the status of their brain.

01:12:07.602 --> 01:12:08.262
That's right.

01:12:08.903 --> 01:12:14.646
You know, all of these things have probably featured in the hit TV show, Teachers, at one point or another, wouldn't you say?

01:12:14.967 --> 01:12:16.848
That's probably true, yeah, and to link on.

01:12:17.008 --> 01:12:17.789
Do you want a couple more?

01:12:17.909 --> 01:12:18.410
Yeah, go on.

01:12:37.296 --> 01:12:45.399
The beauty of this story is that one of the other boys had the same surname and hair as me, and he was bigger and of a less punishable disposition.

01:12:45.519 --> 01:12:46.239
He got blamed.

01:12:46.660 --> 01:12:50.941
I gained credit for this great piece of wit for a day or so before I got back to being bullied.

01:12:51.181 --> 01:12:53.042
I'm happy now, says Bruce in Stressham.

01:12:53.222 --> 01:12:54.082
Well done, Bruce.

01:12:54.383 --> 01:12:54.883
Skills.

01:12:55.683 --> 01:12:57.786
There you go, another one from Steven Hinchley Wood.

01:12:58.026 --> 01:13:01.550
At my school we had a very kindly bearded physics teacher who was close to retirement.

01:13:01.810 --> 01:13:09.239
He was a victim of humming and other japes, but the funniest one was when he was asked by one of the kids, sir, do you have any photos of your wife naked?

01:13:09.720 --> 01:13:12.163
He of course replied in an outraged tone, no!

01:13:12.543 --> 01:13:15.026
To which the kid replied immediately, would you want to buy some?

01:13:17.108 --> 01:13:19.169
Nice, and I think that is where we should probably leave it.

01:13:19.209 --> 01:13:21.390
Thank you very much indeed for all your texts and emails.

01:13:21.410 --> 01:13:23.151
We don't encourage or condone that kind of behaviour.

01:13:23.171 --> 01:13:26.613
You should be nice and respectful to teachers, and teachers should be nice and respectful to children.

01:13:26.653 --> 01:13:27.333
Absolutely.

01:13:27.473 --> 01:13:29.414
More love in the classroom, please.

01:13:29.574 --> 01:13:30.615
Not that kind of love!

01:13:31.435 --> 01:13:36.441
Now it's time for my last free play and I've been sticking a couple of little pretentious ones in here.

01:13:36.461 --> 01:13:39.243
Can I just say I dropped a free play in this week's show?

01:13:39.283 --> 01:13:43.548
I was gonna play Jazzy Jeff with the theme tune to the Fresh Prince of Bel Air.

01:13:43.568 --> 01:13:45.089
Why did you lose confidence on that one?

01:13:45.109 --> 01:13:45.870
Because I listened to it.

01:13:45.990 --> 01:13:46.391
Oh, right.

01:13:46.651 --> 01:13:49.354
And I decided it would be best to not inflict that on people.

01:13:49.634 --> 01:13:54.438
Well, this is another slightly sort of, um, utré, toe tapper.

01:13:54.939 --> 01:13:59.423
But I thought, if there's anywhere where you can play this kind of music, surely it's got to be six music.

01:13:59.463 --> 01:14:01.424
Yeah, where people are open-minded enough to enjoy it.

01:14:01.745 --> 01:14:05.027
Anyway, a lot of you guys will probably have this album already by Silver Apples.

01:14:05.067 --> 01:14:09.491
They were a duo from New York City, making music from around about 1967 to 69.

01:14:11.753 --> 01:14:14.495
And they've sort of re-emerged in the mid-90s.

01:14:15.136 --> 01:14:20.600
One of them sadly died a few years ago, but the remaining member is now touring, still under the name Silver Apples.

01:14:20.620 --> 01:14:22.141
I think they're playing some festivals this year.

01:14:22.622 --> 01:14:27.846
But it's amazing psychedelic electronic noise, and very much ahead of its time.

01:14:27.886 --> 01:14:32.550
If you consider this would have been 67, 68, this one is called Program by Silver Apples.

01:14:32.912 --> 01:14:37.175
You got to love music that has scanning through radio waves on there.

01:14:37.195 --> 01:14:39.537
It's getting a bit of interference in that studio.

01:14:39.597 --> 01:14:41.778
That's at Silver Apples with Program.

01:14:42.439 --> 01:14:48.503
You had an email from someone correcting me about the David Byrne track that we played earlier on.

01:14:49.123 --> 01:14:51.105
The knee place wasn't the actual play.

01:14:51.245 --> 01:14:53.406
This is turning into the Adam Buxton correction show.

01:14:53.526 --> 01:14:55.148
Only two things I did, done.

01:14:56.228 --> 01:15:01.652
Um, and it is, uh, it says on the CD available, like, because it's just been re-released on CD, you see.

01:15:01.672 --> 01:15:02.273
Time's running out.

01:15:02.433 --> 01:15:06.736
David Byrne and Robert Wilson's 1984 collaboration from the theatrical epic The Civil Wars, alright?

01:15:06.816 --> 01:15:07.056
Yeah.

01:15:07.176 --> 01:15:09.598
Okay, now it's time to play you the two Song Wars songs.

01:15:09.618 --> 01:15:11.339
We're gonna hear Adam's first and mine's second.

01:15:11.359 --> 01:15:15.603
Don't forget you can vote via email, Adamandjo.sixmusicatbbc.co.uk.

01:15:15.623 --> 01:15:16.383
Here's track number one.

01:15:16.423 --> 01:15:18.244
This is called The Glastonbury Song by Adam Buxton.

01:15:19.585 --> 01:15:21.387
Please leave a message after the tone.

01:15:22.290 --> 01:15:23.911
Gaz Man, it's the Julienator.

01:15:24.552 --> 01:15:34.981
Just to let you know, I bought the tickets for Sludgefest, as well as Chillax, Wicker World, the Inoffensive Electronic Festival, Wet Weekend, and Pims in the Park with Timbukh 3 Headlining.

01:15:35.301 --> 01:15:37.163
Drop us a text if you think I've missed any.

01:15:37.383 --> 01:15:37.944
Cheers ears.

01:15:38.544 --> 01:15:53.890
Load up the 4x4, it's festival time We're stuffing the chill bag with nibbles and wine We're going to sleep inside a collapsible yard We've got a nurse in case anybody gets hurt

01:15:54.910 --> 01:15:58.192
Festivals used to be awful, just crusties and weirdo groups.

01:15:58.432 --> 01:16:02.475
There was nowhere to charge your mobile and nowhere nice for doing poops.

01:16:02.715 --> 01:16:06.118
Now they're often in stately homes with global cuisine as ace.

01:16:06.298 --> 01:16:09.760
And you can leave the kids in a really nice crash while you get off your face.

01:16:26.151 --> 01:16:27.573
Look kids, that's Keith Allen.

01:16:27.773 --> 01:16:29.434
That's Lily Allen's dad.

01:16:29.514 --> 01:16:33.738
He's been coming since the 50s, and apparently he's really mad.

01:16:33.878 --> 01:16:35.620
And over there, that's Katie Moss.

01:16:35.660 --> 01:16:41.325
That's right, that crazy drug is X. Let's ask her if she'll join us for a boogie and some sex.

01:16:41.826 --> 01:16:43.507
Everybody over to the output stage.

01:16:43.707 --> 01:16:45.029
Mo is on, oh yes.

01:16:45.669 --> 01:16:48.272
Then it's Groove Armada with the theme from M&S.

01:16:55.794 --> 01:17:23.265
We've got some shield pills, some wizwahs and a gram of some stuff But I'm a little bit worried, that won't be enough So could you call Jemima and ask her to bring a bit of rice Some jelly and a big ball of string And don't forget the Baroque and the yoga mats too Because there's going to be healing and yoga to do And there's a bloke from Tibet who can teach us to do

01:17:27.125 --> 01:17:31.691
We've learned of the four by four, it's festival time.

01:17:34.935 --> 01:17:39.019
That's the festival song, not the Glastonbury song.

01:17:39.039 --> 01:17:42.502
I was trying to trick them into voting for mine.

01:17:42.522 --> 01:17:45.665
Well let's hear, that was Adam's one there.

01:17:45.905 --> 01:17:46.846
Let's hear Joe's now.

01:17:46.926 --> 01:17:49.008
This is the Glastonbury song.

01:17:59.764 --> 01:18:07.246
Right, you've registered, download the correctly formatted passport photo, and you'll see some form of how to actually put your feet on the page.

01:18:07.366 --> 01:18:15.549
And now, me and my mate Terry, we're gonna blast on very, we're gonna have a very good time.

01:18:16.949 --> 01:18:23.772
Don't care if it's all muddy, we'll just dive in in the muddy, and dance and drink and try and snog girls.

01:18:25.757 --> 01:18:29.680
I'll try to get on telly, right, hello mum, on my belly.

01:18:29.860 --> 01:18:33.402
Eat full apples, then fall over, then be sick.

01:18:34.322 --> 01:18:38.125
Addix up one licks our tent, I'll get angry and violent.

01:18:38.605 --> 01:18:42.087
Punch a hippie, smoke a ciggy, then be sick again.

01:18:43.508 --> 01:18:55.511
Last time I was here I ate a space case and it made me feel geeky and like I was in love with everybody in the whole world.

01:18:55.671 --> 01:19:01.553
I tried to help them live up their bases, turned into gee-munks.

01:19:02.113 --> 01:19:08.034
I passed out in the mud and missed these antique monkeys drug to drugs.

01:19:08.454 --> 01:19:10.875
So what we do this year is just drink

01:19:11.015 --> 01:19:21.218
Drink a lot of beer, buy a Jester's hat, and throw things at Jay Z. I hate those four to lose, so for three days I won't move.

01:19:21.358 --> 01:19:25.659
Then I'll do one by the road on the way home.

01:19:26.039 --> 01:19:32.921
We'll go to see hot chips, then have some nice hot chips, meet a sexy girl, and get on really well.

01:19:34.748 --> 01:19:58.949
She'll take me to her TV And hopefully sleep with me We'll text for two weeks They'll never see each other again Glastonbury's gonna be wicked There you go, that's this week's Song Wars, so send your vote by email to Adamandjo.6musicatbbc.co.uk Either for the first song, which was Adam's song, the festival song, or for the second song, which was Jo's song, which was called a Glastonbury's song.

01:19:59.349 --> 01:20:00.229
Simple as that, yeah.

01:20:00.409 --> 01:20:02.330
Almost to the end of our show, listeners.

01:20:02.990 --> 01:20:06.892
We've got a Liz Kershaw coming up very shortly, so stick around for that.

01:20:06.992 --> 01:20:13.874
But here's the pigeon detectives for you right now, just to play some proper music for you, otherwise your brains might melt after our film and stuff.

01:20:14.555 --> 01:20:15.775
Here's This Is An Emergency.

01:20:16.175 --> 01:20:17.996
What's the nature of the emergency there?

01:20:18.716 --> 01:20:23.159
It's just in an emergency because they're running out of money and they need you to buy their record.

01:20:23.579 --> 01:20:23.979
Fair enough.

01:20:23.999 --> 01:20:28.142
That's the Pigeon Detectives and that's pretty much it for our show this weekend, listeners.

01:20:28.162 --> 01:20:30.924
Thank you very much indeed for being with us.

01:20:31.324 --> 01:20:33.125
Thank you so much for your texts and emails.

01:20:33.205 --> 01:20:36.227
As usual, you know, you're helping us out and we really appreciate it.

01:20:36.287 --> 01:20:39.289
Seems a shame that we can't reward you in some way, but that's not what it's about, yeah?

01:20:40.089 --> 01:20:40.349
Right?

01:20:40.789 --> 01:20:42.910
That's absolutely correct, that's not what it's about.

01:20:43.690 --> 01:20:56.876
And don't forget you can listen to a podcast version of this show that's uploaded onto iTunes and the 6 Music website at about 6 o'clock on a Sunday evening, or you can listen to the whole show via Listen Again via the 6 Music website.

01:20:57.156 --> 01:20:58.256
That's probably the best way to do it.

01:20:58.496 --> 01:21:02.798
But don't forget that both those things are only around for the week following the show, yeah?

01:21:02.818 --> 01:21:08.020
They're not sort of archived somewhere, so you've got to subscribe to the podcast if you want to keep receiving it.

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Stay tuned for Liz Kershaw.

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We'll be back with you live next Saturday from 9 till 12 here on BBC 6 Music.

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Have a good week.

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Thanks for listening.

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Bye.