WEBVTT

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Hello, good morning from the big British castle.

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Welcome business to the glass and beer in his studio.

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Adam and Joe have been transported there at vast expense.

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Their private jet has landed on Beyonce's tent.

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That's Gorillaz with Steelo.

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Hey, how you doing, listeners?

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Adam Buxton here.

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Hey, listeners, it's Joe Cornish here.

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We're coming to you live from the Glastonbury Festival.

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Yeah, it's like, how would you describe it?

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Well, it's a big gathering of people.

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It's like a big friendly disaster area.

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Yeah.

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And it's just started.

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I mean, you can maybe hear out there that they are testing the sound system on the main stage, the pyramid stage, right next to where we, the BBC, are located in our vans.

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It just stopped.

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We had an exciting moment there about 10 minutes ago when they started playing music for the first time on the pyramid stage.

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and we were a bit alarmed because we're in quite a feeble portacabin here just behind the pyramid stage and the booming system was booming very loud yeah the entire portacabin started vibrating James our producer looked worried Lucy was shaken off her chair she fell on the floor we were excited because it was like we were war reporters

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in a bit you know in a dangerous place in a dangerous war zone dangerous levels of subsonic base you know because later on on that stage first of all metronomy are going to be stepping out there during our show in fact at 12 o'clock we got the Wu Tang clan on the main stage there later on BB King Biffy Clyro Morrissey you're getting very excited

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I've never seen Adam like this.

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Have you ever seen you two?

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I mean, I don't really care about you two, but I'm quite excited.

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I'm gonna say I'm quite excited to see them.

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Well, it's very different seeing bands here at Glastonbury, isn't it?

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It can make you excited about bands that you don't really care about very much.

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But we care about everything.

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We care about every band.

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We're very excited to be here.

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We hope you are excited to be joining us for the next three days.

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We'll be here from 10am to 1pm today and tomorrow and Sunday live.

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So please stay tuned.

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In fact, Six Music is providing fantastic round the clock coverage of Glastonbury.

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all weekend.

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If you would like to get in touch with our show, the text number is 64046 as usual.

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Texts will be charged at your standard message rate and we encourage you to text or tweet us rather than email perhaps because it might be easier for us to process those messages than it would be normally with the emails.

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So you can Twitter us.

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It's at BBC Adam and Joe is our Twitter hashtag.

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Is that what it's called?

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I don't know what's going on in the modern world.

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So yeah, and you can always email as well, but we might be slower on the uptake.

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It's Adam and Joe dot six music at BBC dot co dot UK.

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I'm worried.

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Well, I'm worried about the sound levels from the pyramid stage.

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He just said one, two, and you could hear it clear as day.

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Yeah, I know.

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When it gets really loud, we'll open the door.

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What happens when an actual band starts?

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I'll be in trouble.

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We can go and ask Metronomy to turn it down.

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You know what we should do is we should go and gather toilet rolls and egg boxes.

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And lob them.

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And just staple them all over the inside of the portacabin for soundproofing.

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Or get mud.

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We could get loads of mud and cake it around the porter cabin.

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We should talk about the mud later on because it's going to be quite a big factor for the Glastonbury weekend.

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There's a lot of mud available.

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Yeah, there's got to be things we can do with it.

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But listen, let's have some music right now to ease us in a little bit right now.

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And James, are we going for my track here right now?

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This is the first of my free plays.

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And I thought I'd play a little bit of Cliff Richard for you listeners.

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And this is out in the country.

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Sir Cliff from 1966.

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I think that one was.

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That's in the country, just to get us in the country mood there.

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I didn't know you were into Sir Cliff.

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Love a bit of Sir Cliff.

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I went on a cliff bender the other day.

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Suddenly, Cliff popped in my mind, and I just went Cliff crazy.

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Did you?

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And I started listening to Wired for Sound.

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You remember that one?

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I like that one.

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That's the one that got me into Cliff.

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And you know how sometimes you have fond memories of things that you grew up with and that you listen to as a child, and you go back to them and you think, ooh, that doesn't sound good at all.

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But, uh, wide for sound sounded, uh, decent.

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Yes.

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Sounded very decent.

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I bet it did.

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And, you know, that is an absolute peach, isn't it, in the country there?

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Yeah, he's a good singer, he's, he's a very sexy man.

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He's good at tennis.

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Very good at tennis.

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Very lovely thighs.

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He's got beautiful brown legs, doesn't he?

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He's very tanned, and they're dusted with a light dusting of, uh, of hair.

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Hair!

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Beautiful blonde hair!

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That's true, isn't it?

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He's very young.

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You know, I would lick Cliff's legs.

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Yeah.

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Would you?

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Yeah.

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He likes that done.

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He likes a small hairy man to stand at the side of the court.

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Sure he does.

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He's got loads.

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And when the ball boys run in and pick up the balls, he likes the hairy men to come in and just lick his legs.

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Lick his legs.

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They don't go crazy.

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They don't want to wear the legs down.

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Of course not.

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Otherwise he'd just be stumbling about on pins.

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Yeah.

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No one wants that.

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He's the sexiest, oldest man in the world.

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That's true, isn't it?

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He's the sexiest, oldest man.

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And you know how some people's skin gets very leathery when they get old?

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Chris Richard.

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Chris Richard.

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He's got chamois leather legs.

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He does.

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When he waxes his MG, he just does it nude.

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And he just rides all over it, all over the bonnet.

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Mmm.

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That's true.

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I love Chris Richards.

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Chris Richards.

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So Chris is the absolute best with his shammy legs.

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So listen man, how was your Glastonbury trip?

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Did you get here okay?

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Got here okay.

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We were here yesterday listeners.

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Adam and me arrived at about lunchtime yesterday and we usually get here on the first day.

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I've never been here on the day before.

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There was a nice atmosphere.

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It was very sunny.

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Everyone was kind of mildly tutti.

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and just strolling around getting a sense of the place.

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It was a beautiful day yesterday.

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It was a beautiful day.

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There was a little bit of sloppy muddy bits around the place.

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It took about 45 minutes for me to walk just from the yellow gate to the BBC compound.

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That's only half the distance of the actual site and it took a long time.

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There are some very excited security people who are taking great pleasure in doing their jobs.

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Checking all the tags.

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It's not in any way like it was in 19... When was the first year of the festival?

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70 was it?

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71 when it started.

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It was just Michael Eavis standing there saying, hey, welcome.

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And that was about it for security.

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He's still doing that.

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He just can't be heard because he's surrounded by so many people.

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That's true.

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I came, we both came on the train.

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Yeah.

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Did you have any traveling tales from the train?

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I didn't.

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I had a little sleep.

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Yeah.

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Nice little journey.

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Little kippage.

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Very civilized.

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Before we got on the train, I was in Paddington and I was checking out all... It's very easy to tell who's going to the festival when you're there at the stage.

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Yeah, you get corralled into a separate sort of thing.

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That's if you're going to Castle Carrey.

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We went to Bath Spa to avoid the madness.

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Yeah.

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But even on the Bath Spa train, it was very, very busy.

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Lots of people going on there, lots of anxious-looking mothers with their teenage daughters.

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Do you do that... When I was a kid and I was on a long train journey,

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one of the treats would be to walk the entire length of the train sure you'd get up you'd go all the way to the end all the way to the other end and then back to your seat did you do you still do that i was forced to do that because i had to put my bike in the end carriage and walk the other way down you're lucky it's not really a treat though not when it's rammed

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Takes ages.

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Squeezing past everybody.

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Squeezing.

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And there was a guy before we got on the train that I saw, he was one of the Hardy boys, you know?

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There's a lot of girls wandering around with their wellies and their nice little neatly packed knapsacks.

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There's a few guys that look like Nick Grimshaw, who've got, you know, shades and cool hair and maybe a jaunty hat.

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So you mean he's Hardy, he's rough and tough, rather than Nancy Drew and the Hardy boys?

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Exactly, yeah.

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And then there's and then there's the hardy type boy.

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He's got a giant backpack it looks as if he's just about a ship out to war and The guy that I saw also had a new looking wheelbarrow nice and in the wheelbarrow was around I would say 70 cans of lager and

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Mm-hmm.

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Perfect.

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As well as a whole load of new camping equipment.

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And he was just standing there, you know, grimacing under the weight of his... How had he got the wheelbarrow on the train?

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He hadn't got on the train at that point.

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Oh, I see.

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So I was thinking, like, what the heck is he thinking?

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I think what he does is he sits in it, on the beer, and he loops a rope around the back of the train.

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And he just gets tugged along.

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It's a bit bouncy.

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But he's very hardy, that hardy boy.

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Sure he is.

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Sure he is.

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And then when he gets off the train at Castle Kerry, what, does he just wheel it all the way to the side?

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No, he's drunk by then.

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He drinks the 70 Kansa for the journey.

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He'll get more when he gets here.

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He just rolls down the valley and lands in the mud.

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Hey, we should say something as well.

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If there's a weird acoustic, listeners, if everything sounds a bit different, it is because we're in this portacabin.

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And six music.

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um have managed to sort of deck out half of it in sort of soundproofy uh greengrocer's grass to kind of baffle the sound but um the six music budget has only stretched to four bits so there is a kind of weird sort of portacabin acoustic in here but bear with it we'll get used to it yeah it's absolutely it's all right

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Hey, let's play some music by one of the headliners from this weekend.

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They will be headlining the Pidamidge stage tomorrow night.

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That's Saturday, of course.

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And here is a track that is out on physical release on Monday.

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It's by the Mighty Coldplay.

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Of course, this is Every Teardrop is a Waterfall.

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Well done.

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That was Stephen Wonder.

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That was last year here at Glastonbury Live.

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I remember that.

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Of course it was Michael Eavis' birthday.

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Was it the birthday of Eavis or the birthday of the festival?

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Yeah, festival wonder.

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He joined Michael Eavis joined Stevie Wonder on stage to sing that song.

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Was he singing in that version we heard?

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No, no, that was that was superstition that song.

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Oh, thanks, mate.

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They did happy birthday.

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Thanks a lot.

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Thanks.

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Thanks.

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I'm just going to take a little break.

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Happy birthday to you.

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That's my impression of Evis with Stevis.

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It's good.

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It's good.

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It was excellent.

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So Joe, do you feel as if you have packed everything you need for your festival experience?

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Have you left anything behind?

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Uh, yeah, I've bought, I've left a pair of jeans behind.

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I realized this morning, I have, I've only bought one pair.

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I've got the one pair of jeans!

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I've got no other genes.

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So it's going to give a sort of excitement and tension to the next three days.

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So the bets are, when is it going to start raining today?

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It's going to do that any second.

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When is Joe's crotch hole going to suddenly expand?

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And maybe we could harness the power of the squadron.

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Black squadron surely must be on site.

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Do you think someone's got a sewing kit?

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You would think.

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Do you think one of them might be able to stitch up my...

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Little crotch split crotch split surely that's within the powers having to construct that sentence very carefully yeah, maybe I didn't do a good job, but That's got to be doable if you're on site And you can hear us somehow sewed up while the jeans are on so it has to be a very good It has to be a surgeon really

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Yeah, it has to be a surgeon.

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Someone like Squadron poking needles in your... Yeah, I'm very happy about that.

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They have to, but they have to be able to get the needle penetration shallow.

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You know, if they go too deep, then... Obviously, then it's curtains for cornballs.

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It's curtains for Dr. Sexy's cornballs.

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He's gonna close his practice.

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That could be edgy stuff.

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It's like Mission Impossible 5.

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Mission Impossibles.

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Well, I think I packed pretty much everything.

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Although last night I came onto the site with my wash bag and I left it in the compound.

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Just before we change the subject.

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Yeah.

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No, I'm going to... No, I'll change the subject back.

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I thought better of saying what I was going to say.

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Keep talking.

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Sorry.

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I had second thoughts.

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I had the compliance part of my brain kicked in.

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Oh, well done.

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Thanks.

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Hey, you know, it's right at the end of our run, but I'm glad that it finally started working.

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Yeah, I left my wash bag, mate.

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So I couldn't do my correct ablution routine this morning and last night.

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Oh, that's terrible.

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Because we're staying off site and it was very upsetting.

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The whole wash bag?

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The whole wash bag.

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Soap?

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So yeah I mean there's soap in the place where we're staying.

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Moisturiser, toothpaste, toothbrush, deodorant.

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No deodorant.

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You haven't got, you're going to stink.

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Well I've done it now because I just ran into the larvae just before we came on air and sorted it all out but last night I had to go to bed without brushing my teeth.

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That's not nice.

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That's grotesque.

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Furry teeth, furry gums.

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You know and also I had some onions with my delicious BBC supper last night.

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Raw onions, I'm gonna have raw onions.

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Look at the raw onions, I'm having them.

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And then I had onion breath and went to sleep with the onion breath.

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It was horrible.

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Have you got any good techniques for brushing your teeth when you don't have your toothpaste and brush there?

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Yeah, you just use a wet finger.

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Wet finger, that does nothing though.

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All that does is compact all that goo.

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No, that's how cavemen did it.

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Is it?

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Yeah.

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Cavemen, I thought they scraped them with twigs or a lizard or something.

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Twigs are good as well.

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You have to have a particular type of twig.

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Yeah, but if there's no twigs available, what do you do if you're just in a hotel room?

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Sometimes what I do is, you know, they can be quite starchy, the towels, so they're a bit rough.

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So I use a rough towel.

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You use a rough towel?

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Yeah, I towel down the teeth.

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Well done.

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That's a good technique.

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It's not really.

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I mean, it doesn't work.

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But it makes you feel as if you're doing something.

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You feel as if you have to do something, however pointless it is, just to get some action on the teeth.

13:47.533 --> 13:48.314
Towel down the teeth.

13:48.414 --> 13:49.275
Towel down the teeth.

13:49.615 --> 13:51.937
I'd be interested to hear if anyone's got any other suggestions.

13:52.498 --> 13:56.743
Don't forget the text number here in the BBC6 music porter cabin at Glastonbury is 64046.

13:59.625 --> 14:10.387
And also you can Twitter at BBC Adam and Joe in fact we request that you do so We're checking them all here on the bits of technology some of which are working.

14:10.407 --> 14:23.430
You know I've got a sexy tablet computer Yeah, so one of these Contempo tablets goes checking your messages there the offensive ones get filtered out at an early stage soon So don't even try once so don't even try This is Adam and Joe here on BBC six music.

14:23.510 --> 14:25.150
It's 1030 and time for the news

14:26.744 --> 14:27.265
Good stuff.

14:28.246 --> 14:29.687
That's De La Soul.

14:30.068 --> 14:31.669
The sound of the Daisy Age there, Joe.

14:32.791 --> 14:33.491
What does it all mean?

14:33.972 --> 14:35.233
And that was called...

14:37.628 --> 14:38.529
Three is the magic number.

14:38.589 --> 14:39.249
Well done.

14:39.269 --> 14:41.550
I remember it with my mind rather than looking at a piece of paper.

14:41.570 --> 14:42.071
Good work.

14:42.091 --> 14:42.711
My mind still works!

14:42.791 --> 14:43.171
Hooray!

14:43.191 --> 14:52.257
This is Adam and Joe here on BBC Six Music and of course we are opening up the coverage for Six Music of the Glastonbury Festival 2011.

14:52.697 --> 15:01.603
Three full days of non-stop music, mayhem, madness and I was trying to think of something else that began with M. Marmite.

15:01.943 --> 15:03.264
Marmite and Mud.

15:03.845 --> 15:06.487
Steve La Mac, of course, is here next.

15:06.627 --> 15:11.171
He was wearing a filthy coat, so I've christened him Steve La Dirty Mac.

15:11.691 --> 15:11.971
Nice.

15:12.151 --> 15:13.733
He's walking through the mud, he got very splattered.

15:16.195 --> 15:17.996
He's got a gunslinger swagger.

15:18.256 --> 15:25.763
Yesterday he was approaching us in the BBC compound flanked by... Do you know what that is before you start getting flippant about it?

15:26.643 --> 15:28.245
He's DJ'd for a long time.

15:28.565 --> 15:32.029
The bass rumbles have damaged some of the ligaments in his legs.

15:33.030 --> 15:35.512
Just through the sheer vibrations he's had to endure.

15:35.552 --> 15:37.134
So he can't actually straighten his legs anymore.

15:37.154 --> 15:37.394
Yeah.

15:37.574 --> 15:39.456
He's got that permanently bow-legged stance.

15:39.476 --> 15:42.959
He's ready, though, to have a gunfight with Bobby Gillespie at any point.

15:43.240 --> 15:43.660
Absolutely.

15:43.700 --> 15:45.722
Or any of the other big rock gunslingers.

15:45.742 --> 15:46.563
With sonic pistols.

15:46.863 --> 15:49.905
Lauren Laverne is here on six music from two o'clock.

15:50.346 --> 15:52.627
Stuart McConie is here from five.

15:53.088 --> 15:58.172
Keris Matthews and Sean Keaveney here at nine with BB King actually on the show.

15:58.732 --> 15:59.793
Flipping heck tucker.

16:00.193 --> 16:05.957
And Steve LaMack is back at 10 going live around the stages.

16:06.138 --> 16:08.079
Flying from stage to stage.

16:09.480 --> 16:11.280
from U2 to Primal Scream.

16:11.320 --> 16:13.441
He's going to be checking out all the live music tonight.

16:13.921 --> 16:17.002
And we were speaking to Sean Keveny yesterday, having a nice drinky.

16:17.702 --> 16:19.362
And he was saying that, what's his plan?

16:19.402 --> 16:22.783
He's going to stay up all night and see the sunrise tomorrow night.

16:24.363 --> 16:25.523
And then broadcast?

16:25.583 --> 16:25.943
Insane.

16:25.963 --> 16:35.105
I think he's going to finish broadcasting, then stay up, and then maybe it'll be part of Lauren's show, I think, his reports from staying up all night and watching the sunrise with the lunatics.

16:35.125 --> 16:36.645
I mean, that sounds ill-advised.

16:36.685 --> 16:38.686
You would have thought he'd be tired of seeing the sunrise.

16:39.306 --> 16:39.846
You know, exactly.

16:39.866 --> 16:40.586
With the hours he works.

16:40.786 --> 16:43.267
Once you get to 35, who needs to see another sunrise?

16:43.367 --> 16:43.587
I know.

16:44.027 --> 16:44.987
It's totally tedious.

16:45.007 --> 16:45.287
Rubbish.

16:45.687 --> 16:49.128
Later in the show, we're going to have some of our regular features popping up.

16:49.288 --> 16:52.429
Might be time for a bit of pop-ropriation or some egg-corn soon.

16:52.869 --> 16:55.829
But right now, here's some more music for you, listeners.

16:56.409 --> 17:01.110
And we have got a nice bit of Fleet Foxes coming your way now.

17:01.710 --> 17:04.111
We are hoping that we're going to speak to Robin Pecknold.

17:04.491 --> 17:06.792
lead singer of the Fleet Foxes later on today.

17:06.932 --> 17:17.554
Yeah, so if you've got any questions to put to Mr Pecknold, as I like to respectfully call him, do send them in, 64046, and we will pick out the best ones and say them to him.

17:17.715 --> 17:23.556
Now, they're shy, bearded mountain men who have very seldom been out in actual civilization.

17:23.756 --> 17:29.958
Well, this is the only kind of place they come to, because this is a similar lifestyle to their day-to-day existence.

17:29.978 --> 17:30.378
That's right.

17:31.018 --> 17:59.521
foraging for grubs in the mud exactly that kind of thing so they feel comfortable but what are they going to make of us because we're idiots and we're not really properly equipped to interview well he'll probably treat us like some sort of confused panicked trapped animal yeah they're very used to dealing with scared animals you know suckling pigs that are panicking yes stuff like that a rabbit that's being chased about to be killed chased they're very soulful you know they understand

18:00.582 --> 18:16.122
uh stupidity simplicity uh-huh they like a simpleton there's a couple of old guys that live down the road from them in a shack who are very similar to us and yeah they're just like very old they've had too much gumbo their brains are addled by homebrewed gumbo

18:17.123 --> 18:38.109
and that's how he will relate to us yeah well that's all I mean it'll be a relief for him in a way because most people when they interview the Fleet Foxes just talk about music boring so what we're gonna do is talk absolute rubbish to the man and see how he deals with that so tune in tomorrow to find out how that goes down but this is Fleet Foxes right now with helplessness

18:39.445 --> 18:40.505
What's he going on about there?

18:40.705 --> 18:42.926
And that's our lady walking by!

18:42.966 --> 18:43.367
Look at her!

18:43.387 --> 18:44.607
She's got that!

18:44.627 --> 18:45.107
Pandemonium.

18:45.527 --> 18:46.028
Over excited.

18:46.388 --> 18:48.268
MGMT with Flash Delirium.

18:48.328 --> 18:50.289
That was from their album last year.

18:50.609 --> 18:51.570
Congratulations.

18:51.750 --> 18:57.072
And of course MGMT were one of the bands that did a terrific set here last year.

18:57.312 --> 18:59.413
And they're not here this year though.

18:59.953 --> 19:01.074
So it's a shame, isn't it?

19:01.094 --> 19:02.015
That's a shame, isn't it?

19:02.115 --> 19:02.635
It's an absolute shame.

19:02.835 --> 19:05.777
But the live music is starting in about 10 minutes.

19:05.837 --> 19:06.137
Yes.

19:06.177 --> 19:12.802
And you might remember, listeners, we were telling you that we're in quite a flimsy portacabin directly behind the pyramid stage.

19:13.262 --> 19:26.651
So there is an atmosphere of expectation, tension and trepidation as to whether when the live music starts on the pyramid stage, it will, you know, disintegrate our portacabin like something out of a Roland Emmerich film.

19:26.671 --> 19:28.032
I'd be absolutely furious if that happens.

19:28.052 --> 19:29.453
It'll be like a Jimmy Porter cabin.

19:29.753 --> 19:29.836
AHHH!

19:31.691 --> 19:33.052
He's an angry young man.

19:33.332 --> 19:34.112
Nice, like it.

19:34.212 --> 19:35.232
Thank you.

19:35.433 --> 19:42.095
Also, Adam was asking you to suggest ways to clean your teeth if you've forgotten your tooth brushing kit.

19:42.315 --> 19:43.195
Yeah, top tips.

19:43.496 --> 19:50.038
I've never been able, you know, I'm nearly 70 years old and I've never sussed out thus far in my life the best way to deal with the situation.

19:50.058 --> 19:52.839
And I'm sure this is a situation that's happening to lots of people here at Glastonbury.

19:52.859 --> 19:56.300
They've forgotten to bring some sort of essential and the toothbrush is the most essential of all essentials.

19:56.360 --> 19:57.301
It really is, no one wants to.

19:57.321 --> 20:00.422
Now you can buy them, but nobody buys anything at Glastonbury.

20:01.002 --> 20:01.302
No.

20:01.342 --> 20:02.723
No one goes shopping at Glastonbury.

20:02.743 --> 20:04.464
Well, we bought some wellies yesterday.

20:04.604 --> 20:05.304
We did, that's true.

20:05.604 --> 20:06.325
Yeah, that was amazing.

20:06.345 --> 20:08.126
But here are some suggestions that have come in from listeners.

20:08.166 --> 20:12.428
Gareth in Corby says, Hello Adam and Joe, on the theme of teeth in India they use neem sticks.

20:12.948 --> 20:13.588
Neem sticks?

20:13.608 --> 20:17.870
You chew the end, this is good, you chew the end, then you use the chewed end for brushing.

20:18.410 --> 20:23.533
He says neem is medis, medicineow, spelt M-E-D-I-S-N-O-A-L.

20:24.433 --> 20:32.180
And leaves, spelt L-E-A-V-S-E, are used in curry as flavour, plus neem oil put on hair kills life.

20:32.560 --> 20:33.921
Gareth and Corby.

20:34.021 --> 20:35.022
That's my kind of doctor.

20:35.122 --> 20:37.064
Here's one from an anonymous person.

20:37.124 --> 20:40.006
He says, um, good morning Buck Corn.

20:40.266 --> 20:42.928
A coconut husk works very well as an emergency toothbrush.

20:43.329 --> 20:43.769
A coconut.

20:44.169 --> 20:45.370
Ah, that's a great suggestion.

20:45.591 --> 20:47.232
Where am I going to get a coconut?

20:47.492 --> 20:48.834
These are all tropical solutions.

20:48.874 --> 20:50.936
We need some local solutions.

20:51.877 --> 20:52.858
Here is another one.

20:52.958 --> 20:58.243
Carpet, curtains, menus, and depending on its strength, hotel wifi can be used to clean teeth.

20:59.724 --> 21:00.245
It's true, isn't it?

21:00.805 --> 21:02.507
They advertise those sonic toothbrushes.

21:03.108 --> 21:07.772
So maybe if you just tuned a radio into a very high frequency and pressed it to the teeth,

21:08.513 --> 21:11.036
it would kind of vibrate the dirt off.

21:11.296 --> 21:13.858
I think Florence and the Machine have the same sort of effect.

21:13.919 --> 21:18.083
If you direct their music directly into your mouth, it'll strip.

21:18.103 --> 21:21.366
The only problem is you have to keep the volume down, otherwise it strips the enamel right off.

21:21.626 --> 21:22.207
Here's a good one.

21:23.328 --> 21:24.849
John and Michelle say, hello, Adam and Joe.

21:24.869 --> 21:29.954
Regarding teeth, we've always used Sambuca to clean both morning, noon and night whilst at a festival.

21:30.034 --> 21:31.376
Just like mouthwash.

21:31.496 --> 21:32.096
Nice gargle.

21:32.757 --> 21:33.478
Yeah, there we go.

21:33.538 --> 21:42.063
You could also use, um, what's the stuff they used to, like their artists used to use that was banned for a long time, um, that sent people insane?

21:42.283 --> 21:43.584
You know what I'm talking about, listeners!

21:43.944 --> 21:44.304
Absinthe!

21:44.924 --> 21:45.405
Absinthe.

21:45.665 --> 21:46.405
Absinthe.

21:46.525 --> 21:48.206
Nice little Absinthe gargoyle.

21:48.527 --> 21:50.688
Last thing at night, give you nice funny dreams.

21:50.928 --> 21:55.691
Somebody says apparently if you rub half a strawberry on your teeth, that works too.

21:55.751 --> 21:56.291
Is that true?

21:56.311 --> 21:57.132
That can't be true.

21:57.152 --> 21:58.153
They're a sugary treat.

21:59.093 --> 22:02.042
Surely that just works to eliminate the teeth from the equation.

22:02.062 --> 22:06.374
That sounds a little bit like nonsense nonsense nonsense

22:07.467 --> 22:08.888
Let's have some more music right now.

22:08.928 --> 22:12.511
And after this, I think we should have some Glastonbury band facts.

22:12.951 --> 22:14.152
Oh, I was excited.

22:14.172 --> 22:16.934
You know, this is the number one fact station.

22:16.974 --> 22:23.319
People listen to our show to get hard news, political opinion and hard factual stuff.

22:23.399 --> 22:25.100
So that's coming up after this.

22:25.340 --> 22:29.443
We have got for you, listeners, some classic XTC.

22:29.983 --> 22:31.685
And are you going to fire this off right from the beginning?

22:31.705 --> 22:32.305
Because it's very quiet.

22:32.325 --> 22:33.286
Let's fire it off, James.

22:35.066 --> 22:39.688
Oh, I love this from 1982 since it's working overtime.

22:40.388 --> 22:50.272
Oh, wouldn't it be great if XTC were ever tempted out onto the stage again here at Glastonbury and I would jump up and down to that one if they played it and all the other ones that they would play.

22:50.612 --> 22:51.532
But it's just a pipe dream.

22:51.892 --> 22:56.594
This is Adam and Joe here on BBC6 Music live at the Glastonbury Festival.

22:56.894 --> 23:05.817
Now, if you go to bbc.co.uk slash Glastonbury, you will see sort of live webcam coverage of the site.

23:06.237 --> 23:18.822
And if you were watching that during the last record and you saw the webcam going a bit crazy, zooming in in a chaotic manner, then that was because that was me, because they foolishly put the controls to it in our portacabin.

23:19.322 --> 23:24.044
And I went over there and started messing around with the joystick.

23:24.804 --> 23:25.244
And it's fun.

23:25.284 --> 23:26.665
You have to be careful what you point it at.

23:26.685 --> 23:27.406
You're not allowed to.

23:27.446 --> 23:28.647
You have to respect people's privacy.

23:28.667 --> 23:28.987
Sure.

23:29.447 --> 23:31.969
Make sure you do general views as a rule.

23:32.530 --> 23:34.611
But it's nice to have control of a BBC camera.

23:34.871 --> 23:38.374
You know, a lot of people get very angry about the way that concerts are covered on television.

23:38.874 --> 23:39.034
Right.

23:39.294 --> 23:39.655
Don't they?

23:39.695 --> 23:44.118
They think they don't like it when the editing gets crazy, when people cover stuff in close ups.

23:44.138 --> 23:47.560
A lot of people like to see just a wide of the performance.

23:47.580 --> 23:49.882
Do you ever feel like that when you watch a concert on telly?

23:50.502 --> 23:57.727
But you see a lot of letters of complaints on points of view and stuff that the vision mixers are trying to get to fancy pants Do you know what I mean?

23:57.967 --> 24:04.571
Yeah, you don't you don't look as if you've got anything to say well, that's just um, that's just pointless Quibbling though, isn't it?

24:04.611 --> 24:06.372
You want it to be covered as what you want it to sound?

24:06.392 --> 24:13.837
I think their argument is that a stage show is designed to be seen as like a wide shot by the audience So that's that's if you're there live.

24:13.857 --> 24:15.038
Yeah, you don't telly you

24:15.498 --> 24:20.061
You want it to be exactly like a tele-programme with all close-ups and... You want it to be 3D.

24:20.181 --> 24:20.481
Yeah.

24:20.501 --> 24:21.402
I know what you mean.

24:21.422 --> 24:24.004
I think some listeners will understand what I'm getting on about.

24:24.024 --> 24:24.664
No, I don't think they will.

24:25.044 --> 24:25.465
Don't you?

24:25.545 --> 24:26.405
No, I don't think anyone will.

24:26.605 --> 24:27.246
I'm wasting my time.

24:27.466 --> 24:28.246
Totally wasting your time.

24:28.607 --> 24:33.730
Anyway, it was fun to have control of a camera, and I've put it in a very nice wide shot there of the pyramid stage.

24:34.210 --> 24:38.233
So if you get annoyed at the style of coverage on the BBC's television coverage,

24:38.533 --> 24:39.974
It's Cornball Squad.

24:40.014 --> 24:40.814
It's not Cornball Squad.

24:41.394 --> 24:47.736
You can tune into Corn Cam, which just has a very boring wide shot of proceedings that stays there the whole time.

24:47.816 --> 24:49.717
And that's not true because I won't be controlling that camera.

24:49.737 --> 24:52.277
Set the controls for the heart of the corns.

24:52.537 --> 24:54.158
Let's have some band facts, why not?

24:55.418 --> 24:56.959
BAND FACTS!

24:59.640 --> 25:00.080
Was that it?

25:00.520 --> 25:02.061
Didn't we have a different jingle last year?

25:02.221 --> 25:02.902
We got a few.

25:03.202 --> 25:04.283
Wasn't there a better one last year?

25:04.303 --> 25:07.725
Well there's not like a proper jingle it's just sort of stabs we call them.

25:07.945 --> 25:08.405
That was good.

25:08.425 --> 25:09.266
Do you have another stab?

25:10.427 --> 25:12.668
Glastonbury band facts.

25:15.031 --> 25:15.691
That's better.

25:15.792 --> 25:16.872
It's more serious, Sam.

25:16.892 --> 25:17.793
That is more serious.

25:17.913 --> 25:23.897
Because what you're just about to hear now is some important facts about one of the headline acts from the festival this year.

25:24.318 --> 25:30.222
Tonight, you two will be stepping onto the stage after Morrissey has left...

25:31.283 --> 25:37.188
The crowd will be whipped up into a state of feverish excitement as Bonio and the rest of the boys step on.

25:37.268 --> 25:44.335
Here are some facts about what I think we can still call at least one of the biggest bands in the world.

25:44.596 --> 25:44.996
Chumbawumba.

25:45.016 --> 25:46.257
Slash universe.

25:46.778 --> 25:48.299
I think they're bigger than Chumbawumba.

25:48.359 --> 25:48.600
What?

25:48.840 --> 25:49.220
U2.

25:51.422 --> 25:53.184
I think they are bigger than Chumbawumba.

25:53.925 --> 25:54.345
Did you know

25:55.302 --> 26:03.323
Bono, or to give him his full, long name, Paul Bonus, has pretended to be Irish for most of his life.

26:03.723 --> 26:17.086
He actually grew up in Queensland, Australia, where all the queens come from, and he worked there as a drag queen until he could afford to buy a top-of-the-line utility vehicle in which he would drive around singing ABBA songs.

26:17.566 --> 26:23.067
And people would often see Bonus driving around and shout, look at that ute!

26:25.492 --> 26:26.253
I did know that, yeah.

26:26.513 --> 26:36.760
So when it came time to form a band, he decided to call it Beautiful Ute, and then Musical Ute, and then finally just changed it to Ute.

26:36.980 --> 26:38.921
Ooh!

26:39.742 --> 26:40.342
I did know that.

26:40.402 --> 26:41.663
Everybody knows that, obviously.

26:41.843 --> 26:43.364
I'm starting with the stuff that everyone knows.

26:43.384 --> 26:44.445
Tell us something we don't know.

26:44.565 --> 26:47.647
Alright, the edge has a ledge on which it grows veg.

26:49.882 --> 26:50.062
Mmm.

26:50.122 --> 26:50.682
Did you know that?

26:50.842 --> 26:51.583
I don't know.

26:51.683 --> 26:53.144
I question the veracity of that.

26:53.204 --> 26:53.964
I mean, it rhymes.

26:54.224 --> 26:55.425
Most things that rhyme are true.

26:55.445 --> 26:55.845
Listen.

26:56.006 --> 26:56.626
I'll give you that.

26:56.826 --> 27:01.049
I included it here because it's surprising that not only does it rhyme, it's also true.

27:01.849 --> 27:02.270
Say it again.

27:02.290 --> 27:05.732
The edge has a ledge on which he grows veg.

27:06.052 --> 27:06.853
Like a window ledge.

27:07.193 --> 27:07.673
Exactly.

27:07.713 --> 27:09.074
He grows veg on his window ledge.

27:09.094 --> 27:10.015
Yeah, he's got a box there.

27:10.655 --> 27:16.239
It used to be him and David Gedge from The Wedding Present used to grow veg on the ledge.

27:16.799 --> 27:19.001
But then David Gedge went off and he got an allotment.

27:20.208 --> 27:25.890
Drummer Larry Mullen from the band U2 is the youngest member of the group by quite some way.

27:25.950 --> 27:26.170
He's 12.

27:27.891 --> 27:35.034
And Larry is paid in DS games and sherbet flying saucers and Nerf guns.

27:35.594 --> 27:35.874
Really?

27:36.014 --> 27:38.235
Other foamy guns are available.

27:38.675 --> 27:45.938
But his prized possession in the Nerf armory of Larry Mullen is the Ultimatron Dominator Max.

27:46.718 --> 27:50.001
It requires five men to assemble and carry it.

27:50.461 --> 27:52.543
Currently that job is done by Westlife.

27:56.386 --> 27:58.988
Will that be part of the show tonight?

27:59.008 --> 28:00.910
That was a very patrician.

28:01.230 --> 28:06.775
Well, again, you know, you've just Wikipedia'd these facts and it shows a lack of effort.

28:06.835 --> 28:07.456
You knew that one, did you?

28:07.476 --> 28:09.257
I mean, you're just going to read stuff off Wikipedia.

28:09.277 --> 28:10.018
I bet you didn't know this.

28:12.543 --> 28:13.784
Well, actually, people do know this.

28:15.025 --> 28:20.790
Bono and his wife Colleen Nolan have 27 children who all have special powers.

28:20.830 --> 28:25.394
They live in an academy in Brighton where they're taught how to use those powers by Patrick Stewart.

28:25.414 --> 28:28.036
I think it's Tim Allen runs that school.

28:28.096 --> 28:28.416
Is it?

28:28.436 --> 28:28.516
Yeah.

28:29.657 --> 28:30.498
Stuart retired.

28:30.839 --> 28:32.100
He did retire.

28:32.160 --> 28:33.121
You're absolutely right.

28:33.161 --> 28:36.265
So if you're going to tell us stuff we already know, get it right, why don't you?

28:36.305 --> 28:37.927
Sometimes these facts go wrong.

28:38.728 --> 28:48.339
Did you know that extra security has been laid on tonight here at Glastonbury because of all the famous and controversial people who have turned up to see the band perform, including the Pope?

28:48.900 --> 29:00.423
Salman Rushdie, Tony Blair, George Bush, George Galloway, Andy Crane, Davina McCall, Bass Hunter, and Prestong from The Ordinary Boys.

29:00.463 --> 29:02.663
Prestong.

29:02.723 --> 29:03.823
The biggest name of all.

29:04.023 --> 29:08.004
Yeah, I mean, Prestong is, he needs the most amount of security.

29:08.144 --> 29:10.285
Well, he's actually being... Because of the way he treated Chantel.

29:10.885 --> 29:35.670
yeah he has to be shot here in an underground tube does he at high speed because it's just too dangerous for him to come any other way you know a star like beyonce can come in a chopper sure which is of course vulnerable to missile attack preston can't be exposed to that kind of danger so he has to be shot shot down and reinforced down one of the post offices underground tubes as we know that the post office has a network of underground tubes under the country

29:36.310 --> 29:55.766
Down which they fire post it's the same tube that they used to fire Winston Churchill to all the festivals in yeah And now it's being used by press dong final fact you too, and this is very topical they own Greece I don't know if you knew that mm-hmm And they are responsible for running it into the ground at the moment in order that they can use it as a private holiday village at weekends

29:58.408 --> 29:59.289
Now that one I didn't know.

29:59.309 --> 30:00.770
When I found that I was pretty shocked.

30:00.850 --> 30:01.530
That's disgusting.

30:01.570 --> 30:02.791
We should mount some sort of a protest.

30:02.991 --> 30:04.812
Well, maybe I'll be out there protesting tonight.

30:04.832 --> 30:05.192
I don't know.

30:05.972 --> 30:07.053
Let's have some more music right now.

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It's time for the caveman!

30:09.909 --> 30:10.670
Bong!

30:11.090 --> 30:13.332
That's Sleigh Bells with Rill Rill.

30:13.472 --> 30:18.718
That's out on Monday the 27th of June from their debut album, Treats, out now.

30:18.938 --> 30:22.241
Adam and Joe here live at Glastonbury Festival.

30:22.341 --> 30:26.825
Yeah, and don't forget you can text us 64046 or the Twitter is at BBC Adam and Joe.

30:26.865 --> 30:29.388
Hello to Twit Squadron who are Twittering.

30:30.489 --> 30:32.451
I see that Wickwalks is doing some Twittering there.

30:33.752 --> 30:38.959
I feel particular affection towards Wick-Wox and her... is that how Wick-Wox is a lady, isn't it?

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And her dad, who sent us in that amazing jingle the other week.

30:43.385 --> 30:43.885
Do you remember?

30:43.905 --> 30:45.507
Oh, is that Wick-Wox?

30:45.527 --> 30:45.808
Yeah.

30:46.488 --> 30:47.249
Also known as...

30:47.950 --> 30:48.250
Roo.

30:48.390 --> 30:48.931
There you go.

30:49.031 --> 30:49.731
Cyber Ruby.

30:49.912 --> 30:51.293
Hello you guys, thanks for joining in.

30:51.333 --> 30:52.994
It's exciting to be doing this on a Friday, don't you think?

30:53.014 --> 30:54.315
So are they actually at the festival then?

30:54.495 --> 30:54.956
I don't think so.

30:55.256 --> 30:55.756
They're at home.

30:56.557 --> 30:59.019
They are at home and here is an email from someone else who is at home.

30:59.059 --> 30:59.719
He's called Luke.

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He's from Burton-on-Trent.

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Whilst I'm sure you're having a splendid and tremendous time at Glastonbury this year, I think you should spare a thought for those who didn't manage to get tickets.

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I fall into this category and in my fit of despair decided that I'd organise a miniature festival in my back garden for around 15 of my closest pals.

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Rather than the pyramid stage, we have a moderately sized gazebo.

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Instead of having live bands, we're going to watch BBC highlights.

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And in place of the excellent variety of attractions, we're going to draw pictures and make friendship bands.

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We've called it Grastonbury because it takes place on grass rather than mud.

31:31.355 --> 31:32.175
So that's exciting, isn't it?

31:32.195 --> 31:32.755
That's a good idea.

31:32.915 --> 31:33.836
That's a very good idea.

31:33.876 --> 31:35.816
Who have they got for security, though?

31:35.916 --> 31:36.716
Probably mum.

31:37.296 --> 31:37.596
Mum.

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She's going to come round.

31:38.357 --> 31:39.617
She's going to be incredibly officious.

31:39.797 --> 31:42.498
If anyone wants to go to the lab, she's not going to let them in unless they've got the right wristbands.

31:42.518 --> 31:43.978
There's nothing more fearsome than an angry mum.

31:44.218 --> 31:45.959
How tight is your wristband?

31:45.979 --> 31:49.502
Because you know when you come in what you have to do is you exchange your ticket.

31:49.522 --> 31:50.963
How tight is your wristband?

31:51.144 --> 32:01.352
For a wristband and the officials put the wristband on you and they make it really really tight so that it can't come off and you can't take it off yourself and transfer it to someone else.

32:01.632 --> 32:04.775
And they clamp it with a special kind of plastic clamp thing.

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I notice yours are quite loose.

32:06.516 --> 32:08.978
I managed to circumvent my clamp.

32:09.198 --> 32:09.939
How did you do it?

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Well, did you do it Houdini style one of Houdini's techniques when they put a straitjacket on he would expand his chest and breathe out So however tight the audience person strapped it on he could then just breathe out and he'd have a bit of wriggle room No, I let them put it on fine because they know all those tricks this I mean you can't do that with your wrist Certainly if my wrists like a little twig, there's no muscle there nothing to expand expand your wrist It's the only part of your body that it's impossible to expand.

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Oh, no, there's an Except for your mind

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Yeah, so no, what I did is I just bit into it.

32:42.964 --> 32:49.349
I just bit into the plastic twazzle that is attaching it last night, because I don't like to go to sleep... So you undid it and did it up again?

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Yes, I don't like to go to sleep with anything on my wrists, you know?

32:52.572 --> 32:57.276
I like to be absolutely nude the way I entered the world when I go to sleep at night, you know?

32:57.336 --> 32:57.897
Fluffy cuffs?

32:58.417 --> 33:03.623
No fluffy cuffs, I take those off and... What do you do with your studded bracelets?

33:03.764 --> 33:05.486
I hang up all my studded bracelets.

33:05.626 --> 33:06.627
What about your dog collar?

33:06.687 --> 33:09.350
My nipple clamps, I put them on the bedside table.

33:09.410 --> 33:11.613
The dog collar I take off, I take my leather chaps off.

33:11.633 --> 33:13.074
You'll never get those tats off though.

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Those dolphin tats.

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Oh, no, the dolphin tats.

33:16.558 --> 33:17.178
I scrape them off.

33:17.518 --> 33:17.939
Do you?

33:17.959 --> 33:19.960
Yeah, and I apply them fresh every morning.

33:19.980 --> 33:23.022
That's why I look so raw and red sometimes in the mornings.

33:23.522 --> 33:24.343
It's a nice image, isn't it?

33:24.383 --> 33:28.266
But I don't like to have anything at all on me, so I removed it.

33:28.286 --> 33:30.147
I bit the plastic thing back on.

33:30.187 --> 33:30.567
You didn't.

33:30.627 --> 33:31.728
And if they're listening now...

33:32.108 --> 33:36.195
They're going to probably gang up on me and beat me to a pulp because you're really not allowed to do that.

33:36.575 --> 33:38.979
It invalidates the actual past.

33:39.019 --> 33:41.263
It's a very risky business that I'm involved in.

33:41.283 --> 33:46.310
But I'm sort of hoping that because I'm doing a show for the BBC here, I might be able to get around it somehow.

33:47.572 --> 33:52.475
But I'm wishing that I never even started speaking about it, because I'm gonna be beaten up now by the- You're gonna be thrown off the site.

33:52.515 --> 33:53.795
Security guys, yeah.

33:54.135 --> 33:54.636
It was stupid.

33:54.656 --> 33:56.216
I'm quite a stupid guy in a way, aren't I?

33:56.577 --> 33:57.857
You shouldn't be broadcasting here.

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No, I'm totally irresponsible.

33:58.538 --> 33:59.938
What would Taffin have to say about that?

34:00.719 --> 34:01.579
Well, exactly.

34:01.959 --> 34:05.501
We should have some kind of Taffin flash mob with Black Squadron at some point, don't you think?

34:05.521 --> 34:06.722
Uh, possibly.

34:07.322 --> 34:07.802
We should.

34:08.262 --> 34:09.783
The word flash mob- You don't like the word flash mob.

34:09.823 --> 34:10.544
It creeps me out.

34:10.764 --> 34:12.224
What other word can we use for flash mob?

34:12.284 --> 34:12.945
Instant party.

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Yeah, uh, yeah.

34:15.046 --> 34:16.146
Instant party, yeah.

34:16.326 --> 34:17.927
Let's have a tap-in instant party.

34:18.267 --> 34:22.309
If you're listening right now, come on, let's put them in the mood with a little bit of, uh, Bronnholm.

34:22.569 --> 34:25.070
Then maybe you shouldn't be living here!

34:26.141 --> 34:29.365
And, you know, we got some Hindi Bronhomme as well that was sent in by someone.

34:29.645 --> 34:30.846
Shall we play that later, James?

34:30.966 --> 34:31.707
Let's play that later.

34:31.727 --> 34:32.348
We'll tease that.

34:32.388 --> 34:33.209
We could have some music.

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Yeah.

34:34.750 --> 34:35.872
Let's have some music right now.

34:36.092 --> 34:37.634
And who have we got coming up?

34:37.714 --> 34:38.835
Oh, yeah, this is my free choice.

34:38.855 --> 34:38.975
Yeah.

34:38.995 --> 34:40.156
A bit of David Bowie.

34:40.176 --> 34:44.942
I mean, he was one of the first people to play at the Glastonbury Festival when he was just an unknown hippie man.

34:44.962 --> 34:45.122
Yeah.

34:45.382 --> 34:45.822
Is that true?

34:45.842 --> 34:46.683
What year was that then?

34:47.143 --> 34:47.863
Oh, I don't know.

34:48.023 --> 34:48.504
Early, early.

34:48.524 --> 34:48.744
I mean, 71, 72.

34:48.984 --> 34:50.144
We should find out about that.

34:50.745 --> 34:53.746
And he was invited back, of course.

34:53.826 --> 34:55.647
The next time he played at Glastonbury after that was 2000.

34:55.727 --> 35:01.830
That was the first year that we came to Glastonbury to cover it for BBC Three, BBC Choice, as it was then on the telly when we were allowed.

35:01.850 --> 35:02.831
But he didn't come and see us.

35:02.851 --> 35:03.611
On the telly, no.

35:03.731 --> 35:04.551
He threatened him.

35:04.952 --> 35:05.392
But he didn't.

35:05.632 --> 35:08.813
But for that gig Bowie grew his hair.

35:08.913 --> 35:14.054
I heard this on a program on Six Music all about Glastonbury and it would be lovely to think that it was actually true.

35:14.334 --> 35:19.676
But Bowie apparently for that gig in 2000 grew his hair to the length that it would have been when he first played at Glastonbury.

35:20.256 --> 35:26.918
And then he also had a reproduction made of the costume that he wore, the big lady dress thing that he wore.

35:27.358 --> 35:36.384
So he stepped out onto the stage looking more or less exactly as he would have done a few hundred years beforehand, except obviously a little bit more craggly, but still beautiful.

35:36.865 --> 35:47.953
And here is one of my favorite Bowie songs, must have been inspired by Glastonbury to some degree, Memory of a Free Festival, and this is one of the versions you can get on one of the reissues of the album Space Oddity.

35:48.453 --> 35:52.356
And it's got the best hippie festival lyrics ever.

35:52.696 --> 35:55.018
There's one bit in there, one passage, and I always imagine

35:55.618 --> 35:59.961
David is a youngster going home to his mum after the festival and she says, how was the festival, darling?

36:00.621 --> 36:01.762
Yes, it was great, mum.

36:01.782 --> 36:06.505
We scanned the skies with rainbow eyes and saw machines of every shape and size.

36:06.745 --> 36:20.934
We talked with tall Venusians passing through and Peter tried to climb aboard but the captain shook his head and away they soared, climbing through the ivory vibrant clouds and someone passed some bliss amongst the crowd.

36:21.174 --> 36:24.517
Then we walked back to the road, unchained,

36:25.238 --> 36:26.040
That's nice, darling.

36:26.442 --> 36:27.084
So here you go.

36:27.144 --> 36:28.228
Here's the real thing.

36:28.249 --> 36:30.236
This is David Bowie with memory of a free festival.

36:31.423 --> 36:31.943
Yes.

36:32.283 --> 36:33.044
That's fantastic.

36:33.184 --> 36:36.745
David Bowie there with memory of a free festival.

36:37.506 --> 36:48.091
Yeah, so there's a guy here who wants to capture just one drop of all the ecstasy that's swept in the afternoon, then paint that love upon a white balloon, which he wants to fly from the top of all the tops that man has pushed beyond his brain.

36:49.011 --> 36:50.091
No, sorry, mate, you can't do that.

36:50.332 --> 37:00.076
You can have a balloon, but you can't paint it with any kind of ecstasy whatsoever, and I'm afraid you don't have the right wristband to get to the top of all the tops that man has pushed beyond his brain.

37:00.516 --> 37:06.163
So I'm afraid you'll just have to go back to the mud field there and sit in the mud for a while.

37:06.944 --> 37:09.927
This is Adam and Joe broadcasting live from the Glastonbury Music Festival.

37:09.947 --> 37:10.528
Hello listeners.

37:11.269 --> 37:17.416
Don't forget you can get all your Glastonbury needs fulfilled without even coming to the festival by staying tuned to 6music.

37:18.337 --> 37:20.018
Steve LaMack is on After Us.

37:20.058 --> 37:21.760
He'll have Jeremy Hardy and Billy Bragg.

37:22.080 --> 37:23.101
Laverne is after that.

37:23.201 --> 37:25.162
McConie, Matthews and Keaveney.

37:25.542 --> 37:26.523
Then LaMack is back.

37:26.823 --> 37:27.724
What an incredible line-up.

37:28.304 --> 37:32.507
Lauren is going to be talking to Mumford & Sons, or at least two of Mumford & Sons.

37:33.048 --> 37:37.191
And they are going to be playing, of course, tonight on the other stage.

37:37.231 --> 37:39.753
The other stage is sort of the cool stage.

37:39.873 --> 37:40.133
Right.

37:40.253 --> 37:40.994
Festival, I think.

37:41.034 --> 37:42.795
The pyramid stage is where all the heavy hitters

37:43.215 --> 37:58.793
can be found, but headlining the other stage tonight are Primal Scream, Mumford and Sons before them, Fleet Foxes are on there tonight, you've got the Wombats and the Vaccines before that, Bright Eyes, it's all happening, Chipmunk, he's just come on stage, I think, over on the other stage.

37:59.113 --> 38:00.054
Chippy, little Chippy.

38:00.214 --> 38:01.975
halfway through halfway through his set.

38:02.315 --> 38:10.278
We spoke to Emmy the Great yesterday or at least Emma Lee Moss from Emmy the Great and we're going to play you that interview a little bit later on.

38:10.438 --> 38:16.240
One thing we should say is we'll have a lot of live music from the festival tomorrow and Sunday.

38:16.601 --> 38:22.903
At the moment though obviously the thing's only just gearing up but this is definitely the place to come to hear the sets as they happen.

38:23.203 --> 38:26.965
But right now before the news let's have some orange juice ah this is a track that we both

38:27.685 --> 38:29.186
feel very fond of, isn't it, Joe?

38:29.346 --> 38:30.047
Yeah, what one is it?

38:30.247 --> 38:33.349
I Can't Help Myself from 1982 from their album Rip It Up.

38:33.369 --> 38:33.990
This is Orange Juice.

38:35.130 --> 38:36.852
The sound of the summer.

38:36.912 --> 38:39.874
That's a fantastic new band called Orange Juice.

38:40.254 --> 38:41.495
That's called I Can't Help Myself.

38:41.515 --> 38:43.677
Oh, that's not a good voice at all.

38:43.837 --> 38:44.897
I was experimenting.

38:44.917 --> 38:47.659
That's the voice of a seventies DJ who is now in prison.

38:49.881 --> 38:50.261
Yeah.

38:51.222 --> 38:52.443
Dirty Phil Philpott.

38:52.463 --> 38:56.145
He moved to Prague and then things went downhill.

38:58.567 --> 39:00.248
Oh What a beautiful morning

39:14.535 --> 39:15.075
It's disgusting.

39:15.536 --> 39:22.358
And it is still a beautiful morning, only just here at Glastonbury, but the clouds are gathering and the forecast... It's fine, it's fine, it's fine, it's fine.

39:22.378 --> 39:22.898
It's not good.

39:22.939 --> 39:27.540
I mean, just the idea that there's heavy rain forecast later today is bumming me out.

39:27.600 --> 39:29.661
It's like a giant cloud fruit machine.

39:30.241 --> 39:36.384
You know, every five or ten minutes God pulls the handle, all the fruity signs roll round, stormy cloud, blue sky.

39:36.724 --> 39:38.085
You know, light cloud.

39:38.225 --> 39:39.766
And at the moment it's a mixture of everything.

39:39.826 --> 39:40.826
Nobody knows what's going to happen.

39:40.846 --> 39:41.867
But that adds to the thrills.

39:42.207 --> 39:42.987
Yeah, I suppose so.

39:43.628 --> 39:45.228
But there's going to be a lot of mud here.

39:45.388 --> 39:48.410
I tell you, if the sky's open, it's already very muddy.

39:49.110 --> 39:53.433
It's going to be an absolute mess factor if the rain comes down.

39:54.053 --> 39:54.513
So listen.

39:55.914 --> 39:56.994
That's a good sentence, wasn't it?

39:57.355 --> 39:58.015
Very happy with that.

39:58.655 --> 40:01.917
It's 11.30 here on BBC6Music and it's time for the news.

40:02.557 --> 40:05.559
It's the mighty HID with no surprises there.

40:05.699 --> 40:07.419
Adam and Joe here on BBC6 Music.

40:07.460 --> 40:13.763
Of course, Tom York and Johnny Greenwood were one of the surprise guests on the park stage last year.

40:14.263 --> 40:15.664
They popped out and played a blinder.

40:15.704 --> 40:21.347
There's a very sweet photograph here on our script of Tom that I think was taken there, wasn't it?

40:21.387 --> 40:27.610
Yeah, he's got his little stripey bandana on and he's smiling very sweetly and having a terrific time.

40:27.650 --> 40:29.811
It was a great moment from last year's festival.

40:31.392 --> 40:34.333
And right now, I think it's time we had some eggcorns.

40:34.953 --> 40:35.574
Let's have the jingle.

40:36.114 --> 40:41.616
Somebody's been ear-dropping on me And now I'm suffering their strings and arrows, can't you see?

40:41.917 --> 40:57.624
I was standing on the curve like a jester of goodwill But now I'm curled up in the feeble position still Cause of my Eggcorns When it comes to eggcorn business Eggcorns I'm like Farmer Heck in Christmas Eggcorns The boss will call the kettle back

41:01.767 --> 41:02.828
Wow, I love a bit of metal.

41:03.268 --> 41:04.929
It's packed with eggcorns, that metal.

41:05.649 --> 41:07.770
Here's a message right now from Tony.

41:08.010 --> 41:12.132
He is a gay mailman, and he says, Hi Adam and Joe.

41:12.312 --> 41:15.154
My mate Matt came out with a classic eggcorn a few weeks ago.

41:15.574 --> 41:20.056
I told him that I'd got round to watching the most recent Harry Potter film, and it was pretty much meh.

41:20.716 --> 41:23.298
He said, yeah, it was something of a damp squid.

41:24.358 --> 41:33.461
I asked him what he meant and he said, you know, when you order some fried calamari and the batter's a little bit disappointing and damp.

41:34.121 --> 41:38.943
Turns out he's been saying damp squid for years and he's worked out a whole reasoning for it.

41:40.007 --> 41:41.808
Well, the reasoning is obvious.

41:41.848 --> 41:44.110
I mean, they're aquatic creatures, so they're constantly damp.

41:44.170 --> 41:45.311
Of course, yeah.

41:45.351 --> 41:49.333
Beyond that, it's hard then to connect it to, you know, the idea of disappointment.

41:50.734 --> 41:53.516
Because you shouldn't be disappointed by a squid being damp, should you?

41:53.676 --> 41:54.957
It should be something you expect.

41:55.558 --> 42:02.862
Yes, well, Tom specifically is talking about the disappointment that you feel when your calamari is damp, not sufficiently crispy.

42:03.143 --> 42:07.385
And that, he thinks, is the genesis of the phrase... Sorry, I forgot to listen to that bit.

42:07.405 --> 42:08.206
...damp squid.

42:11.088 --> 42:18.633
I like it when they work out, because it's nice, you sort of work out the logic for it, for yourself, for your mistake, and you think, yeah, so the mistake holds water perfectly.

42:18.653 --> 42:19.534
It's better, he's improved it.

42:19.554 --> 42:20.474
Absolutely happy with the mistake.

42:20.774 --> 42:21.915
Here's one from Sean.

42:22.536 --> 42:30.181
He says, dear Alan and John, I witnessed a possible egg corn a few years ago, or it may be a common or garden malapropism.

42:30.761 --> 42:47.872
but I'm not sure when one of my mam's friends said now mams or marms he's either very posh or from the north maybe he's talking about the queen there when one of mom's friends when one of mom's friends said she was going to buy blatant leather shoes to finish off an outfit

42:48.352 --> 42:54.695
My ma'am, ma'am, my ma'am assiduously avoided eye contact with me.

42:54.795 --> 42:56.595
A knotted encouragement to her friend.

42:56.655 --> 43:01.677
Since then I've seen many ladies disporting themselves in blatant leather shoes.

43:01.737 --> 43:02.658
Cheery bye, Sean!

43:03.318 --> 43:04.698
That's a good email, Sean.

43:04.738 --> 43:08.180
Not only is it a good eggcorn, but you use the words malapropism.

43:08.920 --> 43:11.262
assiduously and disporting.

43:11.542 --> 43:12.143
Very nice.

43:12.223 --> 43:14.585
And that is the kind of email we like.

43:14.785 --> 43:17.668
So it almost certainly is about the Queen there.

43:17.908 --> 43:19.850
Yeah, that's from Willy.

43:20.290 --> 43:21.011
It's from Willy.

43:21.051 --> 43:22.352
Pretending to be Sean.

43:22.692 --> 43:24.454
A lor-a-lor-a-pres-a-Willies.

43:24.714 --> 43:28.957
But that's one of the times that an egg corn improves on the reality though, isn't it?

43:29.338 --> 43:30.619
Calling it blatant leather.

43:30.859 --> 43:31.640
That's poetical.

43:32.060 --> 43:49.678
it is poetic because blake leather is so shiny and ninnio face don't you think yeah here's another one from abby lawley who's a shishi in a recent meeting one of my work colleagues was asking other people in our company to help out since we were short-staffed he said that we needed people to help hold the fork

43:51.260 --> 43:52.421
I think he meant fort.

43:53.201 --> 43:56.984
We all fell about laughing and bring it up whenever we can, much to his anoyment.

43:57.444 --> 43:59.025
Yeah, anoyment, no.

43:59.265 --> 43:59.806
Michael Neumann.

44:00.066 --> 44:06.190
But he hasn't thought, or she hasn't thought that one through, because what's the internal logic for hold the fork?

44:06.290 --> 44:09.772
When are you in a situation where you need someone to help you hold a fork?

44:09.933 --> 44:11.514
You've got a particularly tough bit of meat.

44:11.534 --> 44:13.195
Have you got some heavy meat?

44:13.655 --> 44:16.997
And it's on the, oh mate, is there any way you can help me hold the fork here?

44:18.118 --> 44:22.404
Otherwise this makes no- He's really got a sore at that meat and it's moving to and fro across the plate.

44:22.444 --> 44:26.428
And the lolly beef never gonna make it to my mouth unless you help me hold the thought in here.

44:26.829 --> 44:29.112
Here's one right now from Connor.

44:29.192 --> 44:30.974
He's a male who is also a man.

44:31.374 --> 44:34.038
He says dearest corn dust and attack the buckles.

44:34.118 --> 44:37.482
He's got it kind of the wrong way around there, but maybe that's deliberate.

44:37.762 --> 44:50.330
This is a literal bombardment of eggcorns that arose from a conversation with a group of co-workers in a quite bullish attempt to crack the mentioned-on-the-radio show Crux that has held us back from global domination until now.

44:50.731 --> 44:52.232
It appears to be working, Connor.

44:52.572 --> 44:57.515
The fate of our collective lives now rests in your Robin Williams-esque hairy sasquatch hands.

44:58.476 --> 45:00.437
Other hairy actor men are available.

45:08.362 --> 45:12.384
Up until her mid-twenties, a work colleague thought that duct tape was actually duct tape.

45:12.624 --> 45:19.287
Up until a month ago, another man thought that the Neil Diamond song Forever in Blue Jeans was The Reverend Blue Jeans, a song about a cool priest.

45:19.547 --> 45:22.428
Yet another thought it was Wind Cheetah, not Wind Cheetah.

45:22.768 --> 45:31.531
And finally, I once found myself... And finally, I myself thought that it was Gullible's Travels about the travels of a very gullible sailor.

45:31.671 --> 45:32.812
It's a common one, I think, that one.

45:33.052 --> 45:34.255
Yeah, Gullibles Travels.

45:34.696 --> 45:41.973
He says, if this doesn't make the show, then I have failed you, I have failed you all, he says to his work colleagues, and I really shouldn't be living here!

45:44.431 --> 45:46.973
Bye, says Connor, a male who is also a man.

45:47.273 --> 45:49.494
Thank you very much indeed for all those egg corns.

45:49.534 --> 45:50.355
Did a good job there.

45:50.635 --> 45:52.156
Have you got one more there, Corn Dust, or is that it?

45:52.196 --> 45:52.236
No.

45:52.276 --> 45:53.376
All right, Jay Corn.

45:53.616 --> 45:56.058
Let's have some music right now.

45:56.318 --> 46:02.902
And after this track from Pink Floyd, we're going to be having a beautiful lady woman in the studio.

46:04.623 --> 46:05.043
A woman.

46:05.764 --> 46:08.325
Her name is Sinead Garvin, and she's going to be here with the music news.

46:08.365 --> 46:09.266
So stay tuned for that.

46:09.326 --> 46:11.007
But right now, here is Pink Floyd from 1967.

46:11.167 --> 46:13.108
This is See Emily Play.

46:14.019 --> 46:14.599
There you go.

46:14.619 --> 46:20.181
Apparently Sid Barrett wrote that song, says here on our script, about a girl he saw sleeping in the woods.

46:20.521 --> 46:23.081
What was she doing sleeping in the woods there?

46:23.101 --> 46:24.822
You should have helped her out.

46:26.062 --> 46:26.622
She's a nymph.

46:27.142 --> 46:27.843
Is she a nymph?

46:27.883 --> 46:29.923
She's a lovely nymph, yeah.

46:30.063 --> 46:31.283
A fairy woodland nymph.

46:31.624 --> 46:31.844
Right.

46:32.364 --> 46:33.244
It's very romantic.

46:34.779 --> 46:35.799
I think it's a lovely song.

46:36.019 --> 46:37.640
Yeah, I'm not saying it's not a lovely song.

46:37.700 --> 46:42.141
Anyway, we've been joined by another fairy woodland nymph.

46:43.061 --> 46:44.181
That's quite factualizing, isn't it?

46:44.681 --> 46:45.021
Sinead.

46:45.121 --> 46:45.881
Hey, how you doing, Sinead?

46:45.901 --> 46:47.122
Hello, I'm good.

46:47.222 --> 46:47.582
How are you?

46:47.602 --> 46:48.142
Yeah, very nice.

46:48.162 --> 46:50.342
We're going to fade up your mic if you want.

46:50.662 --> 46:51.242
Oh, yeah.

46:51.262 --> 46:51.963
Hello.

46:52.023 --> 46:52.643
Hello.

46:52.983 --> 46:55.423
Now you are the news person here, aren't you?

46:55.563 --> 46:58.584
You're going around the site with a very serious face on.

46:58.724 --> 46:59.844
You're the John Snow of rock.

47:00.384 --> 47:00.764
I am.

47:00.904 --> 47:01.324
I like that.

47:01.344 --> 47:01.705
I like that.

47:01.725 --> 47:03.745
And you're gathering the rock news, the latest rock gossip.

47:03.945 --> 47:04.165
I am.

47:04.325 --> 47:08.389
I'm going to be based at the park stage for most of the weekend which is very exciting.

47:08.809 --> 47:10.931
It's probably my favourite place at Glastonbury I have to say.

47:10.991 --> 47:11.171
Why?

47:11.391 --> 47:12.952
In my non journalistic capacity.

47:12.972 --> 47:13.713
Why is that?

47:13.733 --> 47:16.014
You just like the general tone of the bands there?

47:16.034 --> 47:17.696
I like the line up this year up there.

47:17.736 --> 47:19.918
I think I'm quite happy to be based there.

47:20.118 --> 47:20.618
Who have we got?

47:20.658 --> 47:22.920
Who's the heavy hitters on the park stage tonight then?

47:23.200 --> 47:25.002
Well, tonight we have Crystal Castles.

47:25.022 --> 47:28.166
They're not my personal favourite, but they're worth seeing.

47:28.206 --> 47:30.429
But Tame Impala tomorrow is my big tip.

47:30.569 --> 47:31.510
Tame Impala?

47:31.610 --> 47:32.351
Yeah, have you not heard of them?

47:32.371 --> 47:33.472
Oh, Tame Impala!

47:33.492 --> 47:36.256
I thought it was a person called Tame Impala.

47:37.938 --> 47:39.160
I have heard of Table Father, they're good.

47:39.500 --> 47:41.684
Wild beasts are on tomorrow.

47:41.864 --> 47:43.206
We might be hooking up with wild beasts.

47:43.366 --> 47:45.629
We're having a little chin time.

47:45.649 --> 47:48.233
We've got caribou tonight as well, which I'm quite excited about.

47:48.253 --> 47:50.136
Caribou, crystal castles.

47:50.156 --> 47:51.618
I'm just looking at the programme now.

47:53.681 --> 48:00.966
So do you think the park stage is considered Mo high-profile and more prestigious than the John Peel stage for a band then?

48:01.227 --> 48:01.887
That's a move up.

48:01.927 --> 48:06.470
I'm thinking about Wild Beasts were playing in the John Peel tent last year, now they're on the park stage.

48:06.811 --> 48:08.712
Is the career moving in the right direction for them?

48:08.752 --> 48:10.613
Well they're headlining the park stage so that's the thing.

48:10.653 --> 48:11.574
I don't listen... That's good.

48:11.614 --> 48:12.134
Yeah, yeah.

48:12.174 --> 48:14.096
So but they're kind of two stages.

48:14.136 --> 48:19.720
John Peel's sort of I think revered higher than the park stage but it's obviously better if you're headlining the stage.

48:20.240 --> 48:37.158
but the big thing about the park stage is the two special guests so we have one tonight eight o'clock yeah and then one tomorrow at quarter to eight so lots of rumors flying about who it might be beatles uh yes i hear the beatles yeah with um anton deck filling in for george

48:37.518 --> 48:38.699
Why are you ruining it for everyone?

48:38.739 --> 48:41.701
I'm sorry, this is just what I've heard!

48:41.801 --> 48:42.462
It's all on the lowdown.

48:42.482 --> 48:43.482
Instead of George and John.

48:43.502 --> 48:44.923
Right, okay.

48:45.003 --> 48:50.848
But Paul and Ringo, you know, for a long time, they were thinking, who's going to replace... I heard High Five.

48:51.188 --> 48:51.568
Did you?

48:51.588 --> 48:52.889
Yeah, the toddler band.

48:53.309 --> 48:53.710
Right.

48:53.930 --> 48:59.754
Because the kids here, they're not really, you know, entertained by kid level bands and High Five are huge.

48:59.974 --> 49:00.675
Yeah, they're very big.

49:00.775 --> 49:01.816
Amongst the under fives.

49:01.836 --> 49:03.717
I've also heard The Wiggles, don't know what you've heard about that.

49:03.957 --> 49:19.309
yeah no that's not on my radar but good tip good tip I'll start spreading that around yeah um but the likes of the Killers and Kings of Leon and Arcade Fire and Radiohead all these names and some others they're all around yeah they're all the names flying around the campsite

49:19.349 --> 49:22.810
But those are the names that are bandied around more or less every year though.

49:23.190 --> 49:27.352
People sort of fantasize about what band it would be most amazing to see suddenly pop out.

49:27.692 --> 49:32.913
What happens when a huge band does come out onto the park stage?

49:33.093 --> 49:37.715
I mean is that area just completely mobbed then and it becomes a sort of disaster area?

49:37.735 --> 49:41.376
Do the security have to be careful about how many people they let in or what?

49:41.696 --> 49:51.541
Well the idea is that you keep it really quiet so there won't be that many people there so it's kind of like just special for those sort of people there but because there's big names flying around I think it is going to be pretty crazy.

49:51.581 --> 49:53.342
Well the Ant and Dec fans are going to be mobbing.

49:53.382 --> 50:01.827
And you're taking a gamble there aren't you because stages it takes a long time to get between stages so do you go for a surefire thing somebody who's on the bill or do you risk it?

50:02.347 --> 50:03.287
and go for the mystery act.

50:03.307 --> 50:05.508
Because who have we got on the pyramid stage at that point?

50:06.228 --> 50:08.349
Eight o'clock we are looking at Morrissey.

50:08.669 --> 50:11.190
So that's a big, big draw for a lot of people.

50:11.891 --> 50:14.151
Some people might be disappointed if high five turn up.

50:14.892 --> 50:16.772
I don't know.

50:16.852 --> 50:17.893
My fingers are crossed.

50:18.033 --> 50:24.895
I'm willing to miss Morrissey for the chance that either the Wiggles or Scooch turn up on the park stage.

50:24.935 --> 50:25.876
That to me would be amazing.

50:25.896 --> 50:26.796
Or the Wiggles and Scooch.

50:27.416 --> 50:31.300
Of course the big headline is a U2 tonight and how are people feeling about that?

50:31.480 --> 50:33.702
Well of course this is kind of controversial.

50:33.722 --> 50:36.544
I mean they were supposed to play last year and then Bono hurt his back.

50:37.545 --> 50:39.466
I say hurt, I think it was a bit more serious than that.

50:39.787 --> 50:44.791
But he's back this year and they're in the middle of their 360 tour which is the highest grossing tour ever now.

50:44.991 --> 50:45.471
Is it?

50:45.511 --> 50:48.434
Yeah, they're having to massively downscale to play Glastonbury.

50:48.574 --> 50:49.315
What do they do in the 360 tour?

50:50.896 --> 50:52.317
Have you not seen the footage yet?

50:52.377 --> 50:54.159
They just play Xbox.

50:55.700 --> 50:57.982
They do some multiplayer kart racing.

50:58.183 --> 51:00.144
And people love it and they're playing a lot of money to see it.

51:00.164 --> 51:01.085
You can play against Bono.

51:01.305 --> 51:04.268
But they're losing a lot of money playing Glastonbury, over £1.5 million.

51:04.488 --> 51:05.489
Oh mate.

51:05.789 --> 51:09.052
But see this is the problem, people aren't happy with Bono at the moment.

51:09.092 --> 51:09.613
Why, what's he done?

51:09.913 --> 51:27.183
well they're paying their taxes in a different country and so there's a few protests going ahead today apparently there's going to be some people in banners but generally this is what people, bono banners yeah no to bono that kind of thing but generally this is what people are feeling about tonight's gig.

51:27.603 --> 51:28.703
I don't like Bono.

51:28.843 --> 51:38.425
Although they speak for a lot of things, the fact that he doesn't pay any tax in the country and his music's terrible, all of those things combined mean that I'm not going to go watching.

51:38.545 --> 51:39.205
U2 are amazing.

51:39.305 --> 51:40.125
U2 are really good.

51:40.145 --> 51:41.346
They are a brilliant band.

51:41.446 --> 51:45.807
Basically, your fare, which you pay to get in, which is £200, is paid just by watching U2.

51:45.907 --> 51:48.327
We like the songs, just we don't like Bono.

51:48.407 --> 51:50.407
U2 are middle of the road paps.

51:50.447 --> 51:52.028
I'd watch him if Bono paid his tax.

51:52.088 --> 51:53.168
I'd obviously be a fat boy slim.

51:53.288 --> 51:55.470
I'll be at the Pyramid Stage as close as I can.

51:55.750 --> 51:56.771
Very excited.

51:56.951 --> 51:58.012
My favourite band.

51:58.192 --> 51:59.193
That's a massive hit.

51:59.213 --> 52:00.955
It's a beautiful day.

52:02.196 --> 52:05.799
I'd just like to say, none of those people are Irish, so I don't know what they're moaning about the tax business for.

52:05.839 --> 52:07.940
You know, I'd watch him if he paid his tax.

52:08.541 --> 52:10.083
So that's for me the most important thing.

52:10.183 --> 52:21.194
I like to know that the tax affairs of any band that I'm seeing are absolutely in order and that their accountant is on top of it, that they declared everything that they should declare and that there are no little loopholes there.

52:21.214 --> 52:24.657
I don't like listening to artists who have any outstanding parking tickets.

52:25.618 --> 52:25.998
I hate that.

52:26.038 --> 52:26.619
It's terrible.

52:26.799 --> 52:27.780
I don't like that at all.

52:27.800 --> 52:29.561
Or a dirty car.

52:29.701 --> 52:42.249
If I find out, for example, that War Paint, who are on this afternoon, four feisty young ladies, have not got their VAT in order and properly dealt with, I'm going to be very angry and I'll have to throw up.

52:42.370 --> 52:47.573
But do you really think that's genuinely reflective of the strength of opinion out there?

52:47.593 --> 52:50.615
That was a classic BBC balanced package there.

52:50.655 --> 52:51.776
You had all sorts of opinions.

52:51.796 --> 52:52.897
How serious do you think this is?

52:53.217 --> 53:02.641
Well I just had a look out there, there's already quite a few people out there in their chairs and they're just there waiting for you two right near the front and then you've got some other people who aren't going to be happy.

53:02.701 --> 53:04.122
They divide opinion, you two, don't they?

53:04.142 --> 53:06.002
So the protesters are already camping out there.

53:06.222 --> 53:06.943
And the fans.

53:07.363 --> 53:08.203
Arm in arm.

53:08.423 --> 53:10.964
Are they arm in arm or are they pushing each other around a little bit?

53:10.984 --> 53:11.505
Just fighting.

53:12.405 --> 53:14.146
Could rucks actually break out, do you think?

53:14.486 --> 53:15.306
I think so, yeah.

53:15.946 --> 53:16.867
Yeah, I've heard murmurs.

53:16.947 --> 53:18.908
Guys, guys, hey guys.

53:19.648 --> 53:20.950
How's Bono going to deal with it?

53:21.450 --> 53:23.312
Bono, he's just going to lay his hands on them.

53:23.513 --> 53:28.879
The trick is to turn the music up very loud, plunge the audience into darkness, and that's it.

53:29.179 --> 53:32.824
Bono's a pro though, he's not going to acknowledge any skirmishes and scuffles at the front, or is he?

53:32.864 --> 53:33.745
He's just going to plough on.

53:33.825 --> 53:37.209
Exactly, and I think the weight of people who are there enjoying it are going to sort of...

53:37.629 --> 53:39.170
It's a storm in a teacup, a fuss about nothing.

53:39.330 --> 53:39.610
Is it?

53:39.630 --> 53:41.311
I don't know, I'm just saying those things.

53:41.331 --> 53:42.871
Blocky, knocky, knee-heeler, purification.

53:42.991 --> 53:44.692
No, that's the opposite of a storm in a teacup.

53:44.732 --> 53:44.972
What?

53:45.292 --> 53:47.973
Yeah, it's a bit of fun factoid for you.

53:48.173 --> 53:51.155
When I see Banno later on, I'm going to chat to him about all this.

53:51.355 --> 53:52.215
Okay, do.

53:52.255 --> 53:53.335
Send him my regards.

53:53.516 --> 53:54.356
Tell him to pay his tax.

53:54.436 --> 53:57.637
If you're listening, Banno, I don't mind what you do with your tax.

53:58.177 --> 54:01.939
Let's hang out later on and have a terrific time on your helicopter.

54:02.737 --> 54:04.760
Thank you so much Sinead for talking to us today.

54:05.020 --> 54:05.821
Enjoy the rest of the festival.

54:05.841 --> 54:07.323
Are we going to check in with Sinead before?

54:07.363 --> 54:07.463
Yeah.

54:07.483 --> 54:08.624
We'll see you again tomorrow maybe.

54:08.684 --> 54:09.505
Yes indeed.

54:09.966 --> 54:10.627
Look forward to it.

54:10.707 --> 54:11.888
I mentioned War Paint there.

54:11.968 --> 54:13.430
Here is a track by them.

54:13.450 --> 54:14.932
They're playing later on.

54:14.952 --> 54:16.955
The Park Stage.

54:17.335 --> 54:18.016
In the afternoon.

54:18.076 --> 54:19.698
Another groovy band on the Park Stage.

54:19.738 --> 54:20.619
This is Undertow.

54:21.480 --> 54:23.721
That was Constellations by Darwin Dees.

54:23.741 --> 54:27.662
He'll be joining Stuart McConie here from five o'clock on BBC Six Music.

54:27.982 --> 54:29.043
But this is Adam and Joe.

54:29.083 --> 54:30.803
Hey, how are you doing, listeners?

54:31.104 --> 54:32.684
We're live at the Glastonbury Festival.

54:32.944 --> 54:33.945
It's exciting.

54:34.145 --> 54:35.145
It's very exciting.

54:35.225 --> 54:36.605
It's just getting underway, the festival.

54:36.625 --> 54:37.786
Who's on the pyramid stage right now?

54:38.306 --> 54:43.371
Uh, Metronomy have just stepped onto the stage there, although we can't hear them pounding through the portacabin here.

54:43.391 --> 54:44.232
Slightly disappointing.

54:44.272 --> 54:45.553
Their sound tests were deafening.

54:45.733 --> 54:49.737
Yeah, well they were sound testing for the giant tax-dodging U2 laser.

54:49.817 --> 54:50.158
Really?

54:50.438 --> 54:54.322
Maybe they turn the speakers around or something and aim it at us when they're testing.

54:54.502 --> 54:57.765
Or maybe Metronomy broadcast directly into the minds of their audience.

54:57.825 --> 54:58.486
I could hear that.

54:58.646 --> 55:00.748
That was the sound of we're opening the door to the portacabin.

55:01.809 --> 55:03.511
Do you need to sort of point your mic out there?

55:03.551 --> 55:05.694
But yeah, that was the band coming on stage.

55:05.714 --> 55:06.234
It must have been.

55:06.515 --> 55:06.715
Yeah.

55:07.075 --> 55:07.556
Close the door.

55:07.616 --> 55:08.277
Very exciting.

55:08.337 --> 55:09.318
So my arm hurts.

55:09.939 --> 55:10.900
Well, that's exciting.

55:10.940 --> 55:12.342
I mean, go, go for it.

55:12.402 --> 55:12.983
Tell us about it.

55:13.083 --> 55:14.484
Sinead didn't mention that before, did she?

55:14.504 --> 55:14.765
She didn't.

55:15.045 --> 55:16.507
And that's... Whoa!

55:16.567 --> 55:18.569
Mytronomy just wobbled our portacabin.

55:19.170 --> 55:21.291
That is the sound of Glastonbury.

55:21.331 --> 55:22.232
That's what we want to hear.

55:22.332 --> 55:23.032
Come on.

55:23.192 --> 55:24.353
That's vibrating my butox.

55:24.713 --> 55:26.634
That is getting me a little bit turned on, isn't it?

55:26.914 --> 55:27.114
Yep.

55:27.675 --> 55:30.716
So, uh... It's like sitting on a giant rock washing machine.

55:30.836 --> 55:31.517
Sure it is.

55:32.817 --> 55:33.998
Howard Stern did that, didn't he?

55:34.078 --> 55:36.900
He sort of played very basic things and encouraged people to sit on the speakers.

55:36.920 --> 55:37.440
It's exciting.

55:37.460 --> 55:38.500
Someone's car alarm's gone off.

55:39.281 --> 55:39.881
Can you hear that?

55:39.901 --> 55:40.762
A load of car alarms.

55:40.782 --> 55:41.502
It's shaking the ground.

55:41.522 --> 55:42.883
Now that the Tron are in the house.

55:43.223 --> 55:43.823
Whoa!

55:44.324 --> 55:45.704
Cows are collapsing on the spot.

55:45.724 --> 55:46.785
Flipping heck, Tucker.

55:47.125 --> 55:48.986
Corn is being vibrated out of the fields.

55:49.006 --> 55:50.767
I mean, that's it more or less for the rest of the show, isn't it?

55:50.787 --> 55:52.248
Local cottages are tumbling down.

55:52.268 --> 55:56.390
This is like, um... This is like my worst nightmare in a way, you know?

55:56.731 --> 55:59.032
Hearing music... I've just closed the door, so that's all fine now.

55:59.052 --> 56:00.473
It makes no difference at all!

56:02.082 --> 56:02.923
That's very loud.

56:03.383 --> 56:09.568
I think we said this earlier, but we think that people at the BBC, what with the cuts and everything, they haven't been able to afford a proper porter cabin.

56:09.608 --> 56:11.810
So they made one out of cardboard and put some grass on it.

56:11.930 --> 56:12.730
Greengrocer's grass.

56:12.750 --> 56:14.011
And they thought, yeah, that'll do the job.

56:14.292 --> 56:15.873
And then people won't be able to complain about the BBC.

56:15.913 --> 56:16.493
But this is good.

56:16.513 --> 56:18.575
I like having the, you know, having the back.

56:18.735 --> 56:20.436
We've never had a music bed on our show.

56:20.857 --> 56:21.017
No.

56:21.137 --> 56:23.779
People used to encourage us to have like a beat underneath our links.

56:23.799 --> 56:25.220
Yes, to cover up all the... We resisted it.

56:25.380 --> 56:25.981
Now we've got it.

56:26.481 --> 56:27.182
Like it or not.

56:27.282 --> 56:27.942
Metronomy, very nice.

56:27.962 --> 56:29.083
It's a live metronomy bed.

56:29.263 --> 56:31.065
Are we going to try and talk to Metronomy later on?

56:31.525 --> 56:32.746
Yeah, we're going to try and hook up with them.

56:33.046 --> 56:38.889
Joe and I thought it would be a fun thing to do to play some improvised very bad keyboards to them.

56:38.949 --> 56:39.909
You say very bad.

56:39.929 --> 56:43.371
I thought my keyboard playing in the other show was very good.

56:43.551 --> 56:47.733
And to be honest, my approach is that their stuff's very easy to play, very easy to write.

56:47.753 --> 56:48.554
You should tell them that.

56:48.774 --> 56:49.734
And I'm going to tell them that.

56:49.914 --> 56:51.315
And I'm going to write some songs for them.

56:51.855 --> 56:53.156
And I may well be better than this.

56:54.877 --> 56:55.878
I look forward to that.

56:55.918 --> 56:56.518
None of that's true.

56:56.678 --> 56:58.280
Hey, so my arm, right?

56:58.580 --> 56:58.820
Yeah.

56:59.140 --> 56:59.561
It hurts.

56:59.581 --> 57:01.182
Your right arm, right?

57:01.222 --> 57:02.142
My right arm, right, yes.

57:02.803 --> 57:06.626
Yesterday I was on my bicycle, which I've brought up with me on the train.

57:06.726 --> 57:09.988
It's lovely to ride around the beautiful hills around this part of the world.

57:10.008 --> 57:10.469
Right.

57:10.489 --> 57:12.450
Get to the festival every day and keep the world green.

57:12.490 --> 57:13.411
I don't want to kill the planet.

57:13.551 --> 57:17.954
I don't know about you, but I don't like to take motorized transport when I'm going to my festival.

57:17.974 --> 57:18.795
I like to go on my bike.

57:19.796 --> 57:33.066
And yesterday when I was leaving Wells, the town, Hot Fuzz Central, where we're staying, I was crossing one of the... You know down on the side of the road in the high street there, they've got these shallow drainage troughs.

57:33.326 --> 57:33.586
Sure.

57:33.747 --> 57:34.487
Where the rain water goes.

57:34.507 --> 57:36.028
It's a lovely feature of English villages.

57:36.068 --> 57:36.249
Yeah.

57:37.069 --> 58:03.047
and I was crossing one of those on my bike but they're very slippy and slimy and all the rainwater was running down there's loads of algae that's grown on there so I lost control of my front wheel and the bike just got out of control and I went tumbling and I absolutely became a massive Steve Cropper right in the middle of the high street there and it was spectacular went right over my handlebars and landed very awkwardly on my right arm.

58:03.067 --> 58:03.748
Were people watching?

58:04.128 --> 58:04.769
Loads of people watching.

58:04.789 --> 58:05.449
You made a spectacle of your

58:05.689 --> 58:08.871
I made an absolute spectacle of myself, thought I'd broken my arm.

58:09.231 --> 58:10.912
I mean, it was really agonocious.

58:11.452 --> 58:17.535
And so I got up and I was dusting my... There was no question of me regaining my cool or composure or trying to sort of laugh the incident off.

58:17.575 --> 58:20.637
I was really shocked and totally ignored.

58:21.437 --> 58:22.158
No one told her hair.

58:23.179 --> 58:24.720
Everyone just walked on, didn't say anything.

58:25.481 --> 58:28.524
Well that's a sign of something that is truly, truly humiliating.

58:28.564 --> 58:30.867
Yes, that no one knew how to deal with it.

58:30.887 --> 58:36.212
Because usually you get a couple of people, like I've wiped out a few times on my bike, and usually people sort of go, ooh, are you okay?

58:36.993 --> 58:39.496
One woman came out of her shop and she said, you all right?

58:39.876 --> 58:41.097
And I said, yeah, yeah, I'm fine.

58:41.117 --> 58:42.779
She said, you should get out of the road.

58:42.799 --> 58:44.401
There's a lot of cars and trucks coming.

58:46.229 --> 58:47.390
Thanks very much!

58:47.530 --> 58:48.190
I know that woman.

58:49.131 --> 58:50.211
She's lovely.

58:50.692 --> 58:52.993
She's very friendly.

58:53.013 --> 58:54.394
She's really come out of her shop recently.

58:55.834 --> 58:57.315
She's finally come out of her shop.

58:57.695 --> 59:00.077
What are you doing lying there in a pool of blood?

59:00.317 --> 59:01.998
There's cars and trucks coming along.

59:02.018 --> 59:03.158
You should get out of the road.

59:03.719 --> 59:05.880
Stupid boy, stupid hairy little man.

59:05.900 --> 59:07.801
We're going to be talking to Emmy.

59:07.841 --> 59:08.421
Listen to that.

59:08.461 --> 59:09.382
Can you hear that, listeners?

59:09.582 --> 59:10.702
Yeah, that's pounding, isn't it?

59:11.883 --> 59:14.125
the thumping metronomic sound of metronomy.

59:14.305 --> 59:17.387
Wow, we may as well be just playing that track.

59:17.807 --> 59:21.109
Let's play a record and I want to go out there and feel the feel the vibes, the thumps.

59:21.129 --> 59:22.650
Yeah, well, we're going to play some Anna Calvi.

59:22.670 --> 59:33.538
And after this, we will play you a package, a pre-recorded package that we recorded yesterday when we bumped into Emily Moss, she of Emmy the Great, who's playing later on here in Glastonbury.

59:33.618 --> 59:37.000
And she was joined by her her boyfriend, Tim Wheeler.

59:37.140 --> 59:38.521
Give it up, give it up.

59:38.561 --> 59:41.383
We'll be hearing that after this from Anna Calvi.

59:42.643 --> 59:47.465
We're here with Emily Moss, aka Emmy the Great.

59:47.886 --> 59:49.666
Well, aka one part of Emmy the Great.

59:49.686 --> 59:50.387
How are you doing, Emma?

59:50.627 --> 59:51.147
I'm alright.

59:51.207 --> 59:56.269
I'm a bit kind of frazzled because I just got here and it's muddy, but sunny.

59:56.890 --> 59:57.610
I don't know how to feel.

59:58.697 --> 59:59.598
Yeah, you can feel fine.

59:59.638 --> 01:00:02.080
And you're playing tomorrow with your band, is that right?

01:00:02.200 --> 01:00:03.120
Yeah, that's right.

01:00:03.360 --> 01:00:04.841
On the Oxliers West stage.

01:00:05.041 --> 01:00:07.363
You're playing three different sets, aren't you?

01:00:07.383 --> 01:00:09.925
You're doing a set with your full band, am I right?

01:00:09.965 --> 01:00:10.465
Yeah.

01:00:10.505 --> 01:00:10.705
Yes.

01:00:11.286 --> 01:00:13.247
And you're doing an acoustic set, am I right?

01:00:13.327 --> 01:00:13.867
That's right.

01:00:13.907 --> 01:00:14.648
Yes, two out of three.

01:00:14.688 --> 01:00:17.910
And you're also doing an entirely Cantonese set.

01:00:18.130 --> 01:00:19.671
I wish.

01:00:19.711 --> 01:00:20.772
Yeah.

01:00:21.012 --> 01:00:22.413
There should be a Cantonese stage.

01:00:22.992 --> 01:00:29.035
What happens when you go off the beaten track as far as your, like do you ever do weird covers and stuff?

01:00:29.776 --> 01:00:34.298
Ironic covers of 90s dance hits like On a Ragger Tip?

01:00:34.799 --> 01:00:35.719
We should.

01:00:36.219 --> 01:00:39.061
I haven't heard that particular song but I'll probably be playing it tomorrow now.

01:00:39.321 --> 01:00:41.264
It's going to be hard to figure out the instrumentation.

01:00:41.324 --> 01:00:42.886
I mean, it's quite drum and bass driven.

01:00:43.307 --> 01:00:48.735
That's what would make it so very funny to have a folk type band playing dance songs.

01:00:49.235 --> 01:00:52.941
It'd be like when Travis did Hit Me Baby one more time.

01:00:53.301 --> 01:00:54.022
Yes, exactly.

01:00:54.102 --> 01:00:54.884
It was incongruous.

01:00:56.225 --> 01:01:05.168
Now, I hope you won't mind me saying, but you've got your boyfriend here and he's staring menacingly at me and Joe and he looks exactly like Tim Wheeler from Ash.

01:01:05.188 --> 01:01:06.289
He's really mean.

01:01:06.749 --> 01:01:08.789
Why does he look so much like Tim Wheeler from Ash?

01:01:09.170 --> 01:01:11.350
I don't know, he just had his hair done the same way.

01:01:11.811 --> 01:01:12.791
I'm actually James Blunt.

01:01:15.373 --> 01:01:16.955
It's James Blunt from Ash.

01:01:17.236 --> 01:01:19.879
Now the reason he looks like Tim Wheeler from Ash is because he is him.

01:01:20.539 --> 01:01:25.605
And is this the first time you've been to Glastonbury and not had to work and play your musical songs?

01:01:25.745 --> 01:01:26.306
It is, yeah.

01:01:26.886 --> 01:01:27.467
How does that feel?

01:01:27.507 --> 01:01:28.048
Quite relaxing?

01:01:28.288 --> 01:01:28.949
It feels good.

01:01:28.989 --> 01:01:31.171
I'm only 10 minutes into it so far, but it feels really good.

01:01:31.191 --> 01:01:32.533
I'm looking forward to it.

01:01:32.693 --> 01:01:37.578
Are you not tempted to sort of do a surprise appearance with another band?

01:01:37.758 --> 01:01:41.662
I think I will pop up on during Emmy the Great's set tomorrow at the end.

01:01:42.643 --> 01:01:44.185
Unannounced to the whole band.

01:01:44.606 --> 01:01:45.386
The main show.

01:01:45.587 --> 01:01:45.767
Yeah.

01:01:46.127 --> 01:01:52.390
And will you play one of the songs that you guys play when you're alone on a Sunday afternoon and you hold hands and you harmonize together?

01:01:52.931 --> 01:01:53.211
Yes.

01:01:53.311 --> 01:01:54.472
That's what happens, right?

01:01:54.512 --> 01:01:58.334
Yeah, we're doing Where's My Mind for the Pixies, but maybe I shouldn't give that away.

01:01:58.494 --> 01:01:59.854
That's the most romantic song.

01:02:00.055 --> 01:02:09.520
And how about, now you must, you know, Tim, you're here as a kind of festival goer, and Emmy, you're here as a kind of performer.

01:02:10.300 --> 01:02:10.820
A pooformer.

01:02:11.221 --> 01:02:13.502
Has that caused friction in terms of where you're going to stay?

01:02:14.663 --> 01:02:16.765
Tonight, we're staying in a hotel.

01:02:17.145 --> 01:02:19.267
We're staying at the pike and musket in the street.

01:02:19.868 --> 01:02:21.009
Ah, the pike and musket!

01:02:21.129 --> 01:02:22.991
That's my favourite pirate pub!

01:02:23.371 --> 01:02:24.352
What is a pike?

01:02:24.432 --> 01:02:25.093
Is it a fish?

01:02:25.133 --> 01:02:26.514
Yeah, it's also a weapon.

01:02:27.235 --> 01:02:29.177
Yeah, it's for lazy pirates who shoot fish.

01:02:29.197 --> 01:02:30.719
It's like slapping people with it.

01:02:32.420 --> 01:02:35.183
Muskets don't work underwater, so I think it's referring to the weapon.

01:02:35.343 --> 01:02:37.946
Musket my pike and slap someone with it.

01:02:38.735 --> 01:02:39.035
Nice!

01:02:39.736 --> 01:02:43.598
That is probably the first made-up joke of the show so far.

01:02:44.059 --> 01:02:44.799
Listen, how's this?

01:02:44.919 --> 01:02:47.801
I'm thinking of... This is all I've got for my made-up joke.

01:02:47.861 --> 01:02:49.262
I haven't got a punchline or anything else.

01:02:49.622 --> 01:02:51.303
All I've got is Eavis and Butthead.

01:02:52.404 --> 01:02:53.065
That's nice.

01:02:53.085 --> 01:02:54.205
It doesn't need a punchline.

01:02:54.526 --> 01:02:55.206
A bit of audio.

01:02:55.226 --> 01:02:59.389
I'm going to try and dig out some audio to realize my Eavis and Butthead made-up joke.

01:03:00.069 --> 01:03:01.991
So listen, we've got off the beaten track.

01:03:02.331 --> 01:03:06.434
I was excited about you guys doing Where Is My Mind There for a second.

01:03:06.794 --> 01:03:07.554
Let's do a little bit of that.

01:03:07.574 --> 01:03:08.375
Can we have a little snatch?

01:03:15.358 --> 01:03:28.404
With your feet on the air, your head on the ground

01:03:32.577 --> 01:03:44.766
Try this trick and spin it, yeah Your head'll collapse, there's nothing in it And you ask yourself, where is my mind?

01:03:44.927 --> 01:03:45.927
Where is my mind?

01:03:46.328 --> 01:03:47.809
Where is my mind?

01:03:48.149 --> 01:03:51.512
Where is my mind?

01:03:51.532 --> 01:03:56.936
I was swimming in a cappi and

01:04:06.357 --> 01:04:12.104
I said the little fish, bumped into me, swayed, trying to talk to me, caught caught.

01:04:12.205 --> 01:04:13.426
Where is my mind?

01:04:15.108 --> 01:04:16.550
Where is my mind?

01:04:16.951 --> 01:04:19.194
Where is my mind?

01:04:32.098 --> 01:04:32.739
Yay!

01:04:33.460 --> 01:04:38.704
Tim Wheeler and Emmy Limos from Emmy the Great with a little bit of Pixies there.

01:04:38.744 --> 01:04:40.286
That's where is my mind.

01:04:40.566 --> 01:04:44.249
How was like, I was sat right next to Emma as she was warbling there.

01:04:44.669 --> 01:04:51.135
It was as if Joan Bias had suddenly joined the Glastonbury Festival and was applying her talents to indie classics.

01:04:51.195 --> 01:04:51.976
Thanks a lot guys.

01:04:51.996 --> 01:04:53.377
No worries.

01:04:53.497 --> 01:04:56.600
Hey, wonderful to see you both and enjoy your festival, Emma.

01:04:56.820 --> 01:04:57.401
Yeah, you too.

01:04:59.523 --> 01:05:01.428
Yes, you too will enjoy the festival.

01:05:02.009 --> 01:05:03.333
Yes, in your face world!

01:05:03.353 --> 01:05:03.734
Take care.

01:05:07.498 --> 01:05:09.160
That's the sound of the kills!

01:05:09.720 --> 01:05:11.722
With Future, start slow.

01:05:11.782 --> 01:05:13.524
Before that, you heard Emmy the Great.

01:05:13.884 --> 01:05:15.746
With Iris, look at that picture of the kills there.

01:05:15.766 --> 01:05:16.627
Wait, you know what I like there?

01:05:16.667 --> 01:05:17.888
I like that exhalation.

01:05:17.949 --> 01:05:18.529
The kills!

01:05:18.549 --> 01:05:19.650
The kills.

01:05:20.731 --> 01:05:23.394
It's like a DJ who's so excited and exhausted.

01:05:23.414 --> 01:05:27.078
He can't actually calibrate his breathing correctly.

01:05:27.198 --> 01:05:28.139
Look at the picture of the kills.

01:05:28.159 --> 01:05:29.780
There's a picture of the kills on our script.

01:05:30.281 --> 01:05:30.962
I'm having a look at it.

01:05:31.002 --> 01:05:31.362
Where is it?

01:05:31.482 --> 01:05:32.823
Am I shouting?

01:05:33.183 --> 01:05:36.245
Instead of standing there, there's two fellows in the kills.

01:05:36.305 --> 01:05:38.126
One of them is a lady fellow and one of them is a man fellow.

01:05:38.146 --> 01:05:43.229
And the man fellow is standing there with a scarf rakishly draped around his scrawny neck.

01:05:43.249 --> 01:05:49.173
And he's sort of got his hand in kind of a curious gesture and he's screaming, shouting, he's just shouting.

01:05:49.213 --> 01:05:50.874
She's got a ciggy and a cup of coffee.

01:05:50.894 --> 01:05:52.475
She's got a ciggy and a cup of coffee and she's like...

01:05:53.854 --> 01:05:54.254
I don't care.

01:05:54.515 --> 01:05:59.800
And at the moment they look fine doing that because they're still in their late 20s slash early 30s.

01:06:00.321 --> 01:06:08.109
But the thing is that when she's about 60 or 70, she's probably still going to be in that pose with her Ziggy in her cup of tea.

01:06:08.150 --> 01:06:09.591
Well that's good, the fans...

01:06:11.067 --> 01:06:11.547
Very loud.

01:06:12.928 --> 01:06:14.149
The fans won't be disappointed then.

01:06:14.169 --> 01:06:14.889
There'll be no change.

01:06:14.909 --> 01:06:16.710
It'll still be the same old kills when they're old and grey.

01:06:16.730 --> 01:06:17.351
Same old kills, yeah.

01:06:17.811 --> 01:06:18.971
Excellent job.

01:06:19.112 --> 01:06:22.814
I'm turning you down slightly in my headphones.

01:06:23.154 --> 01:06:23.754
Oh dear.

01:06:23.814 --> 01:06:25.075
No, it's nice, it's nice, it's nice.

01:06:25.115 --> 01:06:26.436
It's just you plus Metronomy.

01:06:26.696 --> 01:06:31.158
We figured out that the six music portacabin here behind the pyramid stage is acting like an echo chamber.

01:06:31.278 --> 01:06:31.479
Yeah.

01:06:31.539 --> 01:06:36.982
Because when you step out of this box like we did a second ago to go and see how Metronomy were rocking da fields.

01:06:37.242 --> 01:06:37.422
Sure.

01:06:37.982 --> 01:06:40.144
We it wasn't so vibe religious.

01:06:40.164 --> 01:06:41.185
Mm-hmm.

01:06:41.285 --> 01:06:43.006
It's just this special porta-cabin.

01:06:43.046 --> 01:06:46.489
That's Capturing and enhancing the vibe brationes.

01:06:46.669 --> 01:06:56.837
We are absolutely exactly going to miss metronomy's set Unfortunately, they're finishing as soon as we come off air at one o'clock empty But we will be able to go and see me the great later on.

01:06:56.857 --> 01:07:03.102
You know what KMT means new idea Is it dirty nose kiss my teeth kiss my teeth.

01:07:03.122 --> 01:07:03.243
Yeah, I

01:07:04.380 --> 01:07:05.080
Did you make that one up?

01:07:05.361 --> 01:07:05.601
No.

01:07:05.741 --> 01:07:07.242
Is that really what young people are saying?

01:07:07.462 --> 01:07:09.824
Well, when they like Twitter and text, yeah.

01:07:09.944 --> 01:07:10.664
Kiss my teeth.

01:07:10.704 --> 01:07:11.365
Is that a good thing?

01:07:11.825 --> 01:07:14.387
No, it's dismissive, that kind of thing.

01:07:14.587 --> 01:07:19.670
But surely if you offer someone to kiss your teeth and you like them, you really absolutely love them.

01:07:19.690 --> 01:07:20.331
That's different.

01:07:20.691 --> 01:07:21.812
Is that something people do?

01:07:21.952 --> 01:07:22.872
Would you like to kiss my teeth?

01:07:22.892 --> 01:07:27.515
You keep your teeth closed and open your lids and the other person goes... on the actual teeth.

01:07:28.436 --> 01:07:29.997
I think that's the new sexy thing.

01:07:30.157 --> 01:07:31.018
That would be fun, wouldn't it?

01:07:31.038 --> 01:07:31.958
Teeth are very sensitive.

01:07:32.319 --> 01:07:33.279
They're full of nerves.

01:07:36.541 --> 01:07:42.144
They are because you see them on the telly when the man at the station offers the woman the toothpaste.

01:07:42.204 --> 01:07:43.265
Do you have sensitive teeth?

01:07:43.705 --> 01:07:48.307
Yeah, when my husband kisses them it's overly stimulating.

01:07:48.327 --> 01:07:53.870
I need them deadened so that his teeth kissing doesn't arouse me so much.

01:07:54.090 --> 01:08:10.835
teeth kissing that's the new thing isn't it because when you're in the first flush of young love you more or less experiment with every single thing you can possibly do yeah so at some point you've got to when you get older you just you just do the one thing over and over again like a sort of steam hammer just pat each other

01:08:12.415 --> 01:08:15.659
You pat each other on the head like a steam hammer is what my co-presenter meant.

01:08:16.020 --> 01:08:20.165
Now, we were talking about kind of made up jokes there with Emmy the Great a little bit.

01:08:20.205 --> 01:08:24.190
I made a reference to a made up joke that I'd sort of begun working on.

01:08:24.710 --> 01:08:26.212
The idea of Ivarsson butthead.

01:08:26.272 --> 01:08:27.754
Don't don't look so sad.

01:08:33.480 --> 01:08:38.866
and rubbed his forehead with the look of a man who's got the cares of the world on his shoulders.

01:08:39.247 --> 01:08:43.812
I was just thinking about Bono and then I compounded it by talking about Everson butthead.

01:08:44.572 --> 01:08:45.533
Well, look, this is good.

01:08:45.553 --> 01:08:46.093
Let's forget about that.

01:08:46.113 --> 01:08:50.535
Would it cheer you up to have some kind of audio clip illustration of my Eavis and Butthead joke?

01:08:50.575 --> 01:08:51.375
Yes, it definitely would.

01:08:51.395 --> 01:08:51.815
Here we go.

01:08:52.295 --> 01:08:54.976
I mean, it's an incredible series of flukes, don't you think?

01:08:55.297 --> 01:08:56.357
I am Cornholio.

01:08:56.437 --> 01:08:57.978
And it just grew and grew and grew.

01:08:58.018 --> 01:08:59.778
Yeah, we couldn't stop it, actually.

01:09:00.058 --> 01:09:01.579
We couldn't even slow it down, could we?

01:09:01.659 --> 01:09:03.100
I eat tippy for my bunghole.

01:09:03.240 --> 01:09:05.381
And all through the 80s, it was growing, like, mad.

01:09:05.441 --> 01:09:07.922
And we had a good time, actually.

01:09:07.962 --> 01:09:09.002
You are a bunghole.

01:09:09.022 --> 01:09:09.342
And for mine.

01:09:11.663 --> 01:09:13.324
I mean, it hasn't stopped yet either, has it?

01:09:13.424 --> 01:09:14.225
Are you threatening me?

01:09:14.625 --> 01:09:15.306
Eavis and Butthead.

01:09:15.366 --> 01:09:16.186
Eavis and Butthead.

01:09:16.266 --> 01:09:17.087
Come on.

01:09:17.287 --> 01:09:18.007
Come along.

01:09:18.167 --> 01:09:18.568
Come along.

01:09:18.588 --> 01:09:18.828
Come on.

01:09:19.128 --> 01:09:19.348
Come on.

01:09:19.428 --> 01:09:19.708
Heel.

01:09:20.029 --> 01:09:20.209
Heel.

01:09:20.889 --> 01:09:21.109
Come on.

01:09:21.309 --> 01:09:21.690
Come on, boy.

01:09:21.790 --> 01:09:22.110
Here, boy.

01:09:22.130 --> 01:09:23.211
Eavis and Butthead.

01:09:23.471 --> 01:09:24.051
Good boy.

01:09:24.071 --> 01:09:25.052
I love him, bro.

01:09:26.563 --> 01:09:27.663
Boggins!

01:09:27.743 --> 01:09:30.344
Oh my god, Boggins has responded to that.

01:09:30.624 --> 01:09:34.365
I can't believe Boggins has been here all year.

01:09:34.385 --> 01:09:38.805
It makes perfect sense that Boggins would be here in the mud and stench and the unflushable toilets.

01:09:39.166 --> 01:09:40.906
This is his home from home.

01:09:41.266 --> 01:09:43.726
This is where he refreshes his stink and his gland problems.

01:09:43.746 --> 01:09:45.107
No, still can't understand.

01:09:45.127 --> 01:09:45.387
Nothing.

01:09:51.528 --> 01:09:56.110
Apparently, Boggins has been causing some stinky piles in people's tents.

01:09:57.031 --> 01:09:58.011
It's like a sort of treasure hunt.

01:09:58.031 --> 01:10:01.573
When people go back to their tents, they might find a little gift from Boggins.

01:10:01.673 --> 01:10:04.374
He often hides it under the pillow so you don't notice until you tuck your hand under.

01:10:04.394 --> 01:10:05.195
No idea, no idea.

01:10:05.355 --> 01:10:06.495
I wish he could speak.

01:10:10.277 --> 01:10:10.797
Let's get him out.

01:10:10.857 --> 01:10:11.238
Kick him out.

01:10:11.458 --> 01:10:11.978
Out, Boggins.

01:10:12.358 --> 01:10:12.478
Out.

01:10:12.578 --> 01:10:13.419
Everybody hates you.

01:10:13.779 --> 01:10:19.742
You're the least popular... That is the least popular dog on any kind of radio show.

01:10:19.782 --> 01:10:21.443
You know the least popular gimmick character.

01:10:21.463 --> 01:10:21.983
He's awful.

01:10:22.223 --> 01:10:23.023
Awful.

01:10:23.144 --> 01:10:23.844
People hate him.

01:10:23.904 --> 01:10:29.447
He makes Arnold on Tony Blackburn's Junior Choice look like a kind of a genius.

01:10:29.467 --> 01:10:32.988
He makes Prickles the Cactus seem like... Hey!

01:10:33.068 --> 01:10:34.709
Prickles the Cactus is a genius.

01:10:34.889 --> 01:10:36.390
He wasn't called Prickles the Cactus.

01:10:36.410 --> 01:10:37.191
He was called Oucho.

01:10:37.431 --> 01:10:37.951
Oucho, is he?

01:10:38.191 --> 01:10:41.553
makes him seem like the king of all mascot characters.

01:10:41.573 --> 01:10:42.253
Mr. Blobby.

01:10:42.594 --> 01:10:45.035
O-B-E, M-B-E, Order of the Garter.

01:10:45.055 --> 01:10:47.357
Did you know that Mr. Blobby got the Order of the Garter?

01:10:49.238 --> 01:10:49.458
What?

01:10:50.038 --> 01:10:53.120
Yeah, that was a little publicised event.

01:10:53.240 --> 01:10:54.461
Anyway, here we go.

01:10:54.581 --> 01:10:54.461
12.30.

01:10:54.781 --> 01:10:57.383
It's time for the news here on Six Music.

01:10:57.423 --> 01:10:58.924
The Stone Roses.

01:11:04.042 --> 01:11:10.128
They've never played Glastonbury of course, or at least they played Michael Eavis's mini festival that he has for the locals as a sort of thank you.

01:11:10.569 --> 01:11:18.918
After each Glastonbury he puts on a small show for around 500 locals or something and I think the Stone Roses were one of the bands that played that festival.

01:11:19.058 --> 01:11:20.520
Do they do that on a point of principle?

01:11:20.560 --> 01:11:22.302
Is there any reason they don't play Glastonbury?

01:11:23.030 --> 01:11:27.093
No, no, no, they would have done, but I think they split up the year after they played.

01:11:27.113 --> 01:11:29.555
So they were at the peak of their powers when they played the mini festival.

01:11:29.615 --> 01:11:30.055
Oh, I see.

01:11:30.216 --> 01:11:32.017
And then they pretty much just split up.

01:11:32.057 --> 01:11:32.637
Missed the bus.

01:11:32.778 --> 01:11:33.518
Missed the bus, mate.

01:11:33.598 --> 01:11:36.440
It's a shame.

01:11:36.460 --> 01:11:42.285
So, folks, coming up shortly, you're going to be able to hear Steve LaMac here on BBC6 Music at one o'clock.

01:11:42.805 --> 01:11:49.369
You can go to bbc.co.uk slash Glastonbury if you would like to see Steve with your eyes on the webcams.

01:11:49.429 --> 01:11:50.870
They will kick into action.

01:11:51.010 --> 01:11:54.633
We are presenting in the nude, so we won't be on the webcams.

01:11:54.953 --> 01:11:56.554
No, we're too ugly for the webcams.

01:11:56.994 --> 01:12:00.597
And they make me feel a little embarrassed.

01:12:00.677 --> 01:12:02.138
And because we are so nude...

01:12:03.038 --> 01:12:08.321
This Glastonbury is a time when a mature gentleman can be in the nude and it's acceptable.

01:12:08.341 --> 01:12:15.766
Yeah, you know, watching all those docos about Glastonbury and various other festivals recently on the telly like we've done, there was an awful lot of nudity in them days.

01:12:15.906 --> 01:12:17.487
You really don't see that much anymore.

01:12:17.507 --> 01:12:22.890
There's one old lady over in the healing fields or whatever who's constantly got her whizzing wares out.

01:12:23.570 --> 01:12:51.096
the legal status is because in the Glastonbury program this year there is a sort of A to Z and it goes through all the genuine dangers you know to be aware of you know naughty substances and respect the countryside and it tells you all the do's and don'ts and everything that's illegal in the outside world is obviously there's no difference here the same laws apply it's still you know part of the country and obeying its laws but under the letter N is nudity mm-hmm and they have a photo of a man's butox

01:12:51.916 --> 01:12:55.117
Now, it wouldn't be legal to walk around naked in the rest of the country, would it?

01:12:55.157 --> 01:12:55.457
Would it?

01:12:55.597 --> 01:12:57.758
You would be arrested for displaying your bits and bobs.

01:12:57.998 --> 01:12:58.918
Because they would shock people.

01:12:59.298 --> 01:13:01.519
People have no... People loathe bobs.

01:13:01.579 --> 01:13:03.139
I mean, people don't mind.

01:13:03.179 --> 01:13:04.520
The opinions are divided on bits.

01:13:04.860 --> 01:13:05.740
But the bobs, absolutely not.

01:13:05.760 --> 01:13:06.220
They get everywhere.

01:13:06.260 --> 01:13:09.401
It's the combination of the bits and the bobs that really cause offence.

01:13:09.421 --> 01:13:10.281
You can't control them.

01:13:10.301 --> 01:13:11.502
They get everywhere.

01:13:12.162 --> 01:13:15.323
But it appears to be maybe legal in Glastonbury.

01:13:15.655 --> 01:13:18.877
It's one of those things that people, it's like an understanding that people have.

01:13:18.917 --> 01:13:20.738
People love nudity and Glastonbury.

01:13:20.918 --> 01:13:21.178
Yeah.

01:13:21.198 --> 01:13:23.760
But as far as the outside world goes, not so sure.

01:13:23.780 --> 01:13:26.121
So we've got to be careful about that kind of thing on this program.

01:13:27.302 --> 01:13:29.803
Let's have a jingle right now and this will explain everything.

01:13:31.384 --> 01:13:37.588
I like to change the lyrics of songs from time to time.

01:13:38.929 --> 01:13:42.250
To make them refer to things I do.

01:13:47.220 --> 01:13:57.449
creation and as far as I'm aware it isn't a crime I wonder if it's something you do too

01:14:02.193 --> 01:14:03.034
You see, I would like that.

01:14:03.174 --> 01:14:04.375
That could be a metronomy song.

01:14:04.756 --> 01:14:06.858
I like that you said this jingle will explain everything.

01:14:06.998 --> 01:14:07.278
Yeah.

01:14:07.599 --> 01:14:09.781
You didn't like limit it to what's coming up next.

01:14:09.881 --> 01:14:10.802
Just everything.

01:14:10.822 --> 01:14:11.823
A lot of secrets in there.

01:14:11.843 --> 01:14:12.664
A lot of secrets.

01:14:12.684 --> 01:14:16.468
It's kind of coded with Masonic and Rosicrucian messages.

01:14:16.488 --> 01:14:23.656
Young confused teenagers listening to that will suddenly have the veil pulled away from their eyes about that jingle.

01:14:24.596 --> 01:14:51.905
If you've just tuned in Adam and Joe here at Glastonbury and the sound you can hear behind us is the noise of metronomy on the Pyramid stage here, but we are going to do a bit of pop appropriation right now and Let me fire things off for you with this nugget, and this is from Mary She is a black squadron member for years from York, and she says dearest bucktown girl and cornica colors are calling me and

01:14:52.205 --> 01:14:53.646
I don't know what that's a reference to.

01:14:53.947 --> 01:14:54.307
Oh, is it?

01:14:54.387 --> 01:14:56.349
No, it's the photo thing, is it?

01:14:56.989 --> 01:14:57.490
I don't know.

01:14:57.550 --> 01:14:59.331
I recognize the Billy Joel thing.

01:14:59.351 --> 01:15:01.073
I'm lost on this anyway.

01:15:01.093 --> 01:15:06.198
She says, I am so upset that you are going to be going off after Glastonbury.

01:15:06.438 --> 01:15:07.319
We went off years ago.

01:15:07.759 --> 01:15:08.760
Oh, that's true, isn't it?

01:15:08.801 --> 01:15:10.603
What on earth will I do on a Saturday morning?

01:15:10.643 --> 01:15:13.167
The garden, perhaps, she says dismissively.

01:15:13.507 --> 01:15:16.852
Anywho, I always sing these songs to myself.

01:15:16.912 --> 01:15:22.180
At the end of the day, when I'm at work, my boss messages me and says simply, tea?

01:15:23.391 --> 01:15:30.234
I want to say to her, oh yeah, like I'm so not busy that I can make you tea whenever requested, you giant witch!

01:15:32.655 --> 01:15:34.116
A giant witch, wow.

01:15:34.796 --> 01:15:35.877
That's something I haven't seen.

01:15:36.357 --> 01:15:38.858
Instead, I message back, the kettle's on.

01:15:39.298 --> 01:15:44.801
And in my head, I'm singing those words to the tune of Glenn Frey's The Heat Is On.

01:15:45.141 --> 01:15:46.142
The kettle's on!

01:15:47.422 --> 01:15:49.603
I'm making tea.

01:15:50.584 --> 01:15:52.065
The kettle's on.

01:15:52.225 --> 01:15:54.486
Ooh, it's on the hob.

01:15:55.606 --> 01:15:59.568
Because the kettle's on.

01:15:59.688 --> 01:16:02.390
I hoped you were going to do the... I saw you were looking.

01:16:02.410 --> 01:16:04.971
You were looking at everybody while you sang with imploring eyes.

01:16:05.251 --> 01:16:08.013
Oh, oh, oh, oh, kettle's really boiling now.

01:16:08.033 --> 01:16:09.093
Not going to do it.

01:16:09.133 --> 01:16:10.414
I'm not going to do it.

01:16:10.454 --> 01:16:11.374
I can't do it.

01:16:11.594 --> 01:16:12.315
I can't do it.

01:16:12.415 --> 01:16:14.296
It's too exciting to watch you.

01:16:17.562 --> 01:16:23.006
Here is one from Jamie, who is male and with everything that entails.

01:16:23.847 --> 01:16:24.887
And he's from Norwich.

01:16:25.848 --> 01:16:34.775
He says, dear mineral water and pasty, sometimes when I wish to eat lunch or another meal, I find that there are no plates left in the cupboard as they're all in the dishwasher.

01:16:35.035 --> 01:16:37.737
This means I have to wait several millennia for it to finish washing.

01:16:38.337 --> 01:16:42.000
While I wait, I sing to the tune of Ain't No Sunshine by Bill Withers.

01:16:42.680 --> 01:16:59.726
Ain't no dishes when it's on Ain't no dishes when it's washing up Ain't no dishes when it's on And it's always on too long Anytime it washes up And I know I know I know I know I know

01:17:01.046 --> 01:17:16.030
is finished that's true though man that happens in my house that's true though man it's true dad because uh sometimes you know i want to have my favorite spoon do you have a favorite spoon i'm very loud i'm turning you down a bit sorry it's just my headphones favorite spoon yeah

01:17:18.211 --> 01:17:19.012
Have you got a favourite spoon?

01:17:19.132 --> 01:17:20.793
It's a simple question, Grandpa!

01:17:20.853 --> 01:17:23.356
It's easy to remind me of the Private Eye column all about spoons.

01:17:23.796 --> 01:17:25.237
Where they interview people about spoons.

01:17:25.358 --> 01:17:26.038
Well, there you go.

01:17:26.098 --> 01:17:30.762
Maybe it was inspired by this interesting programme, where we talk about spoons too.

01:17:31.003 --> 01:17:32.944
Well, I have a favourite spoon.

01:17:33.225 --> 01:17:35.987
It's nice and big, and it's got a nice thick stem.

01:17:36.047 --> 01:17:38.690
It's not going to bend too easily if I'm eating some heavy cereal.

01:17:39.270 --> 01:17:46.472
And so sometimes I just want to use my favorite spoon, but very often it's in the dishwasher that my wife absolutely adores.

01:17:46.492 --> 01:17:50.093
And I don't see why you can't just wash up as you go along.

01:17:50.393 --> 01:17:51.133
You know what I'm saying?

01:17:51.473 --> 01:17:54.134
Not everything has to go into the dishwasher where it just sits.

01:17:54.514 --> 01:17:56.094
Hey, don't do your dirty laundry.

01:17:56.114 --> 01:17:57.314
Days and days and days.

01:17:57.615 --> 01:17:58.715
I'm just trying to connect with people.

01:17:58.735 --> 01:17:59.475
Have you got another one?

01:18:00.175 --> 01:18:01.175
I'm just too angry now.

01:18:01.215 --> 01:18:02.496
I'm too angry.

01:18:02.516 --> 01:18:03.236
Where's my spoon?

01:18:03.956 --> 01:18:07.257
Uh, here is a message from Emma von Cheesle Snitch.

01:18:07.577 --> 01:18:09.018
Do you think that's really her name?

01:18:09.238 --> 01:18:09.478
Yeah.

01:18:09.939 --> 01:18:10.119
OK.

01:18:10.539 --> 01:18:13.361
She says, hi, madam and jojoba oil.

01:18:15.123 --> 01:18:19.906
My appropriation colleague was reported as singing, I put a bib on you.

01:18:19.986 --> 01:18:23.129
Oh yes, this was from a few weeks ago when someone was putting the bib on the baby.

01:18:23.309 --> 01:18:23.589
Right.

01:18:23.709 --> 01:18:25.571
And singing, I put a bib on you.

01:18:25.651 --> 01:18:25.931
Like it.

01:18:25.951 --> 01:18:27.492
To the tune of, I put a spell on you.

01:18:27.932 --> 01:18:34.317
And Emma von Cheesel Snitch says, it reminded me of when my ex-boyfriend always used to sing to the same tune.

01:18:35.698 --> 01:18:39.644
Every time he farted, I'd put a smell on you, cause you're mine!

01:18:42.423 --> 01:18:43.303
What a boyfriend.

01:18:43.424 --> 01:18:44.764
That's why it's the ex-boyfriend.

01:18:45.084 --> 01:18:45.385
Yes.

01:18:45.825 --> 01:18:47.926
Cheesle Snitch is no longer going out with that guy.

01:18:48.106 --> 01:18:50.227
Because that's not a fun bit of proper appropriation there.

01:18:50.347 --> 01:18:51.268
That's sinister.

01:18:51.568 --> 01:18:52.328
That is sinister.

01:18:52.368 --> 01:18:54.269
You don't want to celebrate your guffery.

01:18:54.909 --> 01:18:57.171
No, if you do that to someone... You must be filled with shame.

01:18:57.671 --> 01:18:58.711
Certainly you should.

01:18:58.872 --> 01:19:01.053
You should grovel and say sorry and then open some windows.

01:19:01.073 --> 01:19:02.413
It is a shameful smell.

01:19:03.374 --> 01:19:04.935
Finally, here is one from Ma.

01:19:06.001 --> 01:19:06.542
I spelt M-A-R, not your mum.

01:19:06.562 --> 01:19:08.505
I'm confident that I'm the only person who sings this when passing a branch of Robert Dyess.

01:19:08.525 --> 01:19:22.685
Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dyess, Robert Dy

01:19:24.301 --> 01:19:25.261
I'm confident, Mar.

01:19:25.622 --> 01:19:26.122
No, you're not.

01:19:26.662 --> 01:19:27.562
Well, it's very good, thank you.

01:19:27.582 --> 01:19:28.282
Not from now on.

01:19:28.302 --> 01:19:31.424
There's going to be a lot of people singing that, that beautiful mother.

01:19:32.284 --> 01:19:36.986
Adam and Jo here on BBC6Music, live at the Glastonbury Festival.

01:19:37.006 --> 01:19:39.246
Thank you very much for those pop-propriations.

01:19:39.607 --> 01:19:40.747
We'll have some more of those tomorrow.

01:19:41.027 --> 01:19:44.889
Don't forget Six Music is your one-stop Glastonbury shop.

01:19:45.049 --> 01:19:45.950
What a terrible sentence.

01:19:46.310 --> 01:19:52.394
But this is the place you can tune into and stay tuned to to keep in touch with the Glastonbury Festival all this weekend.

01:19:52.514 --> 01:19:59.018
Keveny, Mcconie, Laverne, LaMack, the country's best DJs giving you the best coverage of the Glastonbury Festival and us.

01:20:00.238 --> 01:20:05.023
Right now, Bright Eyes, ladies and gentlemen, he is going to be playing Connor Oberst.

01:20:05.163 --> 01:20:05.924
That's his name, isn't it?

01:20:06.444 --> 01:20:07.866
He's a sensitive young man.

01:20:07.886 --> 01:20:15.593
I mean, he looks as if he's been 13 years old for the last 20 years or something, and he's going to be on the other stage later this afternoon.

01:20:16.354 --> 01:20:21.138
And this is a track from Bright Eyes' latest album, The People's Key, out earlier this year.

01:20:21.158 --> 01:20:22.419
This is Shell Games.

01:20:37.600 --> 01:20:37.920
Sorry.

01:20:39.021 --> 01:20:39.721
What happened there?

01:20:39.761 --> 01:20:41.242
That was neither Shell Games.

01:20:42.062 --> 01:20:43.262
First of all, it was a bit of David.

01:20:43.723 --> 01:20:45.523
And then it turned into the Stone Roses again.

01:20:46.204 --> 01:20:49.785
But it had absolutely nothing to do with Shells Games or Bright Eyes.

01:20:50.946 --> 01:20:53.067
I think we've lined up Shell Games now, though.

01:20:55.028 --> 01:20:55.968
Let's have the Chemical Brothers.

01:20:55.988 --> 01:20:57.609
Which Chemical Brothers are we going to play games?

01:20:58.969 --> 01:20:59.369
This one.

01:20:59.429 --> 01:21:00.050
This one.

01:21:00.190 --> 01:21:01.430
Hey, love this one.

01:21:01.450 --> 01:21:04.492
This is much better than those other series.

01:21:09.537 --> 01:21:13.301
You see, um, how does it feel is a perfectly acceptable thing to say.

01:21:13.782 --> 01:21:16.324
What does it feel like is a perfectly acceptable thing to say.

01:21:16.545 --> 01:21:21.810
How does it feel like not in any way grammatically acceptable thing to say.

01:21:22.211 --> 01:21:26.696
And to be broadcasting that kind of grammatical filth on the BBC seems to me an affront.

01:21:28.109 --> 01:21:28.910
Yeah, you're right.

01:21:28.930 --> 01:21:30.332
It is disgraceful in the front.

01:21:30.532 --> 01:21:32.695
And it's typical of the slipping standards here at the castle.

01:21:32.715 --> 01:21:34.196
At the castle, exactly.

01:21:34.417 --> 01:21:36.259
Stephen Fry wouldn't stand for that kind of thing.

01:21:36.399 --> 01:21:37.460
Not true.

01:21:37.680 --> 01:21:41.044
Now, this is Adam and Joe here on the BBC.

01:21:41.144 --> 01:21:45.309
Yesterday, when we arrived here at the site, there were no bands playing.

01:21:45.329 --> 01:21:46.811
There was nothing really happening.

01:21:46.851 --> 01:21:48.033
There was very little happening.

01:21:48.633 --> 01:22:01.865
So what me and Joseph decided would be a good idea was to go out with the recording equipment and just expose ourselves to the reality of the festival and a very typical festival experience.

01:22:01.885 --> 01:22:06.328
Yeah, I mean the most exciting thing that happened yesterday was Adam arrived in some inappropriate footwear.

01:22:06.388 --> 01:22:07.169
I had my wee boots.

01:22:07.249 --> 01:22:14.736
Regular listeners to this show will remember that a few weeks back I purchased some new kind of hiking boots and they smelt strongly of jurein.

01:22:15.496 --> 01:22:18.618
I'm glad to say that that smell has gone somewhat now.

01:22:18.658 --> 01:22:19.439
I've broken them in.

01:22:19.599 --> 01:22:23.901
But they were totally inappropriate for the conditions here at the festival, which are very muddy.

01:22:24.262 --> 01:22:26.663
So we went out to try and buy a pair of wellies.

01:22:26.823 --> 01:22:27.083
Yeah.

01:22:27.103 --> 01:22:29.345
And some incredible things happened on the way.

01:22:29.365 --> 01:22:31.046
You will not be able to believe this.

01:22:31.066 --> 01:22:31.726
Have a listen to this.

01:22:32.026 --> 01:22:33.747
I think I need some wellingtons.

01:22:34.088 --> 01:22:35.408
We're going to go and buy wellies?

01:22:35.889 --> 01:22:37.190
Yeah, we're going to go on a wellie mission.

01:22:37.490 --> 01:22:38.871
Okay, here we are at the wellie stand.

01:22:39.131 --> 01:22:41.492
They only have your basic green wellie.

01:22:41.672 --> 01:22:42.393
So, what next?

01:22:42.473 --> 01:22:42.993
Buy the wellie?

01:22:43.153 --> 01:22:43.814
I'd buy that wellie.

01:22:44.856 --> 01:22:46.057
I think I'm going to buy that welly.

01:22:46.277 --> 01:22:47.718
And now Adam's moving up to the counter.

01:22:48.018 --> 01:22:50.299
Have you just got the one size of welly?

01:22:50.860 --> 01:22:51.900
No, we've got many.

01:22:51.920 --> 01:22:53.661
So Ozzy's mate, we've got a size 4 to 12.

01:22:53.741 --> 01:22:55.322
This is exciting!

01:22:55.442 --> 01:22:56.363
He's ordered the welly.

01:22:56.383 --> 01:22:58.044
What are you going to do once you get the wellies?

01:22:58.104 --> 01:22:58.384
Hello!

01:22:58.924 --> 01:23:01.626
Suffice to say, it's been a very successful mission.

01:23:01.786 --> 01:23:02.566
Adam's got the wellies.

01:23:02.606 --> 01:23:03.307
He's putting them on.

01:23:03.587 --> 01:23:04.087
How do they feel?

01:23:04.387 --> 01:23:05.308
Oh man, they're amazing.

01:23:06.449 --> 01:23:07.550
And they had sizes 4 to 12.

01:23:07.850 --> 01:23:08.711
Amazing.

01:23:08.771 --> 01:23:09.351
Good package.

01:23:09.452 --> 01:23:10.012
Good package.

01:23:10.052 --> 01:23:10.633
Good package.

01:23:10.653 --> 01:23:11.954
That's going to win us some awards.

01:23:12.314 --> 01:23:13.876
Here's a free play right now for you listeners.

01:23:13.916 --> 01:23:18.100
This is Paul McCartney from his album McCartney 2, 1980.

01:23:18.380 --> 01:23:19.061
Love this song.

01:23:19.101 --> 01:23:19.962
Still sounds good.

01:23:20.282 --> 01:23:21.203
Temporary secretary.

01:23:23.391 --> 01:23:25.193
Paul McCartney there, temporary secretary.

01:23:25.253 --> 01:23:32.659
Couple of people tweeted in to point out that my amazing made-up joke about Eavis and Butthead was actually Eavis and Beavis in the end.

01:23:32.739 --> 01:23:33.180
I did!

01:23:33.240 --> 01:23:34.080
I looked it up!

01:23:34.201 --> 01:23:36.583
I thought I had the right guy, the Cornholio guy.

01:23:36.603 --> 01:23:37.043
You know what?

01:23:37.123 --> 01:23:38.284
I think that makes it better.

01:23:38.344 --> 01:23:40.626
I think that's what I love about Count Bucky Lees.

01:23:41.227 --> 01:23:42.648
You're flawed and human.

01:23:42.728 --> 01:23:43.188
I am flawed.

01:23:43.208 --> 01:23:45.170
But you make such a fantastic effort.

01:23:46.111 --> 01:23:48.373
And it is still very, very funny.

01:23:48.453 --> 01:23:49.394
In fact, it's won an award.

01:23:49.574 --> 01:23:49.954
Has it?

01:23:50.054 --> 01:23:50.315
Yeah.

01:23:50.435 --> 01:23:50.935
I love awards.

01:23:50.975 --> 01:23:51.536
So that's all right.

01:23:51.576 --> 01:23:52.596
That's it for our show today.

01:23:52.656 --> 01:23:53.637
Thank you so much for listening.

01:23:53.677 --> 01:23:55.038
Listeners, Steve LaMack is up next.

01:23:55.118 --> 01:23:58.981
A podcast of this program will be available hopefully later today, but certainly tomorrow.

01:23:59.402 --> 01:24:00.662
So check that out.

01:24:00.803 --> 01:24:08.669
Black Squadron, if you're listening, we're going to be congregating at the left of the pyramid stage tomorrow morning at 10 from 10 to 10 30.

01:24:09.509 --> 01:24:14.293
The first half hour of our live show tomorrow, we'll be hanging out with the squadron here at Glastonbury.

01:24:14.333 --> 01:24:15.053
But right now,

01:24:15.950 --> 01:24:18.276
We're going to wrap things up with James.

01:24:18.617 --> 01:24:19.298
Thanks for listening.

01:24:19.338 --> 01:24:20.040
We'll see you tomorrow.

01:24:20.060 --> 01:24:20.301
Take care.