WEBVTT

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Hi, I'm Adam.

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Hi, I'm Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Joe.

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Yeah.

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Yeah.

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See, the problem with that is that it's a bit like Dizzy's in the Dock, isn't it?

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Adam, there's no problem with that.

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Starts out ironic and then it ends up just being a thing.

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There's no problem with that.

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All right, man.

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But there's no problem with today.

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Look at it today.

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It's amazing, isn't it?

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It's a beautiful day.

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It's crisp and cool like New York in the winter.

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Oh, like crisps.

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London is my New York.

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Mmm, I agree with you.

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I've just had an amazing thing happen to me.

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What?

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I went into one of my favourite shops, the Cinema Store on Shaftesbury Avenue, on the way into the show, and I saw in there, behind a table, all on his own, Michael Winner.

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Michael Winner!

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Was he having dinner?

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He wasn't having dinner, surprisingly, but he was doing his signing, and there was nobody there.

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The staff of the shop were chatting to him.

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What was he signing, just random DVDs?

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His books, his biography, which is called...

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Come on, Adam Buxton.

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What would Michael Winner's biography be called?

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Autobiography.

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I'm a winner.

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Nearly.

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Winner takes all.

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Winner takes all.

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Well, it's not true.

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He hasn't taken everything.

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And I've been watching Michael Winner films recently.

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Which ones?

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Particularly a film called The Sentinel.

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Do you remember The Sentinel?

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Yeah.

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We watched that when we were younger.

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It's quite a gross film, I think.

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Listeners, I recommend The Sentinel for an unintentional laugh-fest.

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It's about a house that's built on a portal to hell.

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and the Sentinel has to guard the portal to hell.

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And at the climax of the film, the denizens of hell emerge from the portal.

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And because they couldn't afford elaborate prosthetics, they just got freaked.

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Oh yeah!

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Do you remember?

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They get genuinely deformed people.

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Yeah, nice one.

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Do you want me to go into this?

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I've got a small anecdote about this.

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Come on, let's hear about it.

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OK, so... Well, are you reading from Winner's Book now?

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I'm going to paraphrase from Winner's Book.

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It was a reasonably budgeted film, The Sentinel.

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Didn't have enough to make up 50 people in prosthetics.

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So I decided to use genuinely deformed people.

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My assistants gathered a group of the most amazingly deformed people.

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They were all very very nice human beings.

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But then things go wrong because the crew of the Sentinel refused to eat with the freaks.

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They're so disgusting.

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You remember them, they've got like big deformed lips and huge saggy faces and elephantiasis and all these genuine conditions.

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Not sure a huge saggy lip is a genuine condition.

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But the crew refused to eat with them.

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The crew demanded a screen is set up.

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That's pretty rich coming from your average crew.

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You know?

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Yeah.

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So they demand a screen to split up so they don't have to lay eyes on these freaks while they eat.

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Winner can't take that.

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He says, this is disgusting.

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And Winner always eats in an air-conditioned Winnebago.

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He never even eats with the crew, so he goes... He's actually called a Winnebago.

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Called Michael Winnebago.

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So, Winner says, I'm coming to lunch today.

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I'm going to sit with the freaks and show the crew my view on this matter.

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Does he use the word freaks all the way through?

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He does.

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I'm going to sit with the freaks, I quote, to show my view of this matter.

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Okay, so lunchtime comes around, and the punchline to the anecdote is, to my endless and great shame, I didn't eat with the freaks.

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I went and ate in my Winnebago, because they were a bit too horrible to look at.

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Is that what he says?

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Yeah, so for half a paragraph he goes on about how he's going to rise above it and eat with the freaks and show the crew that when push comes to shove, he just eats in the Winnebago.

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And I got him, so with this anecdote in mind, I got him to sign my book,

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I should have eaten with the freaks.

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Full stop.

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Nice people.

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Full stop.

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That's brilliant.

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Wow.

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And all that happened in about half an hour on my way to the show.

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Wow.

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I can't compete with that.

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Wow.

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No, it is a lovely day though, isn't it?

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It's a beautiful day.

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You just can't help feeling very positive about everything.

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And we've got an amazing show for you, ladies and gentlemen.

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Mainly ladies, listening to action.

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Ladies, gentlemen, and tiny children, we have a very good show for you, apart from the usual fantastic music from the likes of all your classics from Kings of Leon, Police, Nick Cave, 2Pac, The Streets, The Black Keys, all sorts of good stuff coming up for you.

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We've also got a new twist on Ditties in the Docks.

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Yeah, a great new twist.

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Basically, we were having trouble picking tunes because the field was too broad.

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And it was hard to win, for me, personally.

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You were winning quite a lot!

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Well, we decided to narrow the field, and we're gonna have theme ditties in the dock.

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So this week, the theme is... Musicals!

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Musicals!

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Joe chose that one!

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I did choose musicals, because I love musicals!

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You're quite a big musical fan, aren't you?

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Not really, to be honest, Evan.

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Yes, you are.

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I'm not!

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You love musicals!

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I don't love musicals!

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All you do is sit around singing- You're calling me a musicals fan.

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You- Saturday night, tonight, you'll be sitting around singing show tunes.

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Won't you?

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In drag, yeah.

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Yeah, with Dave Walliams.

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No I won't.

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That's what you'll do.

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I tell you, I only like a limited number of musicals.

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Okay.

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And I bought a track from one of my favourite musicals.

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Yeah, and I think I know what it is, and it's a good one, but I've got a peach up my sleeve as well.

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Song-wise, not an actual peach.

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Plus, this week, another great element of the show is, of course, Crap Commentary Corner, and I've got a very, very good one this week.

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Difficult?

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It is difficult, it's challenging, but the prize is good, and it'll make you laugh.

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Well, to balance that out, I've got a very easy mummification competition, if you can guess what my ma is describing your winner prize.

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Do we know what the prizes are?

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We've got some great prizes.

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We've got Dave Gorman's Google Whack DVD.

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We've got tickets to see The Incredibles.

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A special screening of The Incredibles.

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That is a good prize.

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I've seen The Incredibles.

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It's Incredibles.

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No, it's not.

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I just had to say that.

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It's actually brilliant.

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Is it?

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Yeah.

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It's a shame it's not good, otherwise you could call it The Incredibles.

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Right.

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Repeatedly.

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But I've done it anyway.

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Instead you can say it's incredible.

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Yeah, and it doesn't have balls in it.

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I know, it's less impressive, obviously.

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And, you know, I've got a peach of an article to read out from a school mag this week.

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You're loaded with peaches.

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Yeah, yeah, yeah.

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You're a sort of peach salesman.

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Peach vendor.

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Peach vendor.

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OK, let's test it.

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A peach munga.

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A peach... munga.

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Munga, yes, I'll stick with peach munga.

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This is Razorlight.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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You're so eccentric.

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It makes you interesting.

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Crazy person.

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And I'd buy copies of Smash Hits and stuff like that.

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It's enjoyable to read the reviews from way back when.

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And Rip It Up by Orange Juice got a terrible review when it came out.

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The single?

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Yeah.

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Said it was just sell-out rubbish.

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Who was that?

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Dave Hepworth?

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No, Dave Hepworth's got good taste.

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And he's a fine writer.

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It was someone who is no longer a known critic.

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And it wasn't, um, what's he called from the Pet Shop Boys?

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Miel Tennant.

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Miel Tennant, of course.

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Who used to edit Smash It.

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That's right, yeah.

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And he was just obsessed by Kid Creole and the Coconuts.

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Rightly so.

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I'm obsessed with Kid Creole and the Coconuts, but they're wrong.

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Orange Juice is a great band, and Rip It Up is a great song, but that was Razorlight, who were also a great band, you know?

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Yeah.

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Now, the bravery I haven't heard of, but let's see, this is a track called Unconditional and you're listening to XFM with Adam and Joe.

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Well, uh, that's a very brave sound from the bravery.

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A brave sound from the bravery.

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Brilliant, brilliant.

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Thank you very much.

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Apparently, the focus of a recent A&R scrum.

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Wow, I would have loved to have seen that.

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They're a New York quintet.

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Imagine all the hairy legs of the A&R people poking out from the scrum.

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Wow.

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And, um, oh, I would have loved to have been in that scrum.

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I would have grabbed one of the groins of the A&R men.

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Yeah.

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That's what I used to do in scrums.

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Did you ever play, uh, what's it called?

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Rugby?

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R-Rugger.

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Yes, I did.

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Rugger.

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Rugger.

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Yes, I did, Adam.

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What's the difference between rugger and rugby?

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Uh, rugger.

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No.

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Wicked.

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That's the answer.

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That is rugger.

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Wicked.

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Okay.

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In a second we're going to be playing a track by the police, a great track.

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It's an 80s classic.

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Yeah, our 80s classic for this week.

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And after that we're going to give you I think what might possibly be the British radio premiere of the trailer for the new Star Wars film.

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Now I know it doesn't make that much sense showing a trailer on the radio, but maybe with the power of our listeners' imaginations they can imagine a trailer that's better.

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than the one that they'll be seeing at the cinema soon.

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Like Michael Winner's trailer.

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His Winnebago.

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That's very tangential.

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Well, it's a trailer.

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But we're going to talk you through the new Star Wars trailer and just analyse it.

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Have you seen it yet, Adam?

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No.

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How did you get hold of it, Joe Cornish?

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Uh, Throom sources.

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Throom sources, H.P.

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on the internet.

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Oh, clever.

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It's wildly available.

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Clever.

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Okay.

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In fact, if you're listening to us at work or at home and you have access to the internet, you could go do a search for the Revenge of the Sith trailer, line it up on your desktop, and you can watch it while we talk through it.

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Sync it up with the audio.

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Do that now, and after the police will be back with an exclusive preview of that Star Wars trailer here on XFM.

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Fantastic, that's the police with So Lonely, our 80s classic this week, Adam and Joe on XFM.

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And remember you can text us on 83XFM or you can phone us when it comes time for our competitions on 08712221049 or email us, adamandjoe at xfm.co.uk.

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OK, excitingly, it's time for an exclusive... Oh, it's so exciting.

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Come on, Joe.

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So this is the British radio premiere of the new Star Wars trailer, the third Star Wars trailer, is that?

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No, the third Star Wars film?

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I lose count.

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What, three 1s before three 4s before two?

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Yeah, no, it is.

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Yeah, the third.

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This is, of course, the movie when we see how Anakin Skywalker turns evil, becomes Darth Vader.

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This is the first trailer.

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I think it's going in front of Prince of the Incredibles, that opens this Friday, so you can see the cinema from Friday.

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There's not a lot of dialogue in it, there's some at the beginning, but at the end it's mostly just noises.

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So I'll explain what's happening.

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OK.

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Give me a shout when you want me to start.

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OK.

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I think we should start it.

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Now.

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So this is just the Lucasfilm logo.

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Oh, it's that music!

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Then we get a shot of Luke on the surface of Tatooine in the twin sons of Tatooine.

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The Jedi Knights were the guardians of peace and justice in the Old Republic before the dark times, before the Empire.

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A young Jedi named Darth Vader, who was a pupil of mine until he turned to evil, helped the Empire hunt down and destroy the Jedi Knights.

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Vader was seduced by the dark side of the Force.

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This is from Star Wars, isn't it?

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Okay, listen to this.

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Listen to this, Ben.

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Yes, master.

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Rise.

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Rise?

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They're bringing back Rise?

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My favorite channel for breakfast program with Ian Lee and that bird from Big Brother?

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I love Rise.

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I will motivate the armies of the universe to bring back Rise!

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Now basically it's just a lot of spaceships flying very close to each other.

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A lot of loud explosions.

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Wookie soldiers waving their jub-jub sticks in the air.

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Not sure they're actually called jub-jub sticks.

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Natalie Portman with Princess Leia buns.

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Snogging Anakin.

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Yoda drawing his lightsaber.

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Man with very bad teeth.

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Wow, and there it is, that's it.

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Yeah.

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I'm exhausted.

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Could you imagine the sort of thing that was happening there, Adam?

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Yeah, they're bringing back Rise.

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They're bringing back Rise.

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Isn't that the most deep throaty voice you've ever heard in a trailer ever?

12:43.903 --> 12:45.045
Rise.

12:45.505 --> 12:47.107
Oh, that's actually a bit adenoidal.

12:47.227 --> 12:48.328
That's revolting, isn't it?

12:48.449 --> 12:48.669
Yeah.

12:48.689 --> 12:49.550
I've got a bit of a sore throat.

12:49.670 --> 12:55.496
You see, the skill that guy has is he can make it that low, but also make it sound kind of macho and crunchy.

12:55.576 --> 12:56.197
That's Ian Lee.

12:56.578 --> 12:56.838
Is it?

12:56.978 --> 12:57.058
Yeah.

12:57.158 --> 12:58.340
Is he doing Darth Vader's voice?

12:58.360 --> 12:59.721
Yeah, he's amazingly adaptable.

12:59.841 --> 13:00.722
Right.

13:01.603 --> 13:02.865
Does it look exciting?

13:04.146 --> 13:07.948
Yeah, it looks the same, but different colours and different combinations.

13:08.329 --> 13:10.050
But this is the dark one, isn't it?

13:10.070 --> 13:24.020
This is the dark one, and there's a particular shot that kind of annoys me, where they show, what's his name, Hayden Christensen, turning evil, and it's an over-the-shoulder shot, and he's got his hood up, and he turns towards the camera, and what do they do to show you he's evil?

13:24.841 --> 13:28.783
How can you make somebody evil with one simple move?

13:28.843 --> 13:29.884
I thought it was the hooded top.

13:29.944 --> 13:31.885
That's what usually tips people off to evilness.

13:32.045 --> 13:32.645
Coloured eyes.

13:32.865 --> 13:33.626
Coloured eyes.

13:33.666 --> 13:34.266
Yellow eyes.

13:34.286 --> 13:36.967
Isn't that always the way in life when someone goes evil their eyes go yellow?

13:37.167 --> 13:38.088
Or red usually.

13:38.208 --> 13:40.369
Usually red in Star Wars it's yellow, but it's like The Omen isn't it?

13:40.409 --> 13:43.410
Or the end of a bad film where there's going to be a sequel and the baby's born and it goes...

13:44.551 --> 13:45.171
and his eyes are all red.

13:45.231 --> 13:45.871
Right, there you go.

13:45.931 --> 13:47.011
Red, yeah, that's right.

13:47.071 --> 13:49.192
Red is pretty much the devil.

13:49.312 --> 13:54.333
If your eyes go red, you're in the, you know, payment of Satan.

13:54.593 --> 13:58.833
If your eyes go yellow, is it a more sort of animal evil, a more bestial evil?

13:58.993 --> 14:00.494
Yeah, it's something- You're like a sort of wolf.

14:00.514 --> 14:01.154
That's right.

14:01.534 --> 14:03.134
You're just a renegade, a maverick.

14:03.294 --> 14:06.235
And if your eyes go blue, it means you've got ice powers.

14:06.875 --> 14:08.515
Has that ever happened in life?

14:08.815 --> 14:12.576
Is there a precedent in life for evil people's eyes going a funny colour?

14:13.476 --> 14:13.796
Yeah.

14:14.269 --> 14:14.770
Yeah, there is.

14:14.790 --> 14:15.551
Great.

14:15.811 --> 14:16.152
OK.

14:16.372 --> 14:17.113
Let's leave it at that.

14:17.193 --> 14:17.654
OK then.

14:17.854 --> 14:18.174
Brilliant.

14:18.234 --> 14:19.056
Glad we've solved that.

14:19.396 --> 14:19.917
Kings of Leon.

14:33.683 --> 14:37.284
Is he talking about going bald?

14:37.304 --> 14:39.724
18, balding starts.

14:40.164 --> 14:40.644
I don't know.

14:40.665 --> 14:44.425
Well, the Kings of Leon are one of those bands where I don't even attempt to comprehend the lyrics.

14:44.685 --> 14:47.866
They're very her-suit, so I don't suppose baldness is a problem for them.

14:48.186 --> 14:48.326
No.

14:48.346 --> 14:52.367
But maybe it's a song written out of anxiety, like, what if we were to go bald?

14:52.407 --> 14:53.587
Would our fans desert us?

14:53.667 --> 14:56.728
Well, often people who are going bald grow their hair very long.

14:57.448 --> 14:58.590
in order to comb it forward.

14:58.670 --> 14:59.551
Like Bill Bailey?

14:59.811 --> 15:04.736
Yeah, exactly, because it hides the retreating bits, you know, at the sides.

15:04.756 --> 15:05.717
I don't know what they're called.

15:06.237 --> 15:06.958
Retreating bits?

15:07.078 --> 15:07.959
Retreating bits, yeah.

15:07.979 --> 15:09.641
Yeah, that's what they're called.

15:09.841 --> 15:17.669
Coming up after the break, we have the first of our competitions here on the Adam and Joe XFM show, and it's mummification.

15:17.749 --> 15:18.390
Very simple.

15:18.450 --> 15:19.171
All you have to do is

15:19.691 --> 15:21.912
decode what my ma is rambling about.

15:21.932 --> 15:24.012
She's talking about a well-known personality this week.

15:24.032 --> 15:24.692
It's very easy.

15:25.092 --> 15:26.512
And if you know, all you have to do is give us a call.

15:26.532 --> 15:26.792
0-8-7-1-2-2-2-1-0-4-9.

15:27.133 --> 15:31.954
Stand by those phones.

15:31.974 --> 15:32.734
What can they win?

15:33.094 --> 15:34.214
And they will win.

15:34.234 --> 15:34.634
Not them.

15:35.754 --> 15:36.854
Don't they win these DVDs?

15:37.055 --> 15:38.155
They win the Google whack.

15:38.555 --> 15:42.036
A copy of Dave Gorman's Google whack adventure on DVD.

15:42.356 --> 15:45.416
Which is supposed to be very, very good and very funny.

15:46.136 --> 15:47.517
So stay by your phones.

15:47.557 --> 15:48.597
We'll be right back after this.

15:53.481 --> 15:56.304
That's Kasabian with Process Beats here on XFN.

15:56.324 --> 15:57.305
This is Adam and Joe.

15:57.805 --> 16:00.868
It's competition time, ladies and gentlemen.

16:07.879 --> 16:10.902
Oh yeah, it's a very, very, very easy one, I think, this week.

16:11.002 --> 16:16.108
I might have to do a few more of these with my ma, because she's getting too good at just describing things.

16:16.729 --> 16:18.430
Her mind is unaddling itself.

16:18.811 --> 16:22.354
So all you have to do is figure out who my mum is talking about.

16:22.374 --> 16:27.240
She's talking about a very well-known personality who's kind of in the news at the moment.

16:27.260 --> 16:28.181
Can I ask you a question?

16:28.281 --> 16:28.501
Go on then.

16:28.641 --> 16:32.384
When you first recorded these mummification things, was your mum a little bit tipsy and tired?

16:32.745 --> 16:33.966
No, you know what, she wasn't.

16:34.286 --> 16:35.247
She does sound it.

16:35.387 --> 16:37.229
Because her voice is a bit slurred.

16:37.549 --> 16:37.829
Yeah.

16:37.849 --> 16:39.231
Or was a bit slurred in the first ones.

16:39.271 --> 16:41.533
This one, she sounds a bit more compass mentis.

16:41.793 --> 16:47.799
I think she just got quite relaxed and I've got a big couch at home and she's just...

16:48.499 --> 16:53.405
sank into the couch, and as soon as she sits in the couch, she starts thinking about sleeping.

16:53.705 --> 16:56.428
Because she's got to that age.

16:56.468 --> 16:58.811
And she enters that state of mummification.

16:58.871 --> 16:59.652
Yeah, exactly.

16:59.772 --> 17:02.796
You want to do that more, and you maybe want to get her a little bit tipsy.

17:02.996 --> 17:03.496
Okay then.

17:03.837 --> 17:04.938
But I'm looking forward to hearing this one.

17:04.978 --> 17:07.221
I don't know what this is, so I'm going to play along with everybody at home.

17:07.521 --> 17:08.102
Alright.

17:10.783 --> 17:17.667
So the number to call if you know who my mum is talking about is 0871-222-1049.

17:17.847 --> 17:18.887
Now who's she going on about?

17:19.147 --> 17:25.771
I first saw him many years ago on Top of the Pops which I used to watch with my children.

17:26.908 --> 17:30.672
and really enjoyed and this must have been about 20 years ago I guess.

17:31.452 --> 17:38.899
At the time I thought there were all sorts of others that were much much better than he and his band at that time.

17:39.605 --> 17:44.908
But I thought they were very kind of mediocre, really, and would have sunk without trace.

17:45.809 --> 17:48.911
If it hadn't been for the main singer, was he the main singer?

17:49.051 --> 17:49.431
I don't know.

17:49.912 --> 17:56.356
Who then went on to do great things with charity work and raising money.

17:58.456 --> 18:18.395
mediocre yeah mediocre mediocre um yeah yeah yeah you know it's it's anyway uh so that's easy who who is she i know who it was of course you do everyone does i want to win dave gorgon's gorgon dave gorman's google wack adventure gorgon that's the prize up on offer as has he got his sideburns in that

18:19.116 --> 18:23.037
Yeah, he's got a whole sort of 70s TV presenter beard sort of thing going on.

18:23.897 --> 18:25.557
So that's in his ludicrous hair days.

18:25.597 --> 18:28.958
He's always got some ludicrous facial hair furniture going on, doesn't he, Gorman?

18:29.098 --> 18:30.258
He does, but that's what's at stake.

18:30.278 --> 18:36.839
You could win a copy of Dave Gorman's Google Wack Adventure if you call 08712221049 if you know who that was.

18:36.939 --> 18:37.919
We'll be right back after this.

18:37.959 --> 18:38.719
Now, who's this, Joe?

18:38.739 --> 18:40.060
This isn't a free play of ours.

18:40.680 --> 18:41.120
Who've we got?

18:41.400 --> 18:42.000
Oh, is it my one?

18:42.020 --> 18:42.500
Yes, your one.

18:42.560 --> 18:44.660
Yeah, well, this is just a celebratory Saturday song.

18:44.680 --> 18:47.341
This is Tell Us Soul with the roller skating jam named Saturday.

19:02.341 --> 19:05.102
And funnily enough, that is one of my Mars favourite songs.

19:05.182 --> 19:05.662
Is it really?

19:05.682 --> 19:07.863
Yeah, Roller Skating Jam Named Saturday by De La Soul.

19:07.883 --> 19:09.024
And do you know what it is Saturday?

19:09.044 --> 19:09.944
Isn't that a clever choice?

19:10.024 --> 19:11.184
It's Saturday and it's a nice day.

19:11.204 --> 19:11.985
Yeah.

19:12.105 --> 19:16.306
And I just thought it'd be an exciting, uplifting song to hear, you know, because it's a beautiful day.

19:16.446 --> 19:16.966
Absolutely.

19:17.507 --> 19:26.090
Oh, and it's a lovely day to give away some DVDs of Dave Gorman's Google Wack adventure, which will bring internet-based nerd fun to, uh... Everybody.

19:26.270 --> 19:26.870
Your living room.

19:26.890 --> 19:27.370
Yeah, your living room.

19:27.390 --> 19:28.571
So we've got two callers on the line, right?

19:28.791 --> 19:29.011
Yes.

19:29.131 --> 19:29.751
Who's first?

19:30.111 --> 19:31.052
I think Joanne is first.

19:31.092 --> 19:31.552
Hello, Joanne.

19:31.969 --> 19:32.630
Hello there.

19:33.210 --> 19:33.991
Thank you for calling.

19:34.892 --> 19:35.532
You're welcome.

19:35.592 --> 19:36.193
How are you?

19:36.533 --> 19:37.774
Very well, thank you, Joanne.

19:38.415 --> 19:46.963
Now, before you reveal who your guest is, if that was a very badly said sentence, but could you talk us through some of your reasoning?

19:47.783 --> 19:50.746
Well, I thought it was Paul Weller in the end, but it was a wild guest.

19:51.687 --> 19:54.509
Twenty years ago he was in the jam, wasn't he, roughly?

19:54.529 --> 19:55.991
Yeah, the end of it.

19:57.433 --> 20:05.276
that's my guess and I saw him in Berlin a couple of weeks ago and he's been in the news because he's lost his stroke and had a very bad throat infection.

20:05.296 --> 20:09.498
So, but listen, what was it that Adam's mum said that made you think it might be Weller?

20:10.938 --> 20:13.059
It was this sort of old Top of the Pop stuff, wasn't it?

20:16.475 --> 20:18.536
And you fixated probably on the mediocreness.

20:18.817 --> 20:20.178
Yeah.

20:20.398 --> 20:22.680
You know, did you like the way Adam's mum pronounced the word?

20:22.860 --> 20:24.401
Midi- mediocre.

20:24.702 --> 20:31.247
I thought if we could, this is another idea, but if we could, you know, there's words that parents always pronounce in a different way, like that.

20:31.488 --> 20:38.574
If we could collect enough words, we could trick one of your parents into saying a sentence with all these words in and see how many they say in a funny way.

20:39.014 --> 20:41.616
Midi- mediocre would be one of them anyway.

20:42.617 --> 20:45.000
Joanne, sorry to spin it out there, but you're wrong.

20:45.240 --> 20:46.822
You're wrong about that.

20:46.842 --> 20:47.343
Sorry, Joanne.

20:47.363 --> 20:50.607
But you can have a Dave Gorman Google Wack Adventure DVD anyway.

20:50.627 --> 20:51.888
Thank you.

20:52.409 --> 20:54.191
Yeah, sorry, what was your child saying?

20:54.692 --> 20:57.335
Natalie and Russell is also here.

20:57.715 --> 20:58.476
You can't hear him.

20:58.717 --> 20:59.758
What are they trying to say?

20:59.778 --> 21:02.141
No, Natalie's just shouting what we've won.

21:02.489 --> 21:03.070
What have you won?

21:03.110 --> 21:05.533
Tell her Dave Gorman's Google wack adventure.

21:05.553 --> 21:06.835
Let's see what she says to that.

21:06.875 --> 21:08.817
Go on, tell her.

21:08.837 --> 21:11.581
She's gonna get all excited because she'll think, oh, it's like the Gruffalo or something.

21:11.621 --> 21:12.382
Can't we get through that?

21:14.068 --> 21:14.608
No, we can't.

21:14.628 --> 21:15.389
It's too big to post.

21:15.409 --> 21:16.469
We won't tell you what it was.

21:16.509 --> 21:17.890
OK, well, you've got a fantastic DVD.

21:17.950 --> 21:18.891
Oh, thank you anyway.

21:18.931 --> 21:19.871
The kids are going to love it.

21:19.911 --> 21:23.493
Kids love eccentric browsing on the internet.

21:23.533 --> 21:25.194
And crazy men with facial hair.

21:25.214 --> 21:26.735
Thanks for calling, Joanne.

21:26.795 --> 21:28.176
Thanks very much indeed for calling, Joanne.

21:28.216 --> 21:29.096
Who else have we got, Jo?

21:29.256 --> 21:30.117
I think we've got Sam.

21:30.397 --> 21:30.817
Hey, Sam.

21:31.457 --> 21:31.998
Hiya.

21:32.178 --> 21:32.738
How you doing?

21:32.778 --> 21:33.498
Thanks for holding on.

21:33.518 --> 21:34.579
That's OK.

21:34.739 --> 21:37.540
Now, Sam, who do you think my mum was talking about just then?

21:38.081 --> 21:40.342
Well, I thought it was Bob Geldof.

21:41.022 --> 21:41.523
Geldof?

21:41.543 --> 21:42.143
Why do you think that?

21:42.836 --> 21:45.805
Well, mediocre obviously, no, that's mean.

21:46.126 --> 21:50.699
I thought because 20 years ago, and in the news at the moment, Father for Justice,

21:51.969 --> 22:16.708
charity that was the key thing wasn't it that was the giveaway the charity work absolutely correct that was brilliant yeah very very well done indeed so listen you're you know according to the logic of this we give you david uh gort david every time i read it out i say a different thing isn't it exciting dave gorman's google wack adventure but if we gave the person who lost dave gorman's google wack adventure surely we should give the person who won something more

22:18.644 --> 22:19.565
this out to me.

22:19.825 --> 22:25.851
Well your boyfriend's right, we could give you two copies of Dave Gorman's Google Whack Adventure.

22:25.911 --> 22:29.214
What about 28 copies of Dave Gorman's Google Whack Adventure?

22:29.594 --> 22:37.481
And then you could set up a little stall and you could glue some little bits of carpet onto the side of your face and pretend that you're Dave Gorman and tell them.

22:38.182 --> 22:44.547
I'd try to go see him and he wouldn't let me in because I was late so I didn't see Google Whack Live.

22:45.208 --> 22:49.497
Well, you're better off on DVD because the kind of people that go and see him, they frankly have bad odor.

22:49.697 --> 22:52.703
Wait, he personally banned you from coming in the auditorium?

22:53.224 --> 22:56.691
Well, not me per se, but apparently no latecomers were allowed in.

22:59.107 --> 23:00.208
OK, you know what we're going to do?

23:00.228 --> 23:01.470
We're going to give you three copies.

23:02.471 --> 23:05.053
Three copies of Dave Gorman's Google Work Adventure.

23:05.153 --> 23:05.994
Hey, you know what?

23:06.355 --> 23:08.016
Do you want a copy of the Adam and Jo DVD?

23:08.337 --> 23:09.318
I would love one.

23:09.718 --> 23:13.402
Can I just ask, why don't you already have one?

23:13.802 --> 23:18.167
Because I've been waiting for my boyfriend's wife for Christmas.

23:18.187 --> 23:20.149
The sales of our DVD are going to rocket at Christmas.

23:20.209 --> 23:20.610
Rocket!

23:21.750 --> 23:22.190
So there you go.

23:22.210 --> 23:23.490
You get four amazing DVDs.

23:23.510 --> 23:26.271
Well, one amazing DVD and three Dave Gorman DVDs.

23:27.011 --> 23:27.552
Congratulations.

23:27.572 --> 23:28.572
Thanks very much for calling.

23:28.592 --> 23:29.432
Thank you.

23:29.472 --> 23:30.072
Bye-bye, Sam.

23:30.652 --> 23:31.153
Bye, Sam.

23:31.373 --> 23:33.233
That was my modification for this week.

23:33.273 --> 23:38.675
Coming up in the second hour of the show, we have got Crap Commentary Corner, where we play you a sample from a movie commentary.

23:38.695 --> 23:40.375
You have to guess what it is, and it's a really good one this week.

23:40.675 --> 23:41.135
Very difficult.

23:41.195 --> 23:44.057
Quite the grumpiest person I've ever heard on a DVD commentary.

23:44.217 --> 23:44.817
An oldster?

23:45.137 --> 23:45.878
An oldster.

23:46.778 --> 23:53.302
Somebody who respects the truth and veracity in movies doesn't find it in the movie he's commentating over and tells it like it is.

23:53.942 --> 23:54.383
Wow.

23:54.443 --> 23:55.543
That's crap commentary calling up.

23:55.563 --> 23:56.684
Jim Belushi?

23:56.724 --> 23:58.125
It's a good guess, Adam, but it's not Belushi.

23:58.145 --> 23:58.585
Oh, okay.

23:59.065 --> 24:01.026
Plus we've got some great music in the second half of the show, right?

24:01.326 --> 24:02.627
Absolutely, amazing stuff.

24:02.647 --> 24:05.848
We've got a 90s classic coming your way from Tupac.

24:06.729 --> 24:15.133
A lot of amazing music as well from the likes of The Streets, The Green Day, The Snow Patrol, The Black Keys, The Zoutons, etc.

24:16.293 --> 24:17.654
So stick with Adam and Joe here on XFN.

24:27.130 --> 24:29.752
That's Keen with one of their wicked songs.

24:29.812 --> 24:31.433
That one's called This Is The Last Time.

24:31.473 --> 24:34.175
This is Adam and Joe on XFM London's 104.9.

24:34.215 --> 24:38.778
Remember, you can text us on 83XFM or email us, adamandjoe at xfm.co.uk.

24:39.059 --> 24:40.620
I think they're better at the slow numbers, Keen.

24:41.760 --> 24:42.461
Oh, I like that one.

24:42.681 --> 24:44.182
Yeah, I think they're better when they're slower.

24:44.583 --> 24:44.803
Yeah, yeah.

24:44.883 --> 24:45.543
That's just me.

24:45.863 --> 24:45.963
OK.

24:46.964 --> 24:52.626
So we were discussing there Adam's mum's weird pronunciation of the word mediocre.

24:53.066 --> 24:54.126
Mediocre, she says.

24:54.327 --> 24:56.507
Mid-yoker, she said there in mummification.

24:56.787 --> 25:05.970
And we've had a very nice text from somebody who will remain nameless because he hasn't sent his name, or she, who says his dad aloo-min-um.

25:06.470 --> 25:06.971
Aluminium.

25:06.991 --> 25:08.351
Well that's how the Americans say it, isn't it?

25:08.391 --> 25:09.932
Aluminium instead of aluminium.

25:11.412 --> 25:12.872
We were trying to think of some others.

25:13.733 --> 25:15.293
How do your parents describe pizza?

25:15.813 --> 25:21.254
Well, we talked about this years ago, but my mother-in-law calls it pizza.

25:21.614 --> 25:22.055
Pizza.

25:22.375 --> 25:23.635
Would you like a slice of pizza?

25:23.895 --> 25:26.696
And is that the correct Italian pronunciation or something?

25:26.936 --> 25:27.856
I have no idea.

25:27.996 --> 25:29.096
I would say not.

25:29.896 --> 25:31.637
The Italians would call it pizza, wouldn't they?

25:31.677 --> 25:32.077
Pizza.

25:32.897 --> 25:35.118
And they also... That's because that's Italian, the Italian speak.

25:35.178 --> 25:36.978
That's right!

25:37.258 --> 25:43.360
And they, her parents also, my wife's parents also insist on referring to rosé wine as rosé.

25:44.120 --> 25:44.980
That's just mad.

25:45.040 --> 25:45.960
Like that, rosé.

25:46.200 --> 25:51.462
But they'll be talking completely normally and then suddenly the word rosé will come up and they'll say, oh would you like a bit of rosé?

25:52.857 --> 25:59.958
So what we want you to do is text us in words that kind of the older generation, or people you know, insist on pronouncing in a weird way.

26:00.759 --> 26:10.081
83XFM, we're going to try and build up a list and then we're going to try and trick Bad Dad, or maybe Adam's mum, into reading this sentence and see how many he mispronounces.

26:10.101 --> 26:11.061
It's going to be amazing.

26:11.221 --> 26:21.563
Speaking of my dad, he is obsessed by the concept of saying, rather than necessarily, which most people would say, he insists that the correct pronunciation is necessarily.

26:23.044 --> 26:24.867
So you just speed through the beginning?

26:25.247 --> 26:28.352
Instead of speed through the middle, how would you describe that pronunciation?

26:29.313 --> 26:30.755
Umm... contracted?

26:31.838 --> 26:36.781
But to me, it's such a bizarre pronunciation, you can't even describe how to pronounce it, so it must be wrong.

26:36.921 --> 26:43.586
Do you know, it's not as if he's putting emphasis on one syllable or another, it's just to do with the speed with which he says it.

26:43.606 --> 26:48.129
Well, to break it down, he reckons the word is comprised of two basic parts.

26:48.349 --> 26:49.830
Necess and really.

26:50.591 --> 26:51.231
Necess-really.

26:51.251 --> 26:51.711
Necess-really.

26:51.731 --> 26:54.533
So he doesn't say the error, necessarily.

26:54.873 --> 26:56.374
So he's actually removed a syllable.

26:56.595 --> 27:00.097
Yeah, but he reckons that including the syllable is itself an error.

27:00.237 --> 27:01.438
Does he say buzz-dop?

27:02.138 --> 27:02.839
What?

27:02.899 --> 27:05.081
Does it say, I'll meet you at the buzzdop?

27:05.341 --> 27:06.121
No, who does?

27:06.302 --> 27:06.522
Me.

27:06.542 --> 27:12.707
Because we can start inventing words that our generation can say weirdly and I think we should start with buzzdop.

27:12.927 --> 27:14.188
Okay, I'm up for buzzdop.

27:14.448 --> 27:18.571
Which buzzdop are you getting on the buzz- oh, I don't know.

27:32.461 --> 27:34.402
Yeah, yeah, that's U2 with Vertigo.

27:34.422 --> 27:42.106
That wouldn't be nearly so bad if it wasn't for the- I mean, that's a good song, obviously, but I'd like it even more if it wasn't for the yeah, yeah, yeahs at the end, which just seem to be trying a bit too hard.

27:42.446 --> 27:47.148
Before the break, you heard Take the Skinheads Bowling by Campervan- Campervan Beethoven.

27:47.648 --> 27:50.750
Another free play of ours here on the show this week on XFM.

27:51.230 --> 27:52.270
Now, Joe, who have we got on the line?

27:52.711 --> 27:58.634
Well, Jonathan Ross is on the line because this whole mispronounced word thing has exploded.

27:58.674 --> 27:59.454
It's taken off.

27:59.634 --> 28:00.755
It's got a life of its own.

28:00.875 --> 28:01.555
It's a phenomena.

28:01.735 --> 28:06.478
We played mummification and in mummification, Adam's mum mispronounced the word mediocre.

28:06.498 --> 28:14.863
She said mediocre, so we were just discussing words that parents, people in the older generation or friends, pronounce in a different and annoying way.

28:15.103 --> 28:15.804
Are you there, Jonathan?

28:17.384 --> 28:18.505
You sound miles away.

28:18.525 --> 28:19.386
He's distant.

28:22.087 --> 28:22.668
There we go.

28:22.688 --> 28:24.369
Yeah, that's much better.

28:24.389 --> 28:24.949
Thanks for calling.

28:24.969 --> 28:25.709
God bless you.

28:31.078 --> 28:32.038
I know, it was, wasn't it?

28:32.118 --> 28:37.119
It was just, it was awkward and embarrassing, because I was obviously nervous and the audience were nervous.

28:37.179 --> 28:38.300
It got back towards the end though, didn't it?

28:38.780 --> 28:39.200
Well, yeah.

28:39.380 --> 28:40.480
Oh, you'd stopped listening, didn't you?

28:41.060 --> 28:42.000
Yeah.

28:42.220 --> 28:46.361
So listen, I know I'm enjoying this, mummification's great, and here's the words I would like to chip in.

28:46.401 --> 28:48.742
My father always used to pronounce salt salt.

28:49.462 --> 28:52.503
He used to pronounce the salt, and it was really annoying.

28:52.783 --> 28:55.023
It was just such a small, squashed vowel, but that was enough.

28:55.323 --> 28:57.204
He also used to say, mustache.

28:57.744 --> 28:59.024
That's just ridiculous.

29:00.927 --> 29:01.528
Mustache?

29:01.868 --> 29:06.592
Mustache, but the best one we heard was we were out once with a friend of ours, who you know, Emily, I know you know her.

29:06.612 --> 29:06.852
Yeah.

29:06.872 --> 29:23.425
She overheard a guy in a restaurant, a nice middle class man, and he was out with his kids, and he was chasing them around the restaurant, it was a Sunday afternoon, you know, he was having a nice time, and he was chasing them, and he was overdoing it all because he was saying, come on kids, I'm gonna catch you, that air storm monster is coming, that air storm monster!

29:24.686 --> 29:26.287
Was that not just for the benefit of the kids?

29:28.183 --> 29:37.365
the sort of bloke you can see when he's loading from head to toe, he always can has restaurant, restaurant, because then when he left he went, come on then Tommy, come on Molly, Narnia's going to start soon.

29:38.885 --> 29:43.446
I think that he probably comes from the same universe as my mother-in-law, talking about rousie.

29:44.486 --> 29:51.927
So how about, we've had quite a lot of texts on this Jonathan, we've got somebody who says that a relative pronounces crisps, crips.

29:52.447 --> 29:53.967
That's horrible, that's a bit creepy.

29:53.987 --> 29:55.748
That's quite a common one, crips isn't it?

29:55.788 --> 29:58.148
It's not people kind of like doing it just to be sweet.

29:59.284 --> 30:01.406
Well, it's probably more like just people being thick, isn't it?

30:01.426 --> 30:06.129
It's like George Bush and a lot of other people who are unable to say nuclear and say nuclear.

30:06.670 --> 30:10.213
Well, you hear someone say a newscaster, instead of saying cocaine, they say c-c-cune.

30:11.394 --> 30:11.634
What?

30:11.674 --> 30:12.214
C-c-c-c-cune?

30:12.374 --> 30:14.816
Listen, have you never heard people say c-c-c-c-cune?

30:14.876 --> 30:15.437
C-c-c-c-c-c-c-c-cune?

30:15.891 --> 30:20.374
If I'm the government donut, he'll say, he'll go, and you know, I did that because that was Len Henry's thing.

30:20.874 --> 30:22.636
It was his funniest thing.

30:22.676 --> 30:28.480
He said, he used to say, and he used to say, obviously four million pounds of gin.

30:28.620 --> 30:30.281
But he pronounces everything weird, doesn't he?

30:30.301 --> 30:32.042
He's got the weirdest intonation in the world.

30:32.442 --> 30:33.903
Well, it's his own though, isn't it?

30:33.963 --> 30:35.645
Maybe he thought, you know, this will make me memorable.

30:35.985 --> 30:36.465
Well, yes.

30:36.745 --> 30:43.110
And how about, how about the word stereo, which dads often pronounce stereo?

30:43.130 --> 30:44.511
Stereo, stereo.

30:44.531 --> 30:44.891
Stereo?

30:46.704 --> 30:49.806
So they would pronounce posh so they can't help it.

30:49.826 --> 30:51.206
They speak posh even if they're not posh.

30:51.226 --> 30:56.289
Your daddy isn't really posh at posh at the minute, but he's sort of like, you know, has a posh outlook on life.

30:56.549 --> 30:57.270
Yeah, no, he does.

30:57.990 --> 31:02.012
He's spiritually.

31:02.032 --> 31:04.273
He speaks basically, he speaks correctly.

31:04.494 --> 31:05.654
What are you really doing here?

31:05.674 --> 31:06.495
You know what you're really doing?

31:06.935 --> 31:08.536
You're celebrating mediocrity.

31:08.936 --> 31:10.437
That's absolutely true, mediocrity.

31:10.897 --> 31:16.180
And in fact, we've already been corrected on our pronunciation of pronunciation, which is actually of course pronounced pronunciation.

31:18.148 --> 31:21.878
Have you got, what a sound of sheep in the background Jonathan.

31:23.586 --> 31:25.567
Ah, that's amazing.

31:26.408 --> 31:30.090
So Jonathan, you're back home after your radio show, what does the rest of the afternoon hold for you?

31:30.430 --> 31:36.854
Very little, I'm going to lie around like a fat sultan, like an old Turkish sultan, being afraid to face sweets meets by my children.

31:37.074 --> 31:42.378
If they make any mistake when carrying the sweets tempted morsel to my mouth, I should shout at them and send them to bed early.

31:42.698 --> 31:45.339
Ah, listen Jonathan, but why don't you invite us around one day?

31:45.560 --> 31:46.580
We haven't seen you for ages.

31:46.820 --> 31:51.183
Keep in mind Joe, when he never comes, and you've got too many children to come out now Adam, you stay at home looking after your children.

31:51.621 --> 31:58.864
It's true, although me and my wife sat down this... You know, we've really got to start getting out more because you and I are just beginning to argue quite a lot.

31:59.064 --> 32:00.905
Well, Wednesday night, I'm going out for my birthday.

32:00.925 --> 32:01.625
Do you want to come out then?

32:01.765 --> 32:02.526
That would be great, yeah.

32:02.586 --> 32:03.066
Yes, please.

32:08.118 --> 32:35.385
has to spoil it has to ruin it he starts off with a dig and he ends up with a dig with a stab there you go listen if you've got any mispronounced words by dads or the older generation do text us 83 XFM you're listening to Adam and Joe on XFM London's 104.9 you see I press it yeah it just doesn't start it's exciting so I was trying to make it all slick and then there's a little pause here's baby shambles

32:40.338 --> 32:53.267
XFM, XFM, XFM Yes it's XFM and it's in London, London, London

33:04.386 --> 33:04.967
Yeah, yeah, yeah.

33:05.027 --> 33:07.348
That's the Zutons with confusion.

33:07.569 --> 33:10.611
Sounding a little bit like, uh, Beautiful South there, I thought.

33:10.831 --> 33:12.092
Is that an insult, Adam Butler?

33:12.112 --> 33:12.473
No, it's not.

33:12.493 --> 33:13.313
I like the Beautiful South.

33:13.353 --> 33:14.454
Do you like the Beautiful South?

33:14.774 --> 33:17.116
Uh, they're not my favourite, but I- No, you don't like the Beautiful South.

33:17.136 --> 33:17.417
I do!

33:17.517 --> 33:17.857
I do!

33:17.877 --> 33:18.558
Come on, come on, come on.

33:18.598 --> 33:20.579
Hey, just because I don't buy them, I hate them.

33:20.779 --> 33:22.641
Did they do, uh, Think for a Minute?

33:23.181 --> 33:24.122
No, that was the House Martins.

33:24.222 --> 33:24.562
Oh, really?

33:24.602 --> 33:26.124
That's when I stopped buying the Beautiful South.

33:27.985 --> 33:31.306
Okay, this is Adam and Joe on XFM London's 104.9.

33:31.987 --> 33:37.309
Coming up is Crap Commentary Corner, where we record some commentary from a movie.

33:37.329 --> 33:39.730
You have to guess who's talking and what the movie is.

33:39.970 --> 33:40.910
Are we gonna do this now, Adam?

33:41.190 --> 33:42.911
We're not gonna do it right now, we're gonna do it after the next song.

33:43.431 --> 33:45.732
OK, but stand by your clothes, that's a little tease.

33:45.792 --> 33:46.492
So the number is 0871-221049.

33:46.512 --> 33:51.934
You've got a very special screening of The Incredibles this Wednesday night.

33:51.954 --> 33:53.615
The Incredibles is brilliant.

33:53.955 --> 33:58.816
It's one of these films that's going to be marketed with a sort of suffocating barrage of nonsense.

33:59.257 --> 34:00.577
But it is actually really good.

34:00.717 --> 34:01.959
It's a Pixar animation.

34:01.999 --> 34:02.679
It's a Pixar animation.

34:02.720 --> 34:07.065
It's directed by Brad Bird, the guy that made the Iron Giant, which was a lovely hand-animated film.

34:07.105 --> 34:08.447
Came out about seven or eight years ago.

34:08.507 --> 34:08.727
Maybe.

34:08.867 --> 34:09.348
Maybe five.

34:09.488 --> 34:09.828
I don't know.

34:09.988 --> 34:10.189
Yeah.

34:10.409 --> 34:10.910
Underrated.

34:11.030 --> 34:12.411
But Incredibles is terrific.

34:12.491 --> 34:13.152
Really, really good.

34:13.513 --> 34:15.055
And we're going to give quite a lot of tickets away.

34:15.095 --> 34:16.016
So this isn't just four.

34:16.176 --> 34:17.037
This is four tickets.

34:17.337 --> 34:18.339
So you and what?

34:18.459 --> 34:19.039
Five tickets?

34:20.114 --> 34:20.814
Four pairs?

34:20.834 --> 34:22.075
That's eight.

34:22.135 --> 34:24.095
So you and like seven friends could go?

34:24.175 --> 34:24.895
You and McGregor.

34:25.256 --> 34:26.476
You and McGregor.

34:26.736 --> 34:27.136
Could go.

34:27.516 --> 34:27.856
Wow.

34:28.036 --> 34:30.337
He could go on his bike with Charlie Borman.

34:33.078 --> 34:33.318
Yes.

34:33.398 --> 34:34.578
So that's a big prize.

34:34.618 --> 34:36.419
It's basically a party, an Incredibles party.

34:36.899 --> 34:39.720
The only downside is it's at Whitley's of Bayswater.

34:39.780 --> 34:40.220
Whitley's?

34:40.960 --> 34:41.380
I don't know.

34:41.440 --> 34:42.320
Your mum might say Whitley's.

34:42.340 --> 34:47.442
The only downside to that is that there's so much great shopping to do that you'll lose a lot of money.

34:47.782 --> 34:51.464
It's a fine screen and it's a wonderful shopping experience.

34:51.484 --> 34:51.764
Brilliant.

34:51.784 --> 34:54.366
So stay tuned for that crap commentary corner coming up any second.

34:54.406 --> 35:07.973
Also forgot to say about the Zutons, they are one of many fantastic bands who will be appearing at the XFM Winter Warmer, a kind of amazing mini festival taking place at the Hammersmith Apollo on the 5th of December, Sunday the 5th of December.

35:08.393 --> 35:09.654
I think we'll be there as well.

35:09.674 --> 35:10.434
We're going to be there.

35:10.494 --> 35:15.036
We agreed to introduce one of the bands, but it seems we might have been dumped.

35:16.397 --> 35:17.898
Lila, our producer, doesn't know anything about us.

35:17.918 --> 35:19.578
I bet Justin Lee College is introducing one of the bands.

35:19.618 --> 35:21.159
I've seen him wandering around there like one of them.

35:21.199 --> 35:21.719
Is he?

35:21.779 --> 35:23.880
Yeah, like the Abominable Snowman wandering around the office there.

35:24.220 --> 35:25.200
He's probably introducing something.

35:25.701 --> 35:29.842
And the whole thing is going to be opened with, did you just say this, the winner of the Rock School competition?

35:29.862 --> 35:30.262
I didn't know.

35:30.282 --> 35:31.383
You see, I want to be there just for that.

35:31.583 --> 35:31.943
Yeah.

35:32.343 --> 35:34.284
Man, that is some of the stuff.

35:34.524 --> 35:40.406
I don't know if we can play any of the entries that Christian O'Connell's been getting, but some of those things are amazing.

35:41.126 --> 35:44.508
There's one like, there's this kid doing a version of the White Stripes.

35:45.848 --> 35:46.048
song.

35:46.068 --> 35:46.509
What's it called?

35:46.809 --> 35:47.230
I don't know.

35:47.250 --> 35:48.271
I don't know whether we can play it.

35:48.291 --> 35:53.558
We're going to see if we can get a mission to borrow Christian O'Connell's award-winning gags.

35:53.598 --> 35:54.500
I said Winter Warmer.

35:54.560 --> 35:56.442
It's the Winter Wonderland, okay?

35:56.462 --> 35:57.423
That's what it's actually called.

35:58.124 --> 36:02.891
And it may be nearly sold out, so I don't know if you can still get tickets to it.

36:03.411 --> 36:07.154
But you can call the XFM switch board if you're interested in that kind of thing.

36:07.755 --> 36:16.122
Or, you know, stick with us here on the Adam and Joe XFM show, because I think we're going to be giving away tickets to the winter warmer at some point in the future.

36:16.443 --> 36:21.087
Anyway, it's time for a 90s classic now, and after this, it's crap commentary corner, but first, here's 2Pat.

36:32.188 --> 36:35.971
See, my ma would probably call him two-park, like two different parks.

36:36.311 --> 36:42.776
We've got such a lot of good mispronounced words by the older generation, just to tease people.

36:43.117 --> 36:47.760
How about muesli instead of muesli?

36:47.840 --> 36:48.081
Yeah.

36:48.181 --> 36:48.661
Muesli?

36:49.241 --> 36:49.842
Is that a good one?

36:49.962 --> 36:51.503
Well, you said one that I do.

36:51.523 --> 36:53.185
Which is that one?

36:53.405 --> 36:54.626
I say migraine.

36:55.723 --> 37:20.040
instead of migraine migraine migraine uh Pete said that uh someone he knows says instead of radar radar that's just stupid radar that's just posh how about this Rob's art teacher uh instead of saying tissue paper says tissue tissue that's quite I've heard that before I don't know about tissue that's like tiramisu or something but my mum says tissue tissue yeah

37:21.474 --> 37:23.455
Anyway, listen, it's time for Crap Commentary Corner now.

37:23.495 --> 37:30.557
This is our regular competition where you have to listen to an excerpt from, well you don't have to, but we invite you to listen to an excerpt from the commentary.

37:30.577 --> 37:31.318
I think they do, I think they do.

37:31.338 --> 37:32.198
Okay, you're compelled to.

37:32.378 --> 37:32.678
You have to.

37:32.698 --> 37:36.259
The power of Christ compels you to listen to this sample of a DVD commentary.

37:36.479 --> 37:39.480
You have to tell me who is talking and what they're talking about.

37:39.540 --> 37:41.581
So here is the set up for it.

37:41.621 --> 37:42.201
Listen carefully.

37:42.241 --> 37:46.803
Of course the numbers 0871, 2221049 in the prizes tickets to a screening of The Incredibles.

37:46.963 --> 37:49.444
Eight tickets to a screening of The Incredibles this Wednesday.

37:49.844 --> 38:00.830
Okay, so this is the director of this film, but he doesn't really get a word in edgeways, because he's doing the commentary with the author of the book that this film is based on.

38:01.571 --> 38:03.692
Now, the author of this book is a stickler for detail.

38:04.112 --> 38:06.734
He likes veracity, verisimilitude.

38:06.754 --> 38:10.116
He does not find it in the film adaptation of his book, and he does not mince his words.

38:10.953 --> 38:12.454
He calls it like he sees it.

38:12.854 --> 38:18.258
So what I've done here is I've sort of jammed together a lot of his negative comments about this adaptation of his book.

38:18.779 --> 38:21.561
See if you can guess who this is.

38:21.581 --> 38:21.561
08712221049.

38:21.601 --> 38:22.201
Who is this guy?

38:22.481 --> 38:23.462
What's the film he's talking about?

38:24.383 --> 38:26.885
This scene struck me as unlikely.

38:27.085 --> 38:29.326
This organization could never exist in the real world.

38:29.667 --> 38:32.369
By the way, the president never participates in these exercises.

38:32.729 --> 38:32.969
Never.

38:33.289 --> 38:34.170
This is both.

38:34.790 --> 38:35.551
One kind of airplane.

38:36.937 --> 38:38.558
Is that supposed to be a bomb or a torpedo?

38:39.478 --> 38:39.859
A bomb.

38:40.979 --> 38:41.760
Wrong proportions.

38:42.520 --> 38:43.661
That would not work in the real world.

38:44.241 --> 38:46.463
Does anybody really believe this except in Hollywood?

38:46.903 --> 38:48.604
This is not very good stuff here.

38:49.184 --> 38:49.564
Why is that?

38:51.025 --> 38:52.886
It just doesn't correspond with reality.

38:53.447 --> 38:54.908
And this is total crap.

38:57.469 --> 38:59.030
That's an uncomfortable commentary.

38:59.310 --> 39:00.551
And who was that, the director with him?

39:00.691 --> 39:05.693
That was the director getting a couple of words in there, but you heard mainly speaking the author of the book on which the film was based.

39:05.853 --> 39:06.254
Notation.

39:06.514 --> 39:07.174
Who was that?

39:07.454 --> 39:08.295
That's really hard.

39:08.315 --> 39:09.175
Do you know Adam Buxton?

39:10.096 --> 39:11.997
Did you see what I've written on the CD label?

39:12.157 --> 39:13.337
I snuck a peak, yeah.

39:13.377 --> 39:14.798
I know the film, but I don't know who.

39:14.998 --> 39:17.179
That's going to be difficult asking people the name of the author.

39:17.280 --> 39:17.880
Do you think?

39:18.220 --> 39:21.582
Well, I tell you what, if nobody gets it, we'll play it again and we'll also give you some more clues.

39:21.682 --> 39:24.643
But for those eight tickets to The Incredibles, we'd like somebody to get it straight off.

39:24.783 --> 39:24.643
08712221049.

39:25.003 --> 39:28.565
If you know who it was in crap commentary corner this week.

39:28.585 --> 39:29.445
We'll be back after this.

39:39.708 --> 39:43.650
Imagine, Joe, walking along the boulevard of broken dreams.

39:44.351 --> 39:45.831
Where is the boulevard of broken dreams?

39:45.912 --> 39:46.352
In Paris?

39:46.632 --> 39:47.813
No, it's off Tottenham Court Road.

39:47.833 --> 39:48.273
Is it?

39:48.313 --> 39:48.533
Yeah.

39:49.674 --> 39:51.455
Is it where the record and tape exchanges?

39:51.575 --> 39:52.135
Yeah, exactly.

39:52.175 --> 39:52.875
It's like a little alley.

39:53.996 --> 39:55.217
More than a boulevard, really.

39:55.357 --> 39:56.357
Yeah.

39:56.778 --> 39:57.838
That's Green Day.

39:58.138 --> 39:59.879
And this is Adam and Joe here on XFM.

39:59.919 --> 40:07.884
Now, if you were listening just before we played that amazing song by Green Day, you would have heard a quite difficult bit of crap commentary.

40:08.804 --> 40:14.930
And we have a couple of people on the phone who think they know who it was talking and which film they were talking about.

40:15.030 --> 40:15.611
Who have we got, Joe?

40:16.152 --> 40:17.673
Shall we play a little excerpt?

40:17.873 --> 40:18.754
We won't play all of it again.

40:18.774 --> 40:21.357
We'll play a little bit of it again just to remind you.

40:21.517 --> 40:27.603
We're looking for the name of this author who's talking about an adaptation of one of his books that he's not very impressed by.

40:27.623 --> 40:29.405
And here he is.

40:29.804 --> 40:31.425
Is that supposed to be a bomb or a torpedo?

40:32.326 --> 40:32.706
A bomb.

40:33.286 --> 40:33.847
Proportions.

40:34.407 --> 40:35.768
That would not work in the real world.

40:36.448 --> 40:38.550
Does anybody really believe this except in Hollywood?

40:39.010 --> 40:40.691
This is not very good stuff here.

40:41.292 --> 40:41.672
Why is that?

40:43.513 --> 40:44.974
It doesn't correspond with reality.

40:45.535 --> 40:47.016
And this is total crap.

40:47.935 --> 40:49.215
That must really hurt.

40:49.275 --> 40:51.056
This is not very good stuff here.

40:51.416 --> 40:51.796
Yeah.

40:51.836 --> 40:53.576
Because he's trying to be nice about it.

40:53.636 --> 40:56.497
He's using the word stuff and not very good.

40:57.017 --> 40:57.277
Yeah.

40:57.297 --> 40:58.817
That's really withering, isn't it?

40:59.177 --> 41:02.998
And the director sounds sort of patient and like, why is that?

41:03.258 --> 41:03.598
Yeah.

41:03.898 --> 41:05.239
Why don't you like this now?

41:05.699 --> 41:06.779
Well, let's find out who it is.

41:06.819 --> 41:07.959
We've got Mary on line one.

41:07.979 --> 41:09.039
Mary, are you still there?

41:09.059 --> 41:10.200
Yes, I am.

41:10.440 --> 41:11.600
Thank you very much for holding.

41:11.640 --> 41:12.400
Thank you for listening.

41:12.920 --> 41:14.301
No problem.

41:14.561 --> 41:16.321
So who do you think it is, Mary?

41:16.900 --> 41:18.981
We think that it's Tom Clancy.

41:19.581 --> 41:20.621
Why do you think that?

41:21.522 --> 41:25.283
Because my boyfriend said it was.

41:25.423 --> 41:27.744
Why didn't your boyfriend make the call, Mary?

41:27.764 --> 41:28.904
He's shy.

41:29.464 --> 41:30.024
He's shy.

41:30.064 --> 41:31.625
Does he make you do things for him a lot?

41:32.475 --> 41:33.736
It's coming on now actually.

41:33.756 --> 41:34.977
Fair enough, fair enough.

41:35.057 --> 41:35.697
Family show.

41:36.517 --> 41:40.220
But do you know what film he's talking about?

41:40.240 --> 41:42.081
Is it End of Days?

41:42.901 --> 41:45.443
What has Tom Clancy got to do with End of Days, Mary?

41:45.603 --> 41:47.564
Oh we thought that he'd done it.

41:48.004 --> 41:49.005
He did not done it.

41:49.565 --> 41:50.406
Someone else done it.

41:50.426 --> 41:52.727
He did not done End of Days.

41:53.107 --> 41:57.070
End of Days was done by someone with a very big hand who couldn't hold a pen proper.

41:58.231 --> 42:00.893
It was probably Arnold Schwarzenegger wrote End of Days.

42:01.013 --> 42:03.154
That's a terrible film.

42:03.414 --> 42:05.616
But was it the right author?

42:05.756 --> 42:08.097
You know what Mary, you've got the author right but not the film right.

42:08.117 --> 42:14.582
So we are going to take another caller but we're going to do something controversial and split our Incredibles tickets down the middle and give you four.

42:15.342 --> 42:15.943
Brilliant.

42:15.963 --> 42:16.804
Thank you.

42:16.884 --> 42:17.866
Yeah, well that's a pleasure.

42:17.886 --> 42:18.767
We really hope you enjoy it.

42:18.787 --> 42:19.408
I'm sure you will.

42:19.468 --> 42:20.549
It's very, very good indeed.

42:20.569 --> 42:22.071
It looks good, yeah.

42:22.171 --> 42:23.453
Thanks for calling, Mary.

42:24.915 --> 42:29.300
And now we're going to go to Andrew, who we hope might have both parts of the answer.

42:29.320 --> 42:29.801
Hello Andrew.

42:29.821 --> 42:30.622
Hello.

42:31.363 --> 42:31.643
Hello.

42:31.663 --> 42:32.765
Hello.

42:32.865 --> 42:33.506
Hello, how are you?

42:34.065 --> 42:38.708
Yeah, I'm not too bad, not too bad, just doing a lot of work and trying to finish off essays for Monday.

42:39.469 --> 42:43.371
Listen, I'm really sorry that we've interrupted all the work and everything.

42:44.172 --> 42:46.093
Don't worry, I'll finish that.

42:46.133 --> 42:47.534
What's it on your essay, Andrew?

42:48.555 --> 42:49.255
Geography.

42:49.495 --> 42:51.036
What sort of geography?

42:52.017 --> 42:52.878
Oxbow Lakes?

42:53.838 --> 42:55.419
The boring environmental one.

42:56.440 --> 42:58.361
So it will be a bit of Oxbow Lake action.

43:00.063 --> 43:04.964
Well, that is basically why pollution is bad and basically the tree-hugging stuff.

43:05.244 --> 43:07.085
Oh, pollution's not bad, come on, get with it.

43:07.625 --> 43:10.786
Um, Andrew, so who do you, so you, do you know it was Tom Clancy?

43:11.346 --> 43:12.746
Yeah, I know it was Tom Clancy.

43:13.206 --> 43:16.647
And do you know what, uh, movie and book they're talking about?

43:17.327 --> 43:20.148
Um, yeah, he was talking about the Sum of All Fears.

43:20.288 --> 43:21.768
Yes, how do you know, how did you get that?

43:21.788 --> 43:26.710
Um, well, it's because my mate, uh, actually got the DVD.

43:27.290 --> 43:27.530
Right.

43:28.349 --> 43:32.882
And he was talking to me about how Tom Clancy was completely ripping into... Really?

43:34.568 --> 43:36.709
into how crap the movie was.

43:36.789 --> 43:37.469
So there you go.

43:37.549 --> 43:40.349
Someone apart from Joe actually listens to the commentaries on these things.

43:40.670 --> 43:41.270
That's amazing.

43:41.330 --> 43:42.070
Andrew, that's very good.

43:42.090 --> 43:42.810
Congratulations.

43:42.850 --> 43:44.711
I'm really sad for watching the commentary.

43:44.751 --> 43:46.351
No, it's a good commentary, man.

43:46.431 --> 43:47.891
I swear, I have to look through a lot.

43:47.931 --> 43:51.052
It's really becoming a bit of a burden, this whole crap commentary competition.

43:51.452 --> 43:57.034
I was up till about four in the morning looking for that and I have to watch the whole film and then load them into my computer and edit them.

43:57.934 --> 43:58.934
Ah, it's exhausting.

43:59.014 --> 44:02.095
So thank you for sharing in my misery and for tickets to The Incredibles.

44:02.654 --> 44:03.914
Oh, thank you, thank you.

44:04.294 --> 44:04.894
Well done, Andrew.

44:04.914 --> 44:06.295
Well done doing your essay and everything.

44:06.415 --> 44:07.195
I hope it goes well.

44:07.455 --> 44:09.475
And thanks very much, Mary, as well, for your call.

44:09.915 --> 44:11.676
That was Crap Commentary Corner this week.

44:12.016 --> 44:13.276
Wow, we've only got 20 minutes left.

44:13.316 --> 44:17.977
We've got to pretty much launch Ditties in the Dark after this one from the streets.

44:19.857 --> 44:23.818
That's the streets and Could Well Be In.

44:23.898 --> 44:26.838
This is Adam and Joe here on XFM.

44:36.340 --> 44:36.801
Yes, it is.

44:36.821 --> 44:36.861
No.

44:52.855 --> 44:54.016
Why are you looking like that?

44:54.256 --> 44:54.656
Dunno.

44:55.216 --> 44:56.857
I'm not, I'm not looking normal.

44:57.077 --> 45:00.779
You looked shocked as if someone had just put something in your bottom.

45:00.859 --> 45:01.639
I don't think I'm going to win.

45:01.659 --> 45:02.279
Do you not?

45:02.319 --> 45:02.420
No.

45:02.440 --> 45:03.480
Why have you seen what I've got?

45:03.500 --> 45:07.202
Because you're over confident and I think you've probably pulled something curious out of the bag.

45:07.402 --> 45:07.962
Ah, do you want to go first?

45:07.982 --> 45:08.943
Is it Jesus Christ Superstar?

45:09.043 --> 45:09.603
No.

45:09.803 --> 45:11.063
No, it's not very curious at all.

45:11.123 --> 45:11.664
Is it Oliver?

45:12.024 --> 45:12.344
No.

45:12.704 --> 45:14.285
Is it a stage musical you've chosen?

45:15.346 --> 45:18.230
Well, I think it's been made into a stage debuting on film.

45:18.510 --> 45:19.571
A debuting on film?

45:19.611 --> 45:20.472
Yeah, yeah, yeah.

45:21.013 --> 45:21.433
What about you?

45:21.453 --> 45:22.094
Do you want to go first?

45:22.375 --> 45:25.498
I'm just wondering whether we should have been specific about stage musicals.

45:26.419 --> 45:27.901
Oh no, hang on, Mike has mine debuted on film.

45:27.921 --> 45:29.183
Okay, okay, I'm gonna go first.

45:29.483 --> 45:31.486
So this is my choice, Joe's choice, Bugsy Malone.

45:32.139 --> 45:35.284
Uh, one of the greatest film musicals of all time, directed by Alan Parker in 1980-something.

45:35.604 --> 45:36.505
One, two, something like that.

45:36.766 --> 45:38.348
Or maybe late 70s, I don't know, can't remember.

45:38.749 --> 45:41.473
But, I wanna play, um, So You Wanna Be A Boxer.

45:41.853 --> 45:42.855
It's a good one.

45:42.895 --> 45:45.538
So you wanna be a boxer, in the golden ring!

45:46.099 --> 45:47.681
Can you punch like a southbound freight train?

45:48.202 --> 45:48.623
Something like that.

45:48.823 --> 45:49.884
Well, you'd be able to sing the whole thing.

45:49.924 --> 45:51.606
We did a production of this play at school, didn't we?

45:51.686 --> 45:54.369
Yeah, when we were at school, aged a little too old to do boxing then.

45:54.409 --> 45:57.372
We were about 17, I think, but we still had a fantastic time doing it.

45:57.652 --> 46:03.258
And this, you know, maybe one of the most heartwarming songs from it is the closing song, but I think So You Wanna Be A Boxer is a genuinely good song.

46:03.298 --> 46:05.380
It's catchy, written by... Who wrote all those songs?

46:05.440 --> 46:05.941
Andy Williams?

46:06.962 --> 46:07.502
Isn't he called?

46:07.582 --> 46:08.183
It wasn't Andy Williams.

46:08.203 --> 46:09.664
No, did you see the whistling bird, man?

46:10.425 --> 46:10.925
I don't remember.

46:10.945 --> 46:11.225
I don't know.

46:11.245 --> 46:13.946
Listeners, you'll know, I know, if I just haven't got the CD with me.

46:14.126 --> 46:16.807
It's an unusually brilliant collection of songs though, I agree.

46:16.827 --> 46:19.267
Yeah, and So You Wanna Be A Boxer is one of the key songs.

46:19.307 --> 46:22.788
It's got a fantastic rhythm, fantastic lyrics, and it's great if you want to be a boxer.

46:22.848 --> 46:27.749
So if you want to vote for So You Wanna Be A Boxer from Bugsy Malone, 0871221 049, or you could vote for this.

46:30.370 --> 46:35.752
Well, it's an equally, if not slightly better song, and it's from The Jungle Book.

46:35.912 --> 46:41.694
And of course it's I Wanna Be Like You, which is sung by Louis Prima, who is a sort of classic old rock and roller.

46:42.534 --> 46:44.335
And wow, what can I say about it?

46:44.415 --> 46:46.215
It's every child and every adult's favorite.

46:46.235 --> 46:50.397
You can get The Jungle Book on DVD, I looked for it the other day and I was frustrated in my efforts.

46:50.917 --> 46:54.458
Or like, I actually bought something which I thought was The Jungle Book, got home and it was just like a...

46:55.498 --> 46:59.621
a series of stills with stories that you could read along with it.

46:59.781 --> 47:01.822
Oh, it's very depressing and frustrating.

47:02.342 --> 47:04.263
And my son was not at all impressed.

47:04.683 --> 47:07.405
But I Wanna Be Like You is a peach of a song.

47:07.972 --> 47:12.616
Well, I'm the king of the swingers, oh, the jungle VIP.

47:12.676 --> 47:12.936
It is.

47:13.437 --> 47:16.319
I've reached the top and I've had to stop and remain.

47:16.379 --> 47:19.422
Oh, this is a little extract.

47:19.622 --> 47:20.423
So what's it going to be?

47:20.923 --> 47:22.825
Is it going to be the Jungle Book or Bugsy Malone?

47:22.845 --> 47:22.945
Oh, 871-222-1049.

47:22.965 --> 47:23.966
I've got a free play right now.

47:28.390 --> 47:34.072
Hey wait wait wait before that we should say we're giving away a copy of the Verve singles collection to the vote that wins it.

47:34.232 --> 47:35.252
The deciding vote.

47:35.292 --> 47:41.914
The deciding vote wins the Verve the music singles collection 08712221049 Bugsy vs Jungle.

47:42.314 --> 47:44.994
Here's a little nugget now from Gorky Zygotic.

47:53.410 --> 47:54.391
What was all that about, Adam?

47:54.691 --> 47:56.132
You see, that's what I call indie pop.

47:56.312 --> 47:56.812
What was that about?

47:56.852 --> 48:00.355
That was Gorky's Zygotic Monkey, a fantastic Welsh band, of course.

48:00.435 --> 48:01.055
Singing in Welsh.

48:01.356 --> 48:07.980
Yes, who now sound very different, very folky, but that was when they were all about, sort of, 14 or 15 years old, and that's called Iford Oren.

48:08.420 --> 48:16.886
And it reminds me, actually, of some of the stuff that you can hear on Christian O'Connell's Rock School, and a reminder, as well, that this week is the last week for entries.

48:17.187 --> 48:21.810
You've got to have your entries if you're under 18 and you've done a cover of a rock song with your band.

48:22.330 --> 48:38.343
or it doesn't have to be a rock song any song or does it maybe it has to be a rock song anyway entries in by 18th of november please the address is on the xfm website out and uh he's got some pretty hilarious things in already that'll be well worth catching on the christian o'connell show we'll be back with dittys in the dark after this

48:54.181 --> 49:02.106
Yeah, it's time to wrap up the show again this week with Dities in the Dark, which this week is a choice between two classics from Film Musicals.

49:02.867 --> 49:04.908
And they were, Joe, what was your choice?

49:05.228 --> 49:09.431
My choice was, from Booksy Malone, it was, Do You Want to Be a Boxer?

49:09.471 --> 49:10.432
So You Want to Be a Boxer.

49:10.712 --> 49:14.294
And my choice was... I can't remember.

49:14.314 --> 49:18.395
I had to do West Country Accents because we're acclimatising you for Justin Lee Collins, who's about to come.

49:19.656 --> 49:20.796
It's West Country Lunacy.

49:20.996 --> 49:22.117
It's a bit patronising, though, isn't it?

49:22.137 --> 49:23.057
He might come over and beat us up.

49:23.077 --> 49:23.658
Yeah, but he likes it.

49:23.798 --> 49:24.258
He likes it.

49:24.558 --> 49:27.379
My choice was I Wanna Be Like You from The Jungle Book.

49:28.099 --> 49:33.842
So, you know, difficult to tell between those two because they're both amazing, but we've got five quarters on the line who are going to do just that.

49:34.042 --> 49:39.606
They're going to say the word Bugsy or the word Jungle or maybe more words than that.

49:39.646 --> 49:41.006
I don't know, we've got Chris on the first line.

49:41.026 --> 49:41.447
Hello Chris.

49:42.207 --> 49:42.547
Hello.

49:43.088 --> 49:43.628
How are you Chris?

49:44.048 --> 49:45.109
I'm grand, thank you very much.

49:45.149 --> 49:45.970
You're grand, good.

49:45.990 --> 49:47.871
Grand, grand don't come for free, you know.

49:48.151 --> 49:49.112
What are you voting for Chris?

49:49.412 --> 49:50.613
I'm going to go for a bit of Bugsy.

49:50.913 --> 49:52.934
A bit of Bugsy, very good call, well done Chris.

49:53.294 --> 49:54.255
That's one nil for me.

49:54.315 --> 49:58.317
Cornish takes the lead in the early stages of Ditties in the Dock, but here comes Steve.

49:58.358 --> 49:58.898
Hello Steve.

50:00.353 --> 50:08.716
hello steve steve steve steve steve steve steve steve steve steve steve steve steve steve steve

50:25.962 --> 50:28.905
I was going to vote for the Jungle Book but it's really annoying so I'm going to go for Bugsy.

50:29.146 --> 50:31.208
What do you mean?

50:31.268 --> 50:31.889
Are you serious?

50:32.209 --> 50:32.509
Yeah.

50:32.709 --> 50:33.911
So your final vote is Bugsy?

50:34.131 --> 50:34.411
Yeah.

50:34.591 --> 50:35.232
What do you mean?

50:35.352 --> 50:38.095
I was going to vote for the Jungle Book but it's really annoying.

50:38.135 --> 50:39.076
What are you talking about?

50:39.096 --> 50:42.380
It's just going to be running around my head for the day and I don't really need that.

50:43.919 --> 50:45.400
I'm not going to argue with you, Jon.

50:45.420 --> 50:47.021
That's 2-0 for Bugsy.

50:47.041 --> 50:48.282
This isn't looking good for the jungle.

50:48.302 --> 50:49.943
You sound like a man who means business, Jon.

50:50.103 --> 50:50.964
Are we abandoning, Steve?

50:51.484 --> 50:53.926
Okay, we just need one more for Bugsy, and that's it.

50:53.966 --> 50:55.267
I can't believe no one's going for the jungle.

50:55.287 --> 50:56.367
What do you mean it's annoying?

50:56.407 --> 50:57.448
The jungle book's genius!

50:57.508 --> 50:57.988
Who's this now?

50:58.148 --> 50:58.409
Debbie.

50:58.449 --> 50:58.929
Hello, Debbie.

51:00.219 --> 51:01.200
Debbie, speak to us, Debbie.

51:01.560 --> 51:03.301
We've got a line two problem, that's what it is, mate.

51:03.321 --> 51:04.662
You know, this goes wrong all the time.

51:04.682 --> 51:06.603
For the last three weeks, this has gone wrong.

51:06.983 --> 51:08.264
Debbie, hello, are you there?

51:08.744 --> 51:08.964
Debbie?

51:09.944 --> 51:10.385
Look, you see?

51:11.305 --> 51:12.146
Oh, Debbie.

51:12.346 --> 51:13.066
We've got a problem.

51:13.086 --> 51:13.867
No, no, she's there.

51:13.907 --> 51:14.327
Hello, Debbie.

51:14.367 --> 51:14.687
Hello.

51:14.987 --> 51:15.488
Hello, Debbie.

51:15.508 --> 51:16.528
We can only apologise.

51:16.568 --> 51:18.789
I think there's something funny going on with the phones here.

51:20.270 --> 51:21.311
Very good of you to call, Debbie.

51:21.351 --> 51:22.211
How are you today?

51:22.231 --> 51:24.151
I'm fine, thank you very much.

51:24.352 --> 51:25.912
Good, I'm fine.

51:25.932 --> 51:27.052
You've got your radio on, haven't you, Debbie?

51:27.072 --> 51:27.473
But you know what?

51:27.513 --> 51:29.613
I'm not going to be like other DJs and say turn it off, because I like it.

51:29.633 --> 51:30.874
It makes you sound like a cyborg.

51:32.414 --> 51:33.274
So what are you voting for?

51:33.795 --> 51:35.355
Jungle Bic, of course.

51:35.975 --> 51:37.076
Oh, it's back in the game.

51:37.156 --> 51:38.676
It's 2-1 to Bugsy.

51:39.256 --> 51:41.037
Thanks very much for your call, Debbie.

51:41.057 --> 51:42.477
Call still leads by one vote.

51:42.538 --> 51:44.818
If this is another jungle vote... It's going to go on forever.

51:44.838 --> 51:45.679
It's going to go on forever.

51:45.779 --> 51:46.799
Amy, are you there?

51:48.928 --> 51:50.250
OK, Lila, you're fired now.

51:50.270 --> 51:51.191
Do you realise that?

51:51.411 --> 51:53.033
Our producer's fired, we've fired her live on air.

51:53.093 --> 51:54.995
Amy, keep speaking, Amy, because we might be able to hear you.

51:55.035 --> 51:55.696
Keep speaking, Amy.

51:55.736 --> 51:56.376
This might be Sophie.

51:56.897 --> 51:57.558
It's Sophie.

51:57.758 --> 51:58.479
Hello, Sophie.

51:58.639 --> 51:59.460
Hello.

51:59.520 --> 51:59.860
Sophie.

52:00.221 --> 52:02.744
Sophie, but I've never been called Amy before.

52:02.804 --> 52:04.325
Well, I'm sorry, Sophie, Amy.

52:04.846 --> 52:07.409
Do you think, is this, to listen to, is this a disaster?

52:07.769 --> 52:09.191
As a listener, is this a disaster?

52:11.195 --> 52:12.056
Yeah, quite right.

52:12.296 --> 52:13.919
Otherwise Justin Lee Collins is going to come and go on.

52:13.939 --> 52:15.200
So what are you voting for, Sophie?

52:15.280 --> 52:16.061
Bagsy, of course.

52:16.342 --> 52:16.802
Bagsy?

52:16.822 --> 52:18.384
So that's it, isn't it?

52:18.424 --> 52:19.305
That's the decider.

52:19.405 --> 52:21.428
So, Sophie, you win the... Do you like the vav?

52:21.668 --> 52:22.369
Yes, I do.

52:22.429 --> 52:24.933
Well, you're going to get the music, the singles, 92 to 98.

52:25.233 --> 52:25.914
There we go.

52:25.934 --> 52:27.436
Thank you very much, everybody who called.

52:27.836 --> 52:29.138
That's it for us this week, isn't it, Adam?

52:29.318 --> 52:34.782
That is, yeah, can I just say, well, school mags, I'll read out that article next week, keep your school mags coming in if you want to.

52:35.142 --> 52:52.795
Also, can I just say to the fellow, I think he was called James Mills, who sent us a mini-disc last week, thanks very much, but either we've lost your address, or you've failed to include a stamped addressed envelope, so we can't return it to you just yet, and if you want us to return it to you, please send in an SAE, thank you very much.

52:53.115 --> 52:56.576
So we'll be here on XFM the same time next Saturday, 1 o'clock till 3 o'clock.

52:56.616 --> 52:58.516
Thanks to everyone who's called, texted and emailed.

52:58.536 --> 53:00.537
We'll come back to mispronunciations again next week.

53:00.577 --> 53:01.697
More titties in the dock next week.

53:01.757 --> 53:03.618
More crap, crunchy corn and more mummification.

53:03.758 --> 53:05.278
You said titties in the dock.

53:05.358 --> 53:06.058
I did not say titties.

53:06.098 --> 53:06.898
I did never say titties.

53:06.918 --> 53:08.119
Yes you did.

53:08.139 --> 53:11.520
We'll leave you with the winner of this week's Titties in the Dock from the film Bugsy Malone.

53:11.540 --> 53:12.160
Wanna be a boxer?

53:12.280 --> 53:13.160
See you next week.

53:23.393 --> 53:27.055
So you wanna be a boxer in the golden ring?

53:27.075 --> 53:30.117
Can you punch lots of softbound freight trains?

53:30.137 --> 53:31.678
Tell me just one thing.

53:32.118 --> 53:35.060
Can you move in a word like a hummingbird swinging if you need to?

53:35.100 --> 53:36.581
Ooh, that's fancy!

53:36.661 --> 53:39.763
Can you bother me if we think they can't see when you need to?

53:40.603 --> 53:44.286
Well, you might as well quit if you haven't got it.

53:44.646 --> 53:49.729
So you wanna be a boxer, can you pass the test?

53:50.976 --> 53:52.797
I can tell there's a gauntlet in you.

53:53.237 --> 53:54.298
I've trained the best.

53:54.838 --> 53:58.760
When you're working and you're sweating and you're fat you just train you a buzzsaw.

53:59.321 --> 54:02.523
Then you need to lose your mind when you find that your boy has his last jaw.

54:03.303 --> 54:06.705
So you might as well quit if you haven't got it.

54:17.122 --> 54:20.304
So you wanna be a boxer, wanna be the champ

54:40.233 --> 54:43.814
There's a golden boy inside you, not a punch-back tramp.

54:44.335 --> 54:47.416
If you listen and you learn, there's a party you can earn and defend here.

54:48.736 --> 54:51.798
When you do see the crown, you're a king, not a clown, a contender.

55:09.424 --> 55:12.285
Money away from what that chicken will grow!

55:12.306 --> 55:14.226
Let me have him show!

55:14.346 --> 55:15.067
Aw, still here?

55:38.223 --> 55:39.304
That sounded so good.

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Just waiting for Justin Lee Collins to come in.

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That is amazing, though, isn't it?

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Yeah, what a track.

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Same, we couldn't play the Jungle Book.

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Maybe it can be your free play next week.

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Maybe it can.

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That's something to look forward to, isn't it?

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That is something very much to look forward to.

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Here comes Justin Lee Collins, the big mad cat mounted man Bigfoot Bigfoot man.

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But first, here's the man.

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See you later.

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Bye.