WEBVTT 00:08.766 --> 00:09.967 Hmm, marvelous stuff. 00:10.027 --> 00:11.469 This is Adam and Joe here on XFM. 00:11.489 --> 00:14.431 You just heard The Feeling by Sone. 00:14.591 --> 00:15.512 Oh no, I got it wrong. 00:15.952 --> 00:17.233 It's Sone by The Feeling. 00:17.454 --> 00:17.954 You idiot. 00:17.994 --> 00:18.595 You idiot. 00:18.675 --> 00:19.355 You're out of touch. 00:19.615 --> 00:20.376 I'm out of time. 00:20.576 --> 00:26.882 I know that it's the second single from the London-based quintet signed to Island Records' self-described soft rock archaeologist. 00:26.922 --> 00:29.184 The band are out to make easy listening hip. 00:30.024 --> 00:32.748 Well, come on, haven't people been trying to do that for about 25 years? 00:33.029 --> 00:34.030 To make easy listening hip? 00:34.150 --> 00:34.270 Yeah. 00:34.431 --> 00:35.512 I mean, it was hip, wasn't it? 00:35.652 --> 00:36.854 About eight years ago? 00:36.874 --> 00:37.795 It was hip in the 70s. 00:37.875 --> 00:40.018 Yeah, it can't come round again. 00:40.038 --> 00:42.001 Er, what's the band called? 00:42.871 --> 00:43.512 er, sewn. 00:44.632 --> 00:45.393 No, the feeling! 00:45.693 --> 00:47.134 I don't get that at all. 00:47.174 --> 00:49.656 The feeling, you should give up trying to make Easy Listening hip. 00:49.916 --> 00:50.117 Yeah. 00:50.137 --> 00:52.799 Or give it a rest for another five or six years, then it'll be its turn again. 00:52.919 --> 01:01.085 And before that you heard editors, er, as Zane Lowe would say, with Munich, and erm, is Munich, would that be the theme tune to the film? 01:01.105 --> 01:01.145 No. 01:01.245 --> 01:02.466 I went to see Munich this week. 01:02.486 --> 01:02.706 Did you? 01:02.786 --> 01:04.107 We can talk about it a bit later. 01:04.127 --> 01:04.587 Oh, I'm excited. 01:04.607 --> 01:07.009 It's going to be hard to get funny chat out of Munich. 01:07.029 --> 01:07.169 Really? 01:07.189 --> 01:08.610 Because it's quite a depressing spectacle. 01:08.630 --> 01:09.271 It's a bit dour. 01:09.491 --> 01:10.272 a little bit deux. 01:10.832 --> 01:13.454 But no, it hasn't got anything to do with the song. 01:13.534 --> 01:15.476 It's just another of those happy coincidences. 01:15.796 --> 01:16.016 Yeah. 01:16.337 --> 01:17.578 They should pop it in there, though. 01:17.898 --> 01:19.379 They should, over the closing credits. 01:19.539 --> 01:21.501 You'll speak when you're spoken to. 01:21.621 --> 01:28.887 You know, speaking of movie music, our ditty's in the dock this week towards the end of the second hour of the show is going to be songs from John Landis films. 01:29.147 --> 01:29.847 Yeah, that's right. 01:30.288 --> 01:38.074 Man, I dug up the worst song I think has ever been played ever over the closing credits of any film I think is on a John Landis film. 01:38.354 --> 02:08.128 really yeah that's exciting i wonder if it's the same one that i dug up well i bent the rules a little bit because i was just having i didn't bend the rules technically because it's just any old song that's been in a john landersville that's an awful lot of songs and he's uh he's notorious for being a needle drop director right needle drop being when you just call them yeah a needle drop soundtrack is when you just have nothing but hit records on a film no incidental music he was one of the first people to do it though him and uh he was on american werewolf american werewolf bad moon rising yeah it was certainly sort of stunt bit of music 02:08.248 --> 02:35.489 before that people used to write proper music didn't they for the whole film that's right original scores yeah have you seen v for vendetta diegetic what's diegetic if you're a film somewhere out there there will be a media studies film studies people diegetic is the term isn't it diegetic and non-diegetic sound what's cornish talking about it sounds like some sort of uh bowel disease is that right i think diegetic sound is sound within the film are you making non-diegetic no somebody text in if you're a film student 02:36.169 --> 02:36.831 Tell me that's right. 02:37.012 --> 02:38.375 Film's due in- Digetic and non-digetic. 02:38.415 --> 02:39.679 Have you seen- Anyway, FIFA Vendetta. 02:40.310 --> 02:40.911 No, not yet. 02:41.371 --> 02:43.893 I was going to go to the premiere on Wednesday, but it was too rainy. 02:44.093 --> 02:45.094 Too rainy! 02:45.434 --> 02:46.755 I don't want to go to the premiere. 02:46.915 --> 02:47.476 Too rainy! 02:47.496 --> 02:48.697 Sorry, Con, it's too rainy. 02:49.157 --> 02:52.540 Anyway, we've got lots to talk about this week, as well as those things. 02:52.580 --> 02:54.281 We've got TV shows that I've been watching. 02:54.301 --> 02:55.923 We've been watching a lot of TV this week. 02:55.943 --> 02:56.703 That's important, man. 02:56.743 --> 02:57.004 Yeah. 02:57.084 --> 02:58.865 It's very good for your eyes. 02:58.885 --> 02:59.586 It makes them bigger. 02:59.786 --> 03:00.166 Exactly. 03:00.206 --> 03:01.227 And healthier. 03:01.247 --> 03:01.547 Stronger. 03:01.587 --> 03:04.450 It tends to improve the brain and make you more intelligent, I find. 03:04.710 --> 03:08.313 We've also got a competition for you, celebrity regression therapy. 03:08.493 --> 03:09.794 Very easy one this week. 03:10.074 --> 03:11.155 And we got great prizes. 03:11.215 --> 03:15.219 This week, uh, we've still got- have we still got This Life box sets of series one? 03:15.459 --> 03:18.682 We've still got Ghost in the Shell part two, Innocence on DVD to give away. 03:19.262 --> 03:24.687 And our special prize this week is a pass to an all-day horror film festival next weekend. 03:24.827 --> 03:25.528 That's a good prize. 03:25.548 --> 03:29.851 So if you hate the show and you love horror, it's the perfect prize because you needn't listen to us. 03:29.871 --> 03:34.956 You can just go and sit in the Prince Charles all day next Saturday and watch, uh, 12 Hours of Non-Stop Horror. 03:35.036 --> 03:36.237 That's the kind of thing we used to do. 03:36.437 --> 03:41.683 Yeah, man, I might go There's good stuff on and we'll tell you more about that in in a second. 03:41.723 --> 03:46.910 What a packed show Anyway, as well as all that we've got great music and here's a bit more of it. 03:47.190 --> 03:47.811 This is the killers 03:56.169 --> 04:00.611 What is he saying on the radio in the background at the end? 04:00.631 --> 04:03.031 Yeah, we talked about this before, didn't we? 04:03.111 --> 04:04.832 It sounds very 80s, that one, doesn't it? 04:05.352 --> 04:06.352 Sounds like 80s Bowie. 04:06.533 --> 04:09.173 Very mannered delivery, yeah, almost like psychedelic version. 04:09.233 --> 04:10.974 On the radio in the background. 04:11.254 --> 04:14.935 Hey, thanks to everybody who's texted in about diegetic and non-diegetic sound. 04:15.235 --> 04:17.836 This is a sophisticated program for sophisticated people. 04:17.856 --> 04:20.177 Zayn wouldn't have those kinds of words on his show, would he? 04:20.737 --> 04:22.478 He has trouble getting more than one syllable out. 04:22.738 --> 04:25.279 As for Justin E. Collins, he's got more hair than brains. 04:26.019 --> 04:47.622 he's a genius he is a genius lee collins yeah in a strange way uh but yeah so what i was exactly right diegetic sound is uh sound that the characters in the film can hear non-diegetic guy is the sound that only we at home in the cinema can can hear or at home because lots of movies are watched at home or on your mobile hey joe yeah imagine if you had a scene 04:48.923 --> 04:53.147 where the whole point of the scene was that the sound went from diegetic to non-diegetic. 04:53.187 --> 04:53.848 Oh my god. 04:53.948 --> 04:54.329 Okay? 04:54.809 --> 04:55.610 How would you do that? 04:55.630 --> 04:56.871 Or the other way round. 04:56.891 --> 05:00.355 Hey, uh, yeah, man, there is a film that does that. 05:00.555 --> 05:01.356 There must be loads. 05:01.676 --> 05:03.478 Yeah, no, there's a film that does it really cleverly. 05:03.758 --> 05:04.879 I tell you what it is as well. 05:05.400 --> 05:06.160 Oh, it's a French one. 05:07.221 --> 05:07.862 called Look At Me. 05:08.082 --> 05:09.162 You've seen a French film? 05:09.182 --> 05:10.643 Yeah, I saw a French film, man. 05:10.743 --> 05:11.743 Oh, it was tiring on the eyes. 05:11.763 --> 05:12.564 What kind of freak are you? 05:12.584 --> 05:14.785 No, they explained what they were saying in words on the bottom. 05:14.965 --> 05:15.125 Yeah. 05:15.705 --> 05:16.906 And it was wicked. 05:16.946 --> 05:17.666 It's called Look At Me. 05:17.686 --> 05:18.646 Oh, it's a brilliant film. 05:18.666 --> 05:19.087 Is that a modern film? 05:19.107 --> 05:19.607 French film. 05:19.947 --> 05:28.111 If you're sophisticated enough to be interested in diegetic and non-diegetic sound, then rent out Look At Me and there's a brilliant use of diegetic and non-diegetic sound at the end. 05:28.411 --> 05:30.632 Anyway, come on, we're losing our less sophisticated listeners. 05:30.952 --> 05:34.014 Well, OK, let's get them back by talking about some TV. 05:35.254 --> 05:35.715 Charlie Brooker. 05:35.735 --> 05:36.476 This is good TV. 05:36.496 --> 05:38.538 We often slag off bad TV on this show. 05:39.179 --> 05:42.222 But I very much enjoyed a couple of shows that I watched this week. 05:42.923 --> 05:47.769 All sort of in one way or another something to do with the media or celebrity or whatever. 05:47.789 --> 05:50.492 There was Charlie Brooker's show Screenwipe. 05:50.872 --> 05:51.893 Yeah, this is on BBC 4. 05:52.634 --> 05:58.418 Now Charlie Brooker might be familiar to some of you as one of the writers on Nathan Barley. 05:58.458 --> 05:59.959 He and Chris Morris wrote that show. 06:00.419 --> 06:03.301 He also writes a column in the Guardian Guide, doesn't he? 06:03.521 --> 06:04.642 Yeah, called Screen Burn. 06:04.662 --> 06:05.443 Screen Burn, right. 06:05.463 --> 06:06.864 Yeah, but his show's called Screen Wipe. 06:07.104 --> 06:07.464 Okay. 06:07.764 --> 06:10.806 He's cornered the market in phrases beginning with screen. 06:11.086 --> 06:11.487 Yeah. 06:11.927 --> 06:12.948 Yeah. 06:12.968 --> 06:14.509 Wash is the only one he's got left. 06:14.929 --> 06:16.030 Screen Buttocks. 06:16.530 --> 06:17.811 Yeah, he's got that one left, you're right. 06:17.831 --> 06:18.572 That's down corrected. 06:19.452 --> 06:41.532 so his show is on BBC4 which is a good channel isn't it again a channel for thinking people like this show this is the kind of BBC4 of XFM as it were yeah do you know what i'm saying yeah good i just made a fart sound to keep less sophisticated people tuned in excellent um so yeah i'm recommending that if you haven't caught it already you check out Charlie Brooker's show Screen Wipe 06:41.912 --> 06:46.316 which is on Thursdays, BBC 4, 10.30pm. 06:46.336 --> 06:48.338 It gets repeated a fair bit, so you should check it out. 06:48.558 --> 06:57.307 But it's basically Charlie kind of ranting about various aspects of TV in rather an entertaining way, and illustrating a lot of his rants with clips and that kind of thing. 06:57.607 --> 07:02.171 Not dissimilar, in fact, to a lot of stuff that Victor Louis Smith used to do on TV. 07:02.432 --> 07:03.613 Also very entertainingly. 07:05.054 --> 07:06.115 But anyway, it's a good show. 07:06.455 --> 07:10.538 And did you sh- you didn't happen to see on Sky 1 a show called Celebrities on Heat? 07:10.879 --> 07:12.520 No, I didn't happen to see that. 07:12.540 --> 07:13.801 Hosted by Julie Burchill? 07:13.821 --> 07:13.861 No. 07:14.201 --> 07:14.962 Why is Julie Burchill? 07:15.002 --> 07:15.563 Oh no, here we go. 07:15.623 --> 07:16.363 No, I read about this. 07:16.403 --> 07:23.209 This is- this was Judy Burchill's analysis of Heat magazine and how it's co- contributed to culture in Britain and all that. 07:23.769 --> 07:33.494 It's the latest in a very, very long line of shows that attempt to kind of add an intellectual gloss to basically it being a TV version of Heat. 07:33.654 --> 07:37.256 Heat's glossy enough, it can't take an intellectual gloss as well. 07:37.276 --> 07:37.816 I know, exactly. 07:37.836 --> 07:38.536 It'll be sodden. 07:38.637 --> 07:40.938 Basically all these shows just want to have their cake and eat it. 07:41.118 --> 07:46.160 So they present an hour-long diatribe from someone like Julie Burchell, who's frightening. 07:46.180 --> 07:47.101 She's got a funny voice. 07:47.121 --> 07:49.362 She's got a funny voice and she's frightening looking. 07:49.822 --> 07:54.925 And she basically just goes on about, you know, what's happened to modern culture. 07:54.945 --> 07:56.145 We're all obsessed with celebrities. 07:56.426 --> 07:59.727 You just think, God, not this, not this argument again. 07:59.767 --> 08:01.048 You know, you've heard it pretty much before. 08:01.068 --> 08:03.569 And then they wheel out the same people over and over again. 08:03.609 --> 08:05.630 The guy that edits Heat, Mark Frith. 08:06.291 --> 08:07.671 This TV critic, Brian Hyland. 08:07.691 --> 08:08.372 Have you ever seen him? 08:08.752 --> 08:14.455 He sort of juts his chin out and he seems to be staring into the air, seems to be fascinated by something he's just seen in the air. 08:15.015 --> 08:16.236 I have no, don't know about him. 08:16.736 --> 08:18.437 Oh man, I'm very familiar with all these people. 08:18.857 --> 08:25.760 But it's just, do you not reckon that there's only so many times you can do the same show about why people are obsessed with celebrities? 08:26.080 --> 08:26.280 Yeah. 08:26.300 --> 08:27.781 Let's talk to some celebrities about it. 08:27.861 --> 08:28.281 Are there not? 08:28.381 --> 08:30.602 No one is obsessed with celebrities anymore, are they? 08:30.882 --> 08:32.222 I don't think anyone cares anymore. 08:32.402 --> 08:32.643 Really? 08:32.903 --> 08:33.123 Yeah. 08:33.877 --> 08:34.337 I don't know. 08:34.698 --> 08:42.583 Burchall was sort of saying, I love it, it's great, I can't stop reading these magazines, but why are we obsessed with them and they're so stupid? 08:43.403 --> 08:44.804 I just don't think that's really good enough. 08:45.245 --> 08:45.465 No. 08:46.746 --> 08:48.367 My way out is simply not to watch it. 08:48.647 --> 08:49.327 That's a good idea. 08:49.367 --> 08:50.548 I didn't even think of that. 08:50.668 --> 08:53.490 One way out is to play Ghost Recon Advanced Warfighter on the 360. 08:54.771 --> 08:56.272 Nonstop for 48 hours. 08:56.732 --> 08:57.032 Excellent. 08:57.053 --> 08:58.153 Well, let's play some more music right now. 08:58.433 --> 08:59.194 Here's a free play. 08:59.654 --> 09:01.916 This is the B-52s with Planet Claire. 09:01.936 --> 09:03.177 You're listening to Adam and Jo on XFS. 09:14.503 --> 09:16.585 Come on, that's the B-52s with Planet Claire. 09:16.605 --> 09:17.865 This is Adam and Joe on XFM. 09:18.165 --> 09:20.527 We'll be back with competition time very shortly. 09:20.667 --> 09:22.808 Oh, I haven't even got a chance to say anything. 09:22.828 --> 09:23.749 Go on, say something quickly. 09:23.909 --> 09:24.609 It's ad time. 09:24.809 --> 09:25.430 Nutties! 09:25.470 --> 09:26.050 Nutties! 09:27.071 --> 09:27.591 XFM. 09:53.695 --> 09:54.616 Love music. 09:54.656 --> 09:55.157 Love XFM. 10:20.987 --> 10:23.969 Well, I'd say that they were Britain's biggest band right now. 10:24.270 --> 10:26.211 They are called the Kaiser Chiefs. 10:26.471 --> 10:27.092 The Kaiser Chiefs. 10:27.132 --> 10:28.653 And that one was called Oh My God. 10:29.013 --> 10:29.554 I can't believe it. 10:29.654 --> 10:32.816 If you like them, you can buy it in a record shop. 10:33.497 --> 10:34.678 Nice bit of facts there, Joe. 10:34.738 --> 10:35.158 Thanks, man. 10:35.378 --> 10:38.241 This is Adam and Joe on XFM, London's 104.9. 10:39.101 --> 10:46.767 We were talking earlier about diegetic and non-diegetic sound, and we've had quite a lot of texts from media students. 10:47.968 --> 10:52.232 Er, saying we're right, yeah, that, er, non-diag- I can't believe we're still banging on about this. 10:52.272 --> 10:52.552 Come on. 10:52.812 --> 10:54.594 It really hurts my mouth to say the words. 10:54.614 --> 10:55.214 It's difficult, isn't it? 10:55.394 --> 11:00.639 Yeah, but anyway, basically there are good examples of it in Gross Point Blank where John Cusack apparently, er, goes into a shop. 11:01.019 --> 11:06.243 So he's outside the shop and the soundtrack's playing, you know, the, the, the non-diagetic sound is playing. 11:06.263 --> 11:08.785 He goes into the shop and the soundtrack becomes the pipe music in the shop. 11:09.206 --> 11:09.306 Right. 11:09.326 --> 11:11.428 An example of switching from diagetic to non-diagetic. 11:12.068 --> 11:13.349 Yeah, that must happen quite a lot. 11:13.409 --> 11:23.235 And then a more overt satirical use of that would be when sometimes you hear a music stab and you assume it's non-diegetic, then the camera pans... See, you're using it like a pro now. 11:23.255 --> 11:25.016 You didn't know what these words meant at the beginning of the show. 11:25.036 --> 11:26.257 No, it's an amazing new world for me. 11:26.477 --> 11:31.900 Then the camera pans to the left and you see the orchestra actually in the room playing the soundtrack that you think... Oh, yes. 11:31.920 --> 11:32.841 You've got it, Buxton. 11:32.861 --> 11:33.621 We've taught you something. 11:33.741 --> 11:34.382 Thank you very much. 11:34.402 --> 11:35.742 You've done one of your media modules. 11:35.902 --> 11:36.643 Thank you very much. 11:36.943 --> 11:38.184 I was also taught something. 11:38.224 --> 11:39.344 He's not Brian Hyland. 11:39.405 --> 11:43.107 Brian Hyland sang itsy-witsy teeny weeny yellow polka dot bikini. 11:43.387 --> 11:44.087 I just remembered. 11:44.608 --> 11:51.892 Ian Hyland is the TV critic who's always popping up in shows about celebrity to go on about how annoying celebrities are. 11:51.932 --> 11:55.734 And he's now more famous, I would say, than a lot of the irritating people he's talking about. 11:56.154 --> 11:57.775 And a great deal more irritating too. 11:58.195 --> 12:00.677 Anyway, thanks to Toby in London for correcting Adam on that. 12:00.697 --> 12:01.277 Thanks very much. 12:01.497 --> 12:02.438 Always happy to be corrected. 12:02.998 --> 12:04.639 It's very nearly competition time. 12:04.839 --> 12:06.080 It's time for us to give something back. 12:06.580 --> 12:07.701 To you, the listeners. 12:07.761 --> 12:09.002 In this case, DVDs. 12:09.563 --> 12:13.386 Um, so if you'd like some DVDs, then... Celebrity regression coming up. 12:13.506 --> 12:14.366 Celebrity, exactly. 12:14.386 --> 12:16.548 What you've done said just there. 12:16.568 --> 12:17.469 Shall we play some more music? 12:17.769 --> 12:30.800 It's the mighty Moz. 12:31.348 --> 12:33.028 But you have killed me! 12:33.609 --> 12:37.950 There's a brilliant article in Mojo Magazine this month, Interview with the Mighty Moz. 12:38.430 --> 12:39.970 If you're a Moz fan, you should check it out. 12:39.990 --> 12:41.971 You'll probably know that already if you're a Morrissey fan. 12:42.051 --> 12:43.551 Speaking of, oh, have you got more to say? 12:43.711 --> 12:48.813 No, just that it was one of those rare occasions that you feel enriched by reading something in a magazine. 12:48.853 --> 12:49.013 Yeah. 12:49.033 --> 12:49.573 Do you know what I mean? 12:49.633 --> 12:55.275 Well, there's a similar thing in Empire Magazine, which I often slag off for just being a sort of DVD catalogue. 12:55.335 --> 12:55.535 Yeah. 12:55.795 --> 12:59.196 But this month, they've got a really thorough interview with Harrison Ford. 12:59.476 --> 12:59.676 Oh, yeah. 12:59.716 --> 13:00.296 And it's funny. 13:00.956 --> 13:01.316 Excellent. 13:01.376 --> 13:02.737 He's a Harrison board. 13:03.057 --> 13:04.478 He's a grumpy, grumpy man. 13:04.998 --> 13:06.238 And he's got some funny things to say. 13:06.258 --> 13:07.899 I meant to bring it in, but I'll bring it in next week. 13:07.979 --> 13:08.519 Oh, that would be good. 13:08.839 --> 13:12.501 OK, I think it is competition time. 13:13.421 --> 13:17.423 You could win a DVD or tickets to a show. 13:18.383 --> 13:19.884 You just never know. 13:20.464 --> 13:24.626 So sharpen up your brain and get ready to play. 13:25.410 --> 13:27.931 And it's time to play Celebrity Regression. 13:27.971 --> 13:36.153 We haven't played this for a few weeks, so if you need refreshing, this is an actual medical psychotherapy experiment where we put Adam under. 13:36.373 --> 13:39.294 Hypnotically, he enters the brain and films of a film star. 13:39.714 --> 13:46.595 Simply by hearing him relive these films from the point of view of the star, you have to tell us who the star is and what the films are. 13:46.615 --> 13:47.316 Does that make sense? 13:47.556 --> 13:48.456 I think that does make sense. 13:48.476 --> 13:50.096 Can I just say as well before I go under? 13:50.156 --> 13:50.416 Yeah. 13:50.796 --> 13:53.177 You say whatever you want, man, because you might never come back 13:54.606 --> 13:57.949 that after this, Joe, you're going to be selecting the next song we play. 13:57.969 --> 13:59.330 It's going to be your free play. 13:59.350 --> 13:59.710 Oh, is it? 13:59.810 --> 14:00.311 OK, thanks. 14:00.331 --> 14:03.913 So just so you can intro it while I'm under my deep hypnotic trance. 14:04.174 --> 14:04.474 OK. 14:04.614 --> 14:05.214 Shall we get going? 14:05.675 --> 14:08.897 Deep hypnotic... Deep hypnotic trance. 14:09.137 --> 14:12.800 OK, the number, you might want to make a note of this, 0-8-7-1-2-2-2-1-0-4-9. 14:12.820 --> 14:16.343 0-8-7-1-2-2-2-1-0-4-9. 14:16.663 --> 14:21.067 And if you get this right, you can basically have your pick of any of the amazing prizes we've already talked about. 14:21.727 --> 14:23.208 Passes to the horror film festival. 14:23.368 --> 14:24.048 There's three, Adam. 14:24.088 --> 14:25.248 Passes to the horror film festival. 14:25.288 --> 14:25.888 Four, in fact. 14:26.229 --> 14:27.949 More tickets to see Pete and Dud come again. 14:27.969 --> 14:30.930 Ghost in the Shell DVDs, This Life DVDs. 14:31.831 --> 14:33.871 You know, whoever you are, whatever kind of wants you have. 14:34.091 --> 14:35.312 Are you fading me out, like at the Oscars? 14:35.492 --> 14:36.032 No, sorry. 14:36.172 --> 14:37.352 I played the wrong bit of music. 14:37.372 --> 14:37.833 Yeah, no, you're right. 14:37.893 --> 14:39.573 OK, let's put Adam under now. 14:39.633 --> 14:40.153 So here we go. 08712221049. 14:43.609 --> 14:52.642 regression bell rings everyone take a deep breath just try and clear your minds blank your minds whatever's hassling your brain 14:53.871 --> 15:02.777 And we're going to regress Adam all the way back now into a better life, a more glamorous life, the life of somebody sexy, somebody clever, somebody successful. 15:03.017 --> 15:08.981 That's right, a film star, someone better than you or I could ever be, however hard we try. 15:09.721 --> 15:14.984 We don't know whether it's a man or a woman, but Adam is now going to enter their body through their body passage. 15:17.205 --> 15:20.509 He is now inside the star, and he is now inside their first film. 15:20.549 --> 15:24.454 When he opens his eyes, he will see with the star's eyes, and he will see what's happening in the film! 15:26.497 --> 15:30.898 Oh, I'm in a tiny kitchen in an apartment in New York. 15:31.778 --> 15:35.839 Normally the kitchen is very neat, everything just so, the way I like it. 15:35.979 --> 15:38.120 Couth, you know, but not today. 15:38.580 --> 15:44.181 Today there is an uncouth man in my kitchen, a dirty man, a ciggie-smoking man. 15:44.581 --> 15:52.603 He drinks coffee, he eats meat, he's a dirty, coffee-drinking, ciggie-smoking, meat man and I wish he were gone, but I can't make him leave. 15:53.203 --> 15:55.684 If I did, my very apartment would be jeopardized. 15:56.184 --> 16:02.685 What's more, despite the fact that we are so very different, I can feel an attraction growing for this dirty man. 16:03.426 --> 16:09.647 And as soon as he gets even more dirty, this apartment will be filled with uncouth-roughty! 16:11.628 --> 16:13.328 So that's the first star in the first film. 16:13.348 --> 16:14.488 0871221 049, you might have guessed it already. 16:17.242 --> 16:21.687 Let's, uh, put Adam into the second film of the same star. 16:22.008 --> 16:23.089 Adam, wake up, tell us what you can see. 16:24.451 --> 16:25.792 Oh, I'm in a bar. 16:26.573 --> 16:29.997 A rather insulubrious place I've been brought to by a journalist. 16:30.438 --> 16:34.202 Unfortunately, he's not a brave, crusading, truth-uncovering journalist. 16:34.383 --> 16:36.085 He's a dirty journalist! 16:36.425 --> 16:39.206 a cynical journalist, a drunkie journalist. 16:39.566 --> 16:40.506 Not like me at all. 16:40.786 --> 16:41.227 I'm cooth. 16:41.527 --> 16:42.107 I love cooth. 16:42.447 --> 16:44.068 I love the cooth in any way. 16:44.788 --> 16:44.968 Mmm. 16:45.288 --> 16:47.869 You could call me a cooth expert, which is why I'm here. 16:48.209 --> 16:54.011 Because the fellow that me and my dirty journalist companion are traveling with is supposed to be the king of cooth. 16:54.611 --> 16:56.631 But hilariously, he's anything but! 16:57.112 --> 17:03.433 As we speak, he's there on the dance floor, with a beer and a ciggy dancing lewdly with ladies in a raincoat. 17:03.873 --> 17:06.493 I don't call that cooth hilarious! 17:08.054 --> 17:10.814 That's film number two, 0-8-7-1-triple-two-one-o-four-nine. 17:10.854 --> 17:16.435 If you know which film star and which movie Adam's been regressed into, here comes the third and final film. 17:16.496 --> 17:17.016 Adam, wake up. 17:17.036 --> 17:18.956 Tell us what you can see. 17:19.736 --> 17:23.277 I'm in a big Scottish castle now, on a warm summer night. 17:23.977 --> 17:30.159 Flaming torches shine as hordes of incredibly posh people arrive to share my special day. 17:30.519 --> 17:34.240 No, I'm not Madonna, but I am comparably ludicrous. 17:34.560 --> 17:36.841 And no, I am not ludicrous either. 17:37.421 --> 17:39.361 I am the romantic focus of this yarn. 17:39.541 --> 17:47.504 Despite the fact that I'm so flaky, I've just promised to spend the rest of my life with a fellow I met a few weeks ago unless I meet someone with nicer hair and a better line in bumbling bull crap. 17:48.164 --> 17:48.244 Ooh! 17:48.564 --> 17:58.454 hello what's the commotion over there someone's had a little too much to drink maybe or died maybe no matter nothing's going to spoil my plot twist i mean wedding 18:00.638 --> 18:11.847 So there we go listeners, Adam is now under until somebody calls 08712221049 and correctly guesses the three movies he was witnessing and the star whose head he was occupying 08712221049. 18:13.248 --> 18:18.652 Call now and in the meantime we'll leave you with the latest news from Britain's housing estates courtesy of Sway. 18:18.952 --> 18:19.693 This is Flow Fashion. 18:28.815 --> 18:30.919 Yeah, yeah, yeah, that was Sway with flow fashion. 18:30.939 --> 18:35.868 Adam is still regressed after these adverts will come back and hopefully bring him back to life. 19:01.783 --> 19:05.573 Love music Love XFM 19:13.228 --> 19:14.850 This is Adam and Jo on a Saturday afternoon. 19:14.910 --> 19:16.872 You join us in the midst of Adam's regression. 19:16.892 --> 19:20.595 He's been regressed into the mind and films of a very famous celebrity. 19:20.615 --> 19:22.677 And who's the lovely lady what is on the telephone? 19:22.718 --> 19:23.919 Well, I reckon she's got it right. 19:23.939 --> 19:24.379 It's Anthony. 19:25.140 --> 19:25.400 Kate. 19:25.440 --> 19:25.961 Hello, Kate. 19:27.022 --> 19:27.262 Hello. 19:27.702 --> 19:28.303 How are you, Kate? 19:28.323 --> 19:28.964 I'm fine, thanks. 19:29.344 --> 19:29.504 Good. 19:29.544 --> 19:34.770 If you just, you know, keep your voice down and nice and calm because you could damage Adam's tiny brain. 19:35.010 --> 19:36.031 So are you fairly confident? 19:36.773 --> 19:42.294 I'm confident about the celebrity, but I was calling when Adam was doing the second one, and I got a bit confused. 19:43.135 --> 19:49.016 Well, you know, you've sacrificed a complete answer maybe for getting in there first, which is a fair trade-off. 19:49.276 --> 19:52.937 So before you tell us the star, give us an idea of what films you think they are. 19:53.477 --> 19:55.578 Well, the first film is Green Card. 19:55.618 --> 19:58.939 Dero Depardieu is the smoking meat eater. 19:59.319 --> 20:00.699 Smoking meat eater in the kitchen? 20:00.719 --> 20:04.760 The second film is where I got confused because I phoned, and I thought you said the bloke had a beer, 20:05.325 --> 20:08.908 and she played a journalist in two films, I think, Michael and Groundhog Day. 20:09.188 --> 20:09.869 You're good. 20:10.510 --> 20:11.951 I'm a really big Annie McDowell fan. 20:12.271 --> 20:12.591 Really? 20:12.612 --> 20:14.533 There's a little clue to who you think it might be. 20:15.894 --> 20:16.675 Oh, sorry. 20:16.715 --> 20:19.938 Don't worry, that's just a little clue, and what was the final film? 20:20.599 --> 20:22.060 The third film was for weddings and funerals. 20:22.320 --> 20:22.841 A classic. 20:23.962 --> 20:24.782 Well, I don't like the film. 20:25.103 --> 20:25.703 You don't like it? 20:25.723 --> 20:25.763 No. 20:26.184 --> 20:27.144 Well, this is very interesting. 20:27.585 --> 20:30.668 Well, let's first of all have you say the name of the star and see if Adam wakes up. 20:31.148 --> 20:31.769 Annie McDowell. 20:33.186 --> 20:38.069 I was sort of half awake already, as Kate mentioned it earlier on, but very good deduction. 20:38.109 --> 20:39.270 Are you like an Olympic athlete? 20:39.310 --> 20:41.731 If this was an Olympic sport, you would be representing Britain. 20:41.771 --> 20:43.693 You sound like some kind of movie brainiac! 20:43.793 --> 20:44.733 No, not at all. 20:44.793 --> 20:45.954 I just really like Andy McDowall. 20:45.974 --> 20:46.154 Do you? 20:46.234 --> 20:48.836 And why don't you like her in Four Weddings, standing in the rain? 20:49.636 --> 20:50.857 You think it's a terrible film? 20:51.097 --> 20:54.780 I thought you would have thought that for an Andy McDowall fan... You'd be kicked out of the country for saying that. 20:54.860 --> 20:59.883 If you're, you know, because there can't be that many... The government will fly you to Guantanamo Bay and torture you. 21:00.143 --> 21:14.914 isn't that is that not considered to be the peak of McDowell's career well she's very charming in it but um the film itself isn't very good oh shocking what about Michael you're not telling us Michael is better than four weddings and a funeral the film about the angel again she's very charming in it um the film isn't very good 21:15.274 --> 21:17.255 Yeah, but Green Card is a classic. 21:17.295 --> 21:18.136 I just love that, yeah. 21:18.396 --> 21:19.116 It is a good film. 21:19.136 --> 21:20.477 It's directed by someone proper, isn't it? 21:20.497 --> 21:21.137 I always forget. 21:21.398 --> 21:23.359 Peter Weir, that's right, he's a proper director. 21:23.719 --> 21:25.960 It is an enjoyable film, that's my favourite. 21:26.040 --> 21:29.302 Actually, no, Groundhog Day, come on, you can't really beat Groundhog Day. 21:29.322 --> 21:31.203 That's a classic, that's a proper classic. 21:31.503 --> 21:32.524 It's an absolute smash. 21:32.764 --> 21:33.825 Hey, what do you do for a living, Kate? 21:33.845 --> 21:36.867 You sound a bit brainier than... No, I write children's books. 21:37.087 --> 21:37.607 Do you? 21:38.307 --> 21:40.749 What's your... are they published? 21:41.944 --> 21:54.547 um i wonder if i've ever read any of them there's a teen one so i don't think oh really what are they there's a series of them no actually there's only one but there's another one coming out later really what's it called the one tests in love tests in love i'm gonna get that 21:55.086 --> 21:55.847 No, don't. 21:55.867 --> 21:56.227 Why not? 21:56.267 --> 21:56.507 Why not? 21:56.567 --> 21:58.109 Are you threatened by Danny Minogue and Madonna? 21:59.690 --> 22:00.491 Isn't Danny Minogue? 22:00.511 --> 22:01.091 It's Kylie Minogue. 22:01.452 --> 22:02.473 No, is it Kylie? 22:02.753 --> 22:04.835 I thought I read Danny's doing children's books as well. 22:04.855 --> 22:06.296 No, I think it's called The Impossible Princess. 22:06.756 --> 22:07.177 Really? 22:07.277 --> 22:09.178 Sooner or later, Danny does everything that Kylie does. 22:09.439 --> 22:11.821 Yeah, she'll be churning out the children's books. 22:12.001 --> 22:13.422 Listen, Kate, thanks so much for your call. 22:13.582 --> 22:14.303 What about prizes? 22:14.323 --> 22:15.864 What would you like to see? 22:15.904 --> 22:16.905 Did you hear all the prizes? 22:17.606 --> 22:18.527 I might have been phoning. 22:19.247 --> 22:44.584 got so many it's going to take ages but this life complete series one ghost in the shell lovely there you go this life series one hey thanks for calling cake well done for being so clever yeah and good luck with the books i'm sure um i'll be buying them for for my children at some stage uh yeah there you go that's celebrity regression therapy for this week very it was quite easy wasn't it i'm gonna buy that and bring it in next week yeah go on then we didn't get her surname will you find out no it'll be okay as long as you've got the title of the book okay then 22:44.944 --> 22:46.425 Well done, that was very good regression. 22:46.465 --> 22:47.166 How did that feel Adam? 22:47.186 --> 22:48.587 Obviously you were unconscious through the whole thing. 22:48.607 --> 22:49.787 It felt good to get it out of my system. 22:49.807 --> 22:51.268 Yeah, but what about the regression? 22:51.929 --> 22:52.089 What? 23:05.970 --> 23:06.590 Thank you very much. 23:06.610 --> 23:07.891 That's very nice of you. 23:08.011 --> 23:09.311 Orson with No Tomorrow. 23:09.452 --> 23:10.812 Tessa, who just won our competition. 23:10.832 --> 23:11.652 Your book sounds brilliant. 23:11.672 --> 23:11.913 No, Kate. 23:11.973 --> 23:12.193 Kate. 23:12.233 --> 23:12.493 Kate. 23:12.533 --> 23:13.053 Sorry, Kate. 23:13.093 --> 23:13.313 Sorry. 23:13.333 --> 23:14.594 The heron of the book's called Tessa. 23:14.934 --> 23:15.554 It sounds great. 23:15.594 --> 23:17.615 The Amazon reviews are raving about it. 23:17.695 --> 23:18.295 Five stars. 23:18.355 --> 23:19.036 A brilliant book. 23:19.076 --> 23:20.436 Wow, this book is just amazing. 23:20.956 --> 23:25.358 Follows the romance of two teens who might not look perfect, but their romance blossoms. 23:25.638 --> 23:26.659 This book is brilliant. 23:26.939 --> 23:28.139 Buy it and read it fast. 23:28.440 --> 23:29.160 That's great, isn't it? 23:29.480 --> 23:29.801 Wow. 23:29.861 --> 23:31.463 We've got talented authors phoning us. 23:31.663 --> 23:32.985 Yeah, Tessa in love, there you go. 23:33.005 --> 23:34.146 She's called Kate Levan. 23:34.246 --> 23:35.248 And what was your joke, Joe? 23:35.588 --> 23:37.050 Our husband's called Joe LeTaxi. 23:37.190 --> 23:37.531 Nice! 23:39.641 --> 23:43.223 We're coming up towards the end of the first hour here on a Saturday afternoon at XFM. 23:43.243 --> 23:46.184 We've got so much more to talk about in the second hour. 23:46.445 --> 23:50.847 Yeah, we're going to do a text competition and we're going to do Ditties in the Dock to name but two things. 23:50.867 --> 23:52.728 And we've still got loads of prizes to give away. 23:52.768 --> 23:55.689 Tickets to the Fright Fest horror event next Saturday. 23:55.949 --> 23:57.510 Tickets to see Pete and Dud come again. 23:57.810 --> 23:59.591 More DVDs, Ghost in the Shell DVDs. 23:59.971 --> 24:00.892 So stay tuned. 24:01.332 --> 24:01.772 Absolutely. 24:01.792 --> 24:02.332 We'll be right back. 24:25.438 --> 24:26.065 Love music. 24:26.671 --> 24:27.197 Love XFM. 24:39.824 --> 24:41.585 Someone clean the needle. 24:42.625 --> 24:45.187 Just remember to dust the records before we play them down. 24:45.207 --> 24:46.487 See, that one's filthy. 24:46.507 --> 24:48.288 That was my fault, I just dribbled over it a little bit. 24:48.308 --> 24:49.048 Well, come on. 24:49.469 --> 24:52.090 That was Gnarls Barkley with Crazy. 24:52.110 --> 24:53.390 That's going to be a big hit, isn't it? 24:53.430 --> 24:55.091 Basically, that's got hit written all over it. 24:55.331 --> 24:55.812 Enormous. 24:55.992 --> 24:57.212 We've been playing it for a few weeks. 24:57.272 --> 24:58.673 Has it been in hits already? 24:58.833 --> 24:59.393 No, no, no. 24:59.533 --> 25:00.194 It's not even out yet. 25:00.214 --> 25:00.754 Has it been released? 25:01.034 --> 25:01.674 It's not out. 25:01.694 --> 25:02.595 The public purchases. 25:02.715 --> 25:04.696 It's released on the 10th of April. 25:05.276 --> 25:07.719 So you've got to wait a few weeks for that one. 25:07.759 --> 25:08.660 Yeah, it's very soothing. 25:08.841 --> 25:11.103 It's going to be a massive smash hit. 25:11.123 --> 25:12.665 A massive smash-ive. 25:13.584 --> 25:35.095 yeah just say yes yes and push on this is element joe on xfm london's 104.9 it's time to launch a text competition because we've got so much stuff to give away this text comp oh yeah we've still got what have we still got to give away well we've still got tickets for the fright fest uh week it's not really a weekender but it's a whole day of horror films at the prince charles cinema next saturday we've got laminated day passes 25:35.935 --> 25:45.700 And that includes a preview of Eli Roth's new film Hostel, a terribly horrible film about American sexual tourist backpackers who get their just desserts when they check into a hostel. 25:47.941 --> 25:50.302 I haven't finished writing the back of a video blurb yet. 25:51.843 --> 25:56.445 I don't suppose it'll say American sexual tourist backpackers when the DVD does come out. 25:56.465 --> 25:56.846 Maybe not. 25:58.067 --> 25:59.027 Uh, so that's exciting. 25:59.047 --> 26:00.308 They're showing lots of good stuff there. 26:00.629 --> 26:02.230 But we'll go into that in more detail later. 26:02.630 --> 26:03.811 What's the text competition, Adam? 26:03.932 --> 26:11.278 Well, basically, this text competition is just an excuse for me to, uh, drop some names, or drop a name, but it's quite a massive name drop. 26:11.598 --> 26:18.944 And it's related in a way, I was inspired to tell this story by last week's Ditties in the Dock, uh, which I won with Johnny Cash's Walk the Line. 26:19.004 --> 26:23.929 Before we hear the story, can you tell us the, what the listeners should be thinking about in terms of their entries? 26:24.992 --> 26:27.814 Yeah, uh, well, I will, um... Are you gonna come to that? 26:27.934 --> 26:28.194 Yes. 26:28.294 --> 26:38.001 No, it's in... I've sort of ruined the punchline like a complete jerk of my story because, uh, basically I had a close encounter as a youngster with Johnny Cash. 26:38.401 --> 26:44.265 And I was reminded of this by my mum the other day, uh, who said, have you seen that film Walk the Line? 26:44.685 --> 26:47.567 And I said, no, I have no intention of going to see that film Walk the Line. 26:47.587 --> 26:48.588 She said, oh, it's very good. 26:49.148 --> 26:51.630 And, um, do you remember when you met Johnny Cash? 26:51.650 --> 26:53.271 And I said, what are you talking about, mum? 26:53.691 --> 26:54.552 And she said, when you, uh, 26:55.532 --> 27:03.597 Apparently, when I was 10 years old, we were in Barbados having a family holiday, exciting family holiday, and... Posh. 27:03.978 --> 27:05.398 Posh holiday, yeah, very nice. 27:06.399 --> 27:18.686 And one morning, I said to my mum, apparently, I've got to go down to... This sounds a little bit creepy, incidentally, this story, but I don't think you should worry because Johnny Cash is a famous and slubrious man when he was alive. 27:19.107 --> 27:24.150 But I said, Mum, I've made a new friend and I've got to go and meet him down by the... on the beach. 27:24.810 --> 27:25.731 And she said, really? 27:25.751 --> 27:26.552 You've made a new friend? 27:27.393 --> 27:28.273 What kind of friend? 27:28.614 --> 27:30.215 And I said, he's a really nice man. 27:30.235 --> 27:31.316 And he said that I should come down. 27:31.336 --> 27:33.458 We're going to go on his lilo and we're going to go snorkeling. 27:34.355 --> 28:00.308 uh... so obviously a little alarmed by that my mom followed me down to the beach came down with me and discovered that the friend i had made the previous day on the beach was johnny cash the man in black now yet this so this is when i was ten years old so that would be in nineteen eighties and thereabouts and uh... johnny cash was there with his son who was around about the same age as me so i don't know i'm not that johnny cash expert i don't know if 28:00.908 --> 28:05.469 Obviously, if he doesn't have a son the same age as me, then my story is not going to hold much water. 28:05.509 --> 28:08.070 But if someone could do the fact checking for me, I'd appreciate it. 28:08.090 --> 28:09.910 Danthe, um, fact check. 28:10.070 --> 28:11.290 But that's pretty good, isn't it? 28:11.330 --> 28:11.691 Don't you think? 28:12.091 --> 28:13.191 Assuming the story is true. 28:13.371 --> 28:14.271 Assuming it's true, yeah. 28:14.291 --> 28:16.252 I have every reason to believe it is, because my mum swears it's true. 28:16.272 --> 28:21.893 So, we want people to text in 83XFM with very, very, very famous people they met when they were kids. 28:22.313 --> 28:36.868 cos I remember the, I remember the bloke, I mean I don't remember obviously being impressed by him being Johnny Cash cos I wouldn't know who he was, but I remember just snorkelling with this really nice American man who was really friendly and good fun and very sort of avuncular and fatherly. 28:37.488 --> 28:39.010 And his son who was a nice guy as well. 28:39.510 --> 28:42.593 So famous people you met when you were tiny, who's got the best 28:43.334 --> 28:44.295 genuine story. 28:44.435 --> 28:46.136 How are we going to fact check these things? 28:46.236 --> 28:46.656 I don't know. 28:46.837 --> 28:48.197 We just got to trust people. 28:48.418 --> 28:50.819 Yeah, if you can come up with a really good lie. 28:51.099 --> 28:53.081 But it's got to be, it's got to be an A-list. 28:53.141 --> 28:54.042 It's got to be an encounter with A-list. 28:54.082 --> 28:55.623 So my Dave Prowse story wouldn't count? 28:56.303 --> 28:57.004 Dave Prowse. 28:57.024 --> 29:02.147 When I won that Magpie competition and went to Thames at Teddington and met Dave Prowse and Tommy Cooper and the Rainbow Team? 29:02.247 --> 29:03.208 No, that would not count. 29:03.308 --> 29:06.934 That's a good example of something- But he's the Green Cross Codeman and Darth Vader. 29:06.954 --> 29:09.158 That must- I mean, that's two B-listers. 29:09.318 --> 29:10.140 He's not A-list. 29:10.200 --> 29:14.367 It doesn't- Two B's does not make an A. I'm sorry, we've got to be brutal about this. 29:14.747 --> 29:16.350 It's got to be an absolute legend. 29:16.410 --> 29:16.971 MC Hammer? 29:17.893 --> 29:45.664 Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags Steve Lags 29:46.004 --> 29:47.684 before anyone knew he was evil. 29:48.105 --> 29:50.805 And what was he just like, Hitler with his arm around him? 29:51.725 --> 29:55.086 It's similar, historically, to saying his amazing Tony Blair now. 29:55.486 --> 30:01.388 In the future, they'll go, my God, you met Tony Blair, the most evil war criminal in the world. 30:01.408 --> 30:03.508 I don't think it's exactly the same, a little bit. 30:03.769 --> 30:06.629 But you see, the encounter with Hitler would count. 30:06.689 --> 30:09.350 That would count, but it wasn't me, you see, it was a very ancient relative. 30:09.750 --> 30:12.292 That's an encounter with the A-list, so we're being brutal about it. 30:12.312 --> 30:13.494 Would you say Hitler was an A-lister? 30:13.814 --> 30:15.796 I would say Hitler, definitely, in his time. 30:15.816 --> 30:17.517 What sort of celebrity scale is this? 30:18.098 --> 30:19.159 The scale of evil. 30:19.179 --> 30:19.259 Yeah. 30:20.039 --> 30:21.161 Anyway, so get texting now. 30:21.201 --> 30:23.823 We want to hear about your encounters with the A-list. 30:23.863 --> 30:26.866 It's free play time again, and here's a nugget from the 80s. 30:27.306 --> 30:33.532 Hey, sorry, Adam, to interrupt you, but the best text, we'll call you up and get you to tell us the anecdote live on the air. 30:33.892 --> 30:35.813 so it's important that you are able to speak. 30:36.153 --> 30:38.855 Incidentally, Xanthi just fact-checked my story and it checks out. 30:38.975 --> 30:43.337 John Carter is the son of Johnny... Johnny? 30:43.697 --> 30:48.940 John Carter, right, yes, is the son of Johnny Cash, who would have been around about the same age as me at that point. 30:49.160 --> 30:52.462 Probably still is around about the same age as me, if that was the case. 30:52.742 --> 30:54.023 Anyway, back to the free play. 30:54.063 --> 30:55.544 This is Flash in the Pan. 31:05.319 --> 31:09.102 That's Flash and the Pan, not Flash in the Pan, you see. 31:09.682 --> 31:11.443 And I think they were from Australia. 31:11.843 --> 31:15.066 That's a song called Waiting for a Train, which was a hit in the early 80s. 31:15.126 --> 31:16.887 It's Adam and Joe here on XFM. 31:17.187 --> 31:22.451 Now our text competition is Encounters with the A-list. 31:22.731 --> 31:23.491 Encounters with the A-list. 31:24.352 --> 31:25.773 So at any time, doesn't matter. 31:25.793 --> 31:26.153 Oh, really? 31:26.173 --> 31:26.253 Yeah. 31:26.293 --> 31:27.713 I thought it was specifically childhood. 31:27.733 --> 31:28.734 Doesn't have to be childhood. 31:28.754 --> 31:32.735 I like the fact that it was when you were so young you didn't really know the significance of the event. 31:32.795 --> 31:35.496 That would be fine, but it's any kind of encounter with the A-list. 31:35.516 --> 31:36.897 I don't think we should... Really? 31:36.937 --> 31:37.717 ...limit it that much. 31:37.737 --> 31:39.318 I think we might just get, you know, I met. 31:39.938 --> 31:41.940 Jack Black outside a Tenacious T concert. 31:41.960 --> 31:45.283 Well, we've tried to explain the fact that that wouldn't really count. 31:45.443 --> 31:53.831 Even though Jack Black is technically an A-lister now, I mean, we're talking about massive, legendary figures, you know what I mean? 31:54.252 --> 31:58.275 Someone like, you know, I met Alfred Hitchcock, someone like that. 31:58.416 --> 32:01.939 OK, listen, so Adam, I'm going to read you some of the famous names. 32:02.279 --> 32:03.881 I'm not going to tell you the story around them. 32:04.844 --> 32:06.385 And you've got to tell me whether you want to hear them. 32:06.605 --> 32:07.186 Yeah, all right then. 32:07.546 --> 32:07.946 OK. 32:08.046 --> 32:10.068 I'm just trying to look for proper stories here. 32:10.088 --> 32:14.951 Let me give you another example of a close encounter with the A-list that I witnessed. 32:15.031 --> 32:16.112 Didn't really have it myself. 32:16.152 --> 32:24.117 But this girl I was going out with, Karen, who was a waitress at this restaurant I worked at, she got to dance with Dustin Hoffman. 32:24.137 --> 32:30.381 Because Dustin Hoffman came into the restaurant, and it was a kind of crazy annoying 50s theme restaurant that I used to work at. 32:30.722 --> 32:31.702 I was the DJ there. 32:31.782 --> 32:33.864 I used to play a lot of crazy annoying 50s music. 32:34.564 --> 32:41.146 And while I was playing some of this music, Dustin Hoffman got up and started dancing with Karen, my girlfriend, on her roller skates. 32:41.847 --> 32:43.387 And it was pretty amazing. 32:43.427 --> 32:47.128 He was a really good dancer and he was whirling her around and dipping her and twirling her. 32:47.888 --> 32:50.509 And obviously, I wasn't dancing Rain Man. 32:50.889 --> 32:51.870 I don't think he does that. 32:51.890 --> 32:52.270 He does. 32:52.290 --> 32:54.591 He dances with Tom Cruise at the very end of the film. 32:54.851 --> 32:55.451 Oh, yeah. 32:55.511 --> 32:55.691 Yeah. 32:55.731 --> 32:58.412 And it's sort of special dancing. 32:58.672 --> 33:19.165 but it was brilliant though and he was so charming he left a brilliant tip there was no question of you being jealous because you just thought encounter with the a-list he is lovely he's a great guy yeah yeah i've chatted him for 20 minutes or so oh you interviewed him for your radio he was really nice yeah okay there you go so that's yeah that's an encounter with the a-list got me so okay okay so here we go this is what we've got 33:20.455 --> 33:22.236 I'm just pausing for effect, okay? 33:22.296 --> 33:24.638 It doesn't mean that I'm having trouble reading the texts. 33:24.698 --> 33:27.060 You're not gonna- What about Slash from Guns and Roses? 33:27.080 --> 33:27.661 Does he count? 33:27.801 --> 33:29.242 But a borderline, I would say. 33:29.262 --> 33:31.384 Do you want to hear the slash- the- the slasher-dote? 33:31.584 --> 33:32.044 Go on then. 33:32.464 --> 33:37.689 I spoke to Slash on the phone when I was 12, and he sent of a t-shirt. 33:38.069 --> 33:38.930 Well, that must be me. 33:39.470 --> 33:40.010 Yes. 33:40.030 --> 33:41.411 It's a predictive mistake. 33:41.532 --> 33:42.733 Oh no, the texts have refreshed. 33:42.753 --> 33:46.996 But anyway, he sent this person a picture of himself in a swimming pool and a t-shirt. 33:47.276 --> 33:51.662 Why, can I just go on tangentially a slightly different subject for a second? 33:52.103 --> 33:55.267 Why does the predictive texting suggest of rather than me? 33:55.888 --> 33:57.090 Surely me is much more useful. 34:03.379 --> 34:04.060 How's that slash thing? 34:04.260 --> 34:05.120 React to the slash thing? 34:05.160 --> 34:06.642 Why was slash on the phone? 34:06.682 --> 34:08.203 We need a bit more background than that. 34:08.243 --> 34:10.064 Well, if you're intrigued, we can get this person on it. 34:10.084 --> 34:12.146 That's from Farmer in Ascot. 34:12.326 --> 34:12.726 Farmer? 34:12.846 --> 34:13.627 Are you a farmer? 34:13.647 --> 34:14.448 Or are you called farmer? 34:14.688 --> 34:15.188 Here's another one. 34:15.869 --> 34:19.812 Whilst on holiday in Tunisia, I went scuba diving with Jim Carver from the Bill. 34:20.292 --> 34:20.492 No. 34:20.612 --> 34:21.893 Says Chris in Croydon. 34:22.234 --> 34:22.774 Which one's that? 34:22.834 --> 34:23.755 Is that Sergeant Big Nose? 34:24.255 --> 34:24.716 Don't know. 34:24.736 --> 34:27.678 Cos he's the only A-lister in the bill, Sergeant Big Nose. 34:27.779 --> 34:29.060 It by no means counts. 34:29.120 --> 34:29.840 Jamie Lee Curtis. 34:30.361 --> 34:31.302 Yes, that does count. 34:31.422 --> 34:32.143 OK, here we go. 34:32.243 --> 34:32.883 Emma in Edgware. 34:33.004 --> 34:34.865 I met Jamie Lee Curtis when I was a baby. 34:34.965 --> 34:38.789 My mum said she fell in love with me and wanted to take me home. 34:39.570 --> 34:39.990 Wow. 34:40.451 --> 34:40.951 That's pretty good. 34:40.971 --> 34:41.412 That's pretty good. 34:41.592 --> 34:42.072 That is good. 34:42.092 --> 34:43.293 So that could be winner Patrick Swayze. 34:43.954 --> 34:44.595 A-list? 34:44.635 --> 34:45.476 Yeah, definitely, definitely. 34:45.536 --> 34:46.937 Even though he's in one of those orange ads? 34:46.957 --> 34:48.278 I don't care, he's in Roadhouse. 34:48.639 --> 34:49.800 Okay, here we go. 34:50.260 --> 34:53.623 Dad left me outside a toilet while he went off into the theatre. 34:53.703 --> 34:58.668 Patrick Swayze came up to me to ask if I was okay and waited with me till Dad came back. 34:58.808 --> 34:59.349 I was eight-ish. 34:59.569 --> 35:00.650 Classic Swayze! 35:00.790 --> 35:01.991 Classic Swayze story. 35:02.011 --> 35:03.352 I bet you'd expect him to behave. 35:03.393 --> 35:04.834 I bet that guy had the time of his life. 35:05.134 --> 35:08.577 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 35:20.285 --> 35:21.386 Said Amy in Camberwell. 35:22.647 --> 35:23.627 Hello Amy in Camberwell. 35:23.727 --> 35:24.768 Hello Camberwell as well. 35:25.208 --> 35:25.868 I live in Camberwell. 35:26.249 --> 35:28.370 Come on, you've got to have... Liza Minnelli. 35:28.790 --> 35:30.131 Liza Minnelli, that certainly counts. 35:30.151 --> 35:33.133 Yeah, I met Liza Minnelli when I was four on holiday in Venice in 1984. 35:33.413 --> 35:35.154 Apparently, I have no memories of this. 35:35.174 --> 35:36.275 I was in the push chair. 35:36.775 --> 35:37.796 That's from Michael Sky. 35:39.255 --> 35:39.696 Any good? 35:40.076 --> 35:40.777 What about the Queen? 35:40.837 --> 35:41.617 Is she an A-lister? 35:42.118 --> 35:46.862 She is, but if it's like I shook hands with the Queen at a garden fete, then that's no good. 35:46.883 --> 35:48.044 I think that's what we got there. 35:48.524 --> 35:50.406 Jim Rockford, Dave Benson Phillips. 35:50.646 --> 35:52.148 Dave Benson Phillips does not count. 35:52.168 --> 35:54.190 He's A. In the world of CITV, he's A-list. 35:54.430 --> 35:55.070 Chris Tarrant. 35:55.631 --> 35:56.612 Tarrant doesn't really count. 35:56.632 --> 35:57.393 Catherine Zeta-Jones. 35:57.633 --> 35:57.953 No. 35:57.973 --> 35:58.394 Cheggers. 35:58.674 --> 35:59.214 Cheggers! 35:59.995 --> 36:00.496 Come on! 36:00.516 --> 36:01.317 Gary Glitter. 36:01.777 --> 36:03.399 No, that's revolting and boring. 36:03.419 --> 36:04.840 Well before he was revolting and boring. 36:04.860 --> 36:05.161 Helen Mirren. 36:05.181 --> 36:06.302 He was always revolting and boring. 36:06.322 --> 36:06.662 Helen Mirren. 36:06.902 --> 36:07.703 Borderline. 36:07.723 --> 36:09.365 Oh man, we're not doing very well. 36:09.485 --> 36:11.848 Angelina Jolie. 36:12.068 --> 36:13.369 What's that encounter? 36:13.409 --> 36:16.513 I was shopping for a new helmet in a bike warehouse. 36:16.593 --> 36:17.193 Is this from Jay? 36:17.273 --> 36:18.194 In Biggin Hill. 36:18.635 --> 36:22.258 And who was there with her stunt coordinator but Angelina Jolie. 36:22.799 --> 36:45.867 we had a brief discussion about the helmets and apart from the fact that she was very small as was your helmet probably it was completely unremarkable says Joe in Bexley that's quite a good one that's okay put Joe on the list on the shortlist okay can we get Joe on the shortlist please Xanthi right listen I think we should play some adverts and give people a bit more of a chance to get their heads together 36:46.227 --> 36:46.607 A-list. 36:46.647 --> 36:47.508 Come on, think A-list. 36:47.608 --> 36:50.850 Dave Benson Phillips is not on the A-list. 36:50.950 --> 36:51.730 All right, he should be. 36:52.010 --> 36:54.752 Obviously, that's taken as read, but currently he's not. 36:54.772 --> 36:56.533 Hang on, David Bowie changed my nappy. 36:56.873 --> 36:57.393 That's good. 36:57.413 --> 36:59.935 We've got to hear that one from A-Brown. 36:59.975 --> 37:00.595 Let's save it. 37:00.815 --> 37:02.216 OK, come on, we can come back to these. 37:02.476 --> 37:03.156 We'll be back shortly. 37:30.709 --> 37:31.155 XFM 37:42.441 --> 37:43.782 I would have gone for a snappy ending. 37:44.022 --> 37:45.402 They decided to go with a fade. 37:46.083 --> 37:48.384 That was The White Stripes with my doorbell. 37:48.484 --> 37:49.965 You're listening to Adam and Joe on XFM. 37:50.765 --> 37:53.946 And we are going to pretty much wrap up our text competition now. 37:54.086 --> 37:59.249 It's going to be tricky to wrap up, Adam, because the answers are kind of raining in lots of them. 37:59.689 --> 37:59.969 Really? 38:00.109 --> 38:00.930 Is that the right word? 38:01.030 --> 38:01.410 Raining? 38:01.630 --> 38:02.470 Raining's perfect. 38:02.670 --> 38:03.731 Raining in like rain. 38:04.091 --> 38:11.699 And listen, just before we played that record on those adverts, we were talking about somebody who'd had his nappy changed by David Bowie. 38:12.579 --> 38:15.782 The Thin White Duke, changing the nappy. 38:15.803 --> 38:18.145 You've done a bit of a stinky. 38:18.345 --> 38:23.850 Woah woah, your nappy is so full of poo poo. 38:24.911 --> 38:27.914 Do we have the man whose nappy was changed on the line? 38:27.954 --> 38:28.474 What's his name? 38:28.514 --> 38:29.935 He's called Aeneas Brown. 38:30.115 --> 38:30.656 Hello, Aeneas. 38:30.936 --> 38:31.496 Hello, Aeneas. 38:31.516 --> 38:33.117 How you doing? 38:33.177 --> 38:37.581 It's a brilliant name, but listen, thank you for holding on for so long and we hear you're hung over. 38:37.970 --> 38:40.211 That was a horrible hangover, fearingly bad. 38:40.391 --> 38:41.531 Yeah, you sound bad. 38:41.571 --> 38:42.811 What were you doing last night? 38:42.831 --> 38:47.252 Oh, I just went to a gig in Highgate and then just came back to my girlfriend's place. 38:47.333 --> 38:48.893 And how do you want to be changed by David Bowie? 38:48.913 --> 38:49.433 It's too easy. 38:49.453 --> 38:49.893 No, no, no. 38:49.913 --> 38:50.993 You're one of these adult babies. 38:51.034 --> 38:54.154 For the weekly occurrence, it's just a once-in-a-lifetime experience. 38:54.234 --> 38:56.435 So, Ineos, how do you know about this? 38:57.115 --> 39:04.037 Well, my mum was at college with a woman who went out with him just before he became really big with Space Oddity. 39:04.297 --> 39:04.637 Oh, yeah. 39:04.997 --> 39:07.698 And I think he was still doing Mime at the time. 39:08.098 --> 39:09.999 It wasn't Hermione Farthingale, was it? 39:10.559 --> 39:11.099 I don't know. 39:11.239 --> 39:11.999 Who's that? 39:12.039 --> 39:15.740 Well, that's the person that he was going out with at that stage of his career. 39:15.760 --> 39:16.440 Oh, I don't know. 39:16.500 --> 39:19.621 Some other bint that my mum was at college with. 39:19.681 --> 39:22.702 And then she met up with her some years later. 39:22.722 --> 39:24.602 She hadn't seen her for a while. 39:24.742 --> 39:27.983 And she just introduced him very 39:28.800 --> 39:30.740 casually as this is my boyfriend David. 39:30.880 --> 39:32.921 I think he was Hermione from Yale. 39:34.021 --> 39:37.242 Um, and uh... David probably had lots of girlfriends in them days. 39:37.262 --> 39:39.543 Well, I don't think we were living in some place out in the country. 39:39.703 --> 39:40.523 And boyfriends? 39:40.863 --> 39:55.026 My mum and her friend went out for a kind of wander in the grounds or the garden or whatever and they left me with David and apparently yes, I soiled myself in some manner I don't know what I... Because you were so excited I would imagine. 39:55.206 --> 39:55.846 Honestly, yes. 39:56.607 --> 39:58.227 In the presence of greatness and um... 39:59.198 --> 40:04.010 He just, you know, being a kind of advanced specimen of the male species at the time. 40:04.030 --> 40:04.531 That's right. 40:04.932 --> 40:07.518 He went ahead and did the honors. 40:07.952 --> 40:11.014 What would he have looked like so he could picture it at that point? 40:11.034 --> 40:13.215 Did he have his big... I imagine him wearing a nappy. 40:13.855 --> 40:15.276 You imagine him wearing a nappy? 40:15.296 --> 40:18.297 Yes, you know, like in that sort of mind thing, you know, with his kind of eyes. 40:18.558 --> 40:20.999 Well, he wore a nappy as the elephant man, didn't he? 40:21.019 --> 40:23.720 But that was much later in his career when he was on the stage. 40:23.740 --> 40:25.421 What would he have looked like, Adam, at that point? 40:25.901 --> 40:33.885 Well, I'm not sure about the exact dates because he changed his hair quite a lot, but it would have either been a very curly mop with a kind of afghan coat that he was wearing. 40:33.925 --> 40:34.766 Yes, very pretty. 40:35.186 --> 40:56.106 or it could have been the cusp of the hunky-dory cover with the long flowing hair with the sort of spiky at the top and then the sort of giant mullet no just just um straight ahead lady hair he was a bit oh it would have been what an amazing thing to have happened so was your i've got millions of them i've got millions of these kind of ridiculous things before was your was your changed your nappy was your mum said that i was a bloody handsome bastard 40:56.325 --> 41:10.871 there you go that's not bad when did he say that well you've done it now yeah well i think it's all right it's all it's classic british my girlfriend's dad wrote this last song no yeah it's gone into hiding 41:11.870 --> 41:12.792 Has he gone into hiding? 41:12.912 --> 41:14.694 No, he lives in Hamburg, so... Does he? 41:14.814 --> 41:16.015 Well, that explains the whole thing. 41:16.115 --> 41:16.616 That's amazing. 41:16.656 --> 41:19.319 Is he a millionaire now, like the, uh... Well, he's quite rich. 41:19.339 --> 41:26.067 He wrote, he wrote, like, the Eurovision Song Contest entries for Luxembourg, and he wrote all of Backe as hits as well, like Yes, Sir, I Can Boogie. 41:26.488 --> 41:26.728 Really? 41:26.748 --> 41:27.689 Can you say all of them? 41:27.769 --> 41:29.411 Surely that was Backe as only hit. 41:29.571 --> 41:30.252 No, they had a lead. 41:30.292 --> 41:31.494 Sorry, I'm a lady as well. 41:32.074 --> 41:37.478 Hey, listen, what prize would you like to win today? 41:37.999 --> 41:40.681 Oh, can I have that pass for the horror movie? 41:40.721 --> 41:41.421 Yeah, you can. 41:41.982 --> 41:42.322 Brilliant. 41:42.642 --> 41:44.123 Yeah, that's going to be a really good day. 41:44.183 --> 41:47.306 And I think if anybody else wants to go, there are still tickets on sale. 41:47.326 --> 41:50.408 They're showing Death Trance, which is an Asian samurai slasher. 41:50.709 --> 41:51.189 Oh, are you? 41:51.249 --> 41:58.214 With the actual choreography done by Ruhei Kitamura, who made Versus, Wicker Man, Mortuary, Rika, Hostel and Theater of Blood. 41:58.234 --> 41:58.875 So that'll be great. 41:59.899 --> 42:20.591 of blood yeah it's a new print of the old classic and yes can I just ask quickly so was your mum like a kind of arty hippie oh yeah yeah she went to the art school and Ealing yeah my mum has really got all the claims to fame she's really got like ridiculous ones does she still hang out with these types of people 42:21.351 --> 42:22.712 No, not really, not really. 42:22.872 --> 42:23.132 Right. 42:23.452 --> 42:24.372 And what do you do for a living? 42:24.392 --> 42:26.033 Sorry to say, I'm an artist. 42:26.593 --> 42:28.334 You're an artist, I can tell. 42:29.014 --> 42:29.934 His voice trembling. 42:30.255 --> 42:35.597 Hey, listen, we should, because there are loads of other techs, so let me, I just want to run a couple of these by you, Adam. 42:35.717 --> 42:36.237 Absolutely. 42:36.677 --> 42:38.098 But thank you very much indeed for calling in. 42:38.118 --> 42:39.138 That's a fantastic story. 42:39.158 --> 42:40.479 And it's been a pleasure talking to you. 42:40.499 --> 42:41.199 Have a good weekend. 42:41.359 --> 42:42.159 Pleasure talking to you. 42:42.179 --> 42:43.620 It's a great show, guys. 42:43.640 --> 42:44.440 Thanks for listening. 42:44.480 --> 42:47.001 Music's generally rubbish. 42:47.642 --> 42:48.582 You're just great. 42:49.002 --> 43:04.518 thanks a lot cheers there we will just leave him rambling in a kind of hungover reverie there it seems to me that our listeners are so influential and well connected that if we all gang together we could do something i don't know maybe just get pissed we could take over a tiny corner of the world yeah 43:05.378 --> 43:26.471 so do you want to hear one or two others because we got literally millions literally millions well I'll tell you what let's let's play a little bit more music tie up the text competition introduced it is in the dark and that's the end of the show pretty much we still got 25 more minutes of excitement to go but right now here is a song by the Zutoms 43:42.523 --> 43:49.012 That's the Zootons, the first single to be taken from their second album, which will be out in about a month or so. 43:49.032 --> 43:51.796 And that was called Why Won't You Give Me Your Love? 43:51.816 --> 43:55.501 Probably because you keep shouting at me in that obnoxious way. 43:55.822 --> 43:57.444 So Joe, have you got any other...? 43:58.565 --> 44:01.348 bits of celebrity A-list encounters there. 44:01.729 --> 44:04.572 The sort of pick of the remaining bunch, and thank you to everybody who texted in. 44:05.313 --> 44:15.123 This comes from, man, this is about four texts long, but I met George Lucas and the Danish king while working at the Eurostar terminal in Waterloo. 44:15.163 --> 44:15.784 That's pretty good. 44:16.024 --> 44:17.866 George Lucas and a king, the king of Denmark. 44:18.026 --> 44:20.349 Even though he wouldn't count as an A-lister, but yeah, that's good. 44:20.529 --> 44:24.052 The Danish king was very nice and refused to let me carry his bag. 44:24.292 --> 44:35.600 Lucas was a right S**T and refused to speak to me directly and asked me to make sure nobody walked in front of him while he walked through the departure lounge. 44:36.300 --> 44:37.462 That's from Tim in Harrow. 44:37.502 --> 44:38.963 What was this- what was Tim doing there? 44:38.984 --> 44:39.604 Was he working there? 44:39.624 --> 44:41.126 He was just working at Eurostar, yeah. 44:41.487 --> 44:42.528 Oh, right, there you go. 44:42.668 --> 44:43.950 Bad George Lucas. 44:44.290 --> 44:45.952 So what- he didn't speak to him directly? 44:45.972 --> 44:47.414 Did he speak to him through the Danish King? 44:47.434 --> 44:50.118 No, I've heard stories that Gwyneth Paltrow does that as well. 44:50.778 --> 44:53.762 If you're- if you're Gwyneth Pol- if you're working with Gwyneth, 44:54.603 --> 45:21.596 and she what no she just she just won't have anybody talk to her directly you have to talk to her via her assistant if even if you're standing right next to her right allegedly could you uh could you talk to a wall and have the sound bounce off the wall and then hit her you know you probably get into trouble really do you want to hear a quick that's too direct Annie Lennox won go on then i met Annie Lennox on a bridge in moscow in the freezing cold while she was promoting Greenpeace i care if her arose but the head fell off 45:23.577 --> 45:42.603 that's kind of brilliant and kind of pathetic at the same time so for two people who don't care about celebrity as we claimed at the beginning of the show yeah we've been milking it for about 40 minutes now anyway that's the end of that text competition very enjoyable thanks to everyone who texted in and thanks a lot to NES again for his enjoyable Bowie nappy changing anecdote now it's time 45:46.847 --> 45:55.053 It's the part of the show where myself and Joe Cornish battle it out to decide who will be the person to play the last replay of the two hours here. 45:55.113 --> 46:01.457 And this week, it's all about John Landis movies and songs that have appeared in them. 46:01.698 --> 46:01.998 Thanks. 46:02.318 --> 46:02.618 Here you go. 46:02.638 --> 46:03.919 Do you want to go first or shall I go? 46:03.939 --> 46:11.044 Well, I think you should go first because I've got a choice of two tracks, one very stupid and one very serious. 46:11.104 --> 46:13.606 And what I choose will depend on what you choose, Adam. 46:13.746 --> 46:14.547 Oh, really? 46:14.647 --> 46:14.907 Yeah. 46:15.507 --> 46:16.348 That's not fair. 46:16.488 --> 46:16.828 Why not? 46:17.108 --> 46:18.489 Because you can't do that. 46:18.669 --> 46:19.630 I'm doing it! 46:19.970 --> 46:20.611 Oh no. 46:21.111 --> 46:31.518 Okay, well I'm gonna go for a fairly obvious one, but it's an album that popped up on the old iPod recently and certainly enjoyed hearing it on random play. 46:32.999 --> 46:34.880 Blues Brothers, original soundtrack. 46:35.480 --> 46:39.123 Now, this was something that we were very into when we were teens, wasn't it? 46:39.463 --> 46:43.426 Yeah, because it's your first port of call for non-threatening soul music, isn't it? 46:43.666 --> 46:44.727 Non-threatening R&B. 46:45.027 --> 46:53.773 Before you get into the proper stuff, you get into the silly stuff, which appears on the Blues Brothers soundtrack album. 46:54.153 --> 46:56.155 And it's, you know, when I say silly, it's brilliant stuff. 46:56.195 --> 46:56.735 It's amazing. 46:56.875 --> 47:00.898 There's a sort of thin line between the Blues Brothers and say the Rocky Horror Picture Show, isn't there? 47:01.078 --> 47:05.201 in terms of an easy way for students to get very drunk and have a complete look. 47:05.541 --> 47:10.044 I would say that the music on the Blues Brothers soundtrack is considerably superior. 47:10.084 --> 47:14.388 I would agree, but you know what I mean, it provides you with a costume, music and a themed way to drink. 47:14.668 --> 47:15.408 Yes, absolutely. 47:15.448 --> 47:18.050 And that's a killer combo in the world of film and entertainment. 47:18.070 --> 47:18.510 Definitely. 47:18.631 --> 47:19.591 Anyway, I'll cut this short. 47:19.631 --> 47:20.852 Basically, I want you to vote for 47:22.173 --> 47:40.990 Ray Charles singing shake a tail feather Probably the most superior version of that song which appears on the Blues Brothers original soundtrack It's amazing an absolute smash a brilliant scene as well where they go to Ray's music shop and he just launches into shake a tail feather It's a peach. 47:41.030 --> 47:43.572 I can't really say enough good things about it 47:43.612 --> 47:45.994 I want you to vote for Ray Charles, shake a tail feather from Blues Brothers. 47:46.014 --> 47:47.415 Joe, what are you going for? 47:47.435 --> 47:55.461 Yeah, we should just remind people that all five callers who get on air will win a fantastic competition out of our amazing, uh, uh, prize, I mean, out of our amazing lineup of prizes. 47:55.862 --> 47:57.583 I'm going for something really awful. 47:57.603 --> 47:59.725 Something so terrible. 47:59.745 --> 48:05.209 Uh, some of our older listeners or stupider listeners might remember a John Landis film called Spies Like Us. 48:06.049 --> 48:08.091 starring Chevy Chase and Dan Aykroyd. 48:08.551 --> 48:20.618 Not Landis's greatest moment but quite a good 80s relic and they released a single that they hoped would chart with the theme of the movie it was called Spies Like Us and it was sung by Paul McCartney and Joey Ramone. 48:21.178 --> 48:21.518 Was it really? 48:21.538 --> 48:21.938 Was it really? 48:21.978 --> 48:22.698 Was it really? 48:22.718 --> 48:23.219 Was it really? 48:23.339 --> 48:24.539 Was it really? 48:41.824 --> 48:50.369 It is like someone's destroying a synthesizer with a double-barreled shotgun in Chiselhurst caves with Paul McCartney and Joey Ramone. 48:50.389 --> 48:51.370 Big echoey drum sounds. 48:51.390 --> 48:53.511 There's terrible chanting in it, it's appalling. 48:53.791 --> 49:00.975 So call, no don't call, yeah call 08712221049 and vote for Spies Like Us or Shake a Tailfeather. 49:01.055 --> 49:03.437 All five callers who get on air will win a fantastic prize. 49:04.117 --> 49:04.718 Please call now! 49:09.545 --> 49:10.226 is XFM. 49:10.246 --> 49:10.947 This is XFM. 49:11.047 --> 49:11.228 XFM. 49:39.376 --> 49:41.537 Come on, they've got enough royalties already. 49:41.557 --> 49:45.499 Shall I tell you the end? 50:00.346 --> 50:15.312 of what of this song yeah well basically it goes it's the same and then it ends does it yeah brilliant that's how it ends but it's cold play it's a really good ending so if i spoil the ending for anyone who hasn't heard that before kodgeplodge come on i like them 50:15.832 --> 50:21.877 I like the mighty Coldplay and I think that's a fine song and we're only fading out a bit early because we've got to resolve Ditties in the Dark. 50:22.097 --> 50:22.678 Yes indeed. 50:22.698 --> 50:34.827 This week it is a battle royale between Ray Charles with Shaker Tailfeather and Paul McCartney with Spies Like Us, the unifying element being they're both songs used in John Landis films. 50:35.308 --> 50:35.508 Yeah. 50:36.288 --> 50:36.689 Here we go. 50:36.709 --> 50:37.870 We've got Heather on the line. 50:37.890 --> 50:38.410 Hello, Heather. 50:38.630 --> 50:38.890 Hi. 50:38.910 --> 50:39.671 How are you doing? 50:39.871 --> 50:40.892 I'm good, thank you. 50:40.992 --> 50:43.394 I'm back for my weekly dose of mockery. 50:44.795 --> 50:46.157 Have we spoken to you before, have we? 50:46.517 --> 50:47.238 Quite a few times. 50:48.380 --> 50:50.543 And what defines you in our minds, Heather? 50:50.563 --> 50:51.444 What is it that you do? 50:52.208 --> 50:53.608 Er, what is it that I do? 50:53.648 --> 50:53.848 Yeah. 50:54.568 --> 50:58.469 Erm, well, I'm a graphic design student, but I don't think he knew that before. 50:58.529 --> 50:59.569 Oh, we're finding out more about that. 50:59.609 --> 51:01.370 I think Heather's just got a very sexy voice. 51:01.430 --> 51:03.550 I think that's what defines her in our minds. 51:03.750 --> 51:04.030 Yes. 51:04.310 --> 51:07.291 And every time she calls in, she's at a differing level of sexiness. 51:08.051 --> 51:11.971 Sometimes gravelly, sometimes just tired from exhausting night. 51:12.631 --> 51:13.592 Playfully perky. 51:13.632 --> 51:14.692 Playfully perky, yeah. 51:14.752 --> 51:16.852 This is, this is Heather, you know, wide awake. 51:17.372 --> 51:18.593 So Heather, what are you voting for? 51:18.653 --> 51:21.193 Is it, is it going to be shake a tail feather or spies like us? 51:21.553 --> 51:22.274 spies like us. 51:22.834 --> 51:23.414 You fool! 51:23.534 --> 51:24.235 You lunatic. 51:24.255 --> 51:26.817 How come we told you it's the worst song ever recorded? 51:26.877 --> 51:27.698 She was seduced by your pitch. 51:27.738 --> 51:28.938 I know, I don't want to hear it. 51:28.958 --> 51:30.019 Have you seen that film? 51:30.520 --> 51:31.000 No, I haven't. 51:31.020 --> 51:32.201 It's got some funny bits. 51:32.481 --> 51:36.864 It's a very funny bit where Chevy Chase cheats in a spy exam at the beginning. 51:37.164 --> 51:40.307 And he's got all the stuff written on the inside of his glasses and stuff. 51:40.707 --> 51:41.548 It's quite good. 51:42.108 --> 51:44.870 Heather, I love you for so many reasons. 51:44.930 --> 51:45.711 Now, thanks for calling. 51:45.731 --> 51:46.571 What prize would you like? 51:46.591 --> 51:48.793 Would you like this life on account of the fact that you're a girl? 51:50.126 --> 51:52.427 I watched this live all this week, it was fantastic. 51:52.467 --> 51:54.609 That would be great, I love it. 51:54.709 --> 51:57.170 Okay, copy this live to Heather please, Xanthe. 51:57.630 --> 51:59.571 Thanks very much for your call Heather, have a great weekend. 51:59.872 --> 52:01.092 Joe, how you doing, are you there? 52:01.252 --> 52:02.333 Hello, I'm fine, thank you. 52:02.733 --> 52:03.994 Good, what are you up to this weekend? 52:05.055 --> 52:06.415 Not a lot, nothing in fact. 52:06.755 --> 52:07.336 Go into more detail. 52:07.376 --> 52:10.037 Just going to have a bit of a veg out weekend I think. 52:10.217 --> 52:11.778 What, broccoli, carrots? 52:11.798 --> 52:14.420 Yeah, broccoli, bit of carrots, five a day. 52:14.820 --> 52:16.021 Sounds good man, I like broccoli. 52:16.041 --> 52:18.082 What are you going to be watching on telly tonight then, Joe? 52:18.742 --> 52:19.583 Um, I don't know. 52:19.743 --> 52:21.484 Juice Bigelow I've just got out, so I'm upset. 52:21.564 --> 52:22.505 Oh, well done. 52:22.605 --> 52:24.066 Well, that's going to be quite a challenging evening. 52:24.086 --> 52:25.286 Have you never seen Juice Bigelow? 52:25.587 --> 52:26.067 No, I haven't. 52:26.227 --> 52:26.747 It's not bad. 52:26.827 --> 52:27.128 It's good. 52:27.168 --> 52:29.829 Lower your expectations to the floor and you'll be pleasantly surprised. 52:29.849 --> 52:30.189 It's alright. 52:30.209 --> 52:31.110 Wonderful, I should do that. 52:31.190 --> 52:32.131 What are you voting for, Joe? 52:32.151 --> 52:33.952 Is it going to be shake a tail, feather or something like that? 52:34.352 --> 52:35.653 I'd like to shake my tail feather. 52:35.693 --> 52:36.754 Hey, well done. 52:37.294 --> 52:38.235 Very democratic. 52:38.255 --> 52:42.899 It is an amazingly powerful blast of soul power from the mighty Ray Charles. 52:43.159 --> 52:44.440 Thank you very much indeed for your call, Joe. 52:44.460 --> 52:45.701 Hey, what prize, Joe, would you like? 52:45.781 --> 52:48.323 Maybe because you're a bloke ghost in the shell on DVD. 52:48.784 --> 52:49.844 Yes, sounds wonderful. 52:49.864 --> 52:50.345 There you go. 52:51.266 --> 52:51.706 There we go. 52:51.726 --> 52:52.507 Thanks for calling, Joe. 52:52.547 --> 52:53.227 Hello, Rory. 52:53.728 --> 52:54.088 Hello. 52:54.508 --> 52:55.789 Hello, Rory. 52:56.069 --> 52:56.650 Hi, guys. 52:56.750 --> 52:59.012 You sound slightly fed up with yourself and us. 53:00.741 --> 53:02.042 I'm not fed up in the slightest. 53:02.162 --> 53:02.742 Aren't you good? 53:03.163 --> 53:03.603 Very good. 53:03.623 --> 53:05.444 And I'm very well, thank you. 53:05.604 --> 53:06.444 What are you up to today? 53:06.464 --> 53:08.365 What are you going to be doing for the rest of the day? 53:08.605 --> 53:11.327 I'm currently just doing some Japanese homework. 53:11.914 --> 53:12.915 Japanese homework. 53:12.935 --> 53:13.395 Konnichiwa. 53:13.575 --> 53:17.118 Are you some kind of... Oh, man. 53:17.478 --> 53:21.041 How many words did we know when we were in Japan, Adam? 53:21.061 --> 53:23.202 Adam and I learnt about 10 words of Japan when we were there. 53:23.282 --> 53:24.203 That was impressive. 53:24.603 --> 53:25.864 I wish I could remember one. 53:26.004 --> 53:26.404 Joe desu. 53:26.725 --> 53:28.446 Adam desu. 53:28.606 --> 53:29.427 Ghenki desu ka. 53:29.527 --> 53:30.067 Ghenki desu ka. 53:30.087 --> 53:30.687 Yeah, man. 53:30.928 --> 53:31.988 I love Japan and Japanese. 53:32.008 --> 53:32.289 Well done. 53:32.309 --> 53:32.849 That must be fun. 53:33.630 --> 53:34.610 Yeah, yeah, definitely. 53:34.690 --> 53:35.471 Have you been to Japan? 53:36.250 --> 53:38.331 Yeah, yeah, I went about a year and a half ago. 53:38.351 --> 53:40.913 I want to go back again for a year as part of my university. 53:40.953 --> 53:41.653 You're a lucky man. 53:41.673 --> 53:42.474 So what are you voting for? 53:42.494 --> 53:44.495 I'm going to vote for Spies Like Us. 53:44.855 --> 53:46.016 You're a lunatic. 53:46.176 --> 53:48.077 You can go back to Japan for all I care, Rory. 53:48.117 --> 53:49.798 I love our listeners. 53:49.818 --> 53:51.860 2-1 to the worst theme tune ever recorded. 53:51.900 --> 53:53.841 It's going to sound so good on XFM as well. 53:53.861 --> 53:55.602 Would you like Ghost in the Shell or This Life? 53:56.349 --> 53:58.572 Um, I'll go with, uh, Ghost in the Shell. 53:58.712 --> 53:58.992 Okay. 53:59.593 --> 54:01.776 I'm afraid not. 54:01.816 --> 54:05.420 We gave those away earlier, um, to our David Bowie nappy man. 54:05.440 --> 54:05.620 Okay. 54:05.640 --> 54:06.261 Ghost in the Shell. 54:06.622 --> 54:08.123 Sorry about that, Rory. 54:08.183 --> 54:08.604 On its way to you. 54:08.624 --> 54:09.805 Thanks a lot for your call, Rory. 54:09.865 --> 54:11.007 Okay, we'd better speed this up now. 54:11.047 --> 54:11.708 Greg, are you there? 54:13.154 --> 54:13.374 Greg? 54:13.394 --> 54:14.496 Hello? 54:14.796 --> 54:15.337 Hello, Greg. 54:15.858 --> 54:16.038 Yes. 54:16.298 --> 54:16.819 Are you alright? 54:16.839 --> 54:18.281 Are you on some sort of medication? 54:18.962 --> 54:20.023 Um, no, no, no. 54:20.264 --> 54:22.587 No, you're using some sort of a funny voice though, Greg. 54:22.607 --> 54:27.053 You sound, Greg, you sound dangerously like a man who's just about to say a four letter word. 54:27.073 --> 54:27.834 You sound dangerously. 54:29.775 --> 54:30.235 I'm sorry. 54:30.335 --> 54:31.255 Sorry to disappoint you now. 54:31.595 --> 54:32.296 Okay, cool. 54:32.336 --> 54:33.956 I'm just so into this competition. 54:34.176 --> 54:35.076 Okay, you're a cool customer. 54:35.136 --> 54:36.877 Hey, you're gonna vote for spies like us, please. 54:36.897 --> 54:37.917 Aren't you? 54:38.237 --> 54:38.717 I'm sorry. 54:38.797 --> 54:40.778 Why would anyone in their right mind do that? 54:40.898 --> 54:41.238 Yeah, exactly. 54:41.258 --> 54:42.798 Because you're American and you enjoy pop culture. 54:42.958 --> 54:44.098 You might be Canadian. 54:44.118 --> 54:46.339 Canadian, yeah, whatever. 54:46.499 --> 54:51.660 Well, you see, I actually couldn't be bothered to text in, but I was going to text in a Ray Charles story. 54:52.442 --> 55:17.888 and uh and so i have to vote for a charles okay fantastic you know who you sound like greg is um what's he called we had him in celebrity regression the other day you know the guy from willard uh what's his name oh crispin glover crispin glover yeah come on we got four minutes we got a race thanks so much for calling me greg so that's what is that to all that's to all that's amazing this is a brilliant edition of digits in the doc so paul are you there 55:18.388 --> 55:18.949 Yes, I am. 55:19.149 --> 55:24.233 So you realise this is one of the most important votes since a very important vote, the last one. 55:24.413 --> 55:24.713 Hello? 55:24.793 --> 55:27.195 I'm- I'm- I'm so chuffed that I'm gonna make the decision. 55:27.435 --> 55:31.118 Now Paul, what we want you to do, okay, is we want you to say the following words. 55:31.579 --> 55:37.163 I am going to vote for, and then pause, count to five in your head, and then tell us what you're gonna vote for. 55:37.183 --> 55:38.765 It's all about the pause, it's all about the suspense. 55:38.805 --> 55:38.905 Go. 55:38.925 --> 55:39.145 Okay. 55:39.365 --> 55:39.545 Go. 55:39.645 --> 55:46.251 Okay guys, I'm going to vote for... Some lovely tat to end the show. 55:46.271 --> 55:47.412 To spies like her. 55:47.452 --> 55:47.772 Yay! 55:48.880 --> 55:49.781 I love you, Paul! 55:50.141 --> 55:50.882 Thank you very much indeed. 55:50.902 --> 55:51.503 What a clever man. 55:51.563 --> 55:52.604 Our listeners are brilliant. 55:53.125 --> 55:54.486 The worst song ever recorded. 55:54.947 --> 55:57.329 You can't argue with a Beatle and a Ramone. 55:57.649 --> 55:59.171 Well, unless they're doing this. 56:00.593 --> 56:01.754 Thanks very much for your call, Paul. 56:02.034 --> 56:03.095 Thanks to everyone who called in. 56:03.315 --> 56:05.978 We'll leave you with this terrible, terrible night. 56:06.018 --> 56:06.599 Thank you, Jesus. 56:06.619 --> 56:07.520 We'll see you next week. 56:07.540 --> 56:07.920 Bye-bye! 56:22.241 --> 56:29.610 There's the beautiful people at the spotlight 57:01.991 --> 57:06.494 No one else can dance like me So what's all of us? 57:07.074 --> 57:11.457 Ain't nobody got spine like her What do you say? 57:12.018 --> 57:17.161 No one else can look that way So what's all of us? 58:10.279 --> 58:10.560 XSX